Xena Glas Manifests a Deep Sense of Physical and Psychological Movement on “To the A”

Xena Glas, photo courtesy the artist

Xena Glas drifts her wordless vocals into the languid flow of tones of the beginning of “To the A” like a ghost inhabiting a public light display. The stereo effects on the track both pull us into the emotional frame of the sounds and allow us to share in the experience of engaging emotionally with a flow of sounds that is luminous and warm yet otherworldly. Rather than expressing what it might be like to jack into an AI circa early cyberpunk, it gives a sense of perhaps what it would be like to be an AI jacking into the brains of an organic being and wading through the intricate gossamer pathways constantly creating new pathways in fractal patterns of the raw stuff of memory and creativity. And yet there is a sense of a journey through this interior world that reveals in the end that maybe the sounds reflect how we navigate to utilize a large physical network like a subway system. And yet both resonances work as Xena Glas calls upon a more abstract sense of journey with her tonal arrangements so that one can hear whatever journey is most prominent in one’s mind and find in the song the frequencies to reflect our sense of passage. Listen to “To the A” on Spotify, connect with Xena Glas at the links below and listen to the rest of the evocative new EP Movement which became available on October 28, 2022.

Xena Glas on Twitter

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Xena Glas’ “Feet” from the Body EP is a Tonal Mantra for Staying Focused in Life’s Most Challenging Phases

Xena Glas, photo courtesy the artist

Xena Glas begins hew new EP Body with the short song “Feet.” With delicately plucked and strummed guitar Glas sets a tone of delicate textures flowing through her ethereal vocals. In the background one hears what sounds like samples of wind and running water. At one point she counts off paces that feel like an internal system of timing rather than something that regulates the organic meter of the ambient layers of the song proper. In the notes to the EP, Glas says this song as well as the track “Hand” represent the aspect of her “lived experience with autism” referred to as “stimming in situations of sensory overload” with counting, tapping fingers and pacing. But one need not have experience with autism on any end of the spectrum to be able to relate to this neurological phenomenon in moments of extreme boredom. Stimming just sounds like good, easy and pragmatic practice for keeping the mind active when things feel overwhelming and when it might be helpful to stay focused on something to derail what we’re supposed to think of as a normal reaction when we have no choice but to deal with a challenging situation. Glas’ composition is a model for calming the mind with simple layers of sound that provide a sonic mantra to help weather a passage of peak stress. With obvious guitar loops, vocals, reverse delay and signal processing, Glas’ spectral introductory song to an EP equally inventive throughout sets the stage for a chill yet engrossing listen. Fans of Phew, Laurel Halo, Loraine James and Alice Coltrane will appreciate the transcendent moods achieved by Glas across the five songs and the undeniable and expansive sense of the possible that permeates each song executed with elegant performances and a keen ear for subtle details and dynamics that the dreamlike quality of the music conveys. Listen to “Feet” on Bandcamp where you can also listen to the Body EP in its entirety. Follow Glas at the links provided.

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Xena Glas on Twitter

Xena Glas on Instagram