Best Shows in Denver and Beyond November 2026

dälek performs at the Hi-Dive on 11/5/26 photo by Jonny Scala
Everclear, photo by Natalie J. Russell

Sunday | 11.01
What: Everclear – Lucky 7 Tour w/American Hi-Fi
When: 7
Where: The Gothic Theatre
Why: Everclear’s career basically began at the dawn of the alternative rock era in 1992 with the a debut album World of Noise releasing in 1993. That record lived up to its name a bit and was more in line with the punk that lead singer and primary songwriter Art Alexakis came up with. For the follow up Sparkle and Fade (1995) and 1997’s So Much for the Afterglow, Alexakis’ songwriting shifted a little embracing melody and a different kind of hook that not only garnered major label attention but also led to mainstream success on alternative rock and Top 40 radio. What the songwriter didn’t modify so much was his searingly honest lyrics and unique vocal style and even the hit songs put raw emotions and sometimes harrowing stories into homes across the world. After the alternative music wave subsided with the end of the 90s Everclear wasn’t as commercially successful but Alexakis has continued to write honest and provocative music. For this tour the band will perform 7 of the most requested songs in each city as polled from the band’s website.

Thee Sinseers, photo courtesy the artists

Monday | 11.02
What: Thee Sinseers w/The Charities https://www.gothictheatre.com/events/detail/?event_id=1438082
When: 7
Where: The Gothic Theatre
Why: Led by multi-instrumentalist and singer-songwriter Joseph Quiñones, East L.A.’s Thee Sinseers perform music in the Chicano soul style fusing soul, R&B and doo wop. But the group has a full brass section as well to infuse its songs with an orchestral pop grandeur. The band’s latest album Love Stories sounds like something that could have come out at the peak of 1960s R&B pre-classic rock era with songs that convey the various facets of love with poetic nuance and both vibrant declarations of such and honoring the more melancholic periods of any relationship that continues to evolve. Sure it’s a bit nostalgic and tapping into a previous era for style but songwriting and presentation matters and sets a band apart as the product of actual humans and Thee Sinseers embrace the analog human experience and haven’t skimped on the quality of what they offer.

Periphery, photo byPriscilla Scott

Monday | 11.02
What: Periphery w/NE Obliviscaris, Greyhaven and Ando San
When: 5
Where: The Fillmore Auditorium
Why: Periphery is the progressive metal band from DC who are credited with being pioneers of djent. But don’t hold that against them if you’re into the more prog end of modern metal. A Pale White Dot, Periphery’s eighth studio album, was released in May 2026 and it is the first not to have a title that sounds overtly the name of the chapter of a nerdy science fiction series. The album itself isn’t a giant departure from its previous albums though it does in moments come across as more cinematic and atmospheric even amidst more aggressive passages. If the music sometimes also sounds heavier it’s because the group tuned its baritone six strings to F standard, something most bands wouldn’t write around.

dälek, photo by Jonny Scala

Thursday | 11.05
What: dälek w/Moon Pussy and Shocker Mom
When: 7
Where: Hi-Dive
Why: dälek is a hip-hop group that formed in Newark, New Jersey in 1998.When the project got going its broad and deep palette of sounds in the beats was outside the mainstream but well within the realm of hip hop production. The songs had a literary quality to its creative observations and on the debut record Negro Necro Nekros (1998), there was some use of Indian percussion and sitar as well other organic percussion samples that lent the music a hypnotic quality that felt like entering a different kind of reality than most other hip-hop acts were offering. Since then dälek has innovated in its use of samples and live performance while delivering lyrics of great depth and insight into not just personal psychology but the realm of the psychosocial landscape. Its most recent album is 2026’s Brilliance of a Falling Moon, it’s third to be released on Ipecac Recordings. The record continues themes of its recent albums as an exploration of the corrosive effects of corruption and authoritarianism on our everyday lives while bringing to the delivery a personal touch that gives the song an urgency and power. The new record exposes the failings of the culture to address the crumbling of civil society and its connections to underlying power structures used to oppress political and social minorities to benefit the power elite at home and globally. And yet the critique offered by dälek is rooted in a place of love and how that emotion drives us to make life better for ourselves and everyone else. Listening to the album expect passionate vocal delivery, haunted and harrowing atmospheres and bracing sounds that will get into your head and remind you you’re not alone in feeling an inner compulsion to resist fascism and to, perhaps take action on those impulses whether creatively and/or in community engagement.

Supreme Joy, photo by Tom Murphy

Friday | 11.06
What: Institute w/The Consequence, Candy Apple, Supreme Joy and Glueman 23rd anniversary
When: 7
Where: Hi-Dive
Why: Austin’s anarcho punk legends Institute headlines this birthday celebration of the Hi-Dive’s 23rd anniversary. But it’s a show packed with punk adjacent greatness with noise punk/post-punk group Candy Apple, literary/subversive post-punk group Supreme Joy and grunge-garage ragers Glueman.

L7, photo by Charles Peterson

Friday | 11.06
What: L7 w/Nobro
When: 7
Where: The Summit Music Hall
Why: L7 is touring in the wake of the passing of longtime bassist Jennifer Finch and as a farewell to being a live band. You can bet that they’ll bring the same fury, irreverence and borderline scary intensity to the show as always and deliver the songs that eviscerate the terrible people and things of the world and purge the psychic darkness that is forced into your psyche by everyday living in a sexist, racist, imperialist society with Christian nationalists in too many places of power.

Cheap Wigs, photo courtesy Bob Rob Medina

Saturday | 11.07
What: Denvoid and the Cowtown Punks Re-Release
When and Where: 1-4PM at Wax Trax and 7-9:30PM at Mutiny Comics & Coffee
Why: The updated re-release of the 2015’s Denvoid and the Cowtown Punks the illustrated oral history and cultural catalog of Colorado’s underground music scene in the realm of punk and adjacent music including 28 new pages spanning the years 1982-1987. The comprehensive tome is a classic of Denver music American cultural history. The event will include live musical performances from Hex Cassette, The Disposable Icons and author Bob Rob Medina’s band Cheap Wigs at Wax Trax and in the evening Cheap Wigs will play again at Mutiny with The Legendary Union 706 and The Nervous.

Tank and the Bangas, photo by Jeremy Tauriac

Saturday | 11.07
What: Tank and the Bangas w/Ariel J. and Zeus
When: 7
Where: The Gothic Theatre
Why: Tank and the Bangas are touring in support of their new album The Last Balloon. The band from New Orleans offers a vibrant fusion of funk, soul, hip-hop, spoken word poetry and traces of reggae. Tarriona “Tank” Ball has one of the most versatile and commanding voices in the realm of modern hip-hop easily transitioning from singing to rapping to suit the mood and rhythm of the songs. With a legendarily charismatic live show the album’s new songs that are both fun and challenge prevailing power relations and interpersonal conflict with creativity and love will get their proper expression on stage.

Margaret Glaspy, photo by Ebru Yildiz

Saturday | 11.07
What: Margaret Glaspy w/Olive Klug
When: 5:30
Where: Ophlia’s Electric Soapbox
Why: Margaret Glaspy’s new album I Am Both wastes no time getting right into the emotional resonance from the first track, “Michigan.” It showcases the singer-songwriter’s expressive and vivid vocals and her ability to weave a story of vivid resonance and unabashed vulnerability. Is it folk pop? Sure but Glaspy’s songwriting is so strong and her style so immediately engaging and fresh there’s no mistaking her for another artist. The record seems to take on social mores and conflicts in the current era that many of us had thought part of the past yet Glaspy makes those concerns part of her personal narrative thus rendering them more relatable and in the end harder hitting.

I, Doris, photo courtesy Cassie Fox

Saturday | 11.07
What: Loud Women Fest
When: 3pm doors, 4 show
Where: The Fox Theatre
Why: The London, UK-based feminist music festival comes to Boulder for the first time. Launched by Cassie Fox of the “mummycore” band I, Doris and friends the festival has become an international concern. For the Boulder edition you can see a variety of bands from Colorado and else where. The lineup consists of GUNK!, I, Doris, Tarah Who?, All Thicc, Bitchflower, Dressy Bessy, Fatal Femmes, Brokentear, The Dollheads and Blankslate.

To Be Continued…

Best Shows in Denver December 2025

Primitive Man performs at the Decibel Magazine Metal & Beer Fest on 12/6, photo by Vanessa Valadez
Arrows in Action, photo by Rachel Dwyer

Tuesday | 12.02
What: The Home Team: The Crucible of Life Tour w/Arrows in Action and Makari
When: 6:30
Where: The Oriental Theater
Why: Seattle’s The Home Team is touring in the wake of the release of the deluxe edition of its 2024 album The Crucible of Life. The record is a combination of its post-hardcore roots, R&B and modern alt-pop with the kind of production and electronic elements one would imagine out of that melding of sounds and styles. Also on the bill is Arrows in Action who recently released their new album I Think I’ve Been Here Before (Nettwerk). Since forming in 2017 the group’s fusion of modern rock and pop songwriting with R&B vocals and electronic pop production has garnered a bit of a wide online following. But live the band’s energy and commanding performances are proving it’s more than a studio creation capable of delivering a more visceral version of the slick production of its recordings.

Death Possession, photo from Bandcamp

Thursday | 12.04
What:Decibel Magazine Metal & Beer Fest: Denver pre-fest with Terror Corpse, Vimana and Death Possession
When: 7 doors
Where: Ratio Beerworks 2920 Larimer St.
Why: Decibel Magazine’s Metal & Beer Fest has been pretty reliable for booking some of the most interesting bands in the realm of extreme metal since its inception. This pre-fest event includes performances from Texas-based blackened death metal group Terror Corpse, technical death metal/grindcore band Vimana and the ominous sounds of Denver-based death metal outfit Death Possession.

Story Of The Year, photo by Ryan Smith

Friday and Saturday | 12.05 and 12.06
What: Story Of The Year and Senses Fail w/Armor For Sleep
When: 7
Where: The Summit Music Hall
Why: Two of the better and more popular bands out of that post-hardcore and pop-punk crossover in the early 2000s are sharing the bill on this tour with Senses Fail and Story of the Year. The latter settled on the name in 2002 after forming in 1995 in St. Louis. It’s intricate yet hooky guitar riffs and emotionally charged vocals weaving between emo sensitivity and more distorted screaming meant Story of the Year was in the pocket of a popular style with younger fans of punk looking for something with more edge than the typical pop punk of the day. The band split for a couple of years in 2011 and reconvened in 2013. For this tour you may be able to hear some of the quartet’s forthcoming album A.R.S.O.N..

Blood Incantation, photo by Julian Weigand

Friday and Saturday | 12.05 and 12.06
What: Decibel Metal & Beer Festival Day 1 (12.05) Blood Incantation, Chat Pile, The Red Chord, Panopticon and Castrator, Day 2 (12.06) Acid Bath, Eyehategod, Deadguy, Primitive Man, Conan and Necrofier
When: 6 (12.05) 5 (12.06)
Where: Fillmore Auditorium
Why: Decibel Magazine brings to Denver a generous sampling of the best of current extreme metal for a two day festival. Attendees can opt to buy a ticket that includes getting in on the beer varieties being showcased at the event or a mere “Metal Only” pass for just the music. The first night is headlined by Denver-based psychedelic, progressive death metal band Blood Incantation and one might argue also the political noise rock legends Chat Pile. The second night is indisputably headlined by influential and foundational sludge metal group Acid Bath who are reuniting for a handful of shows this year. Also on that night earlier on is Denver’s death grind trio Primitive Man who recently released their latest sprawling epic of an album Observance with its even more pointed and withering commentary on a corrupt and self-destructive society and economic order and even their own part in its continuance.

Primitive Man, photo by Vanessa Valadez
Wet Leg, photo by Alice Backham

Sunday | 12.07
What: Wet Leg w/Capture This and Bob Moses (club set)
When: 5
Where: Mission Ballroom
Why: Wet Leg is the scrappy post-punk/pop band from the Isle of Wight that started garnering a bit of a cult following after the release of its debut single “Chaise Longue” in 2021 followed by the full-length including that song in 2022. The song and the band’s general presentation is frank in its depiction of sexuality but with a wit and charm and undeniable hooks that keep you coming back to listen. The full length was brimming with tales of everyday life delivered with the spirited sass that you would hope would inform the rest of the songs. The group released its sophomore record Moisturizer in 2025 and its own eclectic set of songs delivered on the promise of the debut including lead single “Catch These Fists” about not defaulting to being polite when you get harassed in public places.

House of Harm, photo from Bandcamp

Tuesday | 12.09
What: House of Harm w/Past Self and killyouclub DJs
When: 8
Where: The Crypt
Why: House of Harm is a post-punk band from Boston whose sparkling melodies and melancholic vocals could be like any other band out of recent darkwave. But there seems to be a bit more emotional urgency in the singing and keen attention to the electronic end of the soundscapes that drive the music. Past Self is a darkwave/death rock band from Las Vegas with leanings toward more ethereal dream pop.

Belly, photo from the band’s Facebook

Friday | 12.12
What: Belly 30th Anniversary of King – 2 sets one night
When: 7
Where: The Oriental Theater
Why: Belly Formed in 1991 shortly after Tanya Donelly left influential post-punk band Throwing Muses. She had spent a brief stint in the early version of The Breeders but after 1992 Belly became the singer/guitarist’s main creative focus and the 1993 release of the group’s debut album Star landed the music on regular rotation on MTV during that first great wave of alternative rock. Founding bassist, and former Throwing Muses member, Fred Abong left the outfit a few months after the release of the record to be replaced by Gail Greenwood (who would go on to play in L7 and recently Gang of Four). The new lineup would record the follow up album, 1995’s King. At the time grunge was, in face, king, and the jangle-y, atmospheric power pop of the record meant it didn’t perform as well commercially as its predecessor but artistically it was a step forward into interesting directions. Belly gets the chance to revisit those songs live with you if you show up and there’s a better than average chance that some material from the first record and 2018 album Dove will end up on one of the two sets.

Flutter, photo by Tom Murphy

Saturday | 12.13
What: Lawsuit Models, Flutter, Black Dots, State Drugs
When: 7
Where: Hi-Dive
Why: Lawsuit Models is the kind of modern punk band that clearly has roots in 90s and early 2000s pop punk but didn’t get stuck completely in that sound. But preserved is the best of that music and its relatable yearnings and an ability to take topical cultural references and make them into statements of more enduring human experience and struggle. The rest of this bill is also interesting because Flutter is a great power pop band who seem to have translated an older sound and sensibility into a modern context with a charismatic live show. Black Dots are a veteran punk act from Denver that has also made a transition into a more modern mix of sounds from a pop punk adjacent early sensibility to something more seemingly informed by a touch of Americana and more straight ahead rock. State Drugs come from that stand of punk that as into power pop of the late 80s and early 90s like they listened to the cooler end of The Goo Goo Dolls, Gin Blossoms and Soul Asylum and decided the songcraft in those bands and a knack for a melodic hook and earnest emotional expression was perfectly fine a well of inspiration as any other.

Jorma Kaukonen, photo by Vernon Webb

Saturday | 12.13
What: Jorma Kaukonen
When: 7
Where: Paramount Theatre
Why: Jorma Kaukonen was one of the members of the classic lineup of Jefferson Airplane. The latter helped define the San Francisco Sound of the late 60s and the early psychedelic rock of the era. Kaukonen came into the group as a blues guitarist who had earlier played a gig with Janis Joplin before either came to anything resembling prominence. The Airplane had hits like “Somebody to Love” and “White Rabbit” and its 1967 album Surrealistic Pillow is a classic of the 60s with songwriting that endures because it was unlike much of anything else in its then realm of rock music. Kaukonen’s instrumental “Embryonic Journey” and its elegantly intricate guitar work brought more than a touch of experimental folk to one of the great psychedelic rock albums of all time. Later in the 60s Kaukonen and some of his bandmates in the Airplane formed Hot Tuna, a group that continues to this day. Somewhere between a psychedelic country blues band and free improvisation outfit, Hot Tuna was a little difficult to pigeonhole though today would be considered on the higher end of the jam band spectrum. Kaukonen has also had an acclaimed solo career in which he can no more easily be classified but in which his energetic and free-flowing finger style guitar and seemingly endless ability to find ways for the guitar to express great feeling with nuance remains. For this tour, possibly the musician’s last on a wide scale at age 84 (soon 85 on December 23) Kaukonen will be joined on stage by heavy hitters R. Carlos Nakai & Will Clipman, David Hidalgo, Jack Casady, Justin Guip, and Ross Garren.

Silver West, photo by Tom Murphy

Tuesday | 12.16
What: Silver West (album release and Hali’s birthday) w/Marty Nation and Whitless
When: 7:30
Where: The Skylark Lounge Bobcat Room
Why: Silver West will release her debut album Ballads of a Heartbroken Hunter at this show. The songwriter/musician is relatively new to performance but has been around music her whole life and as a sound person at various clubs and other live show situations she’s certainly been witness to her fair share of music stories as well as firsthand experience with what works best in a live music format. How much of that shaped her songwriting, hard to say, but surely in the recording there will be an uncommon level of attention to detail and production. But if you’ve seen Silver West there is a compelling vulnerability to her particular style of cosmic Americana that is refreshingly raw and thoughtful.

Takipnik, photo from Bandcamp

Thursday | 12.18
What: Takipnik, Lost Relics, Chew Thru and Sungrave
When: 7
Where: Hi-Dive
Why: Takipnik is a Denver-based heavy band that formed in 2019 and recently released its third album Awakened. The record reveals the band has a keen ear for ethereal atmospheric elements mixed in with those more distorted and raging. Think something like Agalloch and Russian Circles and you have an idea what to expect. Lost Relics bridges the gap between extreme metal and noise rock. Some of its members came out of the more interesting end of the Denver stoner rock scene of the 2000s and 2010s and found a way to sharpen the sound some without losing the ability to maintain a solid groove and thus hooks. Chew Thru has more roots in post-hardcore but still has the aggression and knack for a touch of melody that one might expect from a band with influences in 1980s thrash. Sungrave is in the metal universe as well but its sound clearly has some origins in psychedelic rock and the kind of post-metal one heard in the various incarnations of Isis and Neurosis. In moments the shoegaze fusion has Sungrave sounding more like the majestic pastoral side of Jesu.

Cop Killer, photo from Bandcamp

Friday | 12.19
What: Cheap Perfume, Arson Charge, Gunk! and Cop Killer
When: 8
Where: Hi-Dive
Why: Arguably the punk show of the month headlined by feminist/political punk band Cheap Perfume from Colorado Springs. Its latest album Don’t Care. Didn’t Ask. really does pushes its critique of society and capitalism to new heights and connects the dots in many realms of human life in the intersectional way that the current moment requires. Arson Charge includes former members of Native Daughters, Chieftain and Love Me Destroyer and fronted by SPELLS singer Ben Roy. It’s thrashcore and Roy takes on a different vocal style than you’d expect from him and it’s potent stuff tackling issues related to deeply personal experiences with abuse and the legacy of that for one’s own life in ways that the adult mind is beginning to grapple with. Gunk! Is a like-minded hardcore band from the Springs with a raw, caustic sound. Cop Killer recently released its self-titled EP and it is five tracks of the kind of aggressive hardcore you’d hope with the verbal content you’d hope was there including an updated rework of the Body Count classic.

Salads and Sunbeams, photo by Tom Murphy

Saturday | 12.20
What: Salads and Sunbeams and Gadget Cats
When: 8
Where: The Skylark Lounge Bobcat Room
Why: Salads and Sunbeams are one of the premier Denver-based indiepop bands. Coming out of noteworthy previous bands Fingers of the Sun and The Pseudo Dates (among others), the band’s songs are literary and steeped in 60s and 70s psychedelic pop but informed by modern experiences in the current socio-economic context. Its songs are tonally colorful and heartfelt and filled with creative storytelling. Gadget Cats are a grunge pop group from Fort Collins whose songs released so far seem to reflect some inspiration from 90s underground punk and indiepop.

Pons, photo from Bandcamp

Saturday | 12.20
What: Pons w/Bitchflower and Plastik Mystik
When: 8
Where: Hi-Dive
Why: Pons is a mutant art punk/neo-No Wave noise rock band from Brooklyn, New York that incorporates classical instruments used in unorthodox ways. Often its songwriting sounds like it’s been influenced by experimental electronic music and left field jazz with splintered, fragmented tempos and imploded structure. Bitch Flower from Fort Collins sounds like it was inspired equally by the most jagged and confrontational punk and dark psychedelic rock like the Stooges and its own blues roots. Plastik Mystic is sort of a strange blend of psychedelic garage rock and something like moody punkers Wipers.

DJ boyhollow aka Michael Trundle of Lipgloss in 2021, photo by Tom Murphy

Wednesday | 12.31
What: A Lipgloss New Years Eve
When: 8
Where: Hi-Dive
Why: Lipgloss has been held at various venues since starting as the prominent indie DJ/dance night in Denver and one of if not the longest running such nights in the country. Currently helmed by longtime DJ Michael Trundle aka boyollow, the night is being held perhaps for the first time at arguably the best small club in Denver, the Hi-Dive. Expect indie hits from the 90s, 2000s, 2010s and now with some sprinkling in of 80s and maybe even 70s music that inspired the music that launched the event.

Colfax Speed Queen, photo from Bandcamp

Wednesday | 12.31
What: Colfax Speed Queen, Jesus Christ Taxi Driver and Glueman
When: 8
Where: Lost Lake
Why: If a night of high energy punk is how you want to spend your New Year’s Eve this is the best bet. Colfax Speed Queen is really a psychedelic garage rock band that has made a name for itself in Denver and beyond. But its charismatic and charged performances propel its whole thing into the realm of punk. Jesus Christ Taxi Driver sounds like it came out of the American southeast with its blues-infused rock and roll. But its attitude is definitely adjacent to the irreverent spirit of punk and its live shows are played with a palpable intensity. Glueman these days sounds like its members were inspired by strands of the gloriously frayed and ferocious punk from Memphis, Tennessee from the 80s to now. Just raw and unmindful of a need for clean tonal lines and tapping into some wild energy. If you’re Oblivions you’ll probably be into Glueman.