SubmitHub – Page 78 – Queen City Sounds and Art

Lennie Rayen’s Visually Stunning Video for “A Fruit” Pulls You in For the Song’s Poetic Exploration of the Nature of Perception

The fantastical music video for Lennie Rayen’s “A Fruit,” the first single from her upcoming EP, as filmed and edited by Dylan Locke, embodies the lyrics of the song in an manner immersively cinematic. The short song and its lush melodies and moodily ethereal vocals is about perception and how ours can be challenging to bridge our own worlds with each other in the specifics of our cognition and interpretation of not only sensory stimuli but of course of those more psychological/emotional. The song is one minute fifty-one seconds long but conveys much with its engaging and spare melody and the immediacy of Rayen’s voice. When paired with the dazzling colors and dreamlike imagery like an 80s fantasy anime come to life it pulls you in and invites revisiting to take in the rich details both musical and visual. Watch the video for “A Fruit” on YouTube and follow Lennie Rayen at the links provided.

Lennie Rayen on Instagram

Dream Of Industry Sketches a Vivid Span of Late Night Introspection of Energetically Brooding Post-Punk Single “The Start”

Dream Of Industry, photo courtesy the artists

Dream Of Industry really traces the mood ahead with the intro to “The Start” with a driving rhythm and guitar notes hitting various corners of a melody that develops across the rest of the song. Like a Chameleons song the song reveals itself in dashes of mood and sketches of tone with the musicians giving up pieces of the song, hints of a theme. A melodic bassline pushes the song as guitars layer over its foundation with the drums and vocals haunt the song like a person walking along dark alleys in search of meaning through introspective couplets and coming up with more questions at the song’s all too soon conclusion. The Denver-based band recently went on indefinite hiatus as its core membership moved to other parts of the country but its Candidates EP from which the song is drawn offers some of the more refreshingly tonally rich post-punk in an environment when there’s too much sonically thin guitar work and cookie cutter songwriting. Dream of Industry not only learned from forebears like the aforementioned Chameleons and The Cure and Clan of Xymox but especially live had established itself as a band of uncommon musical presence. Listen to “The Start” on Spotify and follow Dream Of Industry on Bandcamp.

Lily Taylor Excavates the Strands of Human Connections on the Ambient Pop Single “Kepler Wells”

Lily Taylor seems to be floating in a technicolor otherworldly dimension in the video for “Kepler Wells.” The vertical hold is glitching and stretching the image and iterations of that image echo and overlap. Like a transmission from another time that has degraded in a way that’s visually creative and eerie. The slow beat and background melodic drone interspersed with bell tones and a spare keyboard melody while the vocals tell a story seemingly out of a journal examining failures of communication and how relationships evolve in ways we’ve never planned or predicted only to realize that they have outpaced our understanding of them and their utility to us. But memories remain to anchor us to moments in our lives and the people prominent at that time. The song feels very introspective and intimate and has to come from a vulnerable and personal place. And yet there is an air of a time traveler to the story who is able to step back from the contexts described like the narrator of a truly unusual Ray Bradbury short story and the air of mystery and timelessness those stories often conveyed about the human condition without receding into an abstraction of experience. Watch the video for “Kepler Wells” on YouTube and follow Lily Taylor at the links below. The song is from the latest album from Taylor called Amphora which released on July 21, 2023 via digital, vinyl and cassette formats.

Lily Taylor on TikTok

Lily Taylor on Facebook

Lily Taylor on Twitter

Lily Taylor on Bandcamp

Lily Taylor on Instagram

lilytaylormusic.com

Sloome Combines the Heady With the Introspective on the Shoegaze/Indiepop Single “Wonderful Nice”

Sloome begins the title track to it’s latest EP Wonderful Nice with a sweeping drive and jangly guitar. But the song goes off this course in unexpected ways with a slowdown and wind back up to full flight. Like the song is breaking down periodically and losing momentum. But inside these cracks in conventional structure give the song some room to breathe and to shift tone from the urgent to the reflective and in the end reconciling these impulses as the guitar tones soar and shimmer, warping like a structure getting misshapen in the heat of the headlong passages. The relatively lo-fi production lends the song the feel of something recorded in another era weaving together the delicacy of a C86 dream pop band and a more modern shoegaze/art pop band like Wombo or Blushing. At least fans of those things will appreciate the way Sloome seems to effortlessly incorporate strands of influence and creative impulse on this song and the rest of the EP. Listen to “Wonderful Nice” on Spotify and follow Sloome from Modesto, California on Instagram.

Sonny & the Sunsets Yearn to Be Whisked Away by a UFO From This Terrible Moment in Human History on the Charming Indiepop Single “Waiting”

Sonny and the Sunsets, photo by Sarah Moore

Sonny & the Sunsets has certainly written one of the most charming and spare pop anthems of the current period of human society with “Waiting.” Few frills, just a repeated jangle guitar melody, some hovering, very basic, classic keyboard tone that one might associate with garage rock but more like something The Kinks might have done if they were a twee pop band recording demos and emerged in the early 90s. More like the 90s indiepop bands the Davies brothers and company influenced out of the Elephant 6 collective and associated scenes. Sonny Smith sings about waiting for someone to come and sewing an outfit while in bed for the inevitable trip away from all this paradoxical chaos, stasis and peril of the pandemic era. He sings of having an outer space radio and waiting upon “my UFO” to take him away after the manner of the Calgon commercials of the 70s and 80s minus the consumerist angle. The song isn’t complicated, intricate, it is all but unadorned and that’s what makes it so effective and why it stays with you. Listen to “Waiting” on YouTube and follow Sonny & the Sunsets at the links provided. Look for the new album Self Awareness Through Macrame due out August 25.

Sonny and the Sunsets on Facebook

Sonny and the Sunsets on Bandcamp

Sonny and the Sunsets on Instagram

FiRES WERE SHOT Channel the Ghosts of Urban Decay Past on Ambient Drone Composition “Sleeping Land”

FiRES WERE SHOT, photo courtesy the artists

“Sleeping Land” by FiRES WERE SHOT begins with the faint sounds of children at play like an enigmatic reel-to-reel recording found on a machine acquired at a thrift store. No date, no identifying information, simple the raw audio and the question mark hanging there as to why someone would make such a recording with limited fidelity. But then the song drifts into a flowing drone of bright sound sitting in a fog bank of white noise. A faint pulse of the remains of a melody looped like another fragment tape of a recording from the dregs of a public emergency broadcast signal. The effect as the title suggests are like the dreams of a neglected phase of human occupied territory over which our current environs were built and the song is something like urban exploration through the ambient spirits of that place not so long ago rendered irrelevant by a superficial sense of progress and an unrelenting need to redevelop and transform every bit of earth into something of use to the current economic mode of operation where something not turning out a profit is considered a waste. The rest of the Siberia EP, which FiRES WERE SHOT released on June 23, 2023, has a similar vibe but different specific flavors of real time, sonic, urban archaeology. Listen to “Sleeping Land” and follow FiRES WERE SHOT at the links below.

FiRES WERE SHOT on YouTube

K.ZIA Sagely Applies the Principles of the Japanese Art of “Golden Repair” to the Human Psychology on Alternative R&B Pop Song “Kintsugi Heart”

When K.ZIA looks over a photo booth strip at pictures of a better time in a certain relationship in the video for “Kintsugi Heart” one might expect that a story of agonized heartbreak is ahead in dramatic musical fashion. But instead there are delicate string melodies, soulful vocals treated to warp in moments to sound like a memory transforming and passing out of active, conscious memory and a beat that is like a heartbeat combined with the kinds of rhythms you keep with your hands and feet in their organic and informal way though seemingly programmed. The lyrics take on a much more original metaphor for mending a broken heart with the image of “kintsugi” or “golden repair,” the Japanese art of repairing broken pottery with lacquer dusted/mixed with powdered precious metals like gold, silver or platinum. It is a practice that embraces imperfection and flaws and finding value in the new form. K.ZIA takes this concept and humanizes it and in the video shows her own methods and practices for reassembling her own heart and psychology in a way that honors her experience and resilience as a person who learns from her experiences rather than brushes them aside like even an unpleasant experience never touched her, rather folding those changes into her life in a way that enriches the story of her life. It is a quietly thoughtful, elegant and thoroughly effective expression of a different way of thinking and dealing with grief, loss and heartache and one that is more creative cast as a pop song that itself expands what pop songcraft can be. Watch the video for “Kintsugi Heart” on YouTube and follow the Belgian songwriter now based on Berlin at the links below.

K.ZIA on Facebook

K.ZIA on Instagram

“天華 (Tenka)” by omocha privacy is a Strikingly Original, Genre Bending Fusion of Japanese Folk, Dream Pop and Electronic Dance Music

omocha privacy, photo courtesy the artists

“天華 (Tenka)” means “a beautiful flower that blooms in the heavenly realm” and it seems to fit the song of the same name by omocha privacy from Japan. The song is impossible to place into an existing and narrow genre as a point of reference because its sounds and style bring so many elements together. There are acoustical audio sounds like perhaps piano, strings, some guitar, percussion and of course vocals. But it is arranged as a flowing cluster of sounds that create a sense of otherworldly place with synth gleaming and running through its bright tonality. One imagines the members of the project dancing through a luminescent landscape with twinkling snow falling and resonating with the melodic tones of the song. As the song progresses one hears perhaps a touch of the influence of Japanese classical and folk music in the organic arrangements and vocal style giving the whole piece a feeling of introspection and emotional expansion. Listen to “Tenka” on Spotify and follow omocha privacy at the links provided.

omocha privacy on Instagram

omocha privacy LinkTree

Plastic Cactus Follows a Winding and Colorful Musical Path to Self-Discovery in “Year of the Rat”

Plastic Cactus, photo courtesy the artists

“Year of the Rat” is a single from the forthcoming debut full-length from Portland, Oregon’s Plastic Cactus. It’s sound is a mix of late summery surf rock and dream pop with choice distortion giving the psychedelic flourishes some grit. But it also has some refreshing twists and turns including an almost prog rock bit of ascending passages that give way to melodies in direct motion. It is partly whimsical and partly otherworldly like music for a semi-benevolent, haunted amusement park. Fans of La Luz, Dum Dum Girls and Best Coast will appreciate the fusion of retro pop aesthetics with the eclectic genre bending of a more modern band including a riff or two that recall something The Olivia Tremor Control might have done in its own trick of pop songcraft misdirection. And yet this song seems to ultimately be about braving the dark waters of your own psyche to encourage one’s authentic self to emerge in spite of the forces that have driven it into hiding. Listen to “Year of the Rat” on Spotify and follow Plastic Cactus at the links below.

Plastic Cactus on TikTok

Plastic Cactus on Facebook

Plastic Cactus on Bandcamp

Plastic Cactus on Instagram

Elliot James Mulhern and Bipolar Sunshine Send Up the Absurdity of Everyday Mundanity on “I Quite Like It (A Lot)”

Bipolar Sunshine and Elliot James Mulhern, photo courtesy the artists

Elliot James Mulhern and Bipolar Sunshine seem to be hanging out in alleys and near aging office buildings in London in the video for “I Quite Like It (A Lot).” They look disinterested or at least disengaged in contrast to the title of the song. And the song itself finds the two vocalists sounding anything but enthusiastic over a steady beat and minimal synth melody. Yet somehow it works. Like a minimal synth pop song with no small amount of cheek like a Sleaford Mods track but with even less aggression. It’s reminiscent of an old Aphex Twin video but with the colors washed out and the surreal factor comes from the sheer mundane aspect of two guys dressed too well for hanging out in a random location like they’re hitmen in a Guy Ritchie film. And that’s the vibe, the way the grind culture of modern life can leave you feeling a little dissociated in moments when a more engaged reaction is expected and you can even feel all but intellectually disconnected from your desires and motivations until the shock of that realization propels you back into your senses. Watch the video for “I Quite Like It (A Lot)” on YouTube and follow Mulhern at the links below. The new Elliot James Mulhern album Agony of the Never Ending Fantasy became available on vinyl, CD and digital on June 30, 2023.