“Yearn” begins with great momentum and the vocals Mark Weatherley puts into the track while highly processed convey the aching emotions expressed. “I don’t want want to miss you like this” in the chorus sums up the mood of the song. It expresses the feeling like you do miss someone but when you feel like the relationship has ended or in significant flux leaving one or both people feeling confused and lost when that bond may be in peril. Desperate might be too strong a word but it approaches the exact energy of those moments of poignant uncertainty. The switch-up in percussion styles throughout the track is reminiscent of a mashup of early early 2000s breakbeat but the way the song is arranged it has great atmospheric resonance like a downtempo song but infused with a sense of emotional urgency. Listen to “Yearn” on Spotify and follow Mark Weatherley at the links below.
The most recent Tiberius album Troubadour was released through Audio Antihero on November 14, 2025. The record represents a benchmark in the development of Brendan Wright (they/them) as an artist and a full expression of the project as a full band. The song “Sitting” in particular showcases a sound on the album that one might describe as a kind of pastoral emo, a countrified shoegaze. The lyrics that truly sketch existential pain and an aching honesty with one’s grappling with the essential meanings and identities in life that once anchored you but which lose coherence when life seems to take you beyond what used to define you and you’re becoming comfortable with the changes even if it can seem scary at first. The guitar slides and impressionistic melodies paired with Wright’s thoughtful and passionate vocals strike the kind of mood that makes it feel okay not to have it all figured out and to have a sense of openness to what’s ahead. Listen to “Sitting” on Bandcamp and follow Tiberius at the links provided.
S.C.A.B. brings a new dimension of guitar composition to its song “LOVE.” The group had already mastered a creative jangle guitar sound but in that song and its whimsical yet melancholic and nostalgic tone the swirling melody that seems to eddy around the vocals is accomplished with splashes of sound and circular riffs that feel hypnotically transporting and bring the listener into an embrace of the music’s sense of introspective self-awareness looking back on the various kinds of love that exist in our loves in all their idealistic and not so flattering glory. The music video directed by Sampson Dahl shows the band seeming to stroll through childhood memories and young adulthood living spaces decorated with an affection for kitsch and all with an aesthetic like something from another decade and processed so that it looks like something shot on VHS down to the color line glitches and the wobbly outro credits sequence. In moments the way the song hits the psyche its reminiscent of something by James or Beach Fossils. Its a song that really does get stuck somewhere in your psyche and a testament to the quality of the band’s new record Somebody In New York Loves You which became available November 21, 2025 via Grind Select.
The video Anthony Ruptak and Cole Naylor made for the song “PHANTASMAGORIA” is a perfect companion to the song and Ruptak’s fantastic 2025 album Tourist. It intersperses vivid scenes from a nightmare with the nightmare of everyday life in the present tense. The song has a distorted quality reflecting its raw and ragged emotions bursting from the confusion and despair of a world that seems to require resisting the status quo in which everything is, as the song’s lyrics state, a mess of our own collective making. We get through wading through a “phantasmagorical haze” while Ruptak hangs on to the old school where maybe things were rough but made more sense and maybe you could eke out a living without seeming every moment of your life taking something from you and costing you more than it ever has. The end of the video has Ruptak being buried with his hand around his mobile phone out of the grave and then bursting out with a last hurrah type of resistance to the endless wave of static and challenges only to witness the mushroom cloud that ends human life as we know it because as a species we’ve definitely let things go down the wrong path. And yet it’s a song with spirit and ultimately uplifting because that’s the tone to strike when things seem the bleakest they’ve been in our lifetimes in the modern era even for people who are already under incredibly challenging and lethal circumstances. The song challenges us to dream and do better. Watch the video for “PHANTASMAGORIA” on YouTube and follow Anthony Ruptak at the links provided.
Dennis Hauck’s new single “Natural Heart” is steeped in a classic folk Americana sound with expert and even spirited musical performances. But what truly makes the song stand out is Hauck’s vocal delivery of lyrics that explore the complexity of the human heart and how our natures can drive us to behave in ways that can feel unpredictable but really it reflects how we’ve been affected by our lives and what we believe about ourselves and how we understand our natures to be. And when you’re just living life with sensitivity and not a deep sense of self-awareness maybe you can only live your authentic life and seem unmindful of how you affect others. The song suggests more sense of self than the story conveys because as impassioned as the song is delivered it is with a sense of wry humor under the surface that points to having lived through some tumultuous patches across a lifetime that leave you with an sense of one’s limitations akin to hard earned wisdom. Listen to “Natural Heart” on YouTube and follow Dennis Hauck at the links below.
Erik Hall will release his new album Solo Three on January 23, 2026 via Western Vinyl. The composer and multi-instrumentalist interpreted pieces by Glenn Branca, Charlemagne Palestine, Laurie Spiegel and perhaps most ambitious of the group, “Music For a Large Ensemble” by Steve Reich. The composition originally written in 1978 for at least 23 performers finds its bright, lively spirit in dazzling sonic detail with its component parts supporting, augmenting and complementing each other in short and then longer lines back to those shorter and alterations in accent and volume to bring to the experience of listening an organic feel and one that stimulates the mind with the simple joy of its arrangements. Hall uses a divergent sound palette with synths, organs, pianos, guitar, bass (all performed, recorded and mixed by himself—impressive on its own) to lend a modern almost electronic music aesthetic to one of Reich’s classics. Listen to “Music For a Large Ensemble” on YouTube and follow Erik Hall at the links below.
When “Through The Trees” begins it sounds as though you’re hearing strands of music from overlapping realities. But Silver Liz appears to write music with a deeply layered aesthetic with mixed styles intermingling in unpredictable ways. When the song gets off the ground it’s like an IDM song in terms of production and arrangement but the ethereal synths, melodiously atmospheric vocals and textural guitar work ground the song in human emotion and the feeling of deep affection for one’s beloved. The intertwining of electronic and organic elements is seamless and adds to a great sense of space and sonic depth throughout the song so that even at three minutes forty-five seconds it feels like a full cinematic experience with the changes in tone and emotional resonance. Listen to “Through The Trees” on Spotify and follow Silver Liz at the links provided. The duo’s new album III drops January 30, 2026 on limited edition colored vinyl, digital download and streaming.
Trouble’s Braids just released Live at Stone Cottage including intimate and lively versions of “Precipice” and “The Pines.” The former is a lighthearted song about living on the edge of mainstream society and striving to pursue one’s passions with integrity. The latter a more somber composition telling the story of being pulled between two types of live, one more safe and predictable and one more satisfying and liberated. The spare guitar work and vocal harmonies really draw the listener into the song’s heartfelt storytelling. Both songs come in the wake of the late June release of the Americana duo’s debut EP, The Big Tourist. The warmly rendered songs from the EP have an earnest energy mixed with a knack for creating mood that one doesn’t always associate with music associated with folk Americana. Trouble’s Braids consists of Oliver Franklin and Emily Pennington who got their starts in music in Seattle and Los Angeles respectively but now call Boulder home. The two new songs were recorded at Stone Cottage Studios in Boulder and highlight the project’s diverse musical instincts and style.
The dark tone at the onset of “Superhero” by Trendsetter (with collaborators Magnus Deus and Katty G) suggests long late nights driving the back alleys and byways like perhaps Batman would. The song has layers of saturated tone that feel like textures through which the yearning, melodic vocals come through like something out of a mid-to-late-90s downtempo song. But this piece of music sounds even more steeped in 2020s production. The percussion beats are in the vein of future garage/IDM but which drop drop out and echo lightly at times to give a subtle dub effect. But beyond picking apart the musical elements the song feels like a deep journey into mysterious places that stimulate the mind with the possibility of intrigue ahead. Listen to “Superhero” on Spotify and follow Trendsetter at the links below.
The Silver Snails has been percolating its new album Speed of Light for over a decade since the 2012 release of its debut album The Seven Melodies. The core of the group is husband-and-wife duo Lucas Ward and Elisa Fantini and fashions itself a “glam rock space pop family band.” Even a casual listen to the new album reveals great attention to songwriting detail, performance and production. It has a huge, uplifting, deeply melodic sound and in moments it may remind listeners of something Jeff Lynne and Trevor Horn had their hands in making. In fact, the group covers “Video Killed the Radio Star” by Horn’s New Wave band The Buggles (the video for the original song was the first to be broadcast on MTV) for Speed of Light including a music video made by the members of The Silver Snails. The couple’s three children Jasmine, Celeste and Elias also contribute to the project’s creative efforts including live performances. Long before The Silver Snails became a band Ward was a close friend of singer/songwriter Elliott Smith from whom Ward took some inspiration in his own musical endeavors as someone who writes and records his own songs with keen attention to craft and performance. The album is indeed like a glam rock affair but one that is just as informed by the playful, experimental and imaginative psychedelic rock of Flaming Lips with some sonic resonances with the more space rock end of ELO. Co-produced by Dylan Magierek, mixed by Peter Katis and Adam Selzer and mastered by Greg Calbi and Sterling Sound, its an album that sounds like something from a classic era of pop but with an immediacy that hooks you in with every song. Speed of Light was released on September 5, 2025 on streaming, digital download and CD.
Listen to our interview with Lucas Ward on Bandcamp and follow The Silver Snails at the links below.
Queen City Sounds and Art 
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