Ratboys – Queen City Sounds and Art

Best Shows in Denver April 2026

**Light Asylum performs at The Oriental Theater on 4/3/26 with My Life With the Thrill Kill Kult, Devora, Die Sexual and Heavy Halo**

Wednesday | 04.01
What: Cass McCombs and Band w/Chris Cohen
When: 7
Where: The Bluebird Theater
Why: Acclaimed and prolific singer and songwriter Cass McCombs released perhaps his most intimate personal album in 2025 titled Interior Live Oak. The record sounds like it was recorded live with a minimal band with McComb’s expressive voice centered in songs that sound like their words were earned from going through a challenging experience and coming out of the other side with some glimmer of truth or at least a perspective and anecdote worth sharing. The songs are rooted in the emotionally vibrant folk rock with a psychedelic edge that is the songwriter’s hallmark and feel like moments of solace in these particularly chaotic times.

Wednesday | 04.01
What: Mint Field and Wave Decay
When: 7
Where: Hi-Dive
Why: Mint Field is a dream pop/shoegaze band from Mexico City that has established itself as one of the more original voices in that broad realm of music. Its elegant compositions with an ability to veer off expected atmospheric and rhythmic lines from the chill to the urgently distorted and from a kid of downtempo pace to one more hectic has yielded a body of work that can equally be compared favorably with lush and disorienting sweeps heard in My Bloody Valentine and the otherworldly transcendent moments of a Blonde Redhead song. Wave Decay is one of Denver’s finest shoegaze/krautrock bands worthy of anyone in the world operating in those sonic realms as well.

Friday | 04.03
What: My Life With the Thrill Kill Kult w/Light Asylum, Die Sexual, Devora and Heavy Halo
When: 6
Where: The Oriental Theater
Why: An entire evening of dark electronic music beginning with New York City-based industrial duo Heavy Halo whose style of Gothic industrial metal bridges the gap between hard EBM and Gravity Kills. Devora is more like an electropop thing but with production that sounds like it has some influence from or roots in the moodier end of synthpop. Die Sexual is an EBM/Goth disco duo from Los Angeles whose songs sound like a darkwave version of an electroclash band like early Ladytron had they been inspired by Front Line Assembly. Of course the headliner My Life With the Thrill Kill Kult is the legendary and influential industrial EBM band with a flare for the bombastic live show and gloriously sleaze of some of its lyrics but all with a great sense of fun and a respectable body of recorded work from which the set will likely draw. Light Asylum made a name for itself in New York clubs and beyond with its riveting electronic dance music including iconic single “Dark Allies” with singer Shannon Funchess’ commanding and soulful vocal performance centering a song with multiple memorable hooks within the same piece. Live Funchess is even more magnetic and charismatic.

Sunday | 04.05
What: Marissa Nadler w/Anand Wilder (of Yeasayer)
When: 7
Where: Lost Lake
Why: Marissa Nadler is an acclaimed songwriter whose work has been described as dark folk mainly because of its deep atmospheric quality and Nadler’s willingness to dive deep into sometimes challenging subject matter with a disarming sensitivity and honesty. There is a poetic quality to Nadler’s songwriting generally augmented by her mezzo-soprano voice that lends even the most melancholic moments in the songs a kind of transcendent beauty. Her most recent album New Radiations might be her most fully realized work to date with songs that will resonate with those of Julee Cruise in their soulful, cinematic otherworldliness and incredibly effective use of minimal instrumental elements to put the listener into a contemplative mindset open to feeling fully without reservations.

Wednesday | 04.08
What: QUAL w/Cursing, eHpH and DJ Katastrophy and guests
When: 7
Where: HQ
Why: QUAL is the solo project of William Maybelline from Lebanon Hanover. Unlike the soundscape-y, noisy post-punk of the latter, QUAL is more in the vein of EBM rooted coldwave and industrial. The project’s 2025 album Love Zone is an extended meditation on the deleterious effects of digital culture on our lives and social relations. ehpH is Denver’s premier EBM and industrial duo with rich tonal production and a confrontational performance style more in line with classic industrial music.

Thursday | 04.09
What: Past Self, Medio Mutante, Porcelain Horses and KYC DJs
When: 7
Where: Hi-Dive
Why: Past Self is a Las Vegas-based band whose visual and musical aesthetic is true fusion of K-pop production and darkwave/Goth moodiness and haunted melodies. Its music videos look like a band that spends some time in urban exploration and filming spots that brimming with urban occult atmosphere. Porcelain Horses is a Denver-based darkwave band that includes Amanda Gostomski formerly of synth punk band Princess Dewclaw and death rock adjacent act Grave Moss.

Friday | 04.10
What: An evening with Weird Al Qaida w/Mermalair
When: 7
Where: Mutiny Information Cafe
Why: Weird Al Qaida bridges gaps between psychedelic folk, performance art, noise and ambient music and the show will probably combine that with poetry and theatrical weirdness. Think like a cross between a lo-fi folk Pink Floyd and Barnes & Barnes.

Friday | 04.10
What: The Picture Tour, Owosso and Part Weapon
When: 5/5:30
Where: Larimer Lounge
Why: The Picture Tour has evolved out of a more garage grit infused shoegaze of its earlier incarnation into something more cinematic with songwriting seemingly inspired by late night drives in a Denver that existed until the early 2010s when there was urban decay within the city and on the edges and most spaces were not slathered over with bad modern architecture concepts and cookie cutter aesthetics. A time when you had to find your fun rather than have it marketed to you. So the songs are dark, have an edge and imbued with imagination that has been inspired in part by David Lynch films and the dream of the 90s before it died in Denver before the 2010s were over. Owosso is an amalgamation of shoegaze atmospherics and post-hardcore emotional and sonic edge.

Saturday | 04.11
What: Ultra Sunn w/The System Dreams of You and DJ Katastrophy
When: 7
Where: HQ
Why: Belgian EBM-post-punk duo Ultra Sunn return to North America in support of their latest album The Beast In You. The record builds on the robust synth tones and dance rhythms that feels darker and heavier than music in a similar vein often does. The new album seems to delve into themes of mental health and the struggle of processing feelings and experiences that linger with you in ways that can be challenging to shake. But the band casts that journey in almost mythological terms and pairs it with the kind of melodies and expansive, cathartic production that fans of Depeche Mode and Front 242 will likely find rewarding.

Sunday | 04.12
What: Hollow Crown Tour: ThxSoMch, MISSIO, WesGhost, Guardian, The Haunt, Oxymorons and rosecoloredworld
When: 4
Where: The Summit Music Hall
Why: Hollow Crown Tour is sort of a touring mini-music festival with eclectic lineups. On this bill there is emo rap/indie rock artist ThxSoMch whose creative music videos demonstrate an awareness of popular and internet culture and Gen Z cinema aesthetics. MISSIO is an Austin, Texas-based duo whose electronic pop borders on dark, industrial hip-hop at times and haunted indie pop in other moments in its discography. The band’s sprawling 2024 album I Am Cinco was comprised of its 2023 EPs and various singles to reflect intense peaks and valleys and emotions and musical styles best suited to express those moods whether sad, exuberant, angry and unhinged—hyper-pop, glitch, trap, dream pop and more sometimes all at once. Also on the bill is sibling duo The Haunt who are set to release their sophomore album in the fall. But the band has released the lead single “Ghost” which showcases the songwriting growth though maintaining the hard rock edge of the songs we heard from 2025 debut album New Addiction. Lead singer Anastasia Grace Haunt and guitarist/vocalist Maxamillion Haunt look like they’re going to be a Goth band (part of the appeal as a live act) but come off more ferocious like The Velveteers.

Monday | 04.13
What: Ratboys w/Vilagerrr
When: 7
Where: The Bluebird Theater
Why: Chicago’s Ratboys recently released its sixth album Singin’ to an Empty Chair. Reuniting with Chris Walla who had produced the 2023 album The Window, the band employed a left field approach in recording and performance including, according to a piece in Pitchfork, creating a Doppler shift by putting a radio on a spinning turntable. That and experimenting with altering the speed of recorded sections and recording in a cabin with high ceilings to capture the specific audio quality of such a space and its natural reverb. The resulting album is indeed one of the band’s more sonically inventive but the warmth of the songwriting remained and it is the band’s most emotionally open and creatively confessional to date. For the uninitiated Ratboys is sort of an Americana-inflected indie rock band that fans of Rilo Kiley will greatly appreciate for the similarly clever and literary lyrics and infectious energy.

Tuesday | 04.14
What: Pink Turns Blue w/Some Days Are Darker and Plague Garden
When: 7
Where: HQ
Why: Pink Turns Blue was founded in 1985 in Cologne, Germany and became one of the most noteworthy of the German New Wave bands of the era though its sound would now be considered post-punk with a well-developed keyboard/synth component in its core songwriting palette. The group split in 1995 but reunited in 2003 and has been releasing new material since including the 2025 album Black Swan and its melancholic and politically infused lyrics seemingly fitting for prospects of human life in the conflicted and imperiled world right now. On tour with Pink Turns Blue is NYC post-punk/darkwave trio Some Days Are Darker whose own synth infused compositions are brimming with the kind of gloomy melodies that reflect songs about heartbreak and perseverance. Opening is Denver’s great New Wave inflected post-punk band Plague Garden. Steeped in the edginess of death rock the group’s impassioned vocals, deeply atmospheric synths and beats and deep bass lines transcend expectations of genre.

Tuesday | 04.14
What: Die Krupps w/ghostbells
When: 7
Where: The Bluebird Theater
Why: Die Krupps is one of the pioneering acts of German industrial music. Formed in 1980 in Düsseldorf the group’s initial sound was more rooted in factory sounds, metallic percussion and live instruments but shifted into a more synthesizer sound with the analog percussion. The band split in 1985 but re-formed in 1989 and evolved in further incorporating metallic guitar sounds and one has to assume that Rammstein drew some inspiration from what Die Krupps was getting up to and that Die Krupps itself was getting some influence from Front 242’s songwriting and production style. After another breakup in 1997 the outfit got back together in 2005 and has been operating since. Opening the show is ghostbells from New York City. The duo released its debut EP Catacouture in February 2026 revealing its gift for blending dark synthpop-flavored darkwave, EBM and trap-beat-infused, glitch pop club music. With distinctively processed vocals think Alice Glass solo and some resonance with Boy Harsher.

Drew & Ellie Holcomb, photo courtesy the artists

Friday | 04.17
What: Drew & Ellie Holcomb
When: 7
Where: The Paramount Theatre
Why: Drew & Ellie Holcomb released their latest album Memory Bank on January 24, 2025 and the I’ll Be Home For Christmas EP on November 21. The current musical outing takes its name from a title of one of Memory Bank’s songs as Never Gonna Let You Go Tour. The record is a lively song about the travails and joys of love and being in a committed relationship. It’s earnest without being corny and the duo bring great mood and exuberance to the songs that bring to the album and its performance an unexpected gravitas at times as well as an endearing warmth even if the Holcombs’ particular style of Americana folk rock hadn’t previously been something you thought you’d be into.

Friday | 04.17
What: Monsterwatch w/Bitchflower and Blood Oath
When: 8
Where: Hi-Dive
Why: Monsterwatch sounds a bit like if Jay Reatard did a noise rock band so it’s still a little psychedelic but edgy and imbued with a ferocious energy. Its 2025 debut full-length album The Head is brimming with intensely headlong energy and a paradoxically economical and strategic use of space so it’s not all just constant assault to exhaust the senses. Monsterwatch knows when to let up and change directions in the sound up so it stays exciting. Blood Oath from Denver is cut from a similar cloth with its hyperkinetic noise garage sound that crosses over into a mutant punk. Bitchflower is like if a punk band absorbed influences from metal and performance art influenced post-punk with a memorable and live show that feels like it could be dangerous.

Saturday | 04.18
What: Moon Pussy album release w/Honduh Daze, Suicide Cages and Almanac Man
When: 7
Where: Hi-Dive
Why: Moon Pussy has long been one of the best, most unique and strange of noise rock bands out of Denver. It is celebrating the release of its new album At the Pace of Outrage at this show. The live show is often an wonderfully unhinged bit of performance art with finely accented percussion seeming to hold together the explosive yet hypnotic bass lines and gyrating guitar squall. The new album is not short on musical madness and catharsis but it is also the most focused songwriting of the band’s career thus far and sonically the most representative of its sheer, inspired mayhem as a live band. Joining them for this event are Almanac Man and their angular, DC-post-punk-inflected post-hardcore, the hybrid extreme metal and savage post-hardcore of Suicide Cages and their searingly pointed yet thoughtful lyrics and performance art, art-hardcore noise punk band Honduh Daze from Tulsa, Oklahoma.

William Basinski in 2022, photo by Tom Murphy

Saturday | 04.18
What: William Basinski w/Paul Riedl
When: 8
Where: Ophelia’s Electric Soapbox
Why: William Basinski is one of the most influential composers of the late 20th and early 21st century most celebrated for his 2002-3003 four-volume album/project The Disintegration Loops. His cinematic and emotionally nuanced works of ambient music and drone have an analog resonance that is often as textural as tonal and invite getting lost in the echoes and streams of thought-provoking sounds of his work. Paul Riedl is a member of extreme metal band Blood Incantation who has been known to more than dabble in making analog synth compositions of his own that are often now part of the shows of his more well-known project.

Monday | 04.20
What: SunnO))) w/Gentry Densley
When: 7
Where: The Ogden Theatre
Why: The new SunnO))) record, self-titled and available via Sub Pop, may sound to some like the colossal, primeval, metallic ambient drones of the duo’s two most recent albums but one can hear in the lingering monoliths of distorted guitar sustain a quality that feels somehow bigger due in no small part to the recording technique involving multiple microphones, re-amping and extreme distance in setting up a stereo array. Which may be why the record comes perhaps closes to capturing a bit of how seeing the band live is a physical experience beyond standard music. Those sprawling drones aren’t for casual metal fans or for people with limited patience with flowing with the sounds to the lingering and then erupting catharsis. It’s like getting your molecules re-aligned to the tune of energies tapping into environment and subconscious experiences. Chances are you won’t experience anything quite like it outside of maybe seeing My Bloody Valentine but with none of that band’s pop hook leanings.

The Wedding Present, photo from Bandcamp

Tuesday | 04.21
What: The Wedding Present w/Mark Robinson sings Unrest
When: 7
Where: Meow Wolf
Why: The Wedding Present were one of the most important bands associated with C86 in the 1980s, the “movement” captured on the compilation of the same name of guitar pop bands with a leg in power pop, post-punk, jangle rock and a vulnerable aesthetic that could nevertheless have some intensity and passion behind the performances. For this tour the group led by longtime singer and guitarist David Gedge will be celebrating the 35-year anniversary of its acclaimed 1991 album Seamonsters. The sound of the record, produced by Steve Albini, has aged well as it doesn’t sound beholden to the then burgeoning more mainstream end of alternative rock while modern ears might hear there some wall of sound adjacent to shoegaze and the indie pop and indie rock that would emerge throughout the 90s underground and not so underground in the current century. Opening the show is Mark Robinson the former lead singer and guitarist of underrated and important indie pop band Unrest whose catalog of music is the missing link between C86 and modern indie rock as we know it with a legacy of some of the most achingly beautiful and spirited pop music ever recorded.

Brigitte Calls Me Baby, photo by Scarlet Page

Tuesday | 04.21
What: Brigitte Calls Me Baby w/Skorts
When: 7
Where: The Bluebird Theater
Why: Brigitte Calls Me Baby from Chicago sounds like they grew up immersed in the post-punk jangle and poetry of the music of The Smiths as well as the Millennium era post-punk cool and urban aesthetic of The Strokes with the mastery of intricate and tasty guitar work that those comparisons imply. The group’s new album Irreversible (out March 13, 2026) makes it more clear that the group’s inspirations and influences tap into classic pop songcraft and crooning vocals so that its current sound resonates equally with early 60s rock and 80s Mancunian rock.

Wednesday | 04.22
What: Model/Actriz w/Agriculture
When: 7
Where: The Bluebird Theater
Why: If you only listened to Model/Actriz’s two excellent album Dogsbody (2023) and Pirouette (2025) you might come away expecting a sophisticated post-punk band with some ground in noise rock and industrial. But live the group has an explosive intensity and confrontational performance style that elevates the songs to something with a palpable excitement so that the live shows border on what you might expect out of a modern hardcore act. Also on the bill is Los Angeles-based, experimental black metal band Agriculture. The latter also has two remarkable records that were released the same years with the self-titled from 2023 and 2025’s beautifully forbidding The Spiritual Sound. Agriculture’s live show though fully embodying the sounds and aesthetics of black metal also has a friendly energy and an expansive, atmospheric quality that propels it beyond expectations of genre as well. A fine pairing for one bill of disparate styles but a similar spirit.

Madeline Goldstein, photo courtesy the artist

Thursday | 04.23
What: Madeline Goldstein w/Normal Bias and The Siren Project
When: 7
Where: The Crypt
Why: Madeline Goldstein has been crafting a body of work for the past handful of years that has set a high standard for rich synth tone a finely crafted melodies. Her style is more in the darkwave vein but her music has by not transcended expectations especially with her new record Speaking to the Body where maybe the moods will be reminiscent of something from the 80s and of the more pop era of Giorgio Moroder but her songs explore human aspiration, identity and navigating a modern world where presentation and perception seem to be how one’s value is judged and the alienation that stems from that dynamic that can have impacts on one’s psyche in subtle and insidious ways. Normal Bias is a techno synthpop band from New York City that is reminiscent of an EBM Depeche Mode. The Siren Project from Denver is a long running duo whose music bridges the realms of trip-hop, darkwave and electronic dream pop.

Thursday | 04.23
What: An Evening with Maya Hawke
When: 7
Where: The Bluebird Theater
Why: Maya Hawke may be more well-known for her life in acting especially for her recurring role as Robin Buckley in seasons 3-5 of Stranger Things. But since 2020 she’s been releasing music that has been in the realm of indie pop but with an experimental bent. Her next album Maitreya Corso due out May 1, 2026 on Mom + Pop is a next step in her evolution as a songwriter and the single “Devil You Know” is like a fusion of hip-hop production and arrangements and dream pop folk rock. The album named for the future Buddha to come as well as one of the influential heroes of American literature, Beat Generation poet Gregory Corso. The album seems to thread the connections between spiritual aspiration and gritty urban aesthetics in producing creative work that can be transcendent and rooted in direct human experiences.

Friday | 04.24
What: Products Band w/Totem Pocket, Angel Band and Spirit Sedan
When: 7
Where: Hi-Dive
Why: Products Band from Minneapolis is a mix of angular post-punk sensibilities, jangle pop sounds and punk energy. Its 2025 album Some Sudden Weather solidified seemingly disparate musical instincts and after the group toured with Deerhoof it has worked with that band’s guitarist John Dieterich on new material that highlights the group’s eclectic and eccentric aspects while preserving its instincts for vibrant, anthemic songcraft. Opening is Denver’s psychedelic shoegaze band Totem Pocket and punk-infused indie pop group Angel Band.

Saturday | 04.25
What: Lebanon Hanover w/Soft Vein and DJ Katastrophy
When: 7
Where: The Oriental Theater
Why: Lebanon Hanover has been a band of choice for discerning fans of modern post-punk and darkwave. It would be imprecise to lump the German band in with a lot of artists in those creative lanes because its sound is so different. Listen to its most recent album 2025’s Asylum Lullabies and one hears a truly dark and dystopian set of songs like if Siouxsie and the Banshees and early Dead Can Dance at their darkest asked themselves how do we make this even more harrowing? And yet the music has an entrancing quality that draws you into its unsettling compositions. It’s a record that is meant to reflect struggles with mental health, interpersonal issues and the dread and fear rampant in a time of genocide, war, rising fascism and environmental catastrophe closing in and it comforts in not telling you everything is okay or that it will be without actual effort to attempting to address one’s personal and the world’s maladies which can feel overwhelming but especially more so without a sense of solidarity with others.

Sunday | 04.26
What: Cannons w/Bob Moses and Oxis
When: 6/6:30
Where: Red Rocks Amphitheater
Why: Cannons from Los Angeles has gone from playing modest shows at small clubs around America and beyond in its early days after getting off the ground in 2013. Its particular style of synth-infused dream pop has had a cinematic yet intimate quality from the beginning and now with the release of its 2026 album Everyting Glows the trio sounds introspective but with a theatrical flair that is born out by footage of the live shows that have posted to the internet with the light show and sets lending the presentation the quality of a modern roller disco aesthetic that is also reminiscent of early chillwave so that the performance comes across as intimate despite the larger format stage. For this tour the band shares headlining status with Canadian electronic pop duo Bob Moses. And no there is no one in the band named Bob Moses. Rather, its fusion of deep house and synthwave gives a more compelling and current version of 2010s EDM.

Monday | 04.27
What: Grace Ives w/Whu Else
When: 7
Where: The Bluebird Theater
Why: Grace Ives came to the attention of wider audiences around the time she released her second album Janky Star (2022) and as an opening act on tour with Lykke Li. Her bedroom pop compositions didn’t sound or feel underdeveloped yet had that freshness, spontaneity and free creativity that makes music that comes out of that realm of songwriting so appealing. It doesn’t have the polish and production that seems to render a lot of mainstream music kind of boring. In 2026 Ives presents us with Girlfriend. The album thankfully has that raw authenticity that has made her songs stand out but with further creative development so that there is a fuller sound so that her finely crafted beats and orchestral melodic arrangements complement her emotionally wide-ranging vocals. Even though Ives sounds sonically larger she has honed her ability to write music that feels intimate, confessional and immediate.

Tuesday | 04.28
What: Loolowningen w/Cherry Spit and Replica City
When: 7
Where: Hi-Dive
Why: Loolowningen is a band from Japan that, like many bands from that country, is a bit difficult to pigeonhole. Listen to any of the recordings and be prepared to hear how it is like avant-garde punk at least in the performance and delivery, like prog/art rock, like psychedelic rock and modern classical. All at once without seeming like its trying to do too much. It sounds both maximalist and effortless in its intricate arrangements. Live the band definitely has kinetic presence and a sound like if a Chicago noise rock band had even more free jazz leanings and was way into Can. The group recently released the Mimic/Ringwanderung EP.

Thursday | 04.30
What: Cursing, Snakes of Russia, Voight and Vox Menomnic
When: 7/7:30
Where: Hi-Dive
Why: Cursing is an industrial/EBM trio comprised of Devin James Fry, Ryan Halgren and Alex Anderson. The latter some may know for being deeply involved in the Freq Boutique event and for ye olde skuel as half of ManCub. This current project which released the excellent black tape album in 2025 is more in the vein of a politically infused combination of Front 242, My Life With the Thrill Kill Kult and the darker end of Nicolas Jaar. Informed by deep house and techno, Cursing is not the cookie cutter industrial outfit. Voight also combines techno aesthetics with post-punk but brings noisy shoegaze and a ferocious live presence to the music that has meant it never quite fits in with the darkwave/Goth scene nor with the local shoegaze/dream pop world and all the better for it.

Best Shows in Denver and Beyond July 2024

Monday | 07.01
What: Blushing w/Wave Decay and Cherished
When: 7
Where: The Skylark Lounge
Why: Austin-based shoegaze band Blushing recently released its latest album Sugarcoat with its blast of melodiously gritty and ethereal pop. Its flares of tone and anchored rhythms lend the group a dynamic that has an undeniable power on its recordings but even more so in the live setting where the band seems to have a an expansively friendly energy. Opening the show are krautrock/shoegaze band Wave Decay from Denver and the emotionally charged dream pop of Cherished also from the Mile High City.

Tuesday | 07.02
What: The Church and The Afghan Whigs w/Ed Harcourt
When: 6
Where: The Ogden Theatre
Why: Both The Church and The Afghan Whigs could headline a tour of their own. The Church made its initial splash in the 80s with records that infused post-punk with psychedelic guitar rock color and thoughtful lyrics anticipating in its songcraft dream pop and shoegaze. Fortunately The Church continued to evolve as artists with records going into its later era that are among its most creatively fascinating including the twin albums The Hypnogogue (2023) and Eros Zeta and the Perfumed Guitars (2024), concept albums about a future not so far in which the struggle to find meaning persists in human society and the psyche despite developments in technology and the evolution of human culture in an age of techno-globalism. The Afghan Whigs seamlessly melded R&B and post-punk for a hybrid sound that predated and helped to define alternative rock in the 90s but with a sound and songwriting style that has aged better than a lot of music of the era. Greg Dulli has seemed able to write songs about love and relationships and his own inner turmoil with passion and poetic insight since the band’s early days. Live both bands seem very capable of bringing you into a heightened emotional space shakes off the regular world for the duration. Listen to our interview with The Church’s Ian Haug here.

Winnetka Bowling League, photo by Paige Sara

Tuesday | 07.02
What: Winnetka Bowling League w/Emi Grace
When: 7
Where: Meow Wolf
Why: Winnetka Bowling League recently released its debut full-length Sha La La. Nevermind that for some listeners will be reminded immediately of The War on Drugs’ sweeping Americana psychedelia and the warm low end and ethereal melodies of first wave chillwave it’s a set of songs that has some poignant commentary on life in America with vivid set pieces in the lyrics that will be familiar to anyone that has lived through America since the 2010s and paid attention either because you were growing up in that time or observant and aware of the psychological climate of the time. It’s sonically rich indiepop for the time we’re in and its nostalgia-tinged lyrics honor both a flickering yet irrepressible sense of hope for the future and the wry acknowledgment that we could all be doomed given the political, ecological and cultural climate of the world.

Thursday | 07.04
What: King Rat 30 Year Anniversary w/Black Dots, These Kids Today, Anti-Formula and Terror Attack
When: 5
Where: EastFax Tap
Why: King Rat has had a bit of a storied existence across its three decades as a band and its melodic punk and dabbling with roots rock has remained consistently worthwhile with well crafted lyrics and a compelling live show. They play at 10 so all the “adults” in attendance can make it to the show after family obligations and home early enough in case they have to work one of those jobs that don’t give adults the day after a national holiday falling on a Thursday, Friday off.

Thursday | 07.04
What: TV Star, Angel Band, Cherry Spit and DJ Ryan Wong
When: 7
Where: Hi-Dive
Why: TV Star is a jangle psych pop band from Seattle that sounds like it is tapping into 70s power pop and late 80s college rock like the later period of Paisley Underground acts like Game Theory, Let’s Active and Opal. Angel Band is coming from a similar sonic cauldron and indie pop. Cherry Spit, though, is a gouge the lightning from the skies noise rock outfit that includes former members of Quits and Endless, Nameless.

Friday | 07.05
What: Glass Spells w/Hex Cassette
When: 8
Where: HQ
Why: Glass Spells is a darkwave synthpop band from San Diego that has been making music with a clear leg in 80s New Wave and post-punk but more the modern approach bringing together influences, direct or indirect, from electroclash and Nu Disco/Italo disco as well as touches of Latin music rhythms. Opening is the synthwave deathcult performance art act Hex Cassette whose high energy shows make you part of the proceedings with some friendly but intense cajoling. And it all wouldn’t matter too much if his songs weren’t also worthwhile on their own separate from the stagecraft.

Saturday | 07.06
What: The Picture Tour, CELICA, Up Yours People
When: 8
Where: The Skylark Lounge
Why: The Denver Goth scene hasn’t embraced The Picture Tour yet but it should because Billy Armijo and his bandmates have crafted the perfect fusion of shoegaze and moody post-punk. It has too much grit to be the kind of sadcore dad rock you might expect from Denver music scene veterans including Armijo who is the former lead guitarist of Emerald Siam. The guitar tones are searing and soaring yet imbued with enough melancholic melody and atmosphere to sound like a soundtrack to autumn. Up Yours People includes former members of Boss 302 and it is a mutant version of garage punk but noisier and more grimy and aggressive than one might expect even from past projects of the members of the band.

Sarah Shook & The Disarmers, photo by Harvey Robinson

Wednesday | 07.10
What: Sarah Shook & The Disarmers w/Alana Mars and DJ Jake Luna
When: 7
Where: Hi-Dive
Why: Sarah Shook & The Disarmers have been one of the more acclaimed bands in the broad realm of Americana of the past several years. On March 29, 2024 the group released its latest album Revelations on Thirty Tigers. The record isn’t short on the charm and warmth that has made the band’s previous releases so accessible and inviting and this time there seems to be a defiant spirit to the lyrics rejecting being defined by others and engaging in active self-discovery while finding some meaning in establishing healthy boundaries.

Diles Que No Me Maten, photo from Bandcamp

Friday | 07.12
What: Diles Que No Me Maten w/Wave Decay and Pink Lady Monster
When: 8
Where: Hi-Dive
Why: Presumably named after Juan Rulfo’s 1951 story of the same name Diles Que No Me Maten (which means “Tell Them Not to Kill Me”), this Mexico City-based band on the surface is a psychedelic folk group but he further one delves into its body of work you hear elements of dub and art rock with an ear for ambient soundscapes. More akin to the like of The Legendary Pink Dots than a modern psych rock band. Its most recent album Obrigaggi (2023) is a hushed and entrancing listening journey. Wave Decay is the Denver-based shoegaze/psychedelic rock band with far better than average tonal richness. Pink Lady Monster might be described as a No Wave-esque art rock and performance art band and a can’t miss act from Denver for the discerning music fan.

Saturday | 07.13
What: Pallbearer w/Inter Arma and The Keening
When: 7
Where: The Gothic Theatre
Why: Pallbearer’s 2024 album Mind Burns Alive has been a long time coming and its first since 2020’s Forgotten Days. The doom metal band from Little Rock, Arkansas has always been a cut above and more interesting than many of its peers because its music has had complex melodic arrangements and particularly on the new record a widely dynamic vocal harmonies. The new album apparently represented the group being together in the same city after a prolonged time apart. The heaviness of the album taps into concept that the themes and emotional content are what makes for the heaviest of moods and its sometimes psychedelic guitar excursions resonate with what peers like Amenra have been up to of late. Opening the show is former SubRosa guitarist/vocalist Rebecca Vernon and her The Keening project and her own flavor of transcendent, ambient doom.

Saturday | 07.13
What: Kontravoid w/French Kettle Station, Modern Devotion and Kill You Club DJs
When: 8
Where: Hi-Dive
Why: For over a decade Cameron Findlay has been writing and release music as Kontravoid. With heavy, pulsating, industrial beats and dense and murky synths the project with Findlay performing in a white mask in theater style Kontravoid has offered a kind of dance music that draws upon the likes of classic EBM, the creative production style of Meat Beat Manifesto and techno. The latest album Detachment includes vocal contributions from Nuovo Testamento singer Chelsey Crowley. Opening the show are Denver acts French Kettle Station and his own fusion of glitch, electronic dance pop and performance art and Modern Devotion’s minimal techno.

Thursday | 07.18
What: Quasi w/Jeffrey Lewis
When: 7
Where: Marquis Theater
Why: Quasi is the rock duo comprised of Sam Coomes and Janet Weiss. The former some may know from his time in Heatmiser with Elliott Smith. The latter was the long time drummer of Sleater-Kinney and Stephen Malkmus & The Jicks and one of the truly great live drummers of the current era. After years of being inactive Quasi released Breaking the Balls of History in 2023 on Sub Pop and a set of songs that showcase the band’s gift for fusing punk and bombastic art rock. Jeffrey Lewis is the eccentric punk musician and visual artist whose songs are punk in spirit but not in the predictable way musically—just a disregard for convention of genre and expectation of subject matter like a one man They Might Be Giants.

Th and S | 07.18 and 07.20
What: AJR w/mxmtoon and Dean Lewis
When: 6
Where: Ball Arena
Why: AJR is the trio from NYC comprised of Adam Met, Jack Met and Ryan Met (thus the name, the last name truncated from Metzger) who are all vocalists and multi-instrumentalists and all are involved in the songwriting that’s a hybrid of hip-hop, indie pop and some elements of hyper pop and Americana. Opening the show is multi-media artist and folk bedroom pop artist mxmtoon who propelled herself into the public eye with her use of social media from a young age sharing her visual art and early songwriting with ukulele on a YouTube channel she started at age 13. Her soulful vocals help to set her music apart from what some may assume to be her natural peers and her songwriting demonstrates a poetically thoughtful perspective that takes on the usual subjects of the struggles of youth and looming adulthood with creativity. Add her imaginative production and free association of musical styles into a coherent one of her own and mxmtoon is easily one of the most interesting pop artists now more than flirting with mainstream success.

A Strange Happening in 2022, photo by Tom Murphy

Friday | 07.19
What: A Strange Happening, Plague Pitted Moon, Penny Auction
When: 8
Where: The Skylark Lounge
Why: Plague Pitted Moon is a psychedelic doom band from Rapid City that recently released its 2024 self-titled EP. Its dark, distorted drones are like a grittier, more metal-inspired shoegaze band. Penny Auction from Casper, Wyoming is similarly minded but generally more noisy and menacing like if someone that listened to a lot of Sonic Youth, Big Black and My Dad Is Dead decided to start a band that was more lo-fi than even all of that. A Strange Happening is basically an indie rock band if its members were all nerds for old radio serial programming and psychedelic garage rock but skipped on the 2010s version of that sort of thing and essentially a weird band that writes accessible music.

Saturday | 07.20
What: The Roots w/Digable Planets
When: 7
Where: Mission Ballroom
Why: The Roots are a band that early on adopted using live jazz instrumentation into its brand of hip-hop setting it apart from most of its peers especially when it launched in 1987. Stylistically Digable Planets shared eclectic and jazz and R&B rooted sensibilities when it too formed in 1987. Both projects have roots in Philadelphia though Digable Planets first came to prominence when it was based in Brooklyn. Both outfits released their respective debut albums in 1993 on major record labels with a follow up in 1995. Digable Planets split for a decade after the release of that album, the deep mood jazz psychedelia-infused Blowout Comb, while The Roots continued to build its cult following into relative mainstream success even before it became the official house band for Late Night with Jimmy Fallon in 2009. Big ups for the 2011 Michele Bachman incident. Although it hasn’t released a new album in nearly 30 years Digable Planets began its latest run as a live band in 2015 and The Roots for its own part hasn’t offered a new record since 2014 but both have proven themselves as vital live bands whose sounds and ideas have helped to shape the aesthetics of much of the modern hip-hop that dares to break the mold of standard and well worn ideas with imagination and a willingness to think of their own music beyond tradition and established style.

Saturday and Sunday | 07.20 and 07.21
What: Daikaiju and TripLip w/Pink Lady Monster (07.20) and Big Canned Ham (07.21)
When: 7pm both nights
Where: The Matchbox (07.20) and The Squire Lounge (07.21)
Why: Daikaiju is the legendary psychedelic surf rock band with truly exciting live shows with fire and breaking the audience and performer wall by making an entire venue a potential stage. TripLip could be described as a progressive surf rock punk band but really art rock in the more playful 90s vein and truly not easily put into any genre box though a perfect band to play with Daikaiju. Pink Lady Monster is the charismatic and enigmatic No Wave post-punk/art rock band from Denver. Big Canned Ham is sort of a psychedelic art rock funk band that apparently didn’t see some reason not to fuse Pink Floyd, Primus and Sleepytime Gorilla Museum.

Tuesday | 07.23
What: The Decemberists w/Ratboys
When: 7
Where: Mission Ballroom
Why: The Decemberists have long been one of the quintessential indie rock bands of the 2000s and beyond with its penchant for eclectic instrumentation, folkloric, literary lyrics and a sound that dips into Americana and chamber pop. Plenty of shade has been thrown the band’s way for being pretentious in its theatrical presentation, its often somewhat nerdy subject matter and the baroque aesthetic of its cover art yet it’s refreshing to see a band put that much effort into the small details of its music from its performances to the way its music greets the world separate from the live context. Not to mention the creative ambition to pull it all off and to establish a body of work with layers of meaning and nuance. The band’s latest album As It Ever Was, So It Will Be Again (2024) sounds like a descendant of jangle rock and 80s indiepop as embodied by groups out of the Paisley Underground and the southeastern part of the USA like The Windbreakers, Let’s Active and The db’s.

Tuesday | 07.23
What: Facet, Moon Pussy, Abandons and Wingwalker
When: 7
Where: Hi-Dive
Why: Facet is the Oakland-based, noisy post-hardcore band whose self-titled 2023 album is half Amphetamine-Reptile-artist-esque atonal madness and DC post-punk. Fitting Denver’s own noise rock weirdo geniuses Moon Pussy are sharing the bill along with instrumental art doom trio Abandons and heavy, angular post-punk trio Wingwalker.

Tuesday | 07.23
What: Ben Howard w/John Francis Flynn
When: 7
Where: Ogden Theatre
Why: You don’t need any kind of background on the artist or the making of the album to get something out of Ben Howard’s 2023 album Is It? The singer-songwriter whose career stretches back to the late 2000s suffered two mini-strokes in 2022 which initiated some lifestyle changes and the subsequent album which in some ways charts his creative coming to terms with and working through his life changes isn’t just introspective in expected ways the music is richly detailed and flows with a seemingly organic flow of electronic and not so electronic elements that is instantly engaging and is resonant with recent offerings from Mount Kimbie. The songs are illuminating and tender, emotionally vivid and Howard’s vocals, processed or otherwise, shine with a gentle warmth. The record is the artists magnum opus.

Wednesday | 07.24
What: Easy Honey w/Sex Wacks and Welcome Back
When: 7
Where: Larimer Lounge
Why: Charleston, South Carolina-based Easy Honey originally started in Sewanee, Tennessee and have cultivated a sound one more often associates with the mood and energy of a psychedelic pop band from the opposite side of the country. But in its songwriting one hears threads of influence beyond obvious touchstones. There is a power pop sensibility crossed with the storytelling mode of The Kinks and the way the latter ties its captivating choruses with big, melodic hooks. There is an easygoing aspect of the music even though its wit and exuberance inform the songwriting and the performances. On July 19, 2024 the band released its new album Cupidity Unlimited and is currently on a wide touring leg in Colorado alone that began on July 7 in Buena Vista and continues through July 27 in Colorado Springs.

Friday and Saturday | 07.26 and 07.27
What: Mark Farina
When: 8
Where: Meow Wolf Convergence Station
Why: Mark Farina is the legendary DJ who fused house, jazz and downtempo with elements of other styles in an almost free association of beats and sounds to produce his trademark sound “mushroom jazz.” The latter hit like acid jazz mutated by left field hip-hop beats. Farina explored the inner and outer edges of that aesthetic across several releases in the Mushroom Jazz series. Farina’s eclectic, mellow but vivid production has influenced at least one generation of house and electronic dance music creatives Farina performs sets Friday and Saturday at Meow Wolf’s Convergence Station where the room’s spacious and spare accommodations seem like the right place to experience music provided by one of modern house music’s most significant artists/mixologists.

Tuesday | 07.30
What: Street Fever w/MDX View, Palace Guard, Dream Compartment
When: 7
Where: Hi-Dive
Why: Street Fever is the performance artist and industrial techno/EBM darkwave artist from Boise, Idaho who has a bit of an underground cult following dating back around a decade when he was a completely mysterious figure whose sets were in the realm of gritty darkwave before that became more of a thing within a few years. But more recent Street Fever shows have been more intense, seemingly more focused and heavier, harder beats perhaps heard in the most realized form on the 2024 album Absolution. The record whose themes seem to explore working through religious trauma and life under late capitalism is refreshingly not stylistically monolithic and start and has moments of sublime, melodic beauty and emotionally vibrant vocals. Live, Street Fever often brings the stage into the audience and involves those who show up in his personal catharsis.

To Be Continued…

Best Shows in Denver September 2021

**Emerald Siam performs at Down in Denver Fest on Saturday, Sep 4, 2021 11 p.m. Photo by Tom Murphy From Dec 2019**

Quits in October 2019, photo by Tom Murphy

Saturday – Monday | September 4-6
What: Down In Denver Fest
When: Labor Day Weekend
Where: Larimer Lounge
Why: With the erosion of the national and local media especially in coverage of local music and culture as a parallel to increasing income inequality the curation of a local scene virtually everywhere in America has all but disappeared. Publications that once served as active legacy institutions that traditionally documented and preserved local culture in a robust way have either dissolved or transitioned to a digital marketing portal model with a subsequent narrowing of content and cultural mission. Music festivals often following a lifestyle branding concept in sync with the lifestyle model of much of digital media following the implosion of the blogosphere can feel like Philip K. Dick circa Do Androids Dream of Electric Sheep was more of a prophet than we’d prefer to believe. The Down in Denver Fest organizers remember a time when the rich and broad diversity of Denver’s local scene was more honored and represented in local music festivals and older artists were not expected to retire but, rather, respected for their past and current efforts. While Denver and other cities are in disarray with the forces of drastic income inequality and subsequent gentrification local cultural history seems to pass into irrelevance like a social media feed more quickly than at any previous moment in human history, episodes without context, products to consume and discard. But this is antithetical to lived human experience and human life and our collective craving for connection not just to other people but our experiential, existential context that defines our lives for a certain period or our entire lives. Maybe Down In Denver Fest won’t provide this to everyone but the inspiration behind it is the understanding that local culture and the people who make it a living thing past and present are not just the atomized dots of a marketing galaxy but a continuum that can be and is accessible. So go expecting to see a broad slice of bands representing decades of Denver music history from bands from a variety of genres and styles to DJs from the Denver underground. Visit the event website for the line-up and schedule and to sample artists. Also listen to the Queen City Sounds Podcast featuring a handful of stories from the Denver scene from some of the people that were involved and have helped to make various corners of the city’s musical milieu.

Midwife in October 2019, photo by Tom Murphy

Monday | September 6
What: Midwife w/Sympathy Pain and Sketches
When: 8 p.m.
Where: Hi-Dive
Why: Midwife is touring more broadly in support of her 2021 album Luminol, a soothing yet heart wrenching record mourning deep loss and fumbling for healing the caustic burns on your heart from the death of friends, the crumbling of the cultural infrastructure that gave one’s life more definition than it might have had and a nation and international community in disarray from grand forces of inequality and the rise of fascism and science denial with no seeming relief on the horizon. It isn’t a dire record but an honest one cast in gossamer guitar work and introspective, dreamlike vocals that tap into those dark places of the mind and not to say it’s all going to be okay but rather as a reminder that you’re not crazy and your feelings of despair, deep discontent and righteous anger are real and valid. Midwife is also performing at Trident Bookstore in Boulder on September 8 and The Coast in Fort Collins on September 12.

Thursday | September 9
What: Denver Meatpacking Company w/I’m A Boy, Wiff and Sleep Demons
When: 7 p.m./8 p.m.
Where: Lost Lake
Why: Denver Meatpacking Company pull liberally from 90s alternative rock for inspiration but its fuzzy guitar work is couched in solid pop hooks that prevent it from sounding like a throwback act. Which makes it a good pairing with I’m A Boy and its own power pop sensibilities and refreshingly unaffected love for bombastic and theatrical rock and roll.

Sunday | September 12
What: Denver Does Denver
When: 1-10 p.m.
Where: Green Valley Ranch Town Center Amphitheater 5060 Argonne St., Denver, CO 80249
Why: It has been 11 years since the last Denver Does Denver event happened when various musicians in the Denver scene covered music by peers and influences in local music at the Meadowlark Bar and its environs. This reboot of the event, once again curated by educator and member of experimental funk and world music phenoms Pink hawks, Yuzo Nieto, is taking place outdoors in Green Valley Ranch and features a typically fascinating set of musicians showcasing the creative wares of other bands and songwriters that otherwise wouldn’t normally be thus recognized for their impact.

Thursday | September 16
What: St. Vincent
When: 7 p.m.
Where: Mission Ballroom
Why: Annie Clark has been experimenting with concepts across her musical career and giving us not only a respectable body of work and consistently fascinating songwriting and inventive musicianship but a creative arc in which she’s willing to take risks. None more so than her 2021 album Daddy’s Home. It is clearly a well-arranged series of vignettes about life in New York City as told through the sonic lens of 70s pop and rock like an East Coast answer to Joni Mitchell’s fantastic and insightful 1970 album Ladies of the Canyon. The structure of the album feels like reading a short novel with a cinematic scope and revelations about character and concept reminiscent of the flow of Virgnia Woolf’s Mrs. Dalloway. Every tour, certainly for her last three albums, has involved creative and entrancing production and even set design subverting the standard rock and pop paradigm so if you go expect some of that deep creativity for which Annie Clark and St. Vincent are rightfully known.

Friday | September 17
What: Herbie Hancock
When: 7 p.m.
Where: Ellie Caulkins Opera House
Why: Herbie Hancock and his stunningly brilliant keyboard and synth work alongside his mindblowingly talented collaborators put on one of the greatest live shows going regardless of genre. His roots in some of the jazz legends of the 60s and 70s are impressive enough but his albums under his own name often reveal a passion and genius for composition that he channels into accessible and engrossing songs and performances that remain relevant and powerful.

Friday and Saturday | September 17-18
What: Westword Music Showcase
When: See schedule per day at http://www.westwordshowcase.com
Where: Rino Arts District and Mission Ballroom
Why: The Westword Music Showcase returns with an expanded presentation in the Rino Arts District northwest of downtown Denver including performances at the Mission Ballroom for headlining acts like Young The Giant, Kaytranada, Thundercat, Matoma, Hippo Campus and Duke Dumont with a bevy of local acts nominated by experts in the local scene tapped for their knowledge by the long running alternative weekly paper.

Monday | September 20
What: Mannequin Pussy w/Angel Du$t and Pinkshift
When: 7 p.m.
Where: Bluebird Theater
Why: Philadelphia’s Mannequin Pussy has long commented on sexism and its effect on identity and how those issues dovetail into the colonist mentality and the most deleterious and sometimes subtle corrosive effects of capitalism. But doing so in a way that seems as tender and sensitive as it is ferocious, cast in noise rock and melodic punk. In 2021 Mannequin Pussy released its gloriously caustic EP Perfect.

Monday and Tuesday | September 20 and 21
What: Mdou Moctar
When: 7 p.m.
Where: Globe Hall
Why: Mahamadou Souleymane is a Tuareg songwriter from Niger who is known to the musical world at large as Mdou Moctar with a growing international following despite the lyrics to his songs being in Tamasheq. His intricate guitar work and sincere performance style renders what might seem exotic to some Americans immediately relatable. Moctar’s fusion of blues and rock with West African musical styles and sounds come off both familiar and arrestingly fresh. In 2021 he released the album Afrique Victime through Matador, his first for an imprint other than specialist label Sahel Sounds. An intense and engaging performer, Moctar’s gracious and self-effacing demeanor doesn’t quite prepare you for the emotionally charged journey of the show but makes it one you want to take.

Tuesday | September 21
What: Twin Tribes and Wingtips w/Plague Garden
When: 7 p.m.
Where: The Oriental Theater
Why: A great pairing of the Brownsville, Texas lo-fi post-punk band Twin Tribes and Chicago’s darkwave pop sensations Wingtips. The former released a beautifully curated remix album in 2021 called Altars including remixes from Turkish post-punk legends She Past Away, Dave Parley of Prayers, Wingtips and Bootblacks. Wingtips’ new record Cutting Room Floor is a gorgeously composed set of expansive and bright yet hazily moody and reflective pop songs subverting the tropes of sounds and aesthetics borrowed from 80s era synth pop by many modern artists and seemingly as influenced by the likes of Thompson Twins and Howard Jones as Depeche Mode and Fad Gadget. Opening the show is Plague Garden whose 2021 album Requiem of Souls is a great expansion on their brooding and atmospheric blend of industrial and post-punk into more pop territory including an excellent cover of Tanita Tikaram’s 1988 hit single “Twisting in My Sobriety” that highlights the song’s then unfashionable level of self-examination.

Tuesday | September 21
What: Torres w/Ariana and The Rose
When: 7 p.m.
Where: Larimer Lounge
Why: Torres has from early in her career blended a more electronic pop aesthetic with a raw and gritty folk-inflected songwriting style and dynamically emotional vocals. Her 2021 album Thirstier is brimming with high contrast sounds that give the songs a forcefulness that was always there in her music but made unmistakable this time around.

Wednesday | September 22
What: Waltzer w/Vision Video, Voight, Lord Friday the 13th
When: 8 p.m.
Where: Hi-Dive
Why: Waltzer is Sophie Sputnik who fronted punk band Killmama for more than a few years. But her music theater background seems to have been yearning for greater expression if the debut Waltzer album Time Traveler is any indication and the bizarre music video for “Destroyer” which is like a humorous horror movies as a backdrop to soulful, R&B pop. Maybe Sputnik got to listening to a lot of Erykah Badu, Harry Nilsson and Todd Rundgren but she makes that lush, almost orchestral sound seem spare as well. Athens, Georgia-based post-punk/pop band Vision Video is an interesting contrast with its 2021 album Inked in Red reminiscent of 80s jangle pop, XTC and Pink Turns Blue. Voight is a Denver-based band that collides together noise rock, industrial/techno beats, emotionally-charged vocals and caustic shoegaze-y soundscapes.

Front 242 in April 2018, photo by Tom Murphy

Wednesday | September 22
What: Front 242 w/Consolidated, Blackcell and DJ N810
When: 7 p.m.
Where: The Oriental Theater
Why: Front 242 is one of the pioneers of the EBM wing of industrial music of the 80s with its stark visual style akin to a stylized Futurist aesthetic. Claiming to be apolitical and even amoral, Front 242’s pulsing, atmospheric dance music nevertheless takes aim at corrupt religious and political figures without an explicitly verbalized critique, rather choosing to present them as absurd and cartoonish. By contrast the overtly political industrial band Consolidated is part of this tour and from its album titles, to its music and confrontational performance style the group from San Francisco leaves no doubt about its leftist politics and activist cultural orientation while also injecting very pointed commentary with humor that also manages not to distract from the message. Denver’s long-running noise/industrial/EBM duo Blackcell opens the show with its own richly imagined and immersive soundscapes.

Wednesday | September 22
What: Ratboys X Wild Pink w/Bellhoss
When: 7 p.m.
Where: Globe Hall
Why: Earlier in 2021 Wild Pink released A Billion Little Lights, a pop album of lush orchestration and sage and sharply observed comments on one’s changing perspectives and priorities as one ages into adulthood physically and psychologically and the subsequent realization that the sureties of now will sometimes seem like the follies and cringe-worthy moments of the future. While songwriter John Ross wrote the album from the perspective of a single human life the themes seem to resonate strongly with society overall in the past decade and coming to terms with blind spots, injustice, inequality and chronically bad habits that have a fallout for oneself and others.

Saturday | September 25
What: Lost Relics and Never Kenezzard
When: 9:30 p.m.
Where: Tooey’s Off Colfax
Why: Two giants of Denver sludge metal, Lost Relics and Never Kenezzard both demonstrate how heavy, doomy metal can be dynamic and even expansively psychedelic while hitting hard. Expect a new Lost Relics EP soon and Never Kenezzard’s follow-up to the excellent 2016 album Never Say…

Monday | September 27
What: Esmé Patterson
When: 7 p.m.
Where: Globe Hall
Why: The beginning of the global pandemic in March 2020 landed just in time to thwart plans for Esmé Patterson and her band to tour in support of her then new album There Will Come Soft Rains. The new record showcased Patterson’s ear for subtle emotional dynamics in songwriting and for expressing the complexity of one’s feelings in an uncluttered way. The spare melodies of the new batch of songs also demonstrate an attention to space in the songs perhaps as a symbolic way of honoring the need to such in one’s life in order to make sense of what can feel overwhelming. Not a pandemic record but sure seems like one that addresses little things in life we often ignore in our rush to push through everything when we need to and never really taking the time to feel what we need to in order to maintain a healthy state of mind.

Judas Priest in November 2014, photo by Tom Murphy

Wednesday | September 29
What: Judas Priest w/Sabaton
When: 7 p.m.
Where: Mission Ballroom
Why: Perpetually underrated yet highly influential, Judas Priest is one of the pioneering bands of heavy metal that still occasionally tours and is still a powerful live act due in no small part to singer Rob Halford’s expressive and operatic vocals. With hits like “Breaking The Law” and “Living After Midnight” from its 1980 album British Steel, Judas Priest started to break into the mainstream with subsequent regular rotation on MTV. Getting to see Judas Priest at a theater like the Mission Ballroom with its excellent sound and seating layout is likely to be the most enjoyable environment to take in the band’s broad range of moods and highly charged dynamics.

Cadence Weapon in June 2012, photo by Tom Murphy

Thursday | September 30
What: Fat Tony and Cadence Weapon
When: 8 p.m.
Where: Hi-Dive
Why: Fat Tony and Cadence Weapon are rappers from Houston and Edmonton, Canada respectively but who both draw on an electric palette of sounds and influences and their use of imaginative beats and production have set them apart from many peers from early on in their respective careers. Their individual blends of classic rapping with free associating sounds and textures in the beat with an ear for songwriting and impassioned delivery make this one of the hip-hop shows to see this year in Denver. Fat Tony is touring following the 2020 release of his album Exotica and Cadence Weapon with his 2021 album Parallel World.

Best Shows in Denver 6/27/19 – 7/3/19

Earth3_crop — **Earth performs June 27 at The Marquis Theater, photo courtesy the artist**

Thursday | June 27

Zealot_Jan12_2019_TomMurphy_sm — Zealot, photo by Tom Murphy

What: Earth w/Helms Alee
When: Thursday, 06.27, 7 p.m.
Where: The Marquis Theater
Why: Earth is as much an influential and pioneering drone metal band as it is an avant-garde blues folk group imbued with mystical overtones. It’s 2019 album Full Upon Her Burning Lips finds the trio channeling more than the usual measure of its crawling, Black Sabbath-esque gloom. Seeing the live show it’s always fascinating to see how Adrienne Davies moves in an orchestrated string of slow sweeping moves and fast, accenting flourishes as Dylan Carlson and their collaborators of the moment drone with a smoky fluidity.

What: Meet the Giant, The Jinjas, Monty O’Blivion and Zealot
When: Thursday, 06.27, 7 p.m.
Where: Thought//Forms Gallery
Why: Zealot would be a Mountain Goats cover band but Luke Hunter James-Erickson would find that too rote so he injects his own eclectic tastes into the songwriting. Recently released the “Snake Goddess” single, a typically eccentric, high energy, angular indie rock gem. Meet the Giant, informed by electronic music and hip-hop beat-making, write and perform deeply evocative, brooding rock songs that maybe now would overlap with the whole darkwave thing except that Meet the Giant often crosses over into the realm of hard rock in a way most of those bands don’t.

What: Cholo Goth Night featuring Dave Parley of Prayers
When: Thursday, 06.27, 9 p.m.
Where: Streets Denver
Why: Just like it says, Cholo Goth Night at Streets Denver with Dave Parley of Cholo Goth and spinning Darkwave and Goth for the evening. When this event happens in the Los Angeles area and select other cities Parley brings in other darkwave musicians of note to guest a set but not for tonight.

Friday | June 28

Blue-October_Chris-Barber_lg — Blue October, photo by Chris Barber

What: The Kinky Fingers w/Vic N’ the Narwhals and Colfax Speed Queen
When: Friday, 06.28, 8 p.m.
Where: Hi-Dive
Why: Now that the Denver “party rock” scene has withered away and garage psych/surf is going the way of pop punk in the early 2000s only the strong and more interesting survive. In the case of these three bands it’s partly because their songwriting was always good and their individual sounds not so susceptible to the blowout of trendiness. Each has also evolved.

What: Tyto Alba and Steele Douglas
When: Friday, 06.28, 5 p.m.
Where: Museum of Contemporary Art Denver
Why: Tyto Alba is always surprisingly evocative with music coming from the tender places of the psyche and coloring the tones in warm, incandescent tones and hypnotic rhythms. Seeing them on a rooftop while a thunderstorm threatens to hover in but never does? Seems symbolic and entirely appropriate.

What: Blue October w/Mona
When: Friday, 06.28, 7 p.m.
Where: Ogden Theatre
Why: Blue October has been around for nearly a quarter of a century now and its career has crossed over from the old way of major labels and the album release cycle to the modern mess and disarray of the industry now that offers bands to connect directly to an audience more so than ever before but to earn far less for their efforts. That the group has weathered that period is impressive itself. Oddly enough its own style of power pop seemingly inspired by late 80s proto-alternative rock like Icehouse and The Outfield and their dramatic presentation of being a bit on the outs of true emotional fulfillment but yearning for that special connection with another human with music that is a little too triumphant in tone and uplifting to be sad bastard music. But Blue October didn’t stay trapped in a past style and its newer music reflects a diversity of newer influences.

What: Primal Birth: Hotpiss, Drume, Eyeface, Padfut, Worldwide Dungeon, DJ 7 Heads
When: Friday, 06.28, 10 p.m.
Where: Rhinoceropolis
Why: A bit of a weirdo underground techno show that starts late and goes late like a rave.

Saturday | June 29

PUP_Vanessa1Heins1 — PUP, photo by Vanessa Heins

What: Westword Music Showcase
When: Saturday, 06.29, 12 p.m.
Where: Golden Triangle Neighborhood
Why: This is the longest running music festival of its type in Denver. Held on just one day in the Golden Triangle neighborhood near the Westword offices off Tenth Ave and Broadway, it is arguably the most concise way all year to see a broad spectrum of the local scene without having to walk too far. This year’s line-up includes several of the local luminaries. Here is a list of see-if-you-can acts at each of the stages and a given set time. Tastes will vary and I’m certainly no expert on big chunks of the local music world.

Breckenridge Brewery Stage
12:25 YaSi
6:10 Jai Wolf

White Claw Stage
7:20 CHVRCHES

Vinyl Main
12:50 Techno Allah
2:30 Erin Stereo

#vybe
12:50 Venus Cruz
6:40 Lady Gang
7:30 RARE BYRD$

Stoney’s Main
12:35 Gora Gora Orkestar
5:35 Wes Watkins
7:15 Roka Hueka
8:05 Los Mocochetes

Bar Standard
12:50 Hail Satan
2:30 Ghosts of Glaciers
5:50 Fathers
6:40 Plasma Canvas
7:30 Cheap Perfume

Temple/Mirus Gallery
3:20 Starjammer

Stoney’s South
1:40 Brianna Straut
2:30 Bevin Luna
5:50 Florea

The Church
12:00 eHpH
2:30 Ramakhandra
5 Vic n’ the Narwhals
5:50 Spirettes
6:40 The Hollow

100% Agave
1:40 Bret Sexton
5:50 Los Dog Ensemble
6:40 The Maybe So’s
7:30 Joshua Trinidad Trio

What: PUP w/Ratboys and Beach Bunny
When: Saturday, 06.29, 9 p.m.
Where: Gothic Theatre
Why: PUP started making waves a handful of years ago outside its hometown of Toronto, Ontario among aficionados of pop punk and emo who missed that brashly confessional style of songwriting before the music hit maximum saturation level in the early-to-mid 2000s. When the band began in 2010 a quasi-movement was under way across the North American continent in making fun, melodic punk that was raw and expressive. With PUP and others the key difference was embracing the relatively unrefined side of that songwriting and how that opened possibilities for the music to go where it will rather than fall directly in a worn out style. This has given PUP’s songwriting a freshness that even if at first it seems completely within the realm of standard pop punk. Its new record, 2019’s Morbid Stuff, arguably its best to date, revealed the influence of the more vital garage punk and 2000s lo-fi noise rock on its sound. Like the Reatards and perhaps No Age. Its irreverent spirit and deft local cultural references that are relatable to people who experience similar social phenomena in their own cities makes for a consistently endearing listen.

What: Luxury Hearse, Timelord SFX and blank human
When: Saturday, 06.29, 7 p.m.
Where: Tennyson’s Tap
Why: Luxury Hearse combines the forces of blank human’s ambient/noise sound sculpting and Psychic Secretary’s beat-driven experimental electronic music. What to call it? Some might think industrial because of its sometimes sharp edges but it’s more in the vein of edgier yet dream-like dance music.

What: 5th Annual Colorado Goth Fest: Suicide Commando and Læther Strip w/Offerings to Odin, The Union, The Midnight Marionettes, eHpH and WitchHands
When: Saturday, 06.29, 6 p.m.
Where: Oriental Theater
Why: This edition of the Colorado Goth Fest features headliners who are significant and one might say pioneering artists in the realm of EBM with Suicide Commando and Læther Strip. The local acts are a fairly diverse group as well including death rock band WitchHands from Colorado Springs and Denver’s own EBM/electro-post-punk duo eHpH.

What: Blue October w/Mona ogdentheatre.com/events/detail/369899
When: Saturday, 06.29, 8 p.m.
Where: Ogden Theatre
Why: For Blue October see above for 6.28.

Monday | July 1

CultureAbuse_Jun15_2018_TomMurphy — Culture Abuse circa 2018, photo by Tom Murphy

What: Culture Abuse w/Tony Molina, Young Guy, Dare, Regional Justice Center and Cadaver Dog
When: Monday, 07.01, 7 p.m.
Where: Marquis Theater
Why: Culture Abuse has big melodic hooks for a band that came up through the milieu of garage punk. It’s 2018 album Bay Dream greatly expanded its range as a band both tonally, dynamically and emotionally as it’s informed by a sensitivity to the inevitability of the death of those close to you and a wry sense of humor and irony. After all Culture Abuse has a song called “Dave’s Not Here (I Got The Stuff Man)” referencing the classic Cheech & Chong skit. While there’s plenty of wiry punk energy behind the material, especially live, it’s really more of a great power pop record. Tony Molina got started in music playing in hardcore bands but his solo work is more in line with jangle pop and C86 with a sprinkling of The Byrds. His own 2018 record Kill the Lights wouldn’t have been out of place in the same musical realm as Teenage Fanclub circa 1992. Except with more folk-inflected, introspective songwriting throughout.

What: Muscle Beach, Buildings (MN) and Simulators
When: Monday, 07.01, 8 p.m.
Where: Streets Denver
Why: Buildings form Minneapolis is a vital cross between a math-y noise rock and post-hardcore. Muscle Beach is of similar mind but its own version of post-hardcore is a splintery assault on the senses that drags you down emotional pathways that purge angst and personal darkness – all done with a cathartic sense of joy. Simulators are an angular noise rock duo whose music is both cutting and unhinged yet mathematically precise. It’s always an interesting contrast.

Wednesday | July 3

TotalTrash_Mar31_2019_TomMurphy2 — Total Trash, photo by Tom Murphy

What: Bud Bronson + the Good Timers, The Right Here, Bad Licks, DJ Sara Splatter
When: Wednesday, 07.01, 8 p.m.
Where: Hi-Dive
Why: Bud Bronson + The Good Timers are always surprisingly good. Its earnest power pop sounds like it’s of today but has a quality and a vibe that is reminiscent of the stories and sentiments one heard in the music of late 70s/early 80s Bruce Springsteen and Tom Petty. Also on the bill is Bad Licks who somehow do a kind of psychedelic blues rock that is legitimate and high energy because good songwriting transcends pre-conceptions.

What: Weird Wednesdayl: Total Trash, Pretty Loud, Klaus Dafoe
When: Wednesday, 07.01, 9 p.m.
Where: Bowman’s Vinyl
Why: Total Trash is a band comprised of luminaries of Denver’s indie rock scene going back nearly two decades and yet it’s not all middle aged people. If you remember Fissure Mystic, Fingers of the Sun and Lil’ Slugger, it’s people from those bands. It’s psychedelic, shoegaze-y jangle pop is transporting yet relatable and down to earth. Klaus Dafoe is an instrumental band that collides together 2000s math rock, weirdo punk and indie pop for a sound that is familiar yet unusual.

What: Pale Sun, Palehorse/Palerider, Random Temple and Grass
When: Wednesday, 07.01, 7 p.m.
Where: Lost Lake
Why: Palehorse/Palerider’s drummer Nathan Marcy said to bring earplugs. Good idea, because his own group is the kind of doom/shoegaze/dark desert psych band that makes beautifully dark, atmospheric, consciousness expanding music with ritual/tribal flourishes that is, yes, in fact, quite loud. In good company with gritty psych band Grass and Pale Sun. The latter’s dreamy yet dense rock music will take you to a different psychological space than the one with which you walked into the show. Includes former members of Bright Channel, Space Team Electra and Snake Rattle Rattle Snake.