A Brief Guide to Ghost Canyon Fest 2026

Midwife, photo by Tom Murphy

Denver’s premier left field music festival spanning weirdo heavy music to ambient, noise rock to post-hardcore and avant-pop among others runs Thursday August 26, 2026 through Sunday August 30, 2026 in various venues. Below is a brief description of the artists with links. For more information and to buy tickets please visit: ghostcanyonfest.com.

Holy Sons in 2011, photo by Tom Murphy

Th 08.27 at HQ doors 7pm
Holy Sons: Dark psychedelic industrial folk drone.

Kathryn Mohr: Psycho-cinematic pastoral ambient grunge folk.

Ryan Wong & Sunswept: A fusion of improvisational impulses weave together guitar and cosmic flute soundscapes.

Wax Trax Music Panel: DIY In the Age of Slop: A Discussion Sponsored by Smashed Plastic: Local music heads discuss the perilous future in the age of tech bro oligarch vampires.

Six Organs of Admittance, photo from Bandcamp

F 08.28 Free In Store at Wax Trax Broadway Bazaar 4pm
Six Organs of Admittance: Tripped out extradimensional ritual folk noise.

Prairiewolf: Library music jazz kosmiche in the extended IDM spectrum.

Steve Von Till, photo by Bobby Cochran

F 08.28 Hi-Dive 7pm doors
Steve Von Till: Apocalyptic drone psych Americana from one of the founders of Neurosis.

Silkworm: Influential, scrappy, angular, emo-adjacent noise rock.

The Gotobeds: Like a 90s K Records band fueled by a punk interpretation of C86.

Dust Congress: Self-styled “pioneers of the depressive realism genre” but really deconstructed baroque pop.

Supreme Joy: Psychedelic No Wave post-punk. 410,757, 864, 530 Dead Carps can’t be wong.

claire rousay, photo by Katherine Squier

S 08.29 Bug Theate doors 12:30pm doors
claire rousay: Masterful musique concrète ambient collage pop.

Daniel Higgs: Poet, mystic, visual artist and legendary singer/lyricist for Lungfish. Keen crafter of transcendent ambient psychedelia.

Shane Parish Plays Autechre Guitar: Improvisational guitar wizard interprets the electronic music and tonal detail of Autechre for acoustic instrumentation.

Nora Mal: Pastoral shoegaze from Salt Lake City joined by Chaz Prymek of Lake Mary and Mike Fuchs of Passive Tourist.

Moor Mother, photo by Ebru Yildiz

S 08.29 Hi-Dive 6:30pm doors
Kowloon Walled City: Colossal and crushing post-hardcore noise rock.

Moor Mother: Avant-garde free jazz noise and the poetry of cultural heritage.

Water Damage: Organic motorik Neu!-esque drone rock featuring noteworthy members of Austin’s experimental scene including Thor Harris.

ABANDONS: The sound of civilization collapsing and evolving into more exciting forms.

Blacks’ Myths: Free-associating free jazz and drone collage commentary on cultural historical moments.

Watch Yourself Die: Borderline terrifying confrontational performance art post-punk prog.

Arson Charge, photo from Bandcamp

Su 08.30 Wax Trax Broadway Bazaar free in-store, show 1:30pm
Arson Charge: Thrashcore scorchings of the baked in abuse of human culture.

Circling Over: Melancholic, transcendent, shoegaze-adjacent post-metal.

Burn Barrel: Kansas City-based crushing post-hardcore noise rock including members of Canyons.

Dead Rider, photo from Bandcamp

Su 08.30 The Skylark Lounge 4pm
Midwife: Cathartically heartbreaking ambient folk heavenmetal.

Dead Rider: Left field noise rock and experimental electronic strangeness with connection to avant-guitar rock band U.S. Maple.

Great Falls: Relentless and unhinged mathcore.

Violenteer: Brooding, menacing and caustic industrialized noise rock for fans of Unsane and Shellac.

Infinite Ohm: Hypnotic drones and other mind-altering sounds courtesy Justin Lemons (and the name of his studio, label and this project)

Blööd Ôath: Demented and thrillingly abrasive metallic post-punk like a collision of Oblivians and The Cramps.

Queen City Sounds Podcast S6E13: Ghost Canyon Fest

Ghost Canyon Fest organizers Brian Dooley, Sean Dove, Jeremy Brashaw, photo by Tom Murphy

Ghost Canyon Fest presents its fourth edition in 2026 from Thursday, August 26, 2026 through Sunday, August 30, 2026. The festival has from the beginning has showcased some of the most fascinating bands and artists operating in the broad realm of left field rock and experimental music. Noise rock, art punk, ambient, avant-folk, post-metal, art pop, psychedelic folk and more. It has been an extremely well curated festival and on a scale that intentionally makes it easy to catch all of the acts for festival goers if they have the fortitude to make it to all the performances as it isn’t multi-venue at the same time and the final night doesn’t run too late for work the next day. As usual the festival is a mix of acclaimed national acts and some of the most creatively daring bands from Colorado in the realms of music that is at the core of the festival’s curation. This year you can see Holy Sons, Kathryn Mohr
Ryan Wong & Sunswept, a Wax Trax Music Panel called DIY In the Age of Slop: A Discussion, Six Organs of Admittance, Prairiewolf, Steve Von Till, Silkworm, The Gotobeds, Dust Congress, Supreme Joy, claire rousay, Daniel Higgs, Shane Parish Plays Autechre Guitar, Nora Mal, Kowloon Walled City, Moor Mother, Water Damage, ABANDONS, Blacks’ Myths, Watch Yourself Die, Arson Charge, Circling Over, Burn Barrel, Midwife, Dead Rider, Great Falls, Violenteer, Infinite Ohm and Blööd Ôath. The festival takes place at HQ, Wax Trax Broadway Bazaar, Hi-Dive, The Bug Theatre and The Skylark Lounge. For more information and the full schedule please visit ghostcanyonfest.com.

Listen to our interview with Ghost Canyon Fest organizers Sean Dove, Brian Dooley and Jeremy Brashaw on Bandcamp.

Best Shows in Denver and Beyond August 2026

Experimental music festival Ghost Canyon Fest returns August 27-30
Pearl & The Oysters, image from Bandcamp

Saturday | 08.01
What: Pearl & The Oysters w/Green Typewriters and Pleasure Prince
When: 8
Where: Hi-Dive
Why: Pearl & The Oysters is based out of Los Angeles these days via the Gainesville, Florida scene but has its origins when the duo of Juliette Pearl Davis and Joachim Polack met in high school in Paris. Polack earned a master’s degree in muscology with a focus on Brazilian popular music. And you hear that flavor in this band’s output which sounds like a retrofuturist pop band with some jazz informing its compositions and Tropicália flavor but really its own thing with some obvious heavy influence by classic 60s and 70s pop and psychedelia. But its production is lush and from record to record it would be impossible to pigeonhole an exact style including its most recent record Monkey Mind (2026). So it’s only appropriate the art pop psychedelic prog weirdos Green Typewriters and virtuosos of soulful synth pop Pleasure Prince are sharing the bill and thus no downside.

babybaby4ever, photo by Tom Murphy

Saturday | 08.01
What: babybaby4ever, Sonic Chick, Mon Cher and PEPPERSACK
When: 7:30
Where: Squirm Gallery
Why: babybaby4ever will bring her tonally immersive indie synth pop to places well beyond Denver following this tour kick-off show and win over audiences far and wide. For the occasion you’ll get to see lo-fi synth-infused dream pop project Mon Cher, darkwave dance duo PEPPERSACK and the lo-fi, Half-Japanese-esque emo band Sonic Chick—fans of K Records bands of the 90s will definitely find much to like about the latter and its new record All Star Hits.

Let the Dead Eat the Dead, photo by Tom Murphy

Saturday | 08.01
What: Let the Dead Eat the Dead, Part Weapon and The Picture Tour
When: 8
Where: The Skylark Lounge Bobcat Club
Why: Let the Dead Eat the Dead is the new project that rose up from the remnants of Bad Luck City. Similar dark Americana and poetry with wit, intensity and an unpretentious earnestness that one would come to expect from the musicians involved including ex-members of Random Victim, Red Cloud, Slim Cessna’s Auto Club and Snake Rattle Rattle Snake. Part Weapon will being its fusion of noisy post-punk and industrial sounds and The Picture Tour will fill the room with deeply atmospheric, melancholic moods and late night drive intensity circa early Nicolas Winding Refn cinema.

TV Star, photo from Bandcamp

Monday | 08.03
What: TV Star w/Angel Band, Pink Lady Monster and Pulse
When: 7
Where: Seventh Circle Music Collective
Why: TV Star from Seattle recently released its new album Music For Heads which can have multiple meanings but for fans of the kind of crossover of shoegaze, C86 pop and pastoral Americana its exactly in your wheelhouse. Delicate and intricate guitar melodies and layered textural sounds with winsome vocals make the band’s new record and its Unrest-esque sound a repeat listen. Opening of course are purveyors of perfect indie pop Angel Band and Pink Lady Monster, the neo-No Wave art pop geniuses from Denver.

Cat Power, photo courtesy the artist

Monday | 08.03
What: Cat Power: Anniversary of The Greatest Tour
When: 6:30
Where: Chautauqua Auditorium
Why: Cat Power released her album The Greatest in 2006 to great acclaim. Recorded in Memphis, TN, the album included contributions from the late, great Mabon “Teenie” Hodges renowned for his contributions as guitarist and songwriter on several of Al Green’s hits as well as other notable artists in the realm of soul and R&B. And other greats of soul music including bassist Leroy Hodges. The record contains some of Chan Marshall’s most intimate songs in a career of intimate songwriting and there is a warmth and affection in much of the searching and heartbreak and at times resolution found across the album’s twelve tracks. This is a rare opportunity to catch these songs live in a venue as uniquely beautiful and rustic as the Chautauqua Auditorium.

Melvins, photo by Chris Casella

Friday | 08.07
What: Tomahawk w/Melvins
When: 6:30
Where: Ogden Theatre
Why: Tomahawk is the experimental metal band comprised of Mike Patton (Mr. Bungle, Faith No More etc), Duane Denison (The Jesus Lizard et. al.), John Stanier (Helmet) and Trevor Dunn (Mr. Bungle, Secret Chiefs among others). Considering the people in the band how metal is it and really more experimental, art rock noise rock with Patton’s versatile and powerful vocals. Opening is Melvins who reliably put on a powerful performance of heavy music of great nuance and imagination and with every tour they try to do something different and other than touring with Tomahawk in this format it would be worth showing up to find out what Melvins have in store.

The Jayhawks, photo by Steve Cohen

Saturday | 08.08
What: The Jayhawks
When: 7
Where: Chautauqua Auditorium
Why: The Jayhawks are unarguably one of the most influential Americana bands of the past four decades plus since forming in Minneapolis in 1984. They were early pioneers of what came to be called alternative country. Its 1992 album Hollywood Town Hall is a landmark record for the style and refreshingly out of step with the trendy sounds to emerge from early alternative rock. The group went on hiatus in 2005 while its members pursued other creative endeavors. Briefly reuniting again from 2009-2012 The Jayhawks have once again been an active band since 2014 with a new album Sanctuary Park due out August 28, 2026 with the eclectic yet coherent sound that has marked the best of The Jayhawks’ later work integrating some deeper atmospheric melodies and uplifting rhythms into the songwriting. Of all the venues along the front range Chautauqua was basically built for experiencing this kind of music.

Sugar, photo by Ryan Bakerink

Tuesday | 08.11
What: Sugar w/J. Robbins
When: 7
Where: Mission Ballroom
Why: After the collapse of punk legends Hüsker Dü, guitarist and singer Bob Mould released two acclaimed solo albums and came to recruit David Barbe (formerly of the great Athens, GA post-punk band Bar-B-Que Killers) and Malcolm Travis (who had been in early Boston New Wave band Human Sexual Response) to work with in the near future. The band they would dub Sugar became in its own right one of the more popular and influential of the early 90s alternativ rock bands. With a song pace that wasn’t as headlong as Mould’s previous band was known and more developed melodies the group’s debut album Copper Blue (1992) was instantly at hit with college and the nascent alternative rock radio. Mould had learned a lot from Nirvana who he influenced in terms of pop songcraft with spirited performances and he was finally able to somewhat capitalize on the sound his songwriting and guitar style had directly impacted. Sugar only released two albums and an EP before splitting in 1995 but all of those releases contain some of the finest music Mould has worked on to date. When the grop announced it was back together and playing live shows again it was arguably simultaneously one of the least expected and most anticipated reunions of recent years. And if you’ve seen Mould’s band recently you know it’s not going to be subpar.

Shonen Knife, phot by Kai Taylor

Tuesday | 08.11
What: Shonen Knife – Osaka Ramones Set & Shonen Knife Favorites Set w/Bricheros and Flight Kamikaze
When: 7/7:30
Where: HQ
Why: Shonen Knife is the Osaka, Japan punk band that has been running since 1981. An influence on people like Nirvana the group was invited into the international alternative music scene in an opening slot for Sonic Youth in Shonen Knife’s hometown in 1987 and then later for their first North American gig in Los Angeles shortly after. And in 1991 Shonen Knife was asked to open for Nirvana for the European leg of their tour before Nevermind signaled the commercial ascendance of alterntive rock. But all along Shonen Knife has perfected the art of blending punk spirit and power pop with infectiously catchy melodies and songs with themes of simple joys in life. In 2026 the trio re-recorded and released its 1992 classic Let’s Knife as Let’s Knife Re-Cut. For this tour the group will perform a set of its favorite Ramones songs as well as selections from its own prolific catalog of great punkified pop.

Widowspeak, photo from Bandcamp

Wednesday | 08.12
What: Widowspeak and Dead Gowns
When: 7
Where: Hi-Dive
Why: Since 2010 Widowspeak has created music that weaves together countrified slowcore and intimate dream pop like they came up inspired equally by Luna and Mazzy Star. The group early on was a four-piece but is now the core duo of guitarist/vocalist Molly Hamilton and guitarist/multi-instrumentalist Robert Earl Thomas. The 2026 album Roses is about love in its various forms and often about the subtle kinds taken for granted and not pored over and examined and recognized as such.

Josaleigh Pollett, photo by PJ Guinto

Friday | August 14
What: Josaleigh Polett w/A Place For Owls, mlady and Vanna Blue
When: 6pm
Where: D3 Arts
Why: Josaleigh Pollett is a singer-songwriter based out of Salt Lake City that has been developing an eclectic and inventive body of work since 2012 that could loosely be called indie pop. But from record to record, Pollett has experimented with production, songwriting and a blend of organic and electronic elements. The 2026 album If I Let It Quiet is a lushly produced, deeply evocative listen that guides the listener on an existential journey through modern anxieties and uncertainties with a gentle touch and expansive rhythms, cloaked in soothing atmospheric textures. Now available on vinyl via Audio Antihero. A Place For Owls might be described as a slowcore emo band and based in Denver. The band has previously collaborated with Pollett who also contributed to the band’s forthcoming album All Thieves Vol. 1 due out September 25, 2026.

Church Fire, photo by Tom Murphy

Saturday | 08.15
What: Parlour Magic w/Church Fire and Cruel Mourning
When: 7
Where: HQ
Why: Parlour Magic is a synthpop project from New York City that recently released its latest, and third, album The Embassy. The music is in the vein of 1980s sophistipop with hints of R&B in the vocal delivery and layers of moody melody and cinematic production that captures a sense of isolation and yearning. Opening is industrial synthpop powerhouse now quartet Church Fire whose vibe will be much more confrontational yet inviting like they challenging the audience to join in raging against oppressive forces of the world. Denver’s Cruel Mourning recently released its new album Modern Tension that sounds like it is informed by 2010s synthwave with the pulsing rhythms but also the more synthpop end of darkwave.

Primitive Ring, photo from Bandcamp

Saturday | 08.15
What: Primitive Ring, Cherry Spit and Blööd Ôath
When: 8
Where: Hi-Dive
Why: Primitive Ring is a heavy psych band from Los Angeles that includes Charles Moothart who some may known for playing in various other bands including with Ty Segall, Moonhearts, Fuzz and Mikal Cronin. The group released its debut, self-titled full-length on May 15, 2026 and it sounds like a fine evolution beyond stoner rock and garage psych fusion but retaining the tonal richness and knack for a solid hook. Opening are two Denver bands that burst genres. Blööd Ôath is like an intentionally primitive noise rock post-punk thrash band with genuine grooves and a weirdness worthy of the Cramps. Cherry Spit is a ferocious amalgam of post-punk, post-hardcore and arty noise rock and defies easy comparisons.

zzzahara, photo by Lyndsey Byrnes

Saturday | 08.15
What: WILLIS w/zzzahara and The Flooks
When: 7
Where: The Bluebird Theater
Why: WILLIS based out of Nashville, TN that recently released its latest EP Locals 5. Stylistically it’s reminiscent of surf-inflected indie psych from around a decade ago which means it’s probably going to have a nice summertime mood and nostalgic appeal to a lot of people evoking memories of the before times when things likely felt less complicated and at least seemingly less fraught with pressing and constant peril and chaos. We all need a break from that reality sometimes. One of the opening acts, zzzahara, put out their album Distant Lands in June 2026 and its layered, bedroom pop style truly sounds like a dream-journey of self-discovery and healing. Inspired by a dream in which the songwriter spoke to their departed brother the record is steeped in embracing authentic feelings that we often keep buried as we hurtle through our lives. It is an album about reconnecting and perhaps growing from that process. It could be described as dream pop, shoegaze, psych and all the other atmospheric guitar genre tags you want but it also sounds like it’s informed by the possibilities of production and in some ways is like a pop cognate of They Are Gutting a Body of Water.

Paul Riola and band, photo courtesy the artist

Thursday | 08.20
What: Shadow and Light
When: 7/7:30
Where: The Fox Theater (Aurora)
Why: Paul Riola is a saxophonist and composer who has long been a fixture of the Denver improvisational music and ambient scene. His prolific collaborations have graced various stages throughout the city and beyond and his command of cinematic soundscaping is honed from years of working within the realm of experimental music for over 30 years. He grew up in the Denver Metro area before moving to Portland, Oregon in the early 90s for around a decade where he came into contact with Nels Cline and recorded with him as well as Jeff Parker of Tortoise. If you’ve been to a sufficient number of improvisational music shows in the Denver underground in the past 20 years and more it seems unlikely that you haven’t had a chance to witness Riola’s skill in blending in with various other instruments and specific styles to create something that while improvisational always sounds composed to strike a deep mood. His latest project is Shadow and Light, an immersive collaboration that involves music, installation art and video collage. Taking place at the Fox Theater in Aurora, Colorado on August 20, 2026 the event brings together Riola with guitarist Colin Bricker, guitarist Emmanuel Alexander, drummer Sam Kok, visual collage artist and videography Elicia James, set designer Brandon Case, Olivia Kirkpatrick for live VJ performance and video sampling along with Wesley Schwarz also with live VJ and video sampling and lighting. The unique concert experience will blur the line between various disciplines of visual art, overlapping aesthetics and methods of sound and composition to evoke an emotional resonance with all involved.

Courtney Barnett, photo by Lyndsey Byrnes

Friday | 08.21
What: Courtney Barnett w/Zoh Amba
When: 7
Where: Mission Ballroom
Why: Courtney Barnett is one of those most acclaimed songwriters of the past decade and a half with a rich and vibrant body of work including her fourth full length album Creature of Habit which dropped March 27, 2026. Written after Barnett relocated from her Melbourne, Australia to Los Angeles the record includes contributions from expert drummer and producer Stella Mozgawa who was part of Barnett’s previous two releases but also some vocals from Waxahatchee, bass from Flea and some synth from Floating Points. But the record is all Barnett’s signature clever and personally insightful lyrics and seemingly a record contemplating major changes in one’s life circumstances and reflecting on choices and embracing the change one has pursued in the end. The record feels a touch more introspective than prior albums but highlights Barnett’s ability to speak with sensitivity and poetic delicacy to the parts of our brains that are given to anxiety and insecurity and soothe that energy with emotional honesty.

Dillon Francis, photo by Broylen Bowers

Saturday | 08.22
What: Dillstradamus Tour: Dillon Francis and Flosstradamus
When: 8
Where: Mission Ballroom
Why: Dillon Francis became one of the bigger names in 2010s EDM through not just his skill as a producer but also via his skillful use of social media and engaging with a fanbase in a way that has been entertaining for years. He has helped to popularize moombahton, the blend of house and reggaeton through high energy performances that has been part of keeping EDM a going concern in the live concert setting. For this tour Francis teams up with Flossatradamus, one of the pioneers of trap whose own career predates Francis’ by a few years. They 2010s massive heyday of EDM has died down some but Francis and Flosstradamus have been proving that the artform can still be valid and exciting in the large room format.

Only Echoes, photo from Bandcamp

Saturday | 08.22
What: Only Echoes album release w/Creek, Seed of the Sorcerer, Womb of the Witch and Lovesick for Mina
When: 7
Where: Hi-Dive
Why: Only Echoes is a heavy post-rock/instrumental metal band from Denver. For this show the quartet is releasing its latest, third, album of contemplative, existential journeys Born Adrift on CD, blue marble vinyl, cassette, digital download and streaming. Live the frequencies will get into your body and carry you along on the epic adventure of the music.

Her New Knife, image from Bandcamp

Wednesday | 08.26
What: Her New Knife, Blackberry Crush and The Red Scare
When: 7
Where: Hi-Dive
Why: Her New Knife blurs any boundaries between noise rock, shoegaze and electronic music in a way that is resonant with fellow Philadelphia band They Are Gutting a Body of Water and UK duo Jockstrap. Its 2024 album chrome is lullaby is haunted and gritty and in moments is reminiscent of Dry Cleaning. Blackberry Crush is a one of the best Denver-based shoegaze outfits who learned soundscaping beyond some bands that appear to have evolved one or two steps from garage psyche. The Red Scare from Fort Collins are like-minded in the milieu of noisy, post-punk-infused shoegaze.

Tune-Yards, photo by Shervin Lainez

Friday | 08.28
What: Tune-Yards
When: 7
Where: Meow Wolf Convergence Station Perplexiplex
Why: Tune-Yards is the Oakland-based duo that has exerted a not often obvious influence on the indue underground for production and songwriting technique by making the most of loops early on and evolved on later releases. Like a mix of R&B, live beat-making, psychedelic folk and non-Western pop. The project’s most recent EP Tell The Future With Your Body hits like an indie Grace Jones record in some ways with Merrill Garbus’s powerful vocals the usual soul standout.

Th-Su | 08.27-08.30
What: Ghost Canyon Fest
When: Varies
Where: HQ, Hi-Dive, The Bug Theater, The Skylark Lounge,
Why: Denver’s premiere experimental music fest returns with its fourth edition including some of the most riveting and innovative artists operating in the world today with four nights and three daytime showcases at multiple venues. See the schedule below. Our guide to the festival with brief descriptions of the artists coming soon.

Th 08.27 at HQ doors 7pm
Holy Sons
Kathryn Mohr
Ryan Wong & Sunswept
Wax Trax Music Panel: DIY In the Age of Slop: A Discussion Sponsored by Smashed Plastic

F 08.28 Free In Store at Wax Trax Broadway Bazaar 4pm
Six Organs of Admittance
Prairiewolf

F 08.28 Hi-Dive 7pm doors
Steve Von Till
Silkworm
The Gotobeds
Dust Congress
Supreme Joy

S 08.29 Bug Theate doors 12:30pm doors
claire rousay
Daniel Higgs
Shane Parish Plays Autechre Guitar
Nora Mal

S 08.29 Hi-Dive 6:30pm doors
Kowloon Walled City
Moor Mother
Water Damage
ABANDONS
Blacks’ Myths
Watch Yourself Die

Su 08.30 Wax Trax Broadway Bazaar free in-store, show 1:30pm
Arson Charge
Circling Over
Burn Barrel

Su 08.30 The Skylark Lounge 4pm
Midwife
Dead Rider
Great Falls
Violenteer
Infinite Ohm
Blööd Ôath