SubmitHub – Page 19 – Queen City Sounds and Art

Joseph Salazar Builds a Cosmic Sense of Wonder on Hazy Ambient Synth Track “Everything Is Information”

Joseph Salazar, photo by Ishmael Quintanilla

The title of Joseph Salazar’s song “Everything Is Information” is simple enough and a bare statement of fact like Boards of Canada’s “Music is Math.” It can deconstruct some of the magic of the effect of the music as well as make it attainable for anyone willing to put in the time to connect with it. Salazar’s ambient sprawl starts out quiet and builds in almost pointillist fashion an evolving and growing soundscape of evocative drones, spare melodies and hazy flares of tone reminiscent of the cosmic, late night sounds and excursions of 1980s Steve Roach. But Salazar’s song also sounds like something that should be in a modern science fiction film that goes beyond mere adventure fantasy and action into something more struck by a sense of wonder as Salazar elicits in the listening to this song. The rich tones build and converge and wash away in the flow of gentle white noise in the end as it fades into silence. Listen to “Everything Is Information” on YouTube and follow Joseph Salazar at the links provided.

josephsalazar.com

Joseph Salazar on Twitter

Joseph Salazar on Facebook

Joseph Salazar on Instagram

Joseph Salazar on Bandcamp

Lucille Two’s Richly Melodic Synth Pop Single “Seasons” is a Soothing Song About the Art of Letting Go

Lucille Two’s vivid tones enhance the emotional complexity of the synth pop single “Seasons.” The sequenced melodies and guitar accents provide a sort of gently uplifting context for Trudy Bennett’s introspective vocals as she sings about a situation in which she’s let go of a relationship in which she now sees is long in the rearview and the processing the potential painful memories involved required a touch of disassociation to have the proper perspective. To embrace not knowing fully how you feel about the other person or about why it all eventually went sideways or dissolved. But knowing that you don’t want to go back and that any appeal that was once there is gone and you’re better in your head and in life because of it. The orchestration of melody and rhythm is reminiscent of a certain era of chillwave and how that music was the perfect vehicle for nuanced emotional expression but Lucille Two here doesn’t tap into feelings of nostalgia so much as a sense of moving forward out of the temptation of fond memories that can get us to gloss over when things weren’t so glowing. Listen to “Seasons” on Spotify and follow Lucille Two at the links below.

lucilletwo.com

Lucille Two on Facebook

Lucille Two on Instagram

Lucille Two on YouTube

Brunch Deconstructs the Dark End of Modern Science on Noisy Post-Punk Single “Dr. Benway”

Brunch’s song “Dr. Benway” is about the character of the same name from William S. Burroughs’ influential 1959 novel The Naked Lunch and within the lyrics it’s a critique of the way modern science, and the not so modern version, has been used in warped and twisted ways with consequences perhaps unintended but conducted in such a way that such consequences aren’t considered as much for the sake of discovery in the positive sense as well as that more disruptive. Think Jeff Goldblum’s character Ian Malcolm in Jurassic Park and his commentary on unearned knowledge and not taking the responsibility for the blowback. The song’s rambunctious rhythms and the vocals that are initially more clear and then borderline unhinged reminiscent of Frank Black is a perfect parallel to the themes of the song. The charade of rationality cloaking the rationalization of the use of scientific methods to create quickly monetizable products or technologies for war or to exploit one’s fellow humans. Brunch just infuse that content with a danceable rhythm paired with wonderfully fractured melodies and a spirited delivery. Listen to “Dr. Benway” recorded live at Robot Dog Studio in Burlington, Vermont on Spotify and follow the band at the links provided.

Brunch on Bandcamp

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Araz Salek’s “Âshenâ” is Orchestral Yet Intimate Evocation of Melancholic Yet Passionate Yearning

“Âshenâ” is the second single from Araz Salek’s new album Peripheries of Nahavand (out April 11, 2025 on Worlds Within Worlds). The song and the rest of the album represents modal music influenced by the musician’s background in Turkish and Arabic makam music as well as the Iranian dastgāh tradition.The song whose title in Farsi has multiple resonances and meanings depending on the context from acquaintance, close friend, lover. The rich interplay of instrumentation including Salek’s own masterfully expressive performance on the tar interweave evocatively with Asare Shekarchi’s vocals in Farsi to convey a sense of melancholic yearning. The multiple rhythms and textures in which the tones manifest are both orchestral and intimate with the sound production rendering the whole piece vivid and instantly entrancing. Something about Salek’s arrangements lend the song a familiarity even to someone that hasn’t spent much time listening to music coming from similar roots. The energy and emotional power of the piece is undeniable in its cross-cultural appeal. Listen to “Âshenâ” on Spotify.

BB Sabina Pushes Back Against Restrictive Notions of Identity on the Gorgeously Expansive Downtempo Post-Punk Single “Multitude”

“Multitude” unfolds and evolves with iterative, pulsing, percussive synth tones, steady yet subtly shifting bass lines and vocals that intone in warm focus and trailing off in short echoes. It’s a song about refusing to be defined, penned in, forced into strict shapes and identities as an assertion of the essential changing nature of a living being going through life, to be, as singer Bethany Uhe put on the Bandcamp page for the song, “in a constant state of flux.” The recognition of which is to acknowledge reality. The song too defies easy genre categorization yet its aesthetic is coherent and strong. Think downtempo post-punk or shoegaze darkwave that fans of Jenny Hval and Broadcast may fully appreciate in all its gorgeous and moving sonic dimensions. Listen to “Multitude” on Spotify and follow Australian band BB Sabina at the links blow.

BB Sabina on Facebook

BB Sabina on Instagram

BB Sabina on Bandcamp

Isaiah Stone’s Psychedelic Rock and Soul Single “Leavin!” is an Exuberant Anthem of Self-Liberation

Isaiah Stone’s commanding vocals and command of a guitar riff hook you instantly on “Leavin!” It’s a song about not just being frustrated with circumstances where you are geographically, socially, culturally, in your place in life and in your mind and doing just like the title suggests. The song starts and stops on a dime throughout to give the sentiments time to echo and turn in various directions as the song progresses. It’s a hard rocking psychedelic rock song in the tradition of Hendrix and Prince and Stone clearly embraces his other roots in R&B in his vocals just as did the aforementioned. The song feels like being infused with excitement for new horizons and finding a space of one’s own in which to develop into the person you were always meant to be. Listen to “Leavin!” on Spotify and follow Isaiah Stone on Instagram.

Sweets Reflects on Life’s Deep Memories and Personal Transformation on Post-Punk Hip-Hop Single “HOCKEY PUCK”

“HOCKEY PUCK” by Manchester-based artist Sweets has a sonic forcefulness and urgency out of the gates that sounds like a thrilling amalgamation of the industrial end of JPEGMAFIA and moody post-punk. There is a scrappy quality to the vocals mixed with a reflective melancholia channeled into catharsis. Sweets looks back on memories that have stayed with him of peak moments and resonant details from his life that have made helped shape who he is. Yet later in the song he considers how memories of your past can trap you into a way of being and thinking that he wants to break out of the song’s sheer momentum sounds like the amplified will to burst out of limits and modes of thinking and being that one has outgrown. The song takes some moments in dreamlike spaciousness before getting back into the direct drive of the song to its conclusion. The song is a hybrid of styles that feels like something new that fans of the aforementioned and the attitude and sonic adventurousness of Sleaford Mods will appreciate. Listen to “HOCKEY PUCK” on Spotify and follow Sweets at the links below.

Sweets on Apple Music

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Sweets on Instagram

Tess Perry’s Vibrant Synth Pop Single “Anemoia” is a Song About Connecting With the Romance of a Time Before Technofeudalism

Tess Perry’s choice for the title of her deeply melancholic song “Anemoia” is well chosen. It means “nostalgia for a time you’ve never known.” Meaning either having cultural artifacts of a time that appeals to your psychology and being able to mediate on what it must have been like, what of that time resonates most with you and given the appropriate period of human history or decade this could include cinematic depictions and a rich body of cultural artifacts like literature, music and art and even being able to meet the people who made it or at least have access to their own words about their time and their work. It can make you feel like you missed out on something special or a time that had a different set of challenges and limitations that for whatever reason feels right to your own sensibilities. Perry’s song is brimming with lush synths and sequenced, melodic rhythms and steady electronic drum beats. Her own vocals match the bright elevated tone of the song entirely with a saturated production reminiscent of Them Are Us Too. The line that hints that maybe the nostalgia is misplaced comes to us around the middle of the song with “The only thing we have left to do/Is clean up messes made by you.” Like a prior generation used up everything good and seemingly did everything worth doing before you got a chance. It’s a relatable feeling in particular if someone from another generation impresses that notion into you and don’t we hear a bunch of older people talk about how the younger generation is going to save us from all the terrible stuff from their own generation that they didn’t or couldn’t address. Perry seems to mourn that fact a little too in the song but it’s not a song that feels depression so much as yearning for something satisfies your curiosity in seeking meaning outside of your own mind and to find inspiration and vitality in a world that doesn’t often present itself as used up and leeched of psychological resonance. One hopes in creating a song about this subject that Perry is showing others that it’s entirely possible to create something that can serve oneself and others the same way the object of one’s anemoia does but in the present tense. Listen to “Anemoia” on Spotify and follow Tess Perry on Instagram.

TR!CKS’ Noise Punk Single “Place 2 Hide” is Humorously Surreal and Sinister

With lilting yet scrappy vocals and start and stop dynamics, TR!CKS might be excused for sounding like some kind of post-Riot Grrrl punk band. At least on “Place 2 Hide.” But the song’s surreal quality and sustained vocal warble in the last half of the song and the distorted guitar psychedelia that flares out at the end of the song enhances the air of something sinister in the lyrics. Do we hear the lines about “Place 2 Hide” end in the words “your body”? Either way it strikes a humorous and tone and the song reminiscent of a wonderful hybrid of Low On High, early Sleater-Kinney and Babes in Toyland’s more fanciful moments seems to embody the title of the band’s album Nightmares available now on cassette through Freeloader Records. Listen to “Place 2 Hide” on YouTube and follow TR!CKS on Spotify.

a.MIDI’s 16-bit Ambient Composition “nighttime on earth” is Like a Journey To a Hopeful Future

The use of a placid, pastoral yet futuristic imagery in seeming 16-bit graphics, a.MIDI’s visualizer pairs well with the saturated synth melodies and cascading twinkles of tone and sweeps of harmonic lines of the song “nighttime on earth.” We see a figure in what looks to be a space faring suit looking into the galactic core spread across the night sky. The melody lilts into ascending figures and seems to trace both the breezes we see moving the grass in the foreground as well as the grand mystery of deep space before us. Mixing the natural landscape with that more otherworldly the visualizer matches the song in its fantasy story resonance of New Age ambient uplift and the sense of wonder of the more benevolently Utopian science fiction of new worlds to meet and explore free of the dystopia of the world we seem to be living in every day. The electronic music and its detailed composition is a bit like the best video game music like that for Metroid or Final Fantasy but crafted for a refreshing repose. Watch the visualizer for “nighttime on earth” on YouTube and follow a.MIDI at the links below. The new a.MIDI album an interplanetary adventure released on March 14, 2025.