Broncho – Queen City Sounds and Art

Best Shows in Denver and Beyond June 2025

**O.M.D. performs at The Paramount Theatre on June 5, 2025, photo by Ed Miles**

Sunday | 06.01
What: Peach Pit w/Briston Maroney and BNNY
When: 6
Where: Red Rocks Amphitheater
Why: Peach Pit started off at an unusual time in pop and rock music. The mid-2010s indie world was dominated by surf rock, psych and some reinterpretation of classic rock sounds. Fortunately, the quartet from Vancouver, British Columbia seemed to have focused more on songwriting craft rather than trying to play a style or fit in with a trend. The result has albums that have interesting arrangements and reveal a real ear for creating a mood and telling stories of romance, breakups and all the heartache and mixed emotions involved. The group recently released the “expansion pack” (kudos on the nerdy gamer lingo) version of its 2024 Magpie and includes alternate versions of eight songs, a cover and new material. Better than half a chance you’ll get to see some of that live. And the openers for this show are worth showing up to catch. Briston Maroney just released his latest and third album Jimmy on May 2, 2025. Even early in his career, Maroney had a knack for imbuing his songwriting and performances with an honesty and vulnerability that transcended any stylistic affectations he picked up from influences. On the new record Maroney delivers some heavy lines but in the context of songs with an upward emotional swing that doesn’t downplay the melancholic moods and the raw places in his heart that inspired the lyrics. BNNY might for those familiar with the music and songwriting is best experienced in a small club because the delicacy and intimacy of the music feels like something a handful of people would connect with more immediately than a large audience. But Jessica Viscius’ songs also have a cinematic quality that will fit perfectly fine on a bill with other artists who don’t hesitate to present music with an emotional openness and an inviting spirit.

Sunday | 06.01
What: E.T. (Minneapolis synth punk), Redder Moon (KC darkwave) and Church Fire
When: 7:30
Where: D3 Arts
Why: Egalitarianism Today (E.T.) might be described as an anarcho-darkwave band. From Minneapolis, the duo’s pulsing rhythm and driving beats are represented well on its new album Full Anarchism. Think something musically like Lords of Acid but with lyrics that delve into science fiction concepts, radical left political rhetoric and the dire consequences of destructive worldviews rather than hedonism. Church Fire is thus of course the perfect band to share the bill with its own righteous industrial dance music. Church Fire expertly weaves in humor and fun into its performances while so many of its songs are heartbreaking in their evocation of collective agony. Kansas City’s Redder Moon is more of a post-punk band but one with the synth augmenting its gorgeously melancholic songwriting.

Wednesday | 06.04
What: Lords of Acid w/Little Miss Nasty
When: 7
Where: The Oriental Theater
Why: Lords of Acid is the Belgian industrial dance band that has combined campy, sexually explicit lyrics with undeniably well-crafted dance club music. Its 1991 debut album Lust is a classic of both dance music and EBM. The live show is also not short on theater and bombast with long-time band leader Praga Khan hyping the crowd with his own enthusiasm and on stage antics. The band seems on the verge of releasing a new record and this may be the opportunity to catch it live in full effect.

Wednesday | 06.04
What: Ava Maybee w/Annika Rose and Emi Grace
When: 7
Where: Larimer Lounge
Why: Ava Maybee is touring behind her debut EP Orange Drive. Although the daughter of Chad Smith of Red Hot Chili Peppers fame, Ava Maybee’s music isn’t much like what her dad is known for being a part of making. Hers is a vibrant alt-pop informed by vivid everyday observations and colorful splashes of melody. That and her uniquely commanding vocals. There is some light vocal processing on the EP but you can tell there is power and conviction behind what you’re hearing and the variety in the songwriting is evidence that Maybee isn’t stuck in one flavor of music.

Wednesday | 06.04
What: Ringo Deathstarr w/American Culture
When: 7
Where: HQ
Why: Ringo Deathstarr is a shoegaze band from Austin, Texas who despite a humorous name and recorded material that is reminiscent of classic shoegaze band is as a live act a force to be reckoned with. The enveloping atmospheric elements have a visceral presence in person and the songwriting isn’t finely honed with an ear for using the more psychedelic side of the style in a manner that reveals the band isn’t just using neat effects, they know how to use the often unpredictable sonic shapes to great effect. Opening is Denver’s American Culture whose own shoegaze turn has also been one more in the direction of the earlier, weirder Britpop but steeped in punk and indiepop.

Thursday | 06.05
What: OMD
When: 7
Where: The Paramount Theatre
Why: Orchestral Manoeuvres in the Dark aka OMD were one of the pioneers of synth pop as we know it though clearly in the realm of post-punk as also influenced deeply by Kraftwerk. Its first five albums are practically a blueprint for synth-infused New Wave and one that has aged exceptionally well because the songwriting wasn’t tied to the aesthetics of a movement and the subject matter of the music was as personal and emotional as it was conceptual. As a live band OMD also came off like a punk band with a lot of power and charisma that gave a dimensionality to the music that sticks with you once you’ve seen the band in person. This quality persisted up to the current time and in 2023 OMD surprised many with the release of Bauhaus Staircase, an album worthy of its early era with richly composed songs and synth work and song ideas that comment on human civilization in this moment with an insight not common enough in popular music.

Thursday | 06.05
What: Pig Destroyer w/Cephalic Carnage, Author & Punisher and Sex Prisoner
When: 7
Where: Gothic Theatre
Why: Pig Destroyer is the influential grindcore band from Alexandria, Virginia whose 2004 album Terrifyer got the 20 year anniversary treatment last year as a reminder that the band was not just of that moment in grindcore but ahead of its time. Sharing the bill is legendary Denver death metal jazz weirdos Cephalic Carnage, industrial avant-metal project Author & Punisher and Tucson-based deathgrind group Sex Prisoner.

Friday | 06.06
What: Daikaiju vs. TripLip, Smokey Mirror and Black Yeti
When: 8
Where: Hi-Dive
Why: Daikaiju is the long-running, mutant surf punk band originally from Huntsville, Alabama but now based out of Houston. The group wears masks kabuki style and its live shows are joyful and highly energetic and theatrical and usually with an outdoor component involving fire. In general it could be gimmicky and silly but Daikaiju makes it feel like getting to see something special. TripLip is a math-y punk thrash band from Denver. All instrumental with bass and drums but coming off with a full wall of sound and surprisingly visceral and riveting.

Saturday | 06.07
What: Wombo w/Mainland Break and Spliff Tank
When: 8
Where: Hi-Dive
Why: Wombo is the psychedelic post-punk/art pop band from Louisville, Kentucky that has been evolving a sound that is part introspective delicacy, playful menace and the kind of angular rhythms one might expect out of a DC post-hardcore band. Think a 2000s indiepop group that got into darker and more challenging music. The band is currently touring ahead of the release of its new album Danger in Fives due out on August 5, 2025 via Fire Talk Records.

Sunday | 06.08
What: Blondshell w/Jahnah Camille
When: 7
Where: Gothic Theatre
Why: Anyone that caught Blondshell on her 2022 tour prior to the release of her debut album witnessed a songwriter and performer that had uncommon self-possession and a willingness to incorporate movements in the live show that were like acrobatics in slow motion but without missing a beat or a line. Since then Sabrina Mae Teitelbaum aka Blondshell has released two albums of vulnerable and commanding indie rock imbued with great personal insight a musical edge that adds a touch of scrappy spirit to finely crafted melodies. The latest Blondshell album If You Asked For a Picture is brimming with the kind of emotional honesty one would hope for in any pop music worth listening to and Teitelbaum’s absurdist and self-aware sense of humor that has made much of her music as endearing as it is heartfelt. Also on this tour is Birmingham, Alabama-based singer and songwriter Jahnah Camille who is about to release her new EP My sunny oath! Camille’s music is swimming in the granular atmospherics that blur the line between early 90s alternative rock and the more ambitious, shoegaze adjacent modern indie rock. Camille’s vocals ground the emotional resonance of the music with a sense of intimacy. The layered guitars utilize the mix of acoustic and electric to great effect lending Camille’s songs a wide range of sounds. The songwriter’s lyrics are both thoughtfully poetic and filled with a heartache that she has clearly explored to its inner depths and outer edges and articulated the nuances and complexities of truly feeling for another person.

Jahnah Camille, photo by Elizabeth Marsh

Tuesday | 06.10
What: Panchiko w/Alison’s Halo
When: 7
Where: Summit Music Hall
Why: The myth of Panchiko could be more interesting than its actual music and it’s a story worth delving into of a band whose late 90s and early 2000s music was rediscovered on poorly preserved CDs but garnering a cult following before discovering they could return and be much more successful than its first go round. Since reuniting the dream pop/psychedelic band has released two full length albums including 2025’s Ginkgo. Sharing the bill is Alison’s Halo who also started in the early 90s as part of that first or second wave of dream pop before splitting in 1998 only to reconvene in 2009. Musically it appears to have melded the lingering melodicism of Slowdive and its more gritty early music with the ethereal vocal style and rhythmic dive of Lush but of course transmogrified into its own heady soundscapes.

Tuesday | 06.10
What: David J spoken word w/The Milk Blossoms and Gogo Germaine + Shon Cobbs
When: 7
Where: HQ
Why: David J is of course the artist known best for being a member of Bauhaus and Love and Rockets. This year he is releasing a new album The Mother Tree alongside a book of poetry titled Rhapsody, Threnody & Prayer. The album is spoken word and spare yet musical accompaniment, evocative and music of introspective moods to match the tenor of David J’s reflective rhetoric in tribute to his mother. Opening the show is Glory Guitars (2022) author Gogo Germaine with music by former Plume Varia guitarist/synth player Shon Cobbs and the emotionally charged poetry of the music of Denver indiepop band The Milk Blossoms.

Wednesday | 06.11
What: PINES at Meow Wolf w/Sugar Nova (ft. Luke Miller of Lotus)
When: 8
Where: Meow Wolf Convergence Station Perplexiplex
Why: Australian electronic duo PINES returns to Denver for it’s second visit to the Mile High City in support of its new EP SUN which released on April 15, 2025. The new songs are a further evolution of the project’s uplifting fusion of EDM and glitch pop. Listening one gets the sense that PINES are soundtracking a movie in their own heads taking place in a realm of perpetual summer nights and the psychological and emotional space to truly delve into feelings and embrace the broad range of the human experience without getting stuck in the lowest lows or the highest highs because none of that is sustainable. The music should also resonate with fans of early 2010s chillwave.

Thursday | 06.12
What: Julia Wolf w/Worry Club and Ellis
When: 6
Where: The Marquis Theater
Why: Julia Wolf appears to have been processing hard lessons of being in the music business lately and the demands and compromises required of you if you’re going to be the kind of artist that can sustain a career. The cover of her new album Pressure (May 23, 2025) shows Wolf leaning backward and held up by hooks or some other device like she’s a suspension artist. The music is still well within the realm of the intimate, raw and often experimental pop that has garnered Wolf a respectable following but this new record is much more noisy and gritty with Wolf’s expressive vocals awash in crafted beats like a an amalgamation of industrial music, trap and glitchcore but with an undeniable pop accessibility.

Friday | 06.13
What: Glass Human w/The Milk Blossoms and Fainting Dreams
When: 8
Where: Hi-Dive
Why: Glass Human is issuing its latest release on vinyl, The Hive. The record showcases the band’s atmospheric, jazz-tinged art rock and gift for layering rhythms and moods for an effect like a prog album cast in an almost downtempo mode. But the 4-song EP dives deep into utilizing noise and the kind of soundscaping that doesn’t fit into a narrow genre yet expresses perfectly the sense of a world and a psyche swimming through the nascent disorder of the current era and embracing the vital strands of meaning that remain. The Milk Blossoms too have an undercurrent of experimental structures and unconventional, often intuitive modes of expression held together by Harmony Rose’s gift for impressionistic and emotional, poetic storytelling. Fainting Dreams is at this point a wonderfully stark yet atmospheric fusion of stark post-hardcore and emotionally-charged black metal.

Saturday | 06.14
What: Sunflower Bean w/Gift and Dry Ice
When: 8
Where: Hi-Dive
Why: Sunflower Bean released its latest album Mortal Primetime in April 2025. Perhaps more than its previous releases the new album makes obvious the trio’s talent for songwriting and crafting melodic hooks. The band had already proven itself capable of experimenting to great effect in genre and song structure and in writing solid pop songs. There is just a creative clarity in the new set of songs that serves the elegance and emotional nuance of the words and the delicacy of much of the music that pairs well with when the band gets into much more gritty sonics. Overall the record has an analog quality like some long lost-70s rock record without having immediately obvious touchstones. And live the group has always had a visceral presence that makes even its most tender songs resonate with an uncommon intensity.

Yelawolf and J. Michael Phillips, photo by Edward Crowe

Saturday | 06.14
What: Yelawolf and Three 6 Mafia
When: 7
Where: Mission Ballroom
Why: Yelawolf is a rapper originally from Alabama who has spent the last 20 years exploring his musical curiosities mainly in the realm of hip-hop but in recent years also in Sometimes Y, his rock band with Shooter Jennings. There was some speculation he would stop making hip hop but in 2024 he released his latest album War Story. True to form the record is stylistically diverse with live instrumentation and atmospheric and moody beat-making to frame his stories of American life in a fashion opposite of the portrait of luxury and the good life common in the songs of more mainstream hip-hop artists. Yelawolf also recently collaborated with J. Michael Phillips on a new album Whiskey & Roses that drops July 11, 2025. It’s mix of soulful and atmospheric country with hip-hop style beats and production in a way that draws on the strength of both styles of music. Co-headlining this show are southern hip-hop legends Three 6 Mafia, pioneers of horrorcore and an influence on Yelawolf. Their own inventive beats and energetic and creative vocal delivery has yielded a career of music that feels like it’s ahead of its time while awash in contemporary cultural resonance.

Tuesday | 06.17
What: Broncho
When: 7
Where: The Bluebird Theater
Why: Broncho originally came out of Norman, Oklahoma when former Starlight Mints member Ryan Lindsey launched the group shortly after his old band dissolved. Since then Broncho has been fairly prolific and seeming to pursue a unique musical vision with each album. The earlier records were in the lane of garage rock psychedelia but not in the cookie cutter fashion that plagued the 2010s. Always weirder and more interesting and genuinely transporting. The band’s new record Natural Pleasure (2025) is steeped as well in a vintage, analog sound and mood like something that picked up where girl groups left off in the 60s but not where The Ramones took that inspiration, more resonant with what Cindy Lee did on 2024’s sprawling epic Diamond Jubilee. So more haunted and imbued with what some might call intentional imperfections but really lending the melodies character and a quality that doesn’t feel like an obvious imitation of something else.

Wednesday | 06.18
What: The Blue Stones w/Meltt
When: 7
Where: The Gothic Theatre
Why: The Blue Stones are a blues rock duo from Windsor, Ontario, Canada currently touring in support of its 2025 album Metro. A fuzz-drenched affair with at least some rhythms that set the band apart from the standard issue blues rock bands that operate in every city of size in North America. Opening the show is Meltt from the western end of Canada in Vancouver. Its own sound has some similar roots as The Blue Stones but Meltt clearly combines an electronic music aesthetic into its psychedelic sound. There is a tranquility at the heart of Meltt’s songwriting that puts a focus on reflective moods in crafting uplifting and soothing melodies that transport the listening supported by rhythms that draw upon downtempo dance music. The effect is a lush fusion of dream pop and chillwave.

Friday | 06.20
What: Magic Cyclops, Jocko Homo, Mr. Pacman and Little Fyodor
When: 8
Where: Hi-Dive
Why: Magic Cyclops aka Scott Fuller is celebrating 25 years as a performance project that is part comedy, part synth music of various stripes and all absurd. Along for the proceedings are Devo tribute band Jocko Homo, the surreal and inspired synth punk band Mr. Pacman and avant-garde punk pop artist Little Fyodor and maybe he’ll have his full band with him for this show as well. Maximum weirdness for the month in Denver.

Friday | 06.20
What: Salin w/Tyler Adams Organ Trio
When: 7
Where: Cervantes’ Other Side
Why: Salin is a drummer, producer and composer who was born in Thailand but based in Montréal. The Juno-nominated artist has built a body of work that sounds like a fusion of psychedelic Afrobeat, summery downtempo, funk and cosmic jazz with sounds and ideas from indigenous Thai musical traditions. Her live performances reveal a musician who brings undeniably positive energy to the shows and great nuance of polyrhythms while making musically sophisticated songwriting accessible. There’s something uplifting and soothing to Salin’s work solo and with her ensembles. Fans of Kamasi Washington will find some resonance here in terms of the richness of tones and sheer ability to communicate complex emotions through the music alone.

Perfume Genius, photo by Cody Critcheloe

Saturday | 06.21
What: Perfume Genius w/Ulrika’s Bedroom
When: 8
Where: Gothic Theatre
Why: Over the past decade and a half Mike Hadreas aka Perfume Genius has well established himself as a writer of sophisticated and emotionally vibrant pop songs imbued with an orchestral sensibility. Hadreas combines in his songwriting a vulnerability and confidence that is immediately captivating. On stage the artist has a theatrical flair worthy of 1970s glam rock legends. The new Perfume Genius album Glory is fascinatingly raw, intimate and tender and expansively atmospheric in just the right measure throughout. Like an indie folk album but resonating with cinematic production and rich emotional coloring. Will guest vocalist Aldous Harding tour just to perform “No Front Teeth” and bring with her that special, experimental pop weirdness? Likely not, but either way this is a chance to see Perfume Genius touring in support of what is arguably his best record to date.

Saturday | 06.21
What: EMF and Spacehog w/Ecce Shnak
When: 7
Where: The Oriental Theater
Why: EMF will forever be linked to their 1990 breakout single “Unbelievable” which was ubiquitous on college and then pop radio in the US in 1991 after emerging on UK charts the year of its release. The song got a further boost when the band put out ots debut album Schubert Dip in 1991 as well. But the band was never able to fully capture the excitement that the debut single seemed to instill on first hearing it and by the late 90s EMF had split. With some reunion gigs in the 2000s EMF returned to being active in time to release its first album in 27 years with Go Go Sapiens and returned to atmospheric rock informed by dance music roots but with a clear ear for modern production and with songwriting instincts that have evolved and whose early aesthetics have aged well. Spacehog co-headlins this bill. The band consists of four men from England who were living in New York City when the group formed in 1994 and as wouldn’t be so strange for those heady times had a major label deal yielding its 1995 debut album Resident Alien. Its hit single “In the Meantime” sounded like an anticipation of the full incorporation of electronic production in the context of a rock song albeit one that sounded like it was inspired by 70s glam rock akin to Bowie and like a bridge between Brit Pop and later era grunge without coming off as trying hard to fit into a trendy style. While the cultural and musical milieu that had early nurtured Spacehog was done by the late 90s at least the band didn’t sound like the watered down version of alternative rock that plagued the middle of the 90s and to a certain extent to today.

Saturday | 06.21
What: Bull Market, Moon Pussy, Blood Oath and The New Creep
When: 8
Where: Hi-Dive
Why: Bull Market from Billings, Montana sounds a lot like it listened to a lot of Failure but even more Harry Pussy and Melvins. Its edgy, blunt noise rock indulges in fuzzy drones and Coachwhips-esque splintery minimalism and experimental flourish. Moon Pussy is the kind of angular noise rock band whose gnarly punk discharge will tear your face-off but whose stage banter in its sincere awkwardness will make you laugh and somewhere in that mix of ideas the group has genuinely compelling and innovative music of its own. The New Creep is an industrial noise rock post-punk band from Denver.

Friday | 06.27
What: eHpH album release w/Cruel Morning, Unnatural Element and Modern Devotion
When: 8
Where: Bar404
Why: Denver EBM/industrial band eHpH returns with a surprise new record called CORRUPTION AND FEAR with front to back wonderfully scathing songs against the oligarchy, fascism and the anti-woke agenda. The duo has always had superb production but for this album it has taken everything to new heights with impassioned performances and heady beats. Opening the show is the dark techno project of Voight guitarist Adam Rojo.

Rubedo at We Labs with Ikey Owens (3rd from left), November 15, 2013. Photo by Tom Murphy

Friday | 06.27
What: Rubedo, RAREBYRD$ and Redamancy
When: 8
Where: Hi-Dive
Why: Rubedo is a psychedelic prog and pop band from Denver. The trio is comprised of childhood friends Kyle Kramer, Alex Trujillo and Gregg Ziemba whose roots in the influence of alternative rock and art rock bands like The Mars Volta has meant Rubedo would never be trend hoppers and with an interest in concepts of alchemy and how that can inform how music can be made and functions, Rubedo has had a different kind of journey through, around and out of the Denver music scene. In the early 2010s they met R. Isaiah “Ikey” Owens, keyboard player for The Mars Volta and Jack White’s band and became friends and collaborators as he produced the albums Massa Confusa (2012) and Love Is The Answer (2013). Owens became a mentor to the band influencing their ethos, their already strong work ethic as artists and their drive to continue to put out worthwhile releases. Even with the tragic passing of Owens in 2014, Rubedo has continued their friend’s commitment to community and cultivating artistic vision. For a handful of years they were involved in running the influential DIY space Unit E which has since morphed into a record label that focuses on quality local releases including their 2025 album Citrinitas which started brewing in the early days of the COVID-19 pandemic and was written and recorded across sessions at R.A.R.E. Records in Winchester, TN (co-owned by Michael McDonald) with Michael Lee, Tayler Martin, Jeremy Mason and Charlie Powell. Additional engineering at The Blasting Room in Fort Collins, Colorado with Andrew Berlin, mixed by Matt Embree (Rx Bandits) at ICS in Long Beach, CA and mastering by Tyler Lindgren (The Milk Blossoms). It’s a record that reflects the band’s community and connections local and beyond and the album is co-release with Mash Down Babylon, Embree’s label. The album is typically both a touching and personal set of songs and those that are an incisive and poetic commentary on the times in which we find ourselves ravaged by the psychopathy of oligarchs, fascists and the ways in which we’re encouraged to isolate ourselves when the opposite is what is needed.

Saturday | 06.28
What: Anthony Ruptak w/Porlolo and The Trujillo Company
When: 8
Where: Hi-Dive
Why: Anthony Ruptak is a veteran singer-songwriter from Denver who has run the gamut of hosting shows, playing numerous others, recording and releasing albums of great poetry and personal insight. His latest, released tonight for this show, is Tourist. The title perhaps refers to Ruptak’s having felt like a tourist in many situations socially but from listening to the songs also psychologically and how one can often suffer from impostor syndrome when you’re an artist or any sort of sensitive person who has to try to navigate situations and fractured egos that aren’t your own. It balances dissonance and melody in a way that both enhance the effect of the other. Pololo is the project lead by Erin Roberts that has been going on for around 20 years but you don’t get to see Porlolo all that often and every time it’s striking how Roberts’ lyrics seem to sum up a state of mind or the state of the world in a compelling way.

Church Fire in 2024, photo by Tom Murphy

Sunday | 06.29
What: Denver Pride After-Party: Church Fire, YAN YEZ, Mr. Knobs and May Be Fern
When: 7
Where: Hi-Dive
Why: Denver pride happens the weekend of 6.28-6.29 and this event is a choice way to wind down the festivities, not that the likes of indie funk group May Be Fern is exactly tranquil stuff. Nor that Church Fire’s highly charged, industrial dance anthems tearing down the theoretical and spiritual framework of the patriarchy is tranquil either but it will be a catharsis we all need in time when it seemed like we should be rebuilding a better world instead of once again having to take on patriarchy’s most extreme manifestations in fascism and late capitalism because no one is coming to save us.

To Be Continued…

Best Shows in Denver and Beyond 11/21/19 – 11/27/19

LisaPrank_Aug15_2016_TomMurphy — **Lisa Prank performs at Hi-Dive on November 24. Photo circa 2016 by Tom Murphy**

Thursday | November 21

WILDERADO_Grant — Wilderado, photo by Grant Spanier

What: Zeta (Venezuela), Clarion Void, Disposal Notice, Its Just Bugs
When: Thursday, 11.21, 9 p.m.
Where: Rhinoceropolis
Why: Venezuelan band Zeta has been developing its experimental hardcore sound since 2003. It’s sound is a parts progressive rock and punk but in a way that’s expressive and moody while not sacrificing the intensity. Currently touring in support of its 2019 album Mochima.

What: Mt. Joy w/Wilderado and Adam Melchor
When: Thursday, 11.21, 7 p.m.
Where: Ogden Theatre
Why: Wilderado’s new single “Surefire” sounds wistful and nostalgic in a way that allows for words to develop into an introspective narrative that blooms into an expansive melody alongside the story. Reminiscent of the way The War On Drugs echoes some of the vibe of Bruce Springsteen’s reflective, diary-like lyrics, this offering from the band builds on the atmospheric experiments of its 2018 EP Favors with more electric instrumentation and a more immersive sound without compromising the group’s use of space as a canvass for its emotional colorings.

Friday | November 22

MarriedaDeadMan_ Ana_Irene_Valdes-Behrens2019 — Married a Dead Man, photo by Ana Irene Valdes-Behrens

What: Married a Dead Man w/False Report, Dead Characters
When: Friday, 11.22, 8 p.m.
Where: Goosetown Tavern
Why: Denver’s Married a Dead Man is releasing its second album Awakening this night. The group’s sound might be described as somewhere between Xmal Deutschland’s wiry, urgent, dark atmospherics and modern pop melodies. The new set of songs, no doubt honed from live performances, are not just bandwagon new post-punk revival and darkwave. At times Megan Kelley’s performance and songwriting chops from her time as a solo artist infuse the songs with a warmth and coherence that gives the music a broader range than the genre of late can sometimes have with songs like “Burn” having a massive, expansive, dramatic dynamic that stretches the boundaries of what one might this band is capable of at first blush. Worth delving into beyond a casual listen.

What: Wildermiss w/Slow Caves
When: Friday, 11.22, 8 p.m.
Where: Bluebird Theater
Why: Wildermiss is a Denver-based indie rock band that is probably on the verge of much wider circles than simply relatively successful local band status. Its new EP In My Mind captures the spirit of our time now of great contrasts of emotional states and expectations, a mixture of fear and hopefulness that most people are experiencing due to the state of the planet, politics, culture and economics. We stand on the precipice of disaster and promise of a better future if we do not lack the will to make it happen. In My Mind expresses that tension well across its length.

What: Briffaut, Down Time and Inaiah Lujan
When: Friday, 11.22, 8 p.m.
Where: Hi-Dive
Why: Briffaut’s new album A Maritime Odyssey: Heaven is Only a Boat Race Away is a nice capsule of this band’s idiosyncratic songwriting. Fans of both King Krule and Deerhunter will find something to love about the band’s lush and unpredictable song structures and raw, emotional swells of tone and a disregard for whether a song or style or performance fits in with some established aesthetic outside its own. Too much music in the indie world is boringly predictable. Not just the indie world. Imitators of milquetoast artists and already successful formulas are rife in music now as at all times since popular music has been a thing. Thankfully Briffaut and its willingness to embrace its own weirdness has been intact since the beginning and gloriously so on the new album of imaginative soundscapes, completely unconventional songwriting and the ability to utterly transport us outside our usual frames of musical reference.

What: King Diamond w/Uncle Acid and the Deadbeats and Idle Hands
When: Friday, 11.22, 6 p.m.
Where: Fillmore Auditorium

What: Faim, Tuck Knee, Gack
When: Friday, 11.22, 8 p.m.
Where: Mutiny Information Café

What: Atomga w/Dandu, Spellbinder and DJ Yahru
When: Friday, 11.22, 8:30 p.m.
Where: Ophelia’s Electric Soapbox

What: False Cathedrals, Gila Teen, How to Think and Wolf Larva
When: Friday, 11.22, 8 p.m.
Where: Glitter City

What: Sour Boy, Bitter Girl and Dirty Shrines
When: Friday, 11.22, 8 p.m.
Where: The Squire Lounge

What: Broncho w/Hot Flash Heat Wave and Rinse & Repeat
When: Friday, 11.22, 7:30 p.m.
Where: Globe Hall

Saturday | November 23

BloodIncantation1_Nov30_2018_TomMurphy — Blood Incantation, photo by Tom Murphy

What: Blood Incantation w/Vermin Womb, Dreadnought and Superstition
When: Saturday, 11.23, 8 p.m.
Where: Gothic Theatre
Why: Blood Incantation recently released its new album Hidden History of the Human Race. The Denver-based death metal band is a big of an enigma in that it has been slowly building a cult following for years and playing few local shows. But its songs, especially live, come across as larger than life, psychedelic although imbued with the technical precision of the best death metal, and as oddly accessible as the genre has ever been. The record is a science fiction concept album but one that has a cover designed by Bruce Pennington who did cover art for A Canticle For Leibowitz and the Dune books after the initial novel. Plus the guy did the iconic cover for Gene Wolfe’s landmark science fiction fantasy book The Shadow of the Torturer. Fine stuff for an album that is a thrilling reminder that death metal can still be fun and not a forbidding drag.

What: Black Star Gang ft. Yasiin Bey, Talib Kweli, DJ Premier w/Brother Ali, Evidence and The ReMINDers
When: Saturday, 11.23, 7:30 p.m.
Where: Mission Ballroom
Why: Black Star is a hip hop duo comprised of Talib Kweli and Yasiin Bey (Mos Def), two of the sharpest critics of American culture and innovators in the genre themselves. The project only has one album up to now, 1998’s Mos Def & Talib Kweli Are Black Star, but rumor has it they have another in the works produced by Madlib. So if you’ve caught the recent live performances maybe you’ve heard some of the new material and it seems likely it’ll be on display for this show.

What: Lusine w/JUSCHILL and HU
When: Saturday, 11.23, 8 p.m.
Where: Larimer Lounge

What: Broncho w/Hot Flash Heat Wave and Rinse & Repeat
When: Saturday, 11.23, 7:30 p.m.
Where: Globe Hall

What: Matt Rouch & The Noise Upstairs, Chella & The Charm, The Maykit
When: Saturday, 11.23, 7:30 p.m.
Where: The Skylark Lounge

Sunday | November 24

TheShift_Jan15_2015_TomMurphy — The Shift circa 2015, photo by Tom Murphy

What: Lisa Prank w/The Tangles (fka The Tickles) and Horse Girl
When: Sunday, 11.24, 7 p.m.
Where: Hi-Dive
Why: Lisa Prank has established refined and thoughtful emo pop songs as a national artist since starting the project in Denver several years back. Her new record Perfect Love Song is a a little fuzzier, more confident but just as wise and as insightful.

What: Shibui Denver #8: Dead Orchids and The Shift
When: Sunday, 11.24, 6:30 p.m.
Where: Hi-Dive
Why: For this edition of Shibui Denver we will have two bands that don’t get nearly the attention they deserve. The Shift is an improvisational, experimental progressive rock band and includes Esmé Patterson and former Bad Weather California bassist Jeremy Averitt. Dead Orchids’ dark, brooding songs are a vital mix of post-punk and Americana but without the trendy habits that often mar bands trying their hand at either.

What: Vérité and YaSi
When: Sunday, 11.24, 7 p.m.
Where: Lost Lake

What: Kris Kristofferson & The Strangers
When: Sunday, 11.24, 5 p.m.
Where: Paramount Theatre

What: Neyla Pekarek’s Rattlesnake w/Chris Fleming, Bluebook and The Newfangled Four
When: Sunday, 11.24, 7 p.m.
Where: Bluebird Theater

What: Goon w/Whiskey Autumn and We Are Not a Glum Lot
When: Sunday, 11.24, 8:30 p.m.
Where: Lion’s Lair

Monday | November 25

Midwife_May22_2017_TomMurphy_web — Midwife, photo by Tom Murphy

What: Midwife w/Hogwaller
When: Monday, 11.25, 7 p.m.
Where: Forest Room 5
Why: Midwife is an ambient folk artist of the highest order who was recently tapped to perform at The Flenser showcase at the Roadburn Festival in 2020 with her debut album on that record label later in the year. See her at these small rooms while you still can.

Tuesday | November 26

HIDE_Aug13_2016_TomMurphy — HIDE circa 2016, photo by Tom Murphy

What: HIDE w/Echo Beds, Church Fire and Cau5er
When: Tuesday, 11.26, 8 p.m.
Where: Hi-Dive
Why: Confrontational, performance art-oriented industrial band HIDE is the urban dystopian futurist ritual catharsis we need now to burn off the darkness of the modern world. Its new album Hell is Here is a searing, discordant exorcism of the demons that plague the body politic.

What: B. Dolan w/Wheelchair Sports Camp
When: Tuesday, 11.26, 8 p.m.
Where: Ophelia’s Electric Soapbox

Wednesday | November 27

THE HU --PC-E.Altankhuyag — The Hu, photo by Altankhuyag

What: Pigface w/eHpH, DJ N810, DJ Mudwulf
When: Wednesday, 11.27, 7 p.m.
Where: Summit Music Hall
Why: Pigface is the long-standing industrial supergroup with roots going back to the 80s with members of Ministry, KMFDM and other industrial luminaries. EhpH is a Denver-based duo whose mix of EBM and industrial rock is actually compelling and cathartic and doesn’t come off like its members’ musical imagination got stuck in the early 2000s.

What: Shark Dreams w/Nuancer, The Milk Blossoms and GhostPulse
When: Wednesday, 11.27, 7 p.m.
Where: Larimer Lounge
Why: Best local dream pop line-up in more than a minute with some of Denver’s best. Shark Dreams is more the kind of drifty indie pop with a leg in glittery, slowcore dynamic. Nuancer is as informed by experimental electronic music as pop. The Milk Blossoms are a hip-hop trio disguised as a heartfelt, hyper sincere, experimental indie pop group with a sense of humor and humanity. GhostPulse weaves together downtempo beats, unconventional instrumentation and luminously cloudy atmospherics.

What: The Hu w/Crown Land
When: Wednesday, 11.27, 6 p.m.
Where: The Black Sheep
Why: The Hu is a rock band from Mongolia that performs with traditional instruments, uses throat singing and yet its songs are an exquisite hybrid of Mongolian folk music and heavy metal. Could be corny but it is not, it is powerful, stirring stuff. Fans of Laibach will enjoy the sound of this band even though the styles are so different. Around since 2016 The Hu recently released its debut album The Gereg on Eleven Seven Records.

What: Neon Indian w/Lou Rebecca
When: Wednesday, 11.27, 7 p.m.
Where: Bluebird Theater

What: Emma Mayes & The Hip w/Los Mocochetes and Ghost Tapes
When: Wednesday, 11.27, 8 p.m.
Where: Lost Lake

What: Flaural w/Oko Tygra, Wet Nights and DJ Lexie
When: Wednesday, 11.27, 8 p.m.
Where: Hi-Dive

What: An Evening of Never Kenezzard 2 sets
When: Wednesday, 11.27, 9 p.m.
Where: The Squire Lounge

Best Shows in Denver 1/31/19 – 2/6/19

bertolsen_dec21_2018_tommurphy — **Bert Olsen performs at 3 Kings Tavern on February 1. Photo by Tom Murphy**

Thursday | January 31, 2019

SONY DSC — Denver Meatpacking Company, photo by Michelle Simutis

Who: Stereoshifter, Denver Meatpacking Company and I’m a Boy
When: Thursday, 01.31, 8 p.m.
Where: Syntax Physic Opera
Why: Alternative blues rock, second wave grunge and flamboyant, emotionally charged rock and roll with an ear for classic glam and the future.

Who: Starjammer – Empire of the Mantis
When: Thursday, 01.31, 8 p.m.
Where: 3 Kings Tavern
Why: Squidds Madden brings his visionary multi-media, multi-instrumental one-man band to 3 Kings to demonstrate that “Avant Garde/Dub-Reggae” is not some kooky gimmick but an evolving futuristic music that is truly a synthesis of deeply experimental improvisational music and the production style that enhances a broad spectrum of sonic frequency, textures and rhythm.

Who: Endless, Nameless, Honey and Salt, Obtuse, Admiral and more
When: Thursday, 01.31, 7 p.m.
Where: Seventh Circle Music Collective
Why: Kind of a math rock show with Obtuse who certainly draw on 90s and 2000s math rock for some of the inspiration but is thankfully more focused on the emotional possibilities when you don’t get tripped up on the time signatures and precision but use those as needed to express the raw nerves of a generation that late capitalism is trying to toss in the dumpster but not without some very articulate resistance.

Friday | February 1, 2019

broncho-by-pooneh-ghana-1 — Broncho, photo by Pooneh Ghana

Who: Maemyth, Galleries, Bert Olsen and matherial
When: Friday, 02.01, 9 p.m.
Where: 3 Kings Tavern
Why: All the other bands on the bill are worth your time. But Bert Olsen, not named after anyone in the band, makes the kind of punk that is atmospheric, probably inspired in part by The Cure and early Christian Death, noisy and vividly emotional and not trapped by the need to sound like another era of punk. Bert Olsen is charting its own path and Hunter Wood’s vocals are both melodic and demonstrating a willingness to crack and distort to fit the mood of the moment. More rock music in general would benefit from such instincts but a lot of it is self-tamed and conditioned, traditionalist stuff.

Who: Broncho w/Pinky Pinky
When: Friday, 02.01, 8 p.m.
Where: Globe Hall
Why: Too many artists and “comedians” have ruined irony for probably another generation by abusing its possibilities and basically by not being ironic, just wannabe surrealistic and too much of a broken person’s public diary presented as entertainment. Broncho didn’t fail in its employment of irony by making sardonic yet sincere commentary on American culture and life. When singer/guitarist Ryan Lindsey was in The Starlight Mints he injected some color into the tail end of the wave of indiepop that emerged in the early 90s. With Broncho it’s more rock but out of step with the tendency of a lot of modern rock music to be trapped entirely too much in past decades. The band’s latest record is 2018’s Bad Behavior.

Who: King Eddie, Briffaut and BabyBaby
When: Friday, 02.01, 8 p.m.
Where: Syntax Physic Opera
Why: King Eddie began as something of a fairly predictable psychedelic rock band but by that time and the release of its 2017 album it completely refined and reinvented itself into one of the most interesting and creative bands in that realm of music. Briffaut is sort of freak folk, psychedelic indie rock but sounds like it was made by people who cut themselves off from outside influences for half a decade or more. Because of that, it’s music is always interesting and left-field.

Who: Dry Ice, Slugger, Satellite Pilot, Rose Variety and Ludoesmusic
When: Friday, 02.01, 8 p.m.
Where: Lost Lake
Why: Apparently Dry Ice is from Highlands Ranch, Colorado. If it’s album 2018 Technicolor Yawning is any indication it sounds like the product of suburban boredom and thus this far into the band’s career means it’s sort of all over the place style-wise but that also means its not locked into being a particular genre and its eclectic quality yields some interesting material that might not have been possible had its members been channeled into a particular local scene. Slugger makes a case for garage and psychedelic rock inspired by classic rock not being totally played out.

Who: Boldtype, The Gamits, Reno Divorce and No Bueno
When: Friday, 02.01, 7 p.m.
Where: The Marquis Theater
Why: Manuel Lopez was the passionate and affable drummer of Boldtype who recently passed away. This is a benefit show for his daughters and will include performances by his band as well as some of the best local punk rock bands that came up at the same time his group was coming into its own.

Saturday | February 2, 2019

mozesfirstborn_main2018_nickhelderman — Mozes and the Firstborn, photo by Nick Helderman

Who: The Parrots + Mozes and The Firstborn, Billy Changer, Super Bummer
When: Saturday, 02.02, 8 p.m.
Where: Larimer Lounge
Why: Mozes and The Firstborn from Eindhoven, The Netherlands came up during the peak of the 2010’s garage rock revival and toured internationally relatively early on its career. The band was always a little different from the other garage rock bands of that period because its sound was closer to power pop and its musicianship and songwriting had some uncommon refinement. In 2019 the group released its latest record Dadcore. To be fair, the band doesn’t sound like dadcore so much as its the typically Dutch dry, self-effacing and layered commentary on the cultural phenomenon and its own hearkening back to classic songwriting and what some may see as the quaint notion of guitar rock in the twenty-first century.

sunkcost_jan24_2018_tommurphy — Sunk Cost, photo by Tom Murphy

Who: GNO, Calambre, Sunk Cost, Kid Mask, Flesh Buzzard, Corgi Commander
When: Saturday, 02.02, 8 p.m.
Where: Thought//Forms
Why: A kind of harsh noise and harsh sounds show with some of most interesting artists operating in that mode in Colorado right now.

Who: The Pamlico Sound, Queens of the Galaxy and The Jessicas
When: Saturday, 02.02, 8 p.m.
Where: Lost Lake
Why: The Pamlico Sound is a funk band lead by Will Baumgartner who went to Woodstock as a kid and who has been involved in the 80s No Wave movement as well as some of the more unexpectedly inventive and imaginative jam and funk bands from Colorado over the past two decades. It’s a spectacle and highly entertaining as Baumgartner is an engaging and unconventionally charismatic performer.

Monday | February 4, 2019

rongallo_chiara_danzieri — Ron Gallo, photo by Chiara Danzieri

Who: Ron Gallo w/Post Animal and Stuyedeyed
When: Monday, 02.04, 7 p.m.
Where: Globe Hall
Why: Ron Gallo is from Philadelphia but his solo work sounds like he spent some time in 1970s New York in the early punk scene with a wiry energy. Of course if psychedelic garage rock hadn’t happened his 2018 record Stardust Birthday Party wouldn’t have sounded like a bit like a manic Sparks. Whatever the touchstones might be, Gallo is one of the most dynamic rock musicians of the current era. Perhaps co-headlining is the psychedelic prog band Post Animal whose own spirited performances transcend any specific genre of music.

Tuesday | February 5, 2019

post-animal-pooneh-ghana-tire-eyes-general — Post Animal, photo by Pooneh Ghana

Who: Ron Gallo w/Post Animal and Stuyedeyed
When: Tuesday, 02.05, 7 p.m.
Where: Globe Hall
Why: See above on 02.04 for Ron Gallo and Post Animal.

yokelore_wes_and_alex — Yoke Lore, photo by Wes and Alex

Who: Yoke Lore w/LP
When: Tuesday, 02.05, 7 p.m.
Where: The Ogden Theatre
Why: Adrian Galvin was once a member of synth-heavy indie pop band Walk the Moon before going solo a few years back. His work under the name Yoke Lore is decidedly different from Walk the Moon in having softer edges while showcasing Galvin’s inventive use of layered sound in his songwriting with bright synths accenting his vocals with an evocative flair. He is currently touring in the wake of the release of his 2018 EP Goodpain as an opener for R&B-inflected indie pop songwriter LP.

Wednesday | February 6, 2019

thedrood_nov4_2015_tommurphy — The Drood circa 2015, photo by Tom Murphy

Who: Weird Wednesday: The Diablo Montalban Experience, The Drood and Claudzilla
When: Wednesday, 02.06, 9 p.m.
Where: The Ogden Theatre
Why: Weird Wednesday is as suggested by the name quite a bit this time around with keytar rock sorceress Claudzilla, experimental pop/psych band The Diablo Montalban Experience and The Drood. The latter often performs in costumes that look like a cross between anti-hero crusaders for cosmic justice and occult ritualists with music that fans of Legendary Pink Dots may find very much to their liking.

Who: P.O.S. w/Calm. and DJ Fundo
When: Wednesday, 02.06, 7 p.m.
Where: The Marquis Theater
Why: P.O.S. is the Minneapolis-based rapper whose talents and range as an artist go far beyond including his masterful production on his own work as well as his musicianship in other bands including Gayngs, Marijuana Deathsquads and many others. He’s in good company with his sonically adventurous beats paired with Denver’s Calm., a duo comprised of Time and Awareness whose literate and incisive raps and deeply atmospheric production is always surprisingly impactful. Their latest release, 2018’s Things I Learned While Dying in Denver is one of the most sharply critical yet hopefully albums of the past few years.

Best Shows in Denver 5/24/18 – 05/30/18

HighPlainsHonky_DavidSands_2 — High Plains Honky, photo by David Sands

Thursday | May 24, 2018

BiancaMikahn_Jan7_2018_TomMurphy — Bianca Mikahn, photo by Tom Murphy

Who: Glasss Presents The Speakeasy Series Season 2: Left Handed Electronics, Grrrl, Bianca Mikahn
When: Thursday, 05.24, 7 p.m.
Where: Hooked On Colfax
Why: Bianca Mikahn’s combination of almost free verse poetry and beats should be well within the canon of hip-hop and ultimately is. But her delivery and her crafting of her songs has as much in common with the kind of hippie-ish, open mic, slam poetry world as it does with any hip-hop context. Mikahn’s ability to critique society at large while speaking to those issues with a compassion and positive spirit minus any note of insincerity sets her apart from most other artists. That her beats contains elements of noise and melodic ambient music makes her immediately accessible music an otherworldly dimension even as the songs are grounded in fairly earthbound experiences.

Who: High Plains Honky 7” release w/Casey James Prestwood and the Burning Angels Band and Danny Dodge & The Dodge Gang
When: Thursday, 05.24, 8 p.m.
Where: Hi-Dive
Why: If Ronnie Milsap had gone a little more honky tonk with a grittier voice, the results might sound a bit like High Plains Honky. The group is releasing its latest seven inch record tonight at the Hi-Dive joined by a couple of other bands who are no slouches in the local country scene. Maybe comparing a Denver band to a best selling artist like Milsap seems like a bit much to some but what made him such a compelling songwriter beyond the masterful combination of musicianship and an ear for catchy and evocative melodies is the vivid storytelling. High Plains Honky have both qualities as well as no holding up of the nose at pop conventions used in a country context. “Goin’ All The Way” and “I Know Where You Go,” the two sides of the record, seem so relatable even if country music isn’t your thing. A tastefully tiny hint of psychedelia haunts the edges of the music and the aspirational, anthemic quality of the stories suggest a deep knowledge of personal reality but needing to write the songs to escape being too bogged down by current circumstances to go after what you really want while also honoring the emotions subsequent to the potential disappointment, pain and lack of resolution that is a part of everyday life. High Plains Honky invites its listeners to dream just a little bit and to embrace their heartsickness.

What: Girls Rock Denver: Showcase series 7-11 p.m.: Dressy Bessy, Rotten Reputation, Contender, Cheap Perfume, Surf Mom, The Catcalls and Mirror Fears
When: Thursday, 05.24, 6:30 p.m.
Where: Hi-Dive
Why: This is a fundraiser for Girls Rock Denver to give some of the young women who want to be involved a scholarship to this summer’s programme and beyond. For your donation you get to see some of the best local bands from the indie pop legends Dressy Bessy, punk rock phenoms Rotten Reputation and Cheap Perfume, fuzz rock feminist rock band Surf Mom and electronic dream pop start Mirror Fears.

Who: DOA and MDC
When: Thursday, 05.24, 8 p.m.
Where: Streets of London
Why: In the annals of hardcore outside of American coastal cities, DOA and MDC have to be considered two of the most important acts out of that movement. DOA from Vancouver, British Columbia, was one of the hardest touring bands for years, spreading the gospel of hardcore across the continent and whose album Hardcore ’81 is, perhaps apocryphally, is often cited as the first use of the term in connection to the musical movement. DOA’s political songs struck personal tones in Joe Keithley’s deft songwriting allowing the band’s music to have an appeal beyond agreeing with every iota of the band’s politics. MDC started in Austin, Texas as The Stains with similarly political punk songs that were more left than most of its peers at the time. It didn’t hurt that singer Dave Dictor seemed to havea personal agenda to push the envelope with fans in his stage persona as the ultimate freak and always with the aim of challenging reductive notions of animal and human rights. Listen to that first MDC album and it’s clear that Dictor was an unabashed critic of police brutality and creeping fascism in a way that makes those songs and their specific anti-authoritarian tone even more relevant now.

Who: The Blackouts w/Adrian Conner (Hell’s Belles) and We Are Invisible and Wild Call
When: Thursday, 05.24, 8 p.m.
Where: 3 Kings Tavern
Why: The Blackouts are an all female rock band that really shows how you can have a fairly straightforward hard rock band and not fall to the boring tropes that happen with too many bands with roots in punk and metal. Adrian Conner from the great all-female AC/DC cover band Hell’s Bells is also playing this show as well as Wild Call, a band whose forthcoming album is reminiscent of White Hills and Medicine.

Who: Amy Shark and Tomi globehall.com/event/1663566-amy-shark-denver
When: Thursday, 05.24, 7 p.m.
Where: Globe Hall
Why: Amy Shark is a pop songwriter from Australia whose 2016 single “Adore” caught the attention of tastemakers in Australia and the song was reissued by Sony Music Australia. That Shark was either in her late 20s or 30 when the song came out explains a bit how her voice and the perspective present in the song had a bit of depth and more of the weight of experience than would be the case of a pop artist a decade or more younger. Shark’s debut full-length, Love Monster, will drop in July 2018 so you can catch her live tonight at Globe Hall before everyone has heard of her.

Friday | May 25, 2018

DemoTaped_SavannahOgburn1 — Demo Taped, photo by Savannah Ogburn

Who: Amber Mark w/Demo Taped and Adiel Mitchell
When: Friday, 05.25, 8 p.m.
Where: Marquis Theater
Why: Amber Mark seemed to come out of nowhere when she uploaded her song “S P A C E” to Soundcloud in February 2016. Her voice strong and assured, drawing immediate comparisons to Sade for those qualities and a soulfulness one rarely hears in someone just twenty-two years old. But Mark had something to say and in subsequent singles like “Monsoon,” Mark revealed herself to be a brilliantly poetic songwriter. The 3:33 a.m. EP followed in 2017 and in 2018 Mark released the EP Conexão. Joining her on the Denver date of the tour is Adam Alexander, aka Demo Taped. His electronic pop songs are bright and upbeat but the subject matter of his songs run a broad range of subjects including struggles with anxiety and insecurity. His nuanced and layered songwriting manifested especially strongly on his 2018 EP Momentary.

Who: Orbit Service, Church Fire, The Drood and DJ Mudwulf
When: Friday, 05.25, 9 p.m.
Where: Lion’s Lair
Why: Denver ambient/space rock legends Orbit Service don’t play many shows these days and even less often at a dive bar like Lion’s Lair. The project’s primary figure, Randall Frazier, has been responsible for maintaining and putting together some of the best live sound in Denver rooms like Walnut Room and Ophelia’s Electric Soapbox as well as championing experimental music in the local scene and collaborating with Edward Ka-Spel of Legendary Pink Dots fame. And that would be reason enough to go to this show but also on the bill are Church Fire, a band one might describe as industrial synth pop but its inspired and emotionally fiery performances elevates what could be considered excellent dance music to a higher level. Also, The Drood, a dark, psychedelic, avant-garde prog band.

Who: How To Measure the Weather: Tobias Fike, Ryan Wade Ruehlen, Kari Treadwell, Scott Ferguson
When: Friday, 05.25, 6:30 – 7:30 p.m.
Where: Emmanuel Gallery
Why: This show has been described as a “migratory sound installation” meaning the performers, members of the Flinching Eye Collective, will move their respective sound-making rigs to take advantage of the Emmanuel Gallery on Auraria campus, one of the oldest buildings in Denver, and its architecture to provide a truly unique, one-off environmental sonic experience.

Who: Muscle Beach w/Colfax Speed Queen, Kenaima and Voight
When: Friday, 05.25, 8 p.m.
Where: Hi-Dive
Why: Confrontational, arty hardcore. Furious post-psych garage punk. Crushing, post-hardcore noise rock. Emotionally-charged, industrial post-punk. Also, four of Denver’s best, most interesting and always compelling and entertaining live bands.

Who: Super Bummer album release w/Eye and the Arrow and King Eddie
When: Friday, 05.25, 8 p.m.
Where: Syntax Physic Opera
Why: Super Bummer may be both one of the most ironic and yet accurate names in Denver underground music. The band’s melancholy compositions sure do articulate life’s downbeats with sincerity and self-deprecating humor—a rare combination. Its new album, Big Ambition, out on GROUPHUG, comes out tonight at Syntax where the band will share the stage with the broodingly melodic Americana band Eye and the Arrow and King Eddie, whose 2017 album Holographic Universe is a rabbit hole of beautifully enigmatic sounds and ideas to get lost in across its nine tracks.

Who: La Luz w/Savila and The Kinky Fingers
When: Friday, 05.25, 8:30 p.m.
Where: Larimer Lounge
Why: La Luz may have originally been (and continue to be) inspired by 60s surf rock giants and the great girl groups of the era. But the Los Angeles-based group have long since made their own mark in music, especially with its 2018 album Floating Features, out on Hardly Art. Spooky and soulful, La Luz have mastered the art of nuanced emotional textures and mood so that its songs can be urgent and spend passages of sound swirling in the sweeping heat of a memory that unexpectedly rushes back into your consciousness triggered some moment or detail you encounter in the present. Denver’s The Kinky Fingers possess similar powers of evoking vivid emotions and imagery with their own surf-rooted rock songs.

Saturday | May 26, 2018

VictoriaLundy_Mar10_2017_TomMurphy — Victoria Lundy, photo by Tom Murphy

Who: Victoria Lundy, Snails and Oysters, Sporehive, Denizens of the Deep and Floating Cave, DJ sets by Franklin Bell and visuals by Orchidz3ro
When: Saturday, 05.26, 2:30 p.m.
Where: Mutiny Information Café
Why: An entire afternoon of some of Denver’s most interesting experimental and avant-garde bands. For instance, Snails and Oysters used to be just Joe Mills but is now a duo creating organic ambient music using rock instruments in unconventional ways. A project that cites psych folk legend Sandy Bull, the artist that did an arrangement of Carl Orff’s symphonic opera masterpiece “Carmina Burana” for five-string banjo and released it on a debut album in 1963, is definitely not coming from predictable places. While every act on the bill is worth checking out and nothing really much like each other, the star of the show is Victoria Lundy who at one time people might have said is better known for being the Theremin player in The Inactivists. But by now she has established herself locally as a gifted composer of electronic and ambient music with the Theremin and synth. One thing that sets Lundy apart is that her music tends to be free of transient, modern culture reference tropes and is rooted in 20th century classical and the first wave electronic music avant-garde. And yet, Lundy makes her music accessible and emotionally engaging. There is plenty of intellect going into the making of the music and the craft and technology but the art comes from the heart.

Who: 102 Wires
When: Saturday, 05.26, 5 p.m.
Where: Bar Max
Why: This is a celebration of the possibilities of guitar in music beyond the typical use of the instrument in popular or even experimental music. Read our interview with organizer Kevin Richards here.

Sunday | May 27, 2018

eHpH_Aug5_2016_TomMurphy — eHpH, photo by Tom Murphy

What: A Life Celebration For Steve Gordon
When: Sunday, 05.27, 1 – 4 p.m.
Where: Mercury Café
Why: This will be an event honoring the late, great, Steve Gordon. Steve was a visual artist, sculptor and musician who contributed greatly to the local avant-garde improvisational and ambient music scenes in Denver. Steve passed away in early May following a prolonged battle with cancer but as a widely admired figure, his legacy of excellence, originality, humanity and humor will continue to have an impact in the Denver art world for years to come. For the event friends and collaborators will share stories, music, poetry, food and drink. Read Lauri Lynnxe Murphy’s excellent piece on Steve for Westword here and our own interview with the artist from November 2017 here.

Who: Textures featuring Tunica Externa, paperbark, Lepidoptera
When: Sunday, 05.27, 7 p.m.
Where: Mutiny Information Café
Why: This will be John Mulville’s last show in Denver for a while as he’s moving back to Minneapolis for the duration. His ambient project paperbark has brought some of the most compelling, textured to grace Denver spaces in recent years. Generating sounds with treated modular synth tones, Mulville’s compositions suggest natural spaces with a physicality suggested by the earlier reference to texture. It’s like you experience a tactile sensation through a creative crafting of atmosphere. Though Mulville will be back through town, we won’t have the luxury of catching any of his soothingly hypnotic sets regularly.

Who: ManifestiV, Bloodied, eHpH and Keldari Station
When: Sunday, 05.27, 7 p.m.
Where: Seventh Circle Music Collective
Why: ManifestiV from Vallejo, California sounds like it came out of the intersection of the burner community that embraces both industrial music, electronic dance and New Age concepts in the use of sound. But it works though at times you expect it to be the soundtrack to some kind of hippie-esque cyberpunk video game. But who wouldn’t want to play that game? Denver’s Keldari Station sounds like it’s coming from a similar place but its own music is more pop, has more elements of dub and old school glam rock. eHpH, like the other bands on this bill, is a duo with a penchant for dark, atmospheric music. Except this duo has managed to combine EBM with industrial rock without sounding like they’re trying to fit in with the tired old Goth scene sound of the 90s and 2000s. The band’s music is more experimental, more nuanced in its emotional expressions, than bands who really want to be a new version of Suicide Commando.

Tuesday | May 29, 2018

King-Tuff-by-Olivia-Bee — King Tuff, photo by Olivia Bee

Who: King Tuff w/Cut Worms and Sasami
When: Tuesday, 05.29, 7 p.m.
Where: Globe Hall
Why: At the end of his last tour, Kyle Thomas was sick of the party monster persona he had cultivated for years as King Tuff. The pressure to live up to something you’re not because it benefits you professionally and to some extent artistically erodes you more than a little on the inside and Thomas was feeling it. “I was a lost soul,” Thomas posted on his website regarding the release of his 2018 album The Other. “I didn’t know who I was anymore.” The new record is certainly a bit of a departure for Thomas. Any trace of the garage rock that informed his earlier releases is pretty much gone. There is a soulfulness and an overt spirit of experimentation running through all the songs for the release. In moments its tinge of futuristic funk and glam prog are reminiscent of I Robot period The Alan Parsons Project.

Also playing this show is Cut Worms. The band’s main creative force is Max Clarke who seems tapped into a mid-60s pop sort of sound and aesthetic. There is a simplicity and clarity of melody and songwriting that we’ve heard plenty of, likely, in this era of mining past decades for artistic inspiration. But especially on Clarke’s 2018 album Hollow Ground the subject matter isn’t so clean and tidy and his songs, like the era it perhaps sonically echoes, reflect a self-aware sense of social anxiety, a painful yearning but struggling with real or endlessly imagined inability to not fuck things up somehow and a willingness to stumble and scrape through even if life doesn’t always, or never does, turn out as planned or hoped. The brilliance comes in striking that balance—being real alongside the sounds of a time many romanticize in spite of the dark and grisly underbelly of people’s lives and the culture itself.

Who: Broncho w/The Paranoyds and Valen
When: Tuesday, 05.29, 8:30 p.m.
Where: Lost Lake
Why: Broncho formed in 2010 in the wake of the dissolution of indie pop weirdos Starlight Mints. Ryan Lindsey of the latter, went on to play guitars, keys and perform lead vocal duties in Broncho. The four-piece has always been kind of an outsider in the music world in that it never really fit in with any emerging trend and was probably too weird to hit it big time in the mainstream. But Lindsey knows he doesn’t belong there. At this point, Lindsay has already done his time deconstructing pop in Starlight Mints and it’s obvious that subverting the tropes of indie, garage and psych rock this past decade isn’t as interesting as it might have been a few years ago. 2016’s Double Vanity found Broncho excavating and exploring some of the sonic ideas that Phil Elverum was onto on those final two The Microphones records, 2001’s The Glow Pt. 2 and 2003’s Mount Eerie. But without imitating Elverum’s richly imaginative and innovative soundscaping. With any luck, this version of Broncho will represent the band’s next phase of its injecting the pop format with expansive ideas and sounds.

Wednesday | May 30, 2018

GangOfYouths_Sergey_Osipov-100x100 — Gang of Youths, photo by Sergey Osipov

Who: Gang of Youths w/Hannah Wicklund & The Steppin Stones
When: Wednesday, 05.29, 7 p.m.
Where: Globe Hall
Why: Gang of Youths’ 2017 sophomore album Go Farther in Lightness garnered near universal acclaim in the band’s home country of Australia. Rightfully so. It has the poetic insight and depth of early Bruce Springsteen and more recent from Titus Andronicus. Like both of those artists, Gang of Youths has a gift for taking the mythical/universal aspect of everyday experiences and giving it a poignantly personal expression. There’s a song called “What Can I Do If the Fire Goes Out?” that goes beyond that whole rediscovering your bliss and your passion nonsense. But it’s a whole record of songs that might seem like a collection of trite platitudes but in the end are the exact opposite. It’s highly energetic indie rock but the emotional and intellectual content run a lot deeper with Gang of Youths.

Who: Nunofyrbeeswax w/Open to the Hound, Claudzilla and Rat Bites
When: Wednesday, 05.30, 8 p.m.
Where: 3 Kings Tavern
Why: Berlin’s Nunofyrbeeswax brings together aspects of indie pop, naïve lo-fi rock and outsider pop in its music. Good thing its on a bill with local weirdos in keytar punk Claudzilla, gritty indie pop outfit Open to the Hound and Germs-esque noise punkers Rat Bites.

White-Hills-by-Simona-Dalla-Valle — White Hills, photo by Simona Dalla Valle

Who: Ufomammut w/White Hills and Tjutjuna
When: Wednesday, 05.30, 8 p.m.
Where: Hi-Dive
Why: Saying Ufomammut is a doom metal band from Italy is a bit like saying that Neurosis is a post-hardcore band from the Bay Area. Clearly Neurosis found some kinship with the trio from Tortona, Italy because Neurot Recordings issued the group’s most recent four records in the USA. Ufomammut’s music has elements of doom and sludge metal but its psychedelic drones and industrial sounds have more in common with the other bands on the bill than a straightforward doom band.

New York City’s White Hills has been exploring past settled territories of modern psychedelic rock since its 2003 inception. The duo of Dave W and Ego Sensation use drum machins and sampled rhythms to set a frame in which each can weave a mind-altering and hypnotic soundscape of vivid tones and dark atmospheres. The band’s storytelling and Dave’s vocals are reminiscent of what one might hear on a Legendary Pink Dots or Skinny Puppy album in which there’s no rockist self-aggrandizement or empty calories rhetoric. Dave has something to say, observations to make and narratives to give in his songs that are frankly worth listening to in themselves but couched in an immersive experience in the listening and especially so in the live setting. The group’s 2017 album Stop Mute Defeat, out on Thrill Jockey, is a major leap forward in terms of capturing the band’s masterful use of mood, texture and atmosphere to craft psychological experiences in the form of song.

Denver’s Tjutjuna rarely plays live shows these days, but the band and its talent for krautrock-inspired mind-expanding drones and percussion was always ahead of the curve of so-called “psychedelic rock” bands in the Mile High City. Like White Hills, Tjutjuna is no stranger to employing motorik beats except with a live drummer and the clear melding of the aesthetics of psych, noise and the avant-garde sets the group galaxies ahead of indie rockers who recently discovered how to maybe use reverb pedals with chorus. Quaint. Tjutjuna? Not so much.