SubmitHub – Page 65 – Queen City Sounds and Art

Galeet Dardashti Melds Traditional Persian-Jewish Music With Jazzy Post-punk on the Electrifying “Melekh”

Persian-Jewish singer, composer and anthropologist Galeet Dardashti collaborated with the voice of her late grandfather the late, Iranian singer Younes Dardashti on her latest album Monajat (released September 9, 2023). Sampling from an audio artifact that her grandfather recorded in Iran, Galeet artistically interpreted the Persian-Jewish Selihot ritual and crafted a call and response dynamic like time and space traveling on a set of music recorded and produced in a modern mode with the backing of Middle Eastern and jazz musicians in New York. The single “Melekh” puts the elder Dardashti’s vocals front and center in impassioned performance, the newer musical recordings setting a deep mood like a mix of alternative jazz lounge and Middle Eastern devotional music. The blend makes both somehow more accessible, the more traditional with a hip modern flavor like a new form of jazz rooted post-punk. Its a vibrant hybrid sound that both Dardashti’s sustain across all of Monajat. Listen to “Melekh” on Spotify where the rest of the album can be found as well for your listening pleasure.

Chris Ianuzzi’s Video for “Edge of the Earth” is a Visually and Sonically Mind-Bending Foray Into a Parallel Universe of Conscious Machines of the Future

Chris Ianuzzi, photo courtesy the artist

Chris Ianuzzi and his creative team of Serkan and ilke have crafted the perfect visualization for his song “Edge of the Earth.” Utilizing Stable Diffusion and Deforum AI SD Animation Pipeline, the music video looks like something Dash Shaw might use for his next animated film. After seeming to take a portal into the world inside the box of a set of synthesizer rigs, we see a group of people seemingly attending a deeply psychedelic live musical event with glowing mushroom trees and glowing sky objects with an ever shifting landscape with planets rising on the horizon and flowing architecture and coastline and colors and settings rapidly manifesting and evolving. The music itself sounds a little like a synth pop song as written by Coil working with Edward Ka-Spel. The combination is like multimedia uncanny valley and both menacing and entrancing. Unsettling and calming. In its endless use of patterns and color alongside sonics both textural and tonal, distorted and smoothly melodic the song and the video stimulate your brain in ways that a song and visuals crafted another way might not. And in the end we leave that universe through the aforementioned array of synthesizers into a tranquil exit. At a time when a a lot of psychedelic music feels pretty safe and rote this is the opposite of that. Watch the video for “Edge of the Earth” on YouTube and follow Chris Ianuzzi at the links below.

Chris Ianuzzi on Facebook

Chris Ianuzzi on Twitter

Chris Ianuzzi on Bandcamp

Chris Ianuzzi on Instagram

chrisianuzzi.com

Kylie Monologue’s Ambient Drone Piece “Terry And Keith” is the Soundtrack to a Haunted Universe

Kylie Monologue started making music in 2022 at age 52 and as a self-taught musician who cites early Human League and Autechre as among her influences it’s difficult to know what to expect. But her drone track “Terry And Keith” slow swims in ethereal winds and a sense of haunted desolation. If there’s ever a remake of the 1985 science fiction disaster film The Quiet Earth or someone soundtracks an as yet uncreated science fiction universe where the mysterious ruins of a fallen galactic empire is explored for the causes of its dissolution this is the sound of a scene spent in spooked wonder at the sight of hitherto unknown architectural styles and thoroughly alien artwork. Listen to “Terry And Keith” on Soundcloud and follow Kylie Monologue at the links below.

Kylie Monologue on Bandcamp

Great Northern’s Darkwave/Dream Pop Single “Bad Light” is a Song About Shedding Outmoded Habits and Stepping Into What Comes Next

Great Northern, photo courtesy the artists

In naming “Bad Light,” Great Northern says it refers to how “bad light” is when “the light is shown on something you don’t want to see. You’re exposed & there’s no going back. It’s all the ways we turn ourselves inside out to avoid change.” The song itself is a bit like a breakup song with our old selves and our old ways of being and a farewell to our habits that no longer serve our lives. The pulsing synths and soaring drones over the soulful yet introspective vocals sound like an easing of this journey. The progression from a more tranquil mood into one more impassioned as the song progresses is like the struggle with shaking off who we’ve been holding onto so much like it really is us and not a collection of behaviors we thought defined us. But in the end we hear a peaceful acceptance of the necessary change. Fans of Chromatics and Tamaryn will appreciate the emotional tenor and tonal inflections of this song and the new chapter of Great Northern who stepped away from the project in 2015 and returned with an even more creatively realized set of new material. Listen to “Bad Light” on YouTube and follow Great Northern at the links below.

Great Northern on Facebook

Great Northern on Bandcamp

Great Northern on Instagram

Joh Chase Shows Us How to Experience Joy in the Acceptance in the Impermanence of All Things and the Thrill of Genuine Connection on “Risking It With You”

Joh Chase poignantly expresses a deep appreciation for the impermanence of so many things in our lives in the spare composition of “Risking It With You.” In emotionally raw and vulnerable vocals and minimal, slightly distorted guitar we hear in Chase’s song the importance of being devoted to what makes our lives feel enriched by our connection with one another and the people we dare to love however long that bond lasts on either side of that connection. In the music video we see Chase looking into the camera with a variety of backgrounds seeming so serious until the end when they break into a smile as the song concludes. It is simply an arresting song about how we can’t control everything in our own lives much less that of other people and we have to be comfortable with this fact in order to live a rich existence that benefits from not being too attached to circumstances beyond our ability to predict or fully influence. But that’s one of the things that makes life feel so vital and there’s a freedom in not being too tied to what we think we need and who we think we are on our own or in partnership with anyone no matter how that partnership lasts. But the closing line of the choruses, “But something I know for sure: I’m devoted to risking it with you” honors those moments of romance and connection that you can share with someone for the duration and exult in that joy without a need for control. Watch the video for “Risking It With You” on YouTube and follow Joh Chase at the links below. Look for the new Joh Chase album in 2024 via Kill Rock Stars.

Joh Chase on Facebook

Joh Chase on Instagram

Old Man Canyon Ponders the Virtues of Being Taken Away by Aliens From a Dysfunctional World on Downtempo Dream Pop Single “What’s Even Real Anymore”

Old Man Canyon’s song “What’s Even Real Anymore” is a song about reality and what we assume to be reality and its music video inspired by a supposed UFO sighting is a perfect visual presentation of the song. It combines computer animation with footage of actual people and a natural landscape near Kamloops, BC in the desert hills of Cache Creek. In the beginning we see two people staring into the sky from a gas covered hill when one of them is abducted by an alien or is it? The next scene is of the band’s vocalist sitting in one of those claw machines where you can, if you’re skilled and fortunate enough, retrieve a tchotchke for paying some coin for the opportunity to guide that claw into a pit of of toys, trinkets or other items. The song itself is a lush, minimal downtempo dream pop sort of affair with a cascading keyboard arpeggio and low key bass line under introspective and hazy vocals. The images switch between real imagery and those clearly animated. Even without the benefit of the visuals of the video the song shifts between heartfelt emotion and dissociative thoughts that can descend into your brain when you’re feeling overwhelmed and recovering from overstimulation and burnout. And there’s something soothing about that dynamic that in the end when we see our protagonist being abducted it might even seem like a desirable possibility to escape from our current struggles even if that means being taken away by a mysterious civilization of which we have no knowledge or frame of references. But who that has lived in this era of late capitalism hasn’t felt this stirring in the imagination? Watch the video for “What’s Even Real Anymore” on YouTube and connect with Old Man Canyon at the links provided.

Old Man Canyon on Facebook

Old Man Canyon on Twitter

Old Man Canyon on Instagram

oldmancanyon.com

Fast Romantics Invoke a Sense of Lucid Dreaming and Parallel Existences on Exuberant Dream Pop Single “Smoke + Lightning”

Fast Romantics, photo courtesy the artist

Fast Romantics tap into the logic of dreams for its single “Smoke + Lightning.” Kirty’s ethereal vocals relay imagery and ideas that bring together words from something you might dream and half-remembered ideas upon waking but makes it work with the rush of bright melodies and the exuberant sounds of the song. It’s an entrancing reconciliation of experiences that seem impossible to know at once like mystical concepts placed in a pop song such as the transcendence of death and immortality, living parallel existences at once and the image of “dreaming in smoke + lightning.” The contrasts of conceptualization Fast Romantics make work in the context of a song that is uplifting and bright but about headier concepts that might seem dark and bizarre when presented another way. It lends the song an unexpected depth that invites multiple interpretations in the re-listening. Watch the video for “Smoke + Lightning” on YouTube and follow the Canadian band Fast Romantics at the links provided. Fast Romantics’ new album Happiness + Euphoria dropped September 29, 2023 via Postwar Records.

Fast Romantics on TikTok

Fast Romantics on Facebook

Fast Romantics on Instagram

“Hailey Moon” is moondaddy’s Lush and Vulnerable Dream Pop Song of Overcoming Personal Trauma

There’s something deeply mysterious about the way Cara Potiker arranges the layers of evocative atmospheres across her new album Poet Lies. Take for example the lead single “Hailey Moon.” Without overtly hazy elements the synths flow effortlessly together to enshroud her sultry vocals in a dreamlike resonance. Slowly rising and falling drones and sparkling synth blossoming and fading over a steady beat that never seems to direct the pace but marks the time. All while Potiker seems to sing about tentatively opening up to someone in spite of one’s own flaws and weaknesses that one has had to harbor from other people for an extended period of time and how even exposing these things to anyone outside of your own head can be perilous because many if not most people lack the sensitivity and grace to respect vulnerability and trauma in a productive manner. But in this song Potiker appears to acknowledge that those “scars” and fears that one might think one has hidden from other people can be challenging or impossible to completely conceal and that maybe it might be better to operate knowing that to be the case and accept the possibility and perhaps inevitability of being hurt and even to be understood but that taking that risk might be the first step in getting to a place of greater personal strength. The gorgeous and cool luminosity of the composition of this song places it in the realm of shoegaze and dream pop but also emotionally in those psychic spaces that Julee Cruise expressed so well in her own dark pop confections of regret, resignation, despair and hope. Listen to “Hailey Moon” on YouTube and follow moondaddy at the links below. Poet Lies released via Volar Records on August 18, 2023.

moondaddy on Instagram

Precocious Neophyte Take You on a Journey to the Lights of Nighttime Chicago on the Soaringly Psychedelic Shoegaze Single “My Electronic Idol”

Precocious Neophyte, photo courtesy the artists

Graveface Records remastered Precocious Neophyte’s 2022 album Home in the Desert for a vinyl release and the first single from that reissue is “My Electronic Idol.” The new music video is like a layers of hazy and washed out and then enhanced colors with cityscapes over the band performing in what looks like an abandoned office. Musically its swirling guitar and wailing melodies flowing around ethereal yet intimate vocals are simultaneously soothing and exuberant. Like the songs had a root in being written for a more quiet musical style but translated into complementary soaring passages of sound that get into your head and transport your brain to a better place. Though the recording has the virtue of having a sound like a bedroom production but one imagines this music live having a colossal flood of mind-bending frequencies that don’t sound blunted on the recording so much as cast in a way that a home listening environment can handle. Watch the video for “My Electronic Idol” on YouTube and follow the Chicago-based Precocious Neophyte at the links below.

Precocious Neophyte on Bandcamp

Precocious Neophyte on Instagram

Joseph Shabason Pairs His Cosmic IDM Jazz With Elegant and Graceful Skating Footage on the Video For “Jamie Thomas”

Joseph Shabason, photo courtesy the artist

Joseph Shabason’s new album Welcome to Hell (released on October 20 via Western Vinyl/Telephone Explosion Records) is a tribute to and reinterpretation of the 1996 skate video from Toy Machine that propelled skaterboarders Mike Maldonado, Elissa Steamer, Brian Anderson and others including Jamie Thomas. In the video for the song named after Thomas we hear the intricate rhythms and dusky atmospheric melodies, wordless voices and lush vibraphone setting a mood like a cosmic after hours jazz session in an IDM mode. It has a cool elegance that pairs well with Thomas’ own series of navigating stair rails, streets and other environs by day and night seemingly able to make those landings with relative ease but not without the element of danger inherent to the sport and the wide variety of landscapes we see Thomas make look like no big deal, no sweat. Many people got introduced to great, cutting edge music through skating culture and skating videos from the 1970s onward and this is an example of that tradition but with not the traditional forms of music often associated with the culture. Watch the video for “Jamie Thomas” on YouTube and follow Joseph Shabason at the links below.