Evo Auxilium’s Techno-Industrial Post-Punk Single “chop it up!” is a Song About the Comforts of Friendship With One’s Creative Peers

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Evo Auxilium builds the electronic bass driven “chop it up!” on a foundation of rich low end. The percussive synth tones and the songwriter’s attention to the textural qualities of all the sounds in the track is impressive and easy to get lost within as melodic spirals pulse outward and dissolve in your mind. Stylistically it fuses post-punk moodiness with the techno impulses of Clark and the latter’s use of percussive melodies. It’s a song about reconnecting with a friend one doesn’t get to see often that lives out of town but when you’re together you can fall into welcome familiar patterns of hanging out and talking about the usual concerns perchance work on some creative work time permitting. It’s a nice mix of playfulness and sonic intensity reminiscent of Sextile’s most recent album Crash but in this case the techno mixes with perfectly with industrial sensibilities rather than those more shoegaze adjacent. Listen to “chop it up!” on Spotify and follow the Minneapolis, Minnesota-based artist Evo Auxilium via LinkTree.

Haotian’s Ambient Pop Single “Karst Caves” Blends a Sense of Geologic Time With a Personal Emotional Journey

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Haotian brings to “Karst Caves” a sense of a jazz spawned from an underground world where new age ambient soundscapes fused with the quasi mystical art pop of the band Japan. Synths flow in background harmonics as the songwriter’s vocals paints a scene that tells the tale of the formation of the kinds of geographical landscapes and its manifestations throughout the world. It’s a fine chapter of Haotian’s latest album Story of Leaves (released December 6, 2024) that offers a loose story arc beginning with “Day” and ending with “Night” and vignettes of a journey of wonder and discovery in in the seven songs between cast as mellow pop songs imbued with a spirit of introspective poetics. Listen to “Karst Caves” on Spotify and follow Haotian at the links below.

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Bad Flamingo’s Dark Americana Pop Single “Frying Pan” is a Cinematic Ballad of Doomed Romance on the Edge

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Bad Flamingo switches up its song structure style a lot more on the single “Frying Pan” leaving ample open space into which the vocals cast a character study worthy of the duo’s previous material. It’s a tale of impending peril, doomed romance, a life lived on the edge but done so without regret. The banjo and slide guitar this time also providing some of the percussion as well as the textured tones that grounds this noir pop song with a tactile immediacy, which the band always seems to accomplish in various ways. The lyrics employ inventive thematic couplets that pair ideas that express similar ideas in divergent applications such as “I don’t feel safe, I don’t feel sound” and “I lose my shit, I lose myself, and I don’t like to lose.” Those couplets also include contrasting thoughts like a more creative way of conveying conflicting feelings the narrator has reconciled. Is this a country song? No, but the outlaw country sensibility is there. It’s like a dark Americana but of Bad Flamingo’s signature style of smoldering, moody, dreamlike pop with enough grit to keep it from ever sounding safe. Listen to “Frying Pan” on Spotify and follow Bad Flamingo at the links provided.

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ASA 808’s Ambient Pop Single “Let ur heart breathe” Sounds Like the Real Time Feeling of that Expansion of One’s Capacity For Sensitivity and Empathy

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The title track to ASA 808’s EP Let ur heart breathe (released December 13, 2024) has a dreamlike warmth and playful energy in equal measure. It is somehow both introspective and expansive with layers of rhythm and melody that intermingle and intertwine with an airy tonality in a minimalist yet detailed ambient soundscape that resonates like the title suggests and the heart having that freedom grows stronger and more confident and more capable of feeling more freely and with an augmented sensitivity. Rather than this opening of the self to hurt it is a refreshing growth into capacities long forgotten, neglected and or until now unexercised but which now feels good and comfortable and even comforting like getting to where you should always have been. Listen to “Let ur heart breathe” on Spotify and follow ASA 808 on Instagram.

Fotosputnik’s Post-Rock Single “Pictured in Wenceslas Square” is a Colorfully Maximalist Piece of Post-Rock Prog Psychedelia

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Fotosputnik meticulously crafted its latest album Incantations for a Tenrec (released December 6, 2024) across more than four years through the depths of the pandemic in studios in rural Illinois and Chicago, in remote collaboration and in person. In that way the double LP is like a cinematic work that requires efforts in a variety of contexts across time in the principal filming, editing, sound design etc.. The single “Pictured in Wenceslas Square” has layers of dynamics that are anchored by a strong, melodic bass line that drives the song with a simplicity and finely articulated accents. Around it guitars resound in screams, whooshes, glittery flourishes, string-like quavers, soaring harmonics, horn-esque blasts and other contributions to a rich tapestry of sound that is allowed to float freely within intertwining dynamics all while metronomic drum work locks down the rhythm further so that all the disparate elements can shine in seeming chaos that somehow gels into a piece of music that feels like a complete experience and a journey through a stimulating landscape with plenty for the mind to sink into and thusly the song can be listened to repeatedly with your ear catching different combinations within the song. Listen to “Pictured in Wenceslas Square” on Spotify and follow Fotosputnik at the links below.

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The Video For raudiver’s “Mary Tombs” is a Technicolor Supernatural Giallo Short Fitting Its Themes of the Perils of a Toxic Relationship

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George Tripsas’ visual treatment of the music video for raudiver’s single “Mary Tombs” is part Dario Argento circa Profondo Rosso and a Jane Schoenbrun film. Which suits the music that pairs beautiful Omnichord drones with Lauren Eddy’s soulful vocals. Chilling synths twinkle in the backdrop of the song adding accents to the shifting drone and minimal electronic drums count the hypnotic rhythm but with nuance of pacing and composition so that it isn’t just one drum pattern or sound and programmed so that there is some subtle but well executed diversity in how the song is accented. Fans of Madeline Goldstein will appreciate the single as well as the band’s latest album Leave Before Dark which released September 11, 2024 on streaming, digital download, CD and LP. Watch the video for “Mary Tombs” on YouTube and follow Houston’s raudiver at the links provided.

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Ocoeur’s Ambient Soundscape “Second Chance” is the Sound of a World Disconnected From the Rapacious Demands of Economic Thinking

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The harmonic slow swell that subtly ushers in Ocoeur’s “Second Chance” is like the beginning of the day in its progression—a background shift in energy and emotional resonance that evolves seemingly suddenly into a sunlit sky. It’s a sustained harmonic layering that works together as tones make themselves known with an impressionistic coalescence of elements with single notes signing out and echoing with sonic trails like a fading afterimage. Musically it also has a feeling like being able to walk or drive through the streets in the days leading up to Christmas in the USA when people, businesses and the city leave their lighting decorations on throughout the night. There is bright tranquility to that feeling that even if the world is in peril at all times you can take in a moment or a dozen to take in something quaint and beautiful and simple that doesn’t have an immediate commercial utility. It’s in that moment that maybe you can entertain the idea that our conflicted species might have another chance if we can not obey our role in a global system of commodifying capitalism baked into every interaction, increasingly demanding our time and our energy in lives in which any idle moment is treated as theft from the economy. This song sounds like that mindset is irrelevant in the grand scheme of actually living. Listen to “Second Chance” on Spotify and follow Ocoeur at the links below.

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The Video For Yemen Blues’ “Miss Ballad” is a Mysterious and Sinister Manifestation of the Song’s Subversive Genre Bending

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When you enter the world of Yemen Blues’ song “Miss Ballad,” at least as manifested in its music video, be prepared for layered cultural expressions and references that mutually enrich a unique musical and visual experience. The song itself seems to represent the name of the band because it has a distorted guitar riff in a blues rock mode but the rhythm is more textured and outside conventional Western time signatures. We see figures in Noh theater style masks but with social roles subverted in a surreal fashion the way Devo would do in its own music videos paired well with the message of the lyrics. But here the lyrics are in Arabic yet the meaning if the video is an apt analog is clear regarding social norms and the breaking of social contracts as the story of the video drifts into decidedly sinister territory like an unusual, Japanese horror film. Musically its like if a Krautrock band indulged a moment of more conventional musical style only to bake into it something more subversive. Watch the video for “Miss Ballad” on YouTube and follow Yemen Blues at the links below. The group’s latest album Only Love Remains dropped August 28, 2024.

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Anastasia Nikoulina’s Debut Song “In coherence” is an Orchestral, Experimental Pop Analog of the Human Struggle to Create Meaning in the Chaos of Existence

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Anastasia Nikoulina’s debut “In coherence” has a quiet sense of foreboding generated by string drones and meditative yet menacing and urgent piano work. Her vocals contrast that energy with an introspective, smoky quality that reflects her words asking questions about the workings of the human mind and the way the mind struggles to comprehend a world of constant stimulation that we sort through in every waking moment and casting much of that aside in pursuit of significant perceptions from the external world and the content of what’s going on inside our own minds and how that balance can be relatively easily disrupted. The orchestrated tonal and rhythmic emphases and changing dynamics parallels this process and so the song feels like something we’ve experienced directly without it having to work hard to reach natural comprehension. Even the percussion has a cadence like a heartbeat and so the whole piece is like hearing the equivalent of the experience of daily human life. Listen to “In coherence” on Spotify.

Gabe Lopez’s Vibrantly Melancholic “Long Road” is a Love Song Full of Yearning and a Spirit of Romantic Commitment

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Gabe Lopez might be more well known for his co-writing and production for projects and artists like Belinda Carlisle, New Kids on the Block, The Go-Go’s, RuPaul’s Drag Race and James Brown but his own pop songcraft is what got him there. His latest song “Long Road” showcases his soulful vocals and gift for creating melodies of melancholic beauty. The song seems to be about feeling a connection with someone and yearning for more than sharing some moments of laughter and meaningful conversation. The title is a metaphor for being willing to make a commitment to someone but the song itself has the sound of the kind of song for night driving perhaps conceived while taking a contemplative drive and taking in other such songs that make a journey both psychologically resonant and emotionally satisfying in the way night drive can, the way a trip in real time can set the mind in motion toward achieving short term goals with the long term in mind. The elegant piano melodies and minimal guitar figures are stirring and build toward the kind of songwriting denouement reminiscent of the best end of Coldplay’s expansive and uplifting atmospheres and the more pop side of The Verve. Listen to “Long Road” on Spotify and follow Gabe Lopez at the links provided.

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