Tag: Weep Wave

Tuesday | 04.02
What: Ministry w/Gary Numan and Front Line Assembly
When: 6
Where: Mission Ballroom
Why: Ministry has been enjoying a new chapter of its existence as a band and supposedly as a live act it has revamped, rediscovered and re-embraced a wide arc of its musical output. As pioneers of EBM and industrial metal Ministry has influenced generations of other artists with its imaginative soundscapes and joyfully scathing social critique. Perhaps influential to Ministry is synth people and rock artist Gary Numan who has had top 40 hits in the early 80s with the landmark synthpop hit “Cars” but whose creative vision of human relationships with each other and with technology while incorporating new methods of making music during the long course of his career has exerted an influence on a wide variety of artists. All synth pop bands today are part of his legacy as well as darkwave and synthwave. And live he’s still a compelling artist with an undeniable mystique. Opening are foundational EBM band Front Line Assembly whose Bill Leeb was an early member of Skinny Puppy with a long and impactful legacy in music all his own.

Friday | 04.05
What: Glue Man w/Total Cult and Tuff Bluff
When: 8
Where: Hi-Dive
Why: Glue Man is a punk band that is part of the “new wave of shitty heavy metal.” It must be assumed the latter is a bit of a joke the people in the band put on their Bandcamp page. Really they sound like guys who listened to a lot of JFA and Crucifucks and that’s no bad thing. Tuff Bluff is a power punk trio fronted by Sara Fischer who has been in more cool local punk bands than most people and whose songwriting is a vital fusion of garage rock and classic punk. Total Cult is the latest band from former Nicotine Fits members guitarist Nick Santa Maria and bassist Bryan Webb who have contributed to various noteworthy projects out of Colorado Springs over the years and when Nick was living in Denver for a bit he was also a member of Poison Rites. So Total Cult is not a cookie cutter punk band even if its songwriting components draw from familiar sounds and moods.

Friday and Saturday | 04.05 and 04.06
What: Five Iron Frenzy with MXPX and The Ataris (04.05) and with The Swashbuckling Doctors, The Freeze Ups (Op Ivy cover band), DJ Tara 2 Tone and DJ Monkey Man (04.06)
When: 6:30 (04.05) and 6 (04.06)
Where: The Ogden Theatre (04.05) and Washington’s (04.06)
Why: Five Iron Frenzy is the rock and ska band that started in the mid-90s in Denver. The band has probably been dismissed as a “Christian ska” band by people who never actually listened to the music because there is a thoughtfulness, joy and personal insight into the songwriting that transcends genre and presumed belief systems. Five Iron Frenzy is a band that can poke fun at itself and address serious issues with humor without making a joke out of any of it. Rather it’s shows and music are a celebration of shared humanity and the preciousness and all too often precarious nature of life. On Friday night the band shares the stage with ska punk greats MXPX and pop punk stars The Ataris. On Saturday night in Fort Collins the group will perform extensively from its first three albums, a rarity in its live repertoire.

Saturday | 04.06 THIS SHOW HAS BEEN RESCHEDULED TO SEPT 7, 2024
What: Dust City Opera w/Avourneen
When: 7
Where: Swallow Hill
Why: Dust City Opera is a rock band from Albuquerque, New Mexico whose sound interweaves orchestral Americana, dark psychedelia and art pop into cinematic and literary songs filled with evocative tales of “sadness, madness and mayhem.” But within the group’s rich body of work there is a surreal sense of humor and humanity that reveals an empathy for the human condition and the characters and situations depicted in which listeners can identify aspects of their own experiences navigating our often physically and emotionally perilous world. Since it’s 2018 foundation, pick any of Dust City Opera’s albums from its 2019 debut album Heaven to 2022’s horror and science fiction themed Alien Summer record to the 2024 EP Cold Hands (released March 8 via Rexius Records) and you’ll hear imaginatively eclectic arrangements and vivid narratives from a band that seems fully realized even as it’s still relatively early in its career. There is a theatrical sensibility to the music that translates to the band’s live performances that fans of the likes of DeVotchKa and Beirut will appreciate.

Friday | 04.12
What: The Crystal Method and Rabbit in the Moon
When: 7
Where: Summit Music Hall
Why: Two giants of early American 90s electronic on one bill. The Crystal Method made waves with its 1997 debut album Vegas and its futuristic big beat sound that seemed like the soundtrack for a modern version of cyberpunk. Following the 2017 retirement from music of founding member Ken Jordan, The Crystal Method has become the solo project of Scott Kirkland. The 2022 album The Trip Out feels like a sequel to Vegas with similar sensibilities but even more of a hip-hop element in its sound. Rabbit in the Moon predates The Crystal Method by a year when it was founded in 1992 and quickly became part of the burgeoning American rave scene. Free associating house, trance, breakbeats and other musical styles into an entrancing whole, RITM has been an enduring fixture of American underground electronic music.

Friday | 04.12
What: Jux County play the Pretenders
When: 7
Where: Club 404
Why: Legendary “cowpunk” band Jux County will perform a rare show not of its own music but that of proto-alternative band The Pretenders and in addition to the obvious hits like “Brass in Pocket” and “My City Was Gone,” Jux will probably pull out some deep cuts for the show.

Saturday | 04.13
What: SPELLS, Church Fire, Dead Pioneers and Chap
When: 7
Where: Hi-Dive
Why: Garage punk band SPELLS is celebrating the release of its new album Past Our Prime. The title of the album is a bit on the nose because the members of the band are for the most part in their 40s but that’s how the band, risking a too self-aware outmoded expression, rolls. It’s a reliably insightful set of songs about life and aging and staying engaged with the act of living rather than simply existing even if culture and society suggest maybe you should spend your spare time in the evening watching re-runs of the modern equivalent of Matlock and maybe going on vacation to the same spots once or twice a year. Dead Pioneers puts some fiery lyrics into its own punk and Chap is a bit more on the twee emo end of punk in a way you might actually want to hear because that band too seems to have some cogent commentary on human existence. The band that will not be like the others beyond sheer feisty spirit is industrial dance trio Church Fire whose ferocious and heartfelt songs are corrosive to an ossified culture.

Sunday | 04.14
What: Andrés Cepeda
When: 6:30
Where: Paramount Theatre
Why: Andrés Cepeda is one of the most well known musical artists out of his home country of Columbia. A musician since an early age, Cepeda studied music in college and became the lead singer in Latin pop-rock group Poligamia throughout the 90s before pursuing a solo career by the end of that decade. Cepeda’s musical range and depth has garnered him both critical accolades and commercial success in Colombia with his 2001 album El Carpintero going quadruple platinum. He is a four-time winner of the Latin Grammys and his 2023 album Décimo Cuarto attained Gold certification. His emotionally rich and nuanced vocals and musicianship has made the artist a popular figure at home in a similar status as Shakira and Carlos Vives and he has been a judge on La Voz, the Colombian edition of The Voice for twelve seasons. In April 2024, Cepeda will embark on a North American tour of 19 dates including Carnegie Hall in NYC. Calling the string of dates the Tengo Ganas tour, Cepeda and his band will focus more on the pop, rock and electronic side of his songwriting than the more traditional and Balada style with which his name is often immediately associated.

Sunday | 04.14
What: Dancing Plague, Plague Garden and Alucienma
When: 7
Where: Hi-Dive
Why: Portland, Oregon-based coldwave project Dancing Plague released its latest album Elogium on March 22, 2024. The record is a further refinement of its synth-driven post-punk reminiscent of both Red Lorry Yellow Lorry and D.A.F.. Also on the bill is Denver’s Plague Garden whose style of post-punk fuses melodic death rock, New Wave synth melodies and emotionally refined and bold vocals.

Monday | 04.15
What: Julien-K w/Priest and Plague Garden
When: 7
Where: HQ
Why: Julien-K is a more EBM-inflected side project of industrial rock band Orgy. Priest is an enigmatic industrial band from Sweden given to stage theatrics like a group out of a cyberpunk novel of the 90s with a sound that seems to be a melodramatic brand of EBM. Plague Garden concludes its three date mini-tour of Denver this night and on measure promises to be the high point of the evening for more discerning ears.

Wednesday | 04.17
What: Meatbodies w/The Crooked Rugs
When: 7
Where: Larimer Lounge
Why: Chad Ubovich has been a bit of a figure in the southern Californian garage and psychedelic rock scene having been a bass player for Mikal Cronin’s band and a touring member of Ty Segall’s live group. He’s also been a contributing member of Fuzz. But since 2014 he has forged his own musical identity with his project Meatbodies. The latter expanded beyond Ubovich’s musical foundations to make a kind of noisy and dreamlike music most fully realized on the 2024 album Flora Ocean Tiger Bloom where the band’s eclectic songwriting pulls you in withentrancing melodies and hypnotic motorik beats and fuzzy-hazy soundscapes that somehow taps into the cosmic psych prog realm of King Gizzard and the Lizard Wizard and Suicide, perhaps Wooden Shijps in a more playful mood.

Friday | 04.19
What: LEAF: Julia Edith Rigby, The Carbon Diablo Ensemble, Mickey Lenny & Nihil Coil and Diggers
When: 6:30
Where: Center For Musical Arts
Why: The Lafayette Electronic Arts Festival proper kicks off this night with an evening of audio-visual artists. Julia Edith Rigby incorporates viola, voice, video, field recordings and sculpture into her performances. The Carbon Diablo Ensemble is an improvisational experimental music collective comprised of Carbon Dioxide Orchestra and Diablo Montalban that will do a live remix of music for the 1902 film A Trip to the Moon directed by Georges Méliès including interactive visual elements, synths, Theremin and dry ice on a copper heart sculpture for a uniquely visceral and sonically engulfing performance. Mickey Lenny and Nihil Coil will combine avant-garde live composition with processed wind instruments and synths and combine that in interactive fashion with retrofuturist imagery. Diggers as manifested for this show will be Eric Barry Drasin and Sean Withers who will recontextualize media imagery and sounds to blur the line between interior and exterior awareness as an exploration of the mediated relationships in which we often find ourselves as a path to comprehend and deconstruct that dynamic.

Friday | 04.19
What: Traindodge w/Self Evident and Almanac Man
When: 8
Where: The Skylark Lounge
Why: Traindodge is a noise rock/post-hardcore band from Oklahoma City that has been offering up a unique style of its own more akin to the likes of Season To Risk and Shiner. In 2023 the group released its latest album The Alley Parade which synthesizes a power pop knack for melodic hooks and pummeling and caustic riffs. Denver-based Almanac Man is also on the bill and is on the verge of releasing its new record of contorted and propulsive, math-y noise rock in Terrain (due out May 14, 2024 on The Ghost is Clear). Think a DC post-hardcore band that came up in the midwest on a steady diet of Amphetamine Reptile and Touch and Go bands.

Friday | 04.19
What: The Non-Renewed album release party w/mlady and May Be Fern
When: 7
Where: Town Hall Collaborative
Why: Denver-based, queer indie rock duo The Non-Renewed is celebrating the release of its self-titled debut album at this show. Meghan Mallon and Mellik Gorton were singers and songwriters in their own right before coming together as creative partners during the early days of the pandemic. The album was recorded by Judybelle Camangyan over two weeks when the producer/engineer also known as JB flew in from Los Angeles to help their college friend Mallon realize the 8 song record. The music is like a look back on a period that many Americans seem to have moved on from even if the early pandemic left an indelible mark on the lives and psyches of people worldwide with reverberations still felt deep inside us and after effects that seem mysterious until they’re traced back to the lingering impacts of the ways the early pandemic affected how we relate to one another, how we have lived and how we have had to learn to live differently. The album’s gentle rhythms and warm melodies make its themes of grief, heartbreak, loss of all kinds and resilience in the face of multiple stressors hitting all at once seem like experiences we can parse and handle with grace and dignity.

Saturday | 04.20
What: LEAF Day 2: jesterN, Playground Ensemble, Kevin Sweet, Paulus van Horne & FMSHAGGI at Center for Musical Arts
When: 6:30
Where: Center for Musical Arts
Why: jesterN repurposes found or “decontextualized” analog devices to explore the “connections between light and sound through installations and performances. So expect unique projection type visuals with equally unorthodox sound sources in synergistic fashion. The Playground Ensemble is one of Denver’s premier avant-garde so expect something unpredictable, creative and not short on elements of performance art. Kevin Sweet’s performance will incorporate generative sound and audio-reactive visuals. Paulus van Horne and FMSHAGGI will offer a performance exploring the concept called by visual and sound artist Brandon LaBelle calls “the lexicon of the mouth” utilizing drone, granular synthesis and computer voices and in this case coupled with the visual art sensibilities of the paired artists.

Saturday | 04.20
What: LOG. album release show w/Bolonium
When: 7
Where: The Mercury Cafe
Why: It might be misleading to say LOG. has been a musical institution for over two decades but the enigmatic band’s eclectic and experimental sounds and theatrical live shows have been part of the local scene since at least the 90s. Fans of the likes of Primus, Hamster Theater and Sleepytime Gorilla Museum will appreciate the weirdness and raw energy of LOG. Additionally the group has released its latest album Dumptruck Sayonara and is celebrating the release with this show sharing the bill with like-minded weirdos Bolonium. The record is brimming with undeniable pop hooks and angular post-punk rhythms that somehow hit as fluid and funky. Live you just don’t know what you’re in for because the band isn’t above injecting elements of industrial percussion and free jazz. And there’s not much like the band around which is recommendation enough.

Sunday | 04.21
What: Munly & The Lupercalians w/Josephine Foster
When: 6
Where: Hi-DIve
Why: Munly & The Lupercalians is the experimental, Gothic Americana band of Jay Munly who is more often known these days as a member of Slim Cessna’s Auto Club. For this project the music is a little darker if drawing upon similar sound sources and its presentation is more like a pagan mystery cult. The songwriting builds upon where Munly has come from out of an underground folk scene and the Vaudeville Americana of Munly & Lee Lewis Harlots. Josephine Foster draws upon rustic music making methods and her albums sound spare and minimal with guitar and vocals but Foster’s songwriting weaves into her sounds aspects of environmental noises and textures one might expect from a live performance spent collecting field recordings.

Monday | 04.22
What: Sheer Mag w/Cleaner, Flora De La Luna and DJs Glimmer of Nope
When: 7
Where: Hi-Dive
Why: When Sheer Mag emerged around 2014 it soon made a name for itself as a scrappy and commanding live act whose music completely knocked down barriers between punk spirit and raw power, power pop and classic hard rock. Singer Tina Halladay struck a uniquely commanding figure whose powerhouse voice and husky tunefulness brings to the music an immediate and accessible appeal. The group’s latest record Playing Favorites (2024) is a glorious fusion of garage punk and a youth having been subjected to classic rock like Thin Lizzy, Boston and Molly Hatchet and resenting it before finding in that music a valid foundation for songcraft and musicianship. And like many a Philly band, Sheer Mag has taken whatever its roots might be and made something utterly its own with one of the best live rock shows going.

Tuesday | 04.23
What: Bruce Hornsby and yMusic present BrhyM
When: 7
Where: Paramount Theatre
Why: yMusic is a chamber sextet from New York City that has released a handful of albums of original material but it has also toured with other artists and worked on collaborative music projects with the likes of Ben Folds. Bruce Hornsby is a respected, Grammy winning artist with decades of hits and musical accomplishment in his eclectic career including his 1980s run with Bruce Hornsby and The Range. But Hornsby has been a touring member of Grateful Dead, he’s written bluegrass music and jazz and now a collaborative art pop album with yMusic collectively known as BrhyM with the March 1, 2024 release of the album Deep Sea Vents. It’s a unique and ambitious set of songs that draw upon an architecture of classical music and musical ideas from a broad range of American music to craft strange and creative songs that seem like a story cycle you’d more expect to manifest as a cinematic work. Think something along the lines of Carla Bley working with They Might Be Giants and you have something of the vibe. This is a rare chance to see this set of musicians perform the music live on its current and who can say possibly only tour.

Thursday | 04.25
What: She Past Away w/Ultra Sunn and Hex Cassette
When: 7
Where: The Oriental Theater
Why: She Past Away is the great Turkish post-punk/darkwave band whose haunting vocals, electronic beats, icy synths and ethereal guitars are immediately reminiscent of The Cure and peers in modern post-punk, Molchat Doma. With lyrics in Turkish the duo has nevertheless garnered a cult following well outside of Turkey with music that resonates with a certain anxiety and weariness with a world that seems so precarious these days. Opening the show is Denver’s great, dark industrial dance phenomenon Hex Cassette whose theatrical menace is matched only by the raw exuberance and liberated spirit with which he performs and invites the audience to share in the joy of release. Also touring with She Past Away is the Belgian darkwave duo ULTRA SUNN who just released a new record called US. The group’s knack for percussive, electronic bass lines and haunted synth melodies are a perfect companion for its lyrics about personal struggles, disillusionment, integrity, resilience and love all manifest in dramatic and vivid form throughout the record’s nine songs. Fans of Nitzer Ebb and Covenant will definitely find a lot to appreciate with what ULTRA SUNN has to offer.

Friday | 04.26
What: LEAF: Mary Elias Letera, Moss Pig, Mr. Knobs
When: 9
Where: The End
Why: This second weekend of the live performances as part of the Lafayette Electronic Arts Festival includes sets from Mary Elias Letera, an intermedia artist, performer and software developer who utilizes light, sound and dance as part of her integrated creative works such as her 2023 piece “Eclipse.” Moss Pig is an all-hardware electronic live act comprised of SoLRkaT aka Coldfuture and Neptune Luau. Think of the music as a progression of the minimalist techno of the 2000s into more experimental territory evolving with each composition. Mr Knobs is an electro-acoustic trio that seems to produce a fusion of progressive pop, world music and New Age sensibilities.

Saturday | 04.27
What: Weep Wave, The Crooked Rugs, In Plain Air
When: 8
Where: Hi-Dive
Why: Seattle’s Weep Wave recently released its latest album Speck. The band’s music might be described as a complete synthesis of angular post-punk and psychedelic Krautrock style that fans of JOHN and Meatbodies will appreciate. Fort Collins psych band The Crooked Rugs opened for the latter recently and proved themselves prime purveyors of an arty, poetic and hypnotic atmospheric rock of its own.

Sunday | 04.28
What: Cindy Lee w/Freak Heat Waves and Pink Lady Monster
When: 7
Where: Hi-Dive
Why: Cindy Lee is the long-running project of Patrick Flegel, former singer and guitarist in cult experimental guitar band Women. Cindy Lee’s output has been decidedly more conceptual in approach to songwriting, sound palette and performance. Its latest album, the sprawling Diamond Jubilee, is purportedly the swan song for the band or at least this run of shows is billed as a farewell tour. The triple LP is a parallel universe psychedelic folk garage lo fi journey through life in the modern era and all its struggles, romance, idealism, disappointment, resilient dreaming and yearning for a fulfilling life not dominated by marketing to others and to ourselves as per the standard mode of existence under late capitalism. The album is available for download for free or for donation through a geocities link in the bio of the YouTube video for the entire album (see below). Freak Heat Waves is a band that has completely integrated post-punk melancholy and disregard for convention with downtempo techno for a sound that feels like pop music from a future that already arrived but we never got to experience except through art. Pink Lady Monster is Denver’s premiere No Wave jazz dream pop noise rock quintet.

Sunday | 04.28
What: A.M. Pleasure Assassins album release show w/Weep Wave
When: 7
Where: Surfside 7
Why: For over a decade A.M. Pleasure Assassins have helped keep Fort Collins weird with its ever evolving sound that has explored a variety of sounds and folded it into its eclectic aesthetic. Clearly the impact of 90s indie pop, lo-fi tape collage pop, post-punk, dub and psychedelia. For this show the group is releasing its latest offering, Cloudy, Black, Red and All Over which while offering a highly accessible sound still overflows with the group’s experimental sensibilities. And if you go and couldn’t make it to the Denver show to see Seattle psychedelic post-punk band Weep Wave, it’s on this bill as well.

Sunday | 04.28
What: The Pharcyde w/Souls of Mischief, Stay Tuned and Mike Wird
When: 7
Where: Cervantes’ Masterpiece Ballroom
Why: The Pharcyde were an acclaimed hip-hop crew throughout the 90s with an ear for the more left field sounds and jazz sensibilities in their beats and production. Their 1995 album Labcabincalifornia may not have been a hit with critics but the group’s main collaborator for the record was J Dilla so the album definitely had a feel, mood and texture that is unconventional and looking forward to more innovative hip-hop of later years and resonant with peers like A Tribe Called Quest and Digable Planets. The single “Runnin’” became an enduring hit for the band. Though The Pharcyde hasn’t released new music in some 20 years there has been a touch of newer material hinting at a new full length the latter has yet to be released though you may hear some of that at this show which includes another legendary act of underground hip-hop in Souls of Mischief as well as Denver luminaries Stay Tuned.

Monday | 04.29
What: The Electric Nature (Athens, GA) w/Nightshark and Debaser
When: 7
Where: Squirm Gallery
Why: The Electric Nature is an experimental improv band from Athens, Georgia whose soundscapes combine elements of psychedelic drone, industrial noise, power electronics, field recordings and dark ambient. So it’s only fitting that Denver’s Nightshark will bring its own progressive, improv No Wave jazz and noise wildness for the evening alongside one-man percussion, guitar and electronics free form performance project Debaser comprised of Josh Taylor who some may know for his stints in Friends Forever and Foot Village as well as being one of the main people behind legendary DIY space Monkey Mania and his tenure with Los Angeles DIY venue staple The Smell.