Tag: Cruel Morning

Sunday | 06.01
What: Peach Pit w/Briston Maroney and BNNY
When: 6
Where: Red Rocks Amphitheater
Why: Peach Pit started off at an unusual time in pop and rock music. The mid-2010s indie world was dominated by surf rock, psych and some reinterpretation of classic rock sounds. Fortunately, the quartet from Vancouver, British Columbia seemed to have focused more on songwriting craft rather than trying to play a style or fit in with a trend. The result has albums that have interesting arrangements and reveal a real ear for creating a mood and telling stories of romance, breakups and all the heartache and mixed emotions involved. The group recently released the “expansion pack” (kudos on the nerdy gamer lingo) version of its 2024 Magpie and includes alternate versions of eight songs, a cover and new material. Better than half a chance you’ll get to see some of that live. And the openers for this show are worth showing up to catch. Briston Maroney just released his latest and third album Jimmy on May 2, 2025. Even early in his career, Maroney had a knack for imbuing his songwriting and performances with an honesty and vulnerability that transcended any stylistic affectations he picked up from influences. On the new record Maroney delivers some heavy lines but in the context of songs with an upward emotional swing that doesn’t downplay the melancholic moods and the raw places in his heart that inspired the lyrics. BNNY might for those familiar with the music and songwriting is best experienced in a small club because the delicacy and intimacy of the music feels like something a handful of people would connect with more immediately than a large audience. But Jessica Viscius’ songs also have a cinematic quality that will fit perfectly fine on a bill with other artists who don’t hesitate to present music with an emotional openness and an inviting spirit.

Sunday | 06.01
What: E.T. (Minneapolis synth punk), Redder Moon (KC darkwave) and Church Fire
When: 7:30
Where: D3 Arts
Why: Egalitarianism Today (E.T.) might be described as an anarcho-darkwave band. From Minneapolis, the duo’s pulsing rhythm and driving beats are represented well on its new album Full Anarchism. Think something musically like Lords of Acid but with lyrics that delve into science fiction concepts, radical left political rhetoric and the dire consequences of destructive worldviews rather than hedonism. Church Fire is thus of course the perfect band to share the bill with its own righteous industrial dance music. Church Fire expertly weaves in humor and fun into its performances while so many of its songs are heartbreaking in their evocation of collective agony. Kansas City’s Redder Moon is more of a post-punk band but one with the synth augmenting its gorgeously melancholic songwriting.

Wednesday | 06.04
What: Lords of Acid w/Little Miss Nasty
When: 7
Where: The Oriental Theater
Why: Lords of Acid is the Belgian industrial dance band that has combined campy, sexually explicit lyrics with undeniably well-crafted dance club music. Its 1991 debut album Lust is a classic of both dance music and EBM. The live show is also not short on theater and bombast with long-time band leader Praga Khan hyping the crowd with his own enthusiasm and on stage antics. The band seems on the verge of releasing a new record and this may be the opportunity to catch it live in full effect.

Wednesday | 06.04
What: Ava Maybee w/Annika Rose and Emi Grace
When: 7
Where: Larimer Lounge
Why: Ava Maybee is touring behind her debut EP Orange Drive. Although the daughter of Chad Smith of Red Hot Chili Peppers fame, Ava Maybee’s music isn’t much like what her dad is known for being a part of making. Hers is a vibrant alt-pop informed by vivid everyday observations and colorful splashes of melody. That and her uniquely commanding vocals. There is some light vocal processing on the EP but you can tell there is power and conviction behind what you’re hearing and the variety in the songwriting is evidence that Maybee isn’t stuck in one flavor of music.

Wednesday | 06.04
What: Ringo Deathstarr w/American Culture
When: 7
Where: HQ
Why: Ringo Deathstarr is a shoegaze band from Austin, Texas who despite a humorous name and recorded material that is reminiscent of classic shoegaze band is as a live act a force to be reckoned with. The enveloping atmospheric elements have a visceral presence in person and the songwriting isn’t finely honed with an ear for using the more psychedelic side of the style in a manner that reveals the band isn’t just using neat effects, they know how to use the often unpredictable sonic shapes to great effect. Opening is Denver’s American Culture whose own shoegaze turn has also been one more in the direction of the earlier, weirder Britpop but steeped in punk and indiepop.

Thursday | 06.05
What: OMD
When: 7
Where: The Paramount Theatre
Why: Orchestral Manoeuvres in the Dark aka OMD were one of the pioneers of synth pop as we know it though clearly in the realm of post-punk as also influenced deeply by Kraftwerk. Its first five albums are practically a blueprint for synth-infused New Wave and one that has aged exceptionally well because the songwriting wasn’t tied to the aesthetics of a movement and the subject matter of the music was as personal and emotional as it was conceptual. As a live band OMD also came off like a punk band with a lot of power and charisma that gave a dimensionality to the music that sticks with you once you’ve seen the band in person. This quality persisted up to the current time and in 2023 OMD surprised many with the release of Bauhaus Staircase, an album worthy of its early era with richly composed songs and synth work and song ideas that comment on human civilization in this moment with an insight not common enough in popular music.

Thursday | 06.05
What: Pig Destroyer w/Cephalic Carnage, Author & Punisher and Sex Prisoner
When: 7
Where: Gothic Theatre
Why: Pig Destroyer is the influential grindcore band from Alexandria, Virginia whose 2004 album Terrifyer got the 20 year anniversary treatment last year as a reminder that the band was not just of that moment in grindcore but ahead of its time. Sharing the bill is legendary Denver death metal jazz weirdos Cephalic Carnage, industrial avant-metal project Author & Punisher and Tucson-based deathgrind group Sex Prisoner.

Friday | 06.06
What: Daikaiju vs. TripLip, Smokey Mirror and Black Yeti
When: 8
Where: Hi-Dive
Why: Daikaiju is the long-running, mutant surf punk band originally from Huntsville, Alabama but now based out of Houston. The group wears masks kabuki style and its live shows are joyful and highly energetic and theatrical and usually with an outdoor component involving fire. In general it could be gimmicky and silly but Daikaiju makes it feel like getting to see something special. TripLip is a math-y punk thrash band from Denver. All instrumental with bass and drums but coming off with a full wall of sound and surprisingly visceral and riveting.

Saturday | 06.07
What: Wombo w/Mainland Break and Spliff Tank
When: 8
Where: Hi-Dive
Why: Wombo is the psychedelic post-punk/art pop band from Louisville, Kentucky that has been evolving a sound that is part introspective delicacy, playful menace and the kind of angular rhythms one might expect out of a DC post-hardcore band. Think a 2000s indiepop group that got into darker and more challenging music. The band is currently touring ahead of the release of its new album Danger in Fives due out on August 5, 2025 via Fire Talk Records.

Sunday | 06.08
What: Blondshell w/Jahnah Camille
When: 7
Where: Gothic Theatre
Why: Anyone that caught Blondshell on her 2022 tour prior to the release of her debut album witnessed a songwriter and performer that had uncommon self-possession and a willingness to incorporate movements in the live show that were like acrobatics in slow motion but without missing a beat or a line. Since then Sabrina Mae Teitelbaum aka Blondshell has released two albums of vulnerable and commanding indie rock imbued with great personal insight a musical edge that adds a touch of scrappy spirit to finely crafted melodies. The latest Blondshell album If You Asked For a Picture is brimming with the kind of emotional honesty one would hope for in any pop music worth listening to and Teitelbaum’s absurdist and self-aware sense of humor that has made much of her music as endearing as it is heartfelt. Also on this tour is Birmingham, Alabama-based singer and songwriter Jahnah Camille who is about to release her new EP My sunny oath! Camille’s music is swimming in the granular atmospherics that blur the line between early 90s alternative rock and the more ambitious, shoegaze adjacent modern indie rock. Camille’s vocals ground the emotional resonance of the music with a sense of intimacy. The layered guitars utilize the mix of acoustic and electric to great effect lending Camille’s songs a wide range of sounds. The songwriter’s lyrics are both thoughtfully poetic and filled with a heartache that she has clearly explored to its inner depths and outer edges and articulated the nuances and complexities of truly feeling for another person.

Tuesday | 06.10
What: Panchiko w/Alison’s Halo
When: 7
Where: Summit Music Hall
Why: The myth of Panchiko could be more interesting than its actual music and it’s a story worth delving into of a band whose late 90s and early 2000s music was rediscovered on poorly preserved CDs but garnering a cult following before discovering they could return and be much more successful than its first go round. Since reuniting the dream pop/psychedelic band has released two full length albums including 2025’s Ginkgo. Sharing the bill is Alison’s Halo who also started in the early 90s as part of that first or second wave of dream pop before splitting in 1998 only to reconvene in 2009. Musically it appears to have melded the lingering melodicism of Slowdive and its more gritty early music with the ethereal vocal style and rhythmic dive of Lush but of course transmogrified into its own heady soundscapes.

Tuesday | 06.10
What: David J spoken word w/The Milk Blossoms and Gogo Germaine + Shon Cobbs
When: 7
Where: HQ
Why: David J is of course the artist known best for being a member of Bauhaus and Love and Rockets. This year he is releasing a new album The Mother Tree alongside a book of poetry titled Rhapsody, Threnody & Prayer. The album is spoken word and spare yet musical accompaniment, evocative and music of introspective moods to match the tenor of David J’s reflective rhetoric in tribute to his mother. Opening the show is Glory Guitars (2022) author Gogo Germaine with music by former Plume Varia guitarist/synth player Shon Cobbs and the emotionally charged poetry of the music of Denver indiepop band The Milk Blossoms.

Wednesday | 06.11
What: PINES at Meow Wolf w/Sugar Nova (ft. Luke Miller of Lotus)
When: 8
Where: Meow Wolf Convergence Station Perplexiplex
Why: Australian electronic duo PINES returns to Denver for it’s second visit to the Mile High City in support of its new EP SUN which released on April 15, 2025. The new songs are a further evolution of the project’s uplifting fusion of EDM and glitch pop. Listening one gets the sense that PINES are soundtracking a movie in their own heads taking place in a realm of perpetual summer nights and the psychological and emotional space to truly delve into feelings and embrace the broad range of the human experience without getting stuck in the lowest lows or the highest highs because none of that is sustainable. The music should also resonate with fans of early 2010s chillwave.

Thursday | 06.12
What: Julia Wolf w/Worry Club and Ellis
When: 6
Where: The Marquis Theater
Why: Julia Wolf appears to have been processing hard lessons of being in the music business lately and the demands and compromises required of you if you’re going to be the kind of artist that can sustain a career. The cover of her new album Pressure (May 23, 2025) shows Wolf leaning backward and held up by hooks or some other device like she’s a suspension artist. The music is still well within the realm of the intimate, raw and often experimental pop that has garnered Wolf a respectable following but this new record is much more noisy and gritty with Wolf’s expressive vocals awash in crafted beats like a an amalgamation of industrial music, trap and glitchcore but with an undeniable pop accessibility.

Friday | 06.13
What: Glass Human w/The Milk Blossoms and Fainting Dreams
When: 8
Where: Hi-Dive
Why: Glass Human is issuing its latest release on vinyl, The Hive. The record showcases the band’s atmospheric, jazz-tinged art rock and gift for layering rhythms and moods for an effect like a prog album cast in an almost downtempo mode. But the 4-song EP dives deep into utilizing noise and the kind of soundscaping that doesn’t fit into a narrow genre yet expresses perfectly the sense of a world and a psyche swimming through the nascent disorder of the current era and embracing the vital strands of meaning that remain. The Milk Blossoms too have an undercurrent of experimental structures and unconventional, often intuitive modes of expression held together by Harmony Rose’s gift for impressionistic and emotional, poetic storytelling. Fainting Dreams is at this point a wonderfully stark yet atmospheric fusion of stark post-hardcore and emotionally-charged black metal.

Saturday | 06.14
What: Sunflower Bean w/Gift and Dry Ice
When: 8
Where: Hi-Dive
Why: Sunflower Bean released its latest album Mortal Primetime in April 2025. Perhaps more than its previous releases the new album makes obvious the trio’s talent for songwriting and crafting melodic hooks. The band had already proven itself capable of experimenting to great effect in genre and song structure and in writing solid pop songs. There is just a creative clarity in the new set of songs that serves the elegance and emotional nuance of the words and the delicacy of much of the music that pairs well with when the band gets into much more gritty sonics. Overall the record has an analog quality like some long lost-70s rock record without having immediately obvious touchstones. And live the group has always had a visceral presence that makes even its most tender songs resonate with an uncommon intensity.

Saturday | 06.14
What: Yelawolf and Three 6 Mafia
When: 7
Where: Mission Ballroom
Why: Yelawolf is a rapper originally from Alabama who has spent the last 20 years exploring his musical curiosities mainly in the realm of hip-hop but in recent years also in Sometimes Y, his rock band with Shooter Jennings. There was some speculation he would stop making hip hop but in 2024 he released his latest album War Story. True to form the record is stylistically diverse with live instrumentation and atmospheric and moody beat-making to frame his stories of American life in a fashion opposite of the portrait of luxury and the good life common in the songs of more mainstream hip-hop artists. Yelawolf also recently collaborated with J. Michael Phillips on a new album Whiskey & Roses that drops July 11, 2025. It’s mix of soulful and atmospheric country with hip-hop style beats and production in a way that draws on the strength of both styles of music. Co-headlining this show are southern hip-hop legends Three 6 Mafia, pioneers of horrorcore and an influence on Yelawolf. Their own inventive beats and energetic and creative vocal delivery has yielded a career of music that feels like it’s ahead of its time while awash in contemporary cultural resonance.

Tuesday | 06.17
What: Broncho
When: 7
Where: The Bluebird Theater
Why: Broncho originally came out of Norman, Oklahoma when former Starlight Mints member Ryan Lindsey launched the group shortly after his old band dissolved. Since then Broncho has been fairly prolific and seeming to pursue a unique musical vision with each album. The earlier records were in the lane of garage rock psychedelia but not in the cookie cutter fashion that plagued the 2010s. Always weirder and more interesting and genuinely transporting. The band’s new record Natural Pleasure (2025) is steeped as well in a vintage, analog sound and mood like something that picked up where girl groups left off in the 60s but not where The Ramones took that inspiration, more resonant with what Cindy Lee did on 2024’s sprawling epic Diamond Jubilee. So more haunted and imbued with what some might call intentional imperfections but really lending the melodies character and a quality that doesn’t feel like an obvious imitation of something else.

Wednesday | 06.18
What: The Blue Stones w/Meltt
When: 7
Where: The Gothic Theatre
Why: The Blue Stones are a blues rock duo from Windsor, Ontario, Canada currently touring in support of its 2025 album Metro. A fuzz-drenched affair with at least some rhythms that set the band apart from the standard issue blues rock bands that operate in every city of size in North America. Opening the show is Meltt from the western end of Canada in Vancouver. Its own sound has some similar roots as The Blue Stones but Meltt clearly combines an electronic music aesthetic into its psychedelic sound. There is a tranquility at the heart of Meltt’s songwriting that puts a focus on reflective moods in crafting uplifting and soothing melodies that transport the listening supported by rhythms that draw upon downtempo dance music. The effect is a lush fusion of dream pop and chillwave.

Friday | 06.20
What: Magic Cyclops, Jocko Homo, Mr. Pacman and Little Fyodor
When: 8
Where: Hi-Dive
Why: Magic Cyclops aka Scott Fuller is celebrating 25 years as a performance project that is part comedy, part synth music of various stripes and all absurd. Along for the proceedings are Devo tribute band Jocko Homo, the surreal and inspired synth punk band Mr. Pacman and avant-garde punk pop artist Little Fyodor and maybe he’ll have his full band with him for this show as well. Maximum weirdness for the month in Denver.

Friday | 06.20
What: Salin w/Tyler Adams Organ Trio
When: 7
Where: Cervantes’ Other Side
Why: Salin is a drummer, producer and composer who was born in Thailand but based in Montréal. The Juno-nominated artist has built a body of work that sounds like a fusion of psychedelic Afrobeat, summery downtempo, funk and cosmic jazz with sounds and ideas from indigenous Thai musical traditions. Her live performances reveal a musician who brings undeniably positive energy to the shows and great nuance of polyrhythms while making musically sophisticated songwriting accessible. There’s something uplifting and soothing to Salin’s work solo and with her ensembles. Fans of Kamasi Washington will find some resonance here in terms of the richness of tones and sheer ability to communicate complex emotions through the music alone.

Saturday | 06.21
What: Perfume Genius w/Ulrika’s Bedroom
When: 8
Where: Gothic Theatre
Why: Over the past decade and a half Mike Hadreas aka Perfume Genius has well established himself as a writer of sophisticated and emotionally vibrant pop songs imbued with an orchestral sensibility. Hadreas combines in his songwriting a vulnerability and confidence that is immediately captivating. On stage the artist has a theatrical flair worthy of 1970s glam rock legends. The new Perfume Genius album Glory is fascinatingly raw, intimate and tender and expansively atmospheric in just the right measure throughout. Like an indie folk album but resonating with cinematic production and rich emotional coloring. Will guest vocalist Aldous Harding tour just to perform “No Front Teeth” and bring with her that special, experimental pop weirdness? Likely not, but either way this is a chance to see Perfume Genius touring in support of what is arguably his best record to date.

Saturday | 06.21
What: EMF and Spacehog w/Ecce Shnak
When: 7
Where: The Oriental Theater
Why: EMF will forever be linked to their 1990 breakout single “Unbelievable” which was ubiquitous on college and then pop radio in the US in 1991 after emerging on UK charts the year of its release. The song got a further boost when the band put out ots debut album Schubert Dip in 1991 as well. But the band was never able to fully capture the excitement that the debut single seemed to instill on first hearing it and by the late 90s EMF had split. With some reunion gigs in the 2000s EMF returned to being active in time to release its first album in 27 years with Go Go Sapiens and returned to atmospheric rock informed by dance music roots but with a clear ear for modern production and with songwriting instincts that have evolved and whose early aesthetics have aged well. Spacehog co-headlins this bill. The band consists of four men from England who were living in New York City when the group formed in 1994 and as wouldn’t be so strange for those heady times had a major label deal yielding its 1995 debut album Resident Alien. Its hit single “In the Meantime” sounded like an anticipation of the full incorporation of electronic production in the context of a rock song albeit one that sounded like it was inspired by 70s glam rock akin to Bowie and like a bridge between Brit Pop and later era grunge without coming off as trying hard to fit into a trendy style. While the cultural and musical milieu that had early nurtured Spacehog was done by the late 90s at least the band didn’t sound like the watered down version of alternative rock that plagued the middle of the 90s and to a certain extent to today.

Saturday | 06.21
What: Bull Market, Moon Pussy, Blood Oath and The New Creep
When: 8
Where: Hi-Dive
Why: Bull Market from Billings, Montana sounds a lot like it listened to a lot of Failure but even more Harry Pussy and Melvins. Its edgy, blunt noise rock indulges in fuzzy drones and Coachwhips-esque splintery minimalism and experimental flourish. Moon Pussy is the kind of angular noise rock band whose gnarly punk discharge will tear your face-off but whose stage banter in its sincere awkwardness will make you laugh and somewhere in that mix of ideas the group has genuinely compelling and innovative music of its own. The New Creep is an industrial noise rock post-punk band from Denver.

Friday | 06.27
What: eHpH album release w/Cruel Morning, Unnatural Element and Modern Devotion
When: 8
Where: Bar404
Why: Denver EBM/industrial band eHpH returns with a surprise new record called CORRUPTION AND FEAR with front to back wonderfully scathing songs against the oligarchy, fascism and the anti-woke agenda. The duo has always had superb production but for this album it has taken everything to new heights with impassioned performances and heady beats. Opening the show is the dark techno project of Voight guitarist Adam Rojo.

Friday | 06.27
What: Rubedo, RAREBYRD$ and Redamancy
When: 8
Where: Hi-Dive
Why: Rubedo is a psychedelic prog and pop band from Denver. The trio is comprised of childhood friends Kyle Kramer, Alex Trujillo and Gregg Ziemba whose roots in the influence of alternative rock and art rock bands like The Mars Volta has meant Rubedo would never be trend hoppers and with an interest in concepts of alchemy and how that can inform how music can be made and functions, Rubedo has had a different kind of journey through, around and out of the Denver music scene. In the early 2010s they met R. Isaiah “Ikey” Owens, keyboard player for The Mars Volta and Jack White’s band and became friends and collaborators as he produced the albums Massa Confusa (2012) and Love Is The Answer (2013). Owens became a mentor to the band influencing their ethos, their already strong work ethic as artists and their drive to continue to put out worthwhile releases. Even with the tragic passing of Owens in 2014, Rubedo has continued their friend’s commitment to community and cultivating artistic vision. For a handful of years they were involved in running the influential DIY space Unit E which has since morphed into a record label that focuses on quality local releases including their 2025 album Citrinitas which started brewing in the early days of the COVID-19 pandemic and was written and recorded across sessions at R.A.R.E. Records in Winchester, TN (co-owned by Michael McDonald) with Michael Lee, Tayler Martin, Jeremy Mason and Charlie Powell. Additional engineering at The Blasting Room in Fort Collins, Colorado with Andrew Berlin, mixed by Matt Embree (Rx Bandits) at ICS in Long Beach, CA and mastering by Tyler Lindgren (The Milk Blossoms). It’s a record that reflects the band’s community and connections local and beyond and the album is co-release with Mash Down Babylon, Embree’s label. The album is typically both a touching and personal set of songs and those that are an incisive and poetic commentary on the times in which we find ourselves ravaged by the psychopathy of oligarchs, fascists and the ways in which we’re encouraged to isolate ourselves when the opposite is what is needed.

Saturday | 06.28
What: Anthony Ruptak w/Porlolo and The Trujillo Company
When: 8
Where: Hi-Dive
Why: Anthony Ruptak is a veteran singer-songwriter from Denver who has run the gamut of hosting shows, playing numerous others, recording and releasing albums of great poetry and personal insight. His latest, released tonight for this show, is Tourist. The title perhaps refers to Ruptak’s having felt like a tourist in many situations socially but from listening to the songs also psychologically and how one can often suffer from impostor syndrome when you’re an artist or any sort of sensitive person who has to try to navigate situations and fractured egos that aren’t your own. It balances dissonance and melody in a way that both enhance the effect of the other. Pololo is the project lead by Erin Roberts that has been going on for around 20 years but you don’t get to see Porlolo all that often and every time it’s striking how Roberts’ lyrics seem to sum up a state of mind or the state of the world in a compelling way.

Sunday | 06.29
What: Denver Pride After-Party: Church Fire, YAN YEZ, Mr. Knobs and May Be Fern
When: 7
Where: Hi-Dive
Why: Denver pride happens the weekend of 6.28-6.29 and this event is a choice way to wind down the festivities, not that the likes of indie funk group May Be Fern is exactly tranquil stuff. Nor that Church Fire’s highly charged, industrial dance anthems tearing down the theoretical and spiritual framework of the patriarchy is tranquil either but it will be a catharsis we all need in time when it seemed like we should be rebuilding a better world instead of once again having to take on patriarchy’s most extreme manifestations in fascism and late capitalism because no one is coming to save us.

To Be Continued…