Bad Flamingo stretches its songwriting skills well beyond where it has been before on the new single “Hold Up the Lighter.” With the music video and one of the members seen almost acting out the story of the song it’s like a the song is a noir power pop song about love and obsession. It’s tempting to say it’s supernatural and fantastical given the line about “a vampire bite” and sitting up well into the night spying the object of one’s affections and staking out their place waiting for the moment to consummate one’s desires with the line, “Wanna sink my teeth into you” – one has to wonder if it’s purely metaphorical or if the band is telling a darkly romantic story about a creature of the night yearning for a special connection. Either way the song works and the touch of banjo, the subtle guitar screeches and the finely accented percussion give the song something paradoxically less musically dark than some of its earlier songs. And yet, Bad Flamingo once again proves that its gift for love in peril and between people who might be a little dangerous is unchanged. Watch the video for “Hold Up the Lighter” on YouTube and follow Bad Flamingo at the links provided.
With Twin Fates’ “Ribs” you are from the very beginning pulled into a fantastical sonic realm of intimate spaces and ethereal soundscapes. Processed vocals hover and come into focus like a fey shoegaze hyperpop singer—autotune used truly creatively to bring to the song a sense of the otherworldly that demands being taken on its own terms like something Alice Glass would write if she put her hand to writing a dream pop piece. The placid drones that weave in and through the song seemingly about sweet and tender memories of another time and of the recognition of one’s infatuation and the ways in which one has felt the need to mask one’s absolute true self as a sustained act of self-protection but being accepted when the facade can no longer be fully maintained. That moment of feeling that embrace of one’s truth is so poignant in the song that the fact that the song isn’t in some super established subgenre of music doesn’t matter at all and is a symbol of the meaning of the song. Listen to “Ribs” on Spotify.
Oklahoma City-based duo doubleVee is comprised of former Starlight Mints frontman Allan Vest and his wife Barbara Vest who have been releasing some of the most imaginative pop songs going since starting to work on and release music in 2012. The Vest’s have a deep background in music and music culture with Allan writing scores for film and television and Barbara working in radio and producing the nationally syndicated film music program Filmscapes. Starlight Mints were one of the last, great indiepop bands out of that great 90s tradition that included artists out of and connected to the Elephant6 Collective. You can hear that level of compositional and aesthetic sophistication in the music of doubleVee. All of the project’s songs involve a fusion of imaginative storytelling and emotive melodies and an emotional immediacy and intimacy that truly sets the music apart from a lot of modern music. Their music videos reveal an eye for making something that feels like someone dispensed with the usual methods of production and made something accessible like a video a good friend with creativity and cinematic talent would make to share with an immediate social circle. The music of doubleVee invites you to step out of mundane normalcy into something more vital and fun.
The new doubleVee EP Periscope at Midnight, with eye-catching art by Grant Fuhst, is being released on July 25, 2025 digitally and on CD. It’s a kaleidoscopic journey to fantastical places through the lens of everyday curiosity pursued to stimulate the mind and the senses. For the EP the Vests wrote four new tracks and re-imagined a couple of older Starlight Mints songs “Submarine Number Three Vee” and “Maybe Tonight [What’s Inside of Me?]” and brought to all the songs an orchestral power pop sensibility lends each a cinematic aspect that give a dramatic dimension to the songwriting. Fans of XTC and The Apples in Stereo will find much to like about doubleVee’s creative pop songcraft.
Listen to our interview with doubleVee on Bandcamp and follow the band at the links below.
Inspired by film noir Adrianna Krikl’s new EP The Shadow Lounge is a trio of tracks that layer textured rhythm, echoing trumpet processed almost into abstract atmospheres and harmonic synth backdrops that give each song a baseline mood of suspense and mystery lurking beneath the surface with a touch of menace. Which is what you want when evoking the kind of noir that David Lynch seemed to execute so well over the course of his filmmaking from Blue Velvet onward. The title track sets that expectation and “A Memory of Tomorrow” would suit well Jim Jarmusch’s own adventures into noir with a song imbued with more forward momentum and electronic strings evoking an exotic setting and sensibility. Violins streak with a tense urgency across a slow roiling wave of a dynamic in the rhythm and you feel like something ominous is quickly approaching. Concluding track “Fading Lights” is more ethereal in its orchestration of dark things afoot. Like the listener is wading through the aftermath of the skulduggery suggested by the earlier tracks. The spectral winds blow through the song and the threads of tone ripple and drift slowly into a hazy infinity. Listen to The Shadow Lounge on Spotify and follow Adrianna Krikl at the links provided.
Guitars sketch faint tonal lines of melody in the opening parts of Jouska’s dream pop single “Flower Moon.” Jouska’s voice is soft yet evocative in describing a situation of melancholic yearning. Wanting a sign from a loved one that seems uncommunicative after a disruption in the relationship. The warm harmonic keyboard figure that illuminates the song’s backdrop embodies the underlying sadness that informs the song and with the sweeping percussion it all establishes a beautiful atmosphere that soothes the morning and lovesick feeling one can get into in those moments where you feel left wondering what comes next with no real sense if anything will. Listen to “Flower Moon” on YouTube and follow Norwegian dream pop artist Jouska at the links below.
Chris Stamey is one of the leading figures of American indie rock as we know it. Born in Chapel Hill, North Carolina, Stamey grew up in Winston-Salem and earned a degree in philosophy from NYU. While living in New York, Stamey became the bass player for Alex Chilton’s band for around a year and released a 1978 by another Big Star alum Chris Bell on his own Car Records imprint with “I Am the Cosmos” and “You and Your Sister.” Around that time he formed The dB’s with Peter Holsapple. That band’s jangle guitar and post-punk sensibilities in terms of literary lyrics and willingness to write emotionally complex songs made it a favorite of college radio throughout the 1980s before splitting in 1988 (though back together since 2005). Stamey is renowned for his production and his credits would be too long to list. For example perhaps unexpectedly he produced the first two Le Tigre records and Pylon’s classic 1983 album Chomp. Simply put indie rock and pop bears the hallmarks of Stamey’s work directly on indirectly for decades. He has played in numerous bands during the course of his lifetime including a short stint in Let’s Active with his friend and also legendary producer Mitch Easter and he has had an acclaimed solo career as well.
Stamey’s latest long player Anything Is Possible released via Label 51 Recordings on July 11 on 12” LP vinyl (out August 8, 2025), CD, digital download and on streaming. The new record Stamey says “is a love letter to the kind of harmonically rich yet often lyrically innocent pop music I heard, on the family turntable and especially on AM radio, growing up in the late 50s and mid-60s in the American South.” With contributions from Tthe Lemon Twigs, Mitch Easter, Probyn Gregory (Brian Wilson Band), Marshall Crenshaw among other luminaries of modern music the album has the sophisticated and sonically detailed pop songcraft that Stamey has perfected across a lifetime. Shades of Harry Nilsson and Brian Wilson can be heard throughout the album supported by Stamey’s knack for fusing texture and tone into the kinds of pop hooks and moods that linger with you.
Listen to our interview with Chris Stamey on Bandcamp and follow the artist at the links below.
Perhaps with a title like “Keep On Trying” is may be obvious that Clark Stiles’ song has themes of perseverance and commitment. But with the beautifully saturated synth layers and electronic horns over a subtle, shuffling beat there is a gentle momentum that the song sustains. And the lyrics go further than merely pushing ahead but also to challenging oneself to pursue new inspirations and to be open to new things that spark one’s imagination and curiosity. Without getting out there you only have your immediate experiences and stimuli to draw upon. Stiles also incorporates ideas of how people can enrich their commitment to each other through these adventures into new realms of experience and the tenderness with which he delivers lines like “It’s why I get out of bed/To help each other” and when he sings “I’m pushing back/I’m pushing back/For whatever sparks my interest” we get the sense that he is driving away the psychic forces that keep him in penned in to the familiar and complacent. It’s a gentle song about growing and the bonds that sustain us while doing so. Listen to “Keep On Trying” on Spotify and follow Clark Stiles at the links provided.
Willie Nile is a a New York-based singer-songwriter and guitarist who released his twenty-first album The Great Yellow Light on June 20, 2025 on CD, 12” LP, digital download and streaming via River House Records. Nile moved to NYC in the early 80s in time to catch the early and classic days of the city’s punk scene and by the time of the release of his 1980 debut album the musicians on the record included Jay Dee Daugherty (Patti Smith Group) and Fred Smith (Television). Then as now Nile’s uplifting songs struck a chord with his literary turns of phrase and the spirited delivery. That debut record was released on Arista Records after Nile met Clive Davis and that same year Willie Nile foud himself joining The Who on their 1980 summer tour. But following the release of his 1981 album Golden Down Nile’s career was stalled by legal problems and he didn’t return to the music world until later in the decade. Nile became a bit of a songwriter’s songwriter and had a fan in Bruce Springsteen who invited him to share the stage with the E Street Band in 2003 at Giants Stadium and Shea Stadium. Interestingly enough, though, Nile really his his stride as an artist from 2009 onward when he seemed more prolific than his entire earlier career with highly acclaimed albums along the way. The new record is brimming with passion and compassion and striking for Nile’s charismatic delivery.
Listen to our interview with Willie Nile on Bandcamp and follow his exploits at the links below.
Band of Muses infuse its psychedelic single “Cinnamon” with a touch of that hazy Laurel Canyon sound from the 70s. The video utilizes kaleidoscopic imagery while its members are show with a crystal ball and otherwise like Southern California esoteric types, New Age vagabond mystics who generate hypnotic melodies and rhythms that keep you swept up in their colorful, ethereal charms. But around the edges the band trades in choice guitar leads that jangle and transport. Fans of the likes of L.A. Witch with find a similar sonic allure here as well fans of Sky Cries Mary’s more cosmic, expansive compositions. Watch the video for “Cinnamon” on YouTube and follow Band of Muses at the links below.
Robert Scheffler is a New York City-based singer-songwriter who released his third full length studio album Truce on June 26, 2025 for digital download, streaming and limited edition CD. Scheffler was a regular in downtown NYC clubs Mercury Lounge, Arlene’s Grocery and the Bitter End including shows with his band A Million Pieces. But the time came when Scheffler took up a job as a research editor and writer for a national magazine. Eventually the lure of songwriting pulled Scheffler back into the world of music but like many a songwriter he had to figure out what he would have to say in a crowded milieu with thousands of artists vying for attention. Without a band the challenge was even greater. But Scheffler found his inspiration in part when filing through his old CD collection and stumbled upon a promo disc for Warren Zevon’s Life’ll Kill Ya given out at the record release party. He tried Zevon’s workmanlike approach to songwriting but once he abandoned that more methodical approach the songs came together. The new album is about people navigating agreements between each other, socially and in their relationships with the world. The record also explores in poetic fashion loss of friends and of hope and the pain of connections coming apart. The music has a folk and Americana flavor but of the vibrant yet pastoral variety with immediacy and a spirit of intimacy like Scheffler is hooked into universal human experiences.
Listen to our interview with Robert Scheffler on Bandcamp and follow the artist at the links below.
Queen City Sounds and Art 
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