SubmitHub – Page 126 – Queen City Sounds and Art

Grocer Celebrates a Break From the Everyday Grind on “Calling Out”

Nicholas Rahn’s treatment in the video for Grocer’s song “Calling Out” presents the appropriately surrealistic mood of the song. People dressed in animal suits as a pig, a bird, a horse and perhaps a caterpillar work regular jobs as part of the usual rat race and in desperate need of some time out of that maddening and mind-dullening world as exemplified by the discordantly playful, herky jerky dynamic of the song with guitar both in staccato melody and in frantic pace with the rhythm. The vocals sound like inner dialogue diary entries sketching out the unspoken thoughts and all but shouting them like a triumph over the overwhelming mundanity of too much of everyday existence. The video ends with the members of the band sitting at a diner table being served by the caterpillar in one of the more meta music video moments in recent times and ending like we’ve just seen an outtake of an episode from Kids in the Hall, Mr. Show or Wonder Showzen with a different cast. Fans of Dehd and Lithics will probably find something endearing about the song and what Grocer is doing in general. Watch the video for “Calling Out” on YouTube, follow Grocer at the links provided and check out the rest of the group’s new album Numbers Game which released on May 6.

Grocer on Facebook

Grocer on Twitter

Grocer on Instagram

Magali, A Cult Takes Us On an Android’s Pilgrimage to Reconnect With Family Memories on “Auntie Christ”

Magali, A Cult pushes us into an alternate dimension in the future in the song “Auntie Christ.” The frenetic beats and dynamics is like a breakcore mashup of Laurie Anderson, the Butthole Surfers and Atari Teenage Riot. The narrative is from the perspective of a woman who goes on an odd trip with a friend to a place she doesn’t know but where the friend has family memories of traveling to that place. But they meet a man who doesn’t seem to know what’s going on. All of this is told in a nearly deadpan voice with a twinge of the whimsical not unlike the aforementioned Anderson in her United States Live performance recordings while a propulsive and fragmented beat carries on at a frenzied yet precise clip of tones and percussive sounds. When the voice of the friend enters the song it’s a cartoonishly robotic tenor and barely decipherable except you can sometimes hear the wonderful play on words that is the title of the song “Auntie Christ.” It makes one wonder if the friend is actually an android or if the narrator might be? Does it all take place in a strange simulation? Whatever the actual intention the imagery created in the narrative is strangely vivid and dreamlike and now brings to mind the title of that Philip K. Dick novel about androids dreaming of electric sheep except do androids dream of past family associations and go on a pilgrimage to reconnect with those memories the way K did in Blade Runner: 2049 except in this somewhat less bleak fashion? The song offers no pat answers but does provide a wonderfully strange story that has the haunted and otherworldly quality one finds in the more unusual works of Shirley Jackson. Listen to “Auntie Christ” on Spotify and follow Magali, A Cult at the links below.

Magali, A Cult on Instagram

Dax’s Video For “Dear Alcohol” is a Vulnerable and Affecting Portrait of Struggling With Addiction

You can always depend on rapper/producer Dax for a compelling video for his songs and an interesting take on the subject even when the main character is his version of the Grinch. But “Dear Alcohol” tackles a subject much more serious in a direct way. The video embodies how addiction can keep you trapped in a self-reinforcing cycle of ritualistic behavior that at one time seemed like something fun or at least which put a salve on other psychological issues borne out of challenging times in life that too often last longer than we want to admit or which aren’t going away any time soon even if our coping mechanism of choice is self-destructive habits. But Dax’s approach to the issue is one of compassion and empathy from the perspective of someone who has been there. The chorus of “I got wasted because I didn’t want to deal with myself tonight, my thoughts get drowned until I feel alright, I keep drinking until I’m someone I don’t recognize, I got wasted.” The video shows what it’s like to be trapped there in vivid detail and what it must be like for the people who love us to be looking in and not always able to help us when we’re not able or willing to help ourselves and the frustration and seeming impossibility of exiting that cycle until something breaks through that bubble from within or without that makes moving beyond that cycle possible. The strings and introspective tones give the song the level of vulnerability and openness that are probably required to be able to overcome addiction to something like alcohol so ingrained in our culture and socialized in so many social situations that in some measure can be essentially harmless. But when you live in a society that encourages and celebrates overindulging while putting a lot of pressure on everyone to work hard all the time while grinding you down if you’re not always “winning” it can be one of the one of the toughest things to give up using to excess because it can impose oblivion on you with little effort. Watch the video for “Dear Alcohol” on YouTube and follow Dax at the links below.

Dax on TikTok

Dax on Instagram

Empty Cans In Outer Space Soundtrack the Wonder and Perils of Early Space Travel on “Zabble Dub”

Empty Cans In Outer Space’s video for “Zabble Dub” is paired well with the cosmic, IDM dub of the song in its depiction in black and white what looks like training for a space program. The steady electronic percussion makes the brighter tones seem to shine brighter and the warping drones and near white noise shimmering sound drift by and flow freely with a hint of the melancholic and mysterious. When the rocket ship takes off from the launchpad the sounds go more direct. The moment where we watch someone watching the rocket launch is wonderfully meta and not long after we see the first hint of color outside the black and white with the images going red and then the images of astronauts dead with only their skulls visible through the helmets as they sit like Major Tom but in geosynchronous orbit beyond the practical effort to recover, casualties of humankind’s tentative forays beyond the earth, victims of unfortunate circumstances. There was a hint of a tragic and mournful undertone to the song and by the end of the video we find out one possible explanation and yet there is a stark yet richly realized beauty to every aspect of the video and of the music itself. Watch the video for yourself on YouTube and follow Empty Cans In Outer Space on Spotify.

Gut Czech Soothes Lingering Feelings of Heartbreak and Regret on the Slowcore/Dream Pop “Mental Inventory”

Gut Czech’s spare guitar figure at the beginning of “Mental Inventory” is a delicate invitation into a song that evolves with an elegantly organic and measured pace. The whole time the vocals and the instrumentation are gently hypnotic and though addressing issues of mental health its dynamic is one of languid drift the way you’d hope to have in your head space when trying to sort out your deepest feelings and the tangled roots of the pains and angst that linger long past the point of heartbreaking experiences and the inevitably overwhelming feelings of regret that can sink your mood if you let them. Josh Czech’s falsetto jibes well with the swell of atmospheres, the adding and subtracting of layers are dramatic without being abrupt leaving moments of tonal saturation at the perfect times to accent contemplative passages and spaciousness when you’re ready for the rush of feelings to subside for just a little while. The melodic strategy is unconventional and yet it sticks with you like a fond memory not unlike what Letting Up Despite Great Faults did on “She Spins” but with a different style of music. There is keen ear for nuances of songwriting and a sense of the ebb and flow of the psyche and pairing them together in evidence in this song. Listen to “Mental Inventory” on Spotify and follow Gut Czech on Instagram.

Emlyn and Putad of Small Island Big Song Bring to Life the Vital Spirit of Their Ancestors on “Listwar Zanset”

Small Island Big Song is not a conventional musical project in any usual sense. It is a a multimedia (music, film, performance) collective including over a hundred musicians across 16 island nations of the Pacific and Indian Oceans that serves to create a contemporary musical statement from the perspective of the regions that are facing cultural and environmental challenges which clearly has an urgent relevance today. All of the works are written, recorded and overdubbed in nature at the place of the various artists’ custodial land. All of the works out of this project are a co-production of Taiwan and Australia. For the single “Listwar Zanset” (“the story of our ancestors”) Mauritian singer, songwriter and dancer Emlyn and Taiwanese singer Putad (of the Amis people) collaborate with vocals over an interlinking flow of percussion with backing vocals and later stringed instruments. Their voices are strong and lively to match the instrumentation and one need not understand Creole or Amis to be impacted and certainly not the message in English of threatened cultures and people toward the end of the track. The song operates beyond language and its message of liberation and the preservation of memory and culture can be felt in its fortifying and confident tone. On the world stage the indigenous and those not wielding the greatest economic, political and military power are often overrun and neglected when history bears out that the fate of these people becomes the fate of all in the end and it’s best to listen now when it’s not too late for everyone. Watch the video for “Listwar Zanset” on YouTube and connect with Small Island Big Song at the links below to hear more from this unique project whose music exists outside a narrow conception of existing genres.

Small Island Big Song on Instagram

Small Island Big Song on Vimeo

smallislandbigsong.com

Savage Republic’s Brashly Surf Rock “Stingray” is a Friendly Introduction to the Industrial Post-Punk of Its New Album Meteora

It seems only appropriate that Savage Republic’s video for the lead single “Stingray” from its new album Meteora (it’s first since 2014’s Aegean) looks like it was filmed on VHS on the seashore. The almost entirely instrumental track showcases the more playful yet edgy side of the band and an example of how it threaded together surf rock with menacing post-punk and non-Western rhythm schemes. It sounds fairly straightforward until it sinks in that it’s probably not in 4/4 time. As an introduction to the band’s respectable body of work it’s a pretty accessible and energetic short slice of the band’s eclectic aesthetic. Other tracks on the album including “Nothing at All” linked below demonstrate how Savage Republic has always been deft at injecting pointed post-punk with almost tribal rhythms and raw industrial beats. The new album also has tastes of the band’s nuanced yet direct political lyrics. From its 1982 debut album Tragic Figures (the song “Real Men” appeared in the 1991 film The Silence of the Lambs) through the albums the group has released since it got back together in 2002, Savage Republic has been explicitly anti-authoritarian and on Meteora making no bones about being anti-fascist. All while having some creative fun with making darkly cathartic soundscapes alongside its more international musical roots in crafting arresting songs that make it seem exciting to be on the right side of history without getting didactic about it all. Watch the videos for “Stingray” and “Nothing At All” on YouTube and connect with this influential cult post-punk band at the links below.

Savage Republic on Bandcamp

mobilization.com

Taleen Kali’s “Flower of Life” Fuses Post-Punk Darkness and Psych Garage Fire

Former TÜLIPS frontperson Taleen Kali’s latest single “Flower of Life” simmers and then blazes with an irresistible momentum. Since her former band’s split in 2016 Kali has been on different sonic trajectories than the inspired fusion of garage rock, psychedelia and riot grrrl-esque punk of TÜLIPS. This song has a focused urgency in the pace and rhythm that borders on the motorik and is hypnotic in the sense that you get swept up in its headlong energy and Kali’s commanding vocals, perhaps the only element that doesn’t distort with an incandescent heat. Immediate comparisons aren’t easy to make to give the potential listener an idea of what they’re in for other than something like Milemarker but with sonics more akin to The Beths. The cover art for the single (a portion above) looks like something out of a mysterious movie about radical politics by Olivier Assayas and that just adds to appealing aesthetic of the single. Listen to “Flower Of Life” on YouTube and follow the musically multi-faceted Taleen Kali at the links provided and perchance order the limited edition 7” lathe cut on transparent cherry red vinyl on Bandcamp which also includes the B-side “Crusher.”

taleenkali.com

Taleen Kali on Instagram

Taleen Kali on Twitter

Taleen Kali on Facebook

Bottled Up’s Glam Pop “Italo Love” Evokes a Bi-Coastal Romanticism and Celebration of West Coast Chill Vibes

The music video for Bottled Up’s “Italo Love” hits some surreal notes and not just in the music. The members of the band are depicted performing on the beach and frolicking in a beach town. And the lyrics make references to Los Angeles with houses that look like something you might see in Encinitas, California. Maybe it was filmed there or on a beach area nearer to the group’s home town of Washington, DC. The smooth jazz, funk and pop aesthetics blended together effortlessly in the song certainly gives the impression of something that might come from a band celebrating the good times and nostalgia of the laid back pace and energy of one of the California beach towns including Long Beach. When Nikhil Rao sings the line “I was born from memories of the drives through Beverly” one wonders if he had a connection to the Los Angeles area or fantasized about it from images on television and film and identifying with the vibe. The song and what has been release of the new Bottled Up album Grand Bizarre (due out May 27, 2022) has that quality of being outside usual time and geography while genre mashing in a way similar to that of King Krule and all the more interesting because of it. Fans of that final Abe Vigoda album Crush (2010) and its lush pop interpretation of glam rock will greatly appreciate this track and what Bottled Up has been going for throughout its career to date. Watch the video for “Italo Love” on YouTube and connect with Bottled Up at the links below.

houseofjoy.love

Bottled Up on Instagram

Bottled Up on Facebook

Bottled Up on Twitter

Billy Nomates Turns the Melancholy of a Long Burning Breakup Into an Upbeat Pop Song of Acceptance on “Blue Bones”

When you hear Spencer Jones’s (Big Babies, Upstart Crow) character mutter something about a “twat” taking up both parking spaces as he comes back to his flat in the music video for “Blue Bones” you might be excused for thinking Billy Nomates’ lively indie rock single is about camaraderie in a relationship facing challenges. And to some extent it is. The upbeat guitar line and smoothly dynamic arrangements of the song are reminiscent of a mid-80s Talking Heads tune but the clever couplets and the resigned acceptance that the relationship is not just in trouble but has essentially faded away. When Nomates sings lines like “You just don’t turn me on like you used to” and how the bond over being miserable and downtrodden in life now simply lacks the sparkle with “Maybe we were both born blue but it just doesn’t turn me on like it used to,” the songwriter recalls some of Dolly Parton’s finer, more pointed yet somehow still classy moments. And touches like the coins on Jones’ eyes near the beginning of the interview speak to director Tia Salisbury’s gift for sprinkling scenes with poetic detail even as she depicts working class angst with such color and clarity. Watch the video for “Blue Bones” on YouTube and follow Nomates on Spotify.