ambient music – Queen City Sounds and Art

Queen City Sounds Podcast S6E15: Sarah Christiansen

Sarah Christiansen, photo courtesy the artist

Sarah Christiansen has been a fixture of Denver’s experimental music and improvisational scene since 2022. Her solo project Sunswept which finds her playing flute and synthesizer with live production and processing is a high point of any show with a unique style of ambient. The duo she’s in Snowswept with Derrick Bozich (aka Snowflyer) combines her skills for soundscaping and Bozich’s gift for spontaneous synth composition and left field electronic dance music. Her trio Field Theory is like a New Music ambient jazz combo that expands notions of what that music can look and sound like. Christiansen also organizes a monthly event called Emergent Forms that brings together musicians in the local improvisational music world and puts them into combinations to explore the possibilities of the art form. She is also a volunteer with Creative Music Works having been an early booster of the group’s activities and shows.

Originally from Saint Louis, Missouri, Christiansen moved to Colorado in 2016 and wasn’t initially involved in the music scene. But she caught some shows of local artists notably R A R E B Y R D $, the experimental hip-hop group that incorporates jazz, Latin music, ambient and neo soul. In 2022 Christiansen witnessed the early Avant Garden events hosted at Mutiny Information Cafe and run by noteworthy experimental musicians Meca’Ayo Cole, Victoria Lundy and Jennifer Bobola eventually working with Bobola in the short-lived band Fireball Rose. In December 2024, Texas-based label Aural Canyon released the debut and only Sunswept album Germinations. You can regularly see the musician/composer live at DIY spots and an occasional club show in Denver and the Colorado Front Range and her latest endeavor outside her regular efforts is a collaborative duo with singer-songwriter Ryan Wong (Supreme Joy etc.) for the first night of Ghost Canyon Fest 2026.

Listen to our interview with Sarah Christiansen on Bandcamp and follow her exploits at the links below and see Sunswept and Ryan Wong in a collaborative performance for the opening night of Ghost Canyon Fest on Thursday, August 26, 2026.

Sunswept on Instagram

Sarah Christiansen Linktr.ee

Spices Peculiar and Sunswept Carry Us on a Soothing and Transcendental Journey Across Time on Ambient Jazz Improv Track “7/9/25”

Spices Peculiar, photo courtesy the artist

“7/9/25” is a collaborative composition between Spices Peculiar and Sunswept. The processed flute flows and perfectly swirl with the layers of synth, field recordings and textural samples to produce a singular aesthetic that evolves across the track’s twenty-five minutes. Shaken bells haunt the background, white noise wind, electronic bird sounds in the night, it feels like music designed to represent different parts of a single day, perhaps as the title suggests, a cool night in summer. Sounds echo and seem to tumble gently in the near distance and a low drone serves as a backdrop toward mid-song as the synth drifts into an eerie quality and shimmering noises resonate from an unknown source like a new type of bird resounding in the moonlit landscape. Breezes stir the surroundings and toward the fourteen minute mark we become aware of the flute back in the mix as a recognizable quantity like a signal of a more diurnal sound palette coming into aural frame and what feels like a string of shells and sparkling synth threads streak by and fade replaced by another stream of each. Clearly the product of careful production and sensitive improv the whole piece is experienced as an organic journey across time expressed in under half an hour but more fully than many days feel when you’re at the grind of a regular job and this song is much more soothing and worthy of one’s attention as an extended song that wouldn’t be out of place on a program like Hearts of Space but focused on pastoral sounds. The track is part of the Spices Pecular Ambulant that released May 1, 2026. Listen to “7/9/25” on Bandcamp and follow Spices Peculiar at the links provided.

spicespeculiar.com

Spices Peculiar on Facebook

Spices Peculiar on Instagram

“Spin Glass” by storyinsoil is an Ambient IDM Piece That Sounds Like the Score of a Utopian, Existential Science Fiction Drama From the ‘70s

The rapid-cycling, almost iterative aspect of storyinsoil’s “Spin Glass” with the intro has a minimalistic quality of early synthesizer music but as the track progresses the modulated, lower end tonal rhythm anchors the song. The circular bright tone increases in volume and brightness and then decreases giving a real sense of space allowing for other layers to express a more delicate emotional coloring from inside its framing. The percussive aspect of the more prominent sounds lends the song a tactile quality and the more subtle sounds one more melancholic yet imbued with a sense of wonder. Toward the conclusion the song gives way to a touch of more conventional melody as the rhythms fade out conveying a cinematic quality to the song like the closing credits of one of those existential science fiction and adventure films of the 1970s and 1980s the likes of which were typically soundtracked by the likes of Tangerine Dream and Popol Vuh. This doesn’t feel like a homage to that era of synthesizer music so much as finding a fresh application of the way that music had an analog tonal quality that was as palpable as it was atmospheric. Listen to “Spin Glass” on YouTube and follow storyinsoil at the links provided.

storyinsoil on Twitter

storyinsoil on Instagram

Drum & Lace Soundtracks a Future Science Fiction Body Horror Classic on IDM Ambient Single “Lichen”

Drum & Lace, photo by Priscilla C. Scott

“Lichen,” the lead single from Drum & Lace’s forthcoming EP Terra (out March 13, 2026 via Mesh), is brimming with richly saturated synth tone in the foreground and layers of well-crafted percussion/textures and rhythmic bass coursing through the song. The music video looks like a kind of video from an alien scientist examining a biological specimen through a high tech imaging method that links observable phenomena with boxes and lines as a graphic interrelational tool. The sound design approach of the composition and arrangement immediately puts your mind into a state of curiosity and wonder and wanting more of where this music and the visuals are leading without a word having to be spoken or lyrics providing a narrative. Alex Garland, David Cronenberg, Flying Lotus should tap the cleverly named Drum & Lace for soundtrack work in upcoming films because Sofia degli Alessandri-Hultquist clearly has a keen ear for futuristic vibes and a command of combining IDM, ambient and dubtechno aesthetics. Watch the video for “Lichen” on YouTube and follow Drum & Lace at the links below.

drumeandlacemusic.com

Drum & Lace on Instagram

Drum & Lace on Bandcamp

Ana Hausmann’s “nausea-stalgia” is an Organic Ambient Articulation of the Dark Mysteries of Nighttime Streets

In the organically immersive flow of Ana Hausmann’s “nausea-stalgia” one hears not just intermittent textures like hearing the detritus in the breeze of nighttime streets on the edges of an urban sprawl. The oddly harmonic scraping of hinges articulated by processed violin harmonics, the plinking of kalimba like sonically stylized droplets of rain and the low rumble of bowed guitar like the barely felt but always present thrum of aircraft from an airport in the distance. The field recordings of wind and environmental noise is used with such care it is impossible to fully tell the difference between that and an intentionally generated sound such is Hausmann’s care in the mix and layering of elements in the aim of crafting a unique listening experience. It is a “song” in an expanded understanding of the term as a composition that evokes emotion and provokes a psychological response. In this case it is a sense of mystery and distant menace, of a haunted landscape nearby whose tendrils of mood are in a constant drift to draw you in to something that might be fascinating if not dangerous. Listen to “nausea-stalgia” on YouTube and follow Ana Hausmann on Spotify.