SubmitHub – Page 178 – Queen City Sounds and Art

Jenny Kern’s Expansive and Vulnerable “Satellite” is a Lush Catharsis of Hope in a Time of Acute Self-Awareness

JennyKern1_crop_Jan29_2020 — Jenny Kern, photo courtesy the artist

From the beginning of “Satellite,” Jenny Kern’s vocals immediately strike you as being different, uniquely expressive. Is it because her voice is huskier or deeper? Perhaps but her cadence and delivery goes in directions that seem to be almost the opposite of the predictable instincts of many singers. As she sketches for us the emotional setting for us and her uncommonly deep self-examination exposing her awareness of her own failings and yet knowing she is capable of better backed by a desire to be better than she had previously thought she could be before becoming intimately familiar with her shortcomings and the consequences for others. The song doesn’t strike a defensive tone, it is not maudlin, instead it reaches out with a spirit of vulnerability and honesty. Kern’s voice sits like a constant presence in an evolving soundscape of lush sounds that swell and change pace with the way she lays out the strains of her aching heart at how she doesn’t want to mess things up this time around as she has in the past. Kern gets you to identify with such feelings in yourself and with her struggle and hope for a better future. Listen to “Satellite” on Spotify and follow Kern at the links below.

jennykernmusic.com
soundcloud.com/jennykernmusic
twitter.com/jennykernmusic
facebook.com/jennykernmusic
instagram.com/jennykernmusic

The Gritty and Fiery “Manic Mood” Finds Easy Jane Exemplifying the Bombastic and Lurid End of Darkwave

EasyJane_ManicMood_cover_sm — Easy Jane “Manic Mood” cover (cropped)

The guitar on Easy Jane’s “Manic Mood” doesn’t carry a melody so much as provide textures and emotional atmospheres the way Daniel Ash has done with various projects. On this song it sears through the track while the bass and drums keep the song moving forward. The sense of menace and and disorientation is only enhanced by the two vocalists whose singing goes from fairly dry to slightly echoing and swirly. Where many other bands in the vein of post-punk and darkwave eschew technical prowess in their instruments, Easy Jane embraces the bombastic, searing guitar solo and song breakdown here as “Manic Mood” goes to outro in a manner reflecting the title of the song. Though the tone is lurid and the singers sound like they’re coming to us from some kind of afterlife, there is nothing tentative to the pacing lending even the most melancholic moments some grit and intensity. Listen to “Manic Mood” on Spotify.

“Let Em Down” by Hunnid is Like a Focusing Mantra in Times of Great Adversity and Struggle

Hunnid_LetEmDown2_sm — Hunnid, photo courtesy the artist

Hunnid spits the lyrics of “Let Em Down” like he’s been running for miles but finding not his second but his third and even fifth wind because he can’t let himself falter out of concern for those for whom he feels the weight of great responsibility. So he repeats the refrain “Ain’t no way that Imma let ’em down, see my family dependent on me, ain’t no way that Imma let ’em down” like a focusing mantra to stay motivated even as life throws challenges and stumbling blocks his way. There is no bravado in these proclamations because it doesn’t feel like Hunnid is talking tough, he is talking himself up as a reminder that if he doesn’t make the effort no one else really will. Ignoring his discomfort and the effort and time it takes he needs to tell himself what needs to be done and his own motivation for persevering. Along with the vocals is a beat with kinetic percussion and a simple yet dynamic synth arpeggio and piano line that traces the outer edges of the mood. It is almost a counterpoint to the momentum of the vocal line but also the element of the song that can go outside the tight focus of the narrators vision and it is in the beat that the song can take a breath making the sense of mission running through the song possible. Listen to “Let Em Down” on Soundcloud and follow Hunnid at the links provided.

keepit1oo.com/home
soundcloud.com/hunnid-2
twitter.com/Hunnid_CCG
facebook.com/HunnidCCG
instagram.com/hunnid_ccg

Moontwin’s Single “Reach Through” is a Densely Dynamic Anthem to Yearning and Triumph Over Adversity

Moontwin1_sm — Moontwin, photo courtesy the artists

Moontwin’s “Reach Through” has the kind of momentum and urgency one doesn’t hear often enough in an era of too much dispassionate music that also seems to lack for conviction. It’s tempting to compare it to 90s bands that fused industrial music with post-punk like Curve but the production on the track doesn’t sound or feel throwback. More comparable to something like Big Black Delta or TR/ST where the low end, rhythm and melody compliment each other in a mutually fortifying way. The distorted bass line starts the song off in a headlong drive that pushes and carries the song in its wake. Maple Bee’s vocals are part commentary part subject in the way Dale Bozzio’s were in Missing Persons. Zac Kuzmanov lost the use of his hands a few years ago due to a degenerative muscular disorder (the crowdfunding campaign to aid his disability can be found here https://zhouse.xraydio.net/?fbclid=IwAR0_Tc2SJDKwxmSfUhuo2X6wb8qzraezU9jkIwVhchAjGlm6JvC0pntu7k8 ) but it clearly didn’t put a damper on his powers of imaginative production and songwriting. Listen to “Reach Through” on Bandcamp where you can also sample the rest of the album Moon TV (available digitally but also as a limited edition cassette) and follow Moontwin at the links below.

soundcloud.com/user-977876126
twitter.com/moontwinmusic
facebook.com/moontwinmusic
instagram.com/moontwinmusic
youtube.com/channel/UCmzWUfHkhyJS7cFtvzv2ehQ
open.spotify.com/artist/44NqCpdthTpVVnN8149SuA?si=Pf2-TLtjSAycbvIZjwRkYA

Domus and Guest Singer Ljung Evoke the Sense of Mystery and Imagination of Nature on the Edge of Civilization on “Canada”

DomusXLJung2_Canada1 — Domus, photo courtesy the artists

The video for “Canada” by Domus, directed by Marcus Malmström, gives us the hazy, enigmatic night time imagery of traveling on lonely rural highways and wandering in mysterious spaces, and a wolf whose image phases as though traversing multiple dimensions at the same time. All while guest singer Ljung’s vocals drift in to add to the impressionistic composition with ethereal couplets that weave together perfectly with the languorous pace as synths swirl out in slow, hypnotic rosettes of tone accented by a melodic, distinct bass line. The song is based on impressions one of the songwriters had of his visit to Canada so he must have been through in spring or fall with the murky weather and lightning without the snow, when the world is not yet woken up from winter or preparing for the long slumber thereof. It speaks to the allure of a world where nature and urban living are so close together and making for a culture that isn’t so disconnected from the spiritual aspect of the uniqueness of the environment. The song itself though dusky and meditative provokes a spirit of exploration and reflection. Watch the video on YouTube and follow Domus at the links provided.

soundcloud.com/domusband
facebook.com/domussthlm
instagram.com/domusband

Robin Anderson Sings of Wrapping Up Pleasant Memories For a Future When You’ll Most Need Them on “Solstice”

RobinAnderson_Solstice_cover_crop — Robin Anderson “Solstice” cover (cropped)

Robin Anderson’s spare arrangement on “Solstice” is centered on the dulcet tones of her vocals and and piano melody. In the background a subtle synth drone, strings and bells accenting the lyrics. In the song Anderson sings about wrapping up the years and experiences for a later date knowing she’ll miss the cherished times because there have been rougher times and will be again when being able to unwrap those memories in your mind can be a welcome reminder that life isn’t always the hardship and struggle even when it can seem like it for longer stretches of time than you think you can endure. That sentiment elevates the song from perhaps mere holiday music written for and even during a sentimental season to a statement on making memories to have something positive to hold on to when you need it most. Listen to “Solstice” on Spotify and follow Anderson at the links provided.

robineanderson.bandcamp.com
facebook.com/robineanderson
instagram.com/robin.e.anderson

“Surfacing” by SCERE is the Sound of Swimming Your Way Through Life’s Murk to Better Places in the Psyche

Scere_Self-Titled_crop — SCERE self-titled EP cover (cropped)

SCERE’s debut, self-titled EP is reminiscent of 90s downtempo with a more industrial approach to the beatmaking. This is exemplified no better than on the single “Surfacing,” on which the serpentine structure of the rhythm gives one the impression of singer Coral wandering in a dimly lit room (as evidenced by the music video) unwinding and unpacking her struggles to herself and yearning for someone, maybe herself, to take her home whether literally or a place where she can feel grounded again and gain the strength to emerge from a kind of stasis or psychic funk. The streaming, hazy melodies and the layered beats accenting the emotional colorings of the vocals have a similarly sensual quality heard in “#1 Crush” by Garbage. The dynamic range of dense atmospheres and spacious, melancholic tonal spaces is wide but subtle making it a compelling journey of a song and EP overall. Producer Ged Denton is also a member of Der Prosecutor and C-TEC (which includes members of Front 242, Cubanate and Nitzer Ebb) and brings some of that expertise to this project in method but creating a decidedly different sound. Watch the video for “Surfacing” on YouTube and follow SCERE at the links below.

scere.com
soundcloud.com/scere

Calcou’s Tranquility Inducing “Tongue-Tied” is the Sound of Peaceful Denouement Before Life’s Next Big Adventure Begins

Calcou1_2019_TongueTied1 — Calcou, photo courtesy the artist

Calcou sure picked a nice palette of sounds to convey the sense of conclusion of a chapter in life and pondering about the future and new adventures on “Tongue-Tied.” A simple melodic drone, the sounds of gentle rain, warm Rhodes piano and GRIP TIGHT’s luminous vocals lend this final track from Calcou’s aptly titled EP The Prologue an almost spiritual calm and restfulness, a mood of being refreshed from a long period of struggle and labor for something more fortifying and inspiring ahead and being able to wonder what that might be but not being driven to action before one is ready to take on life’s challenges once again and having the freedom and space to take time out to rest and come into the proper frame of mind to tackle whatever may come your way with integrity. Listen to “Tongue-Tied (feat. GRIP TIGHT)” on Soundcloud and follow Calcou at the links provided.

soundcloud.com/calcou
facebook.com/calcou.music
instagram.com/calcou.music

“Lost like Teardrops in Rain” is Like Jack Cleary’s Homage to Vangelis and the Inspiration of Works of Deep Creative Imagination

JackCleary1_sm — Jack Cleary, photo courtesy the artist

Giving the song the title “Lost like Teardrops in Rain,” Jack Cleary is more than hinting at part of the inspiration for the composition. The streaming synth suggests enigmatically alluring vistas after the fashion of Vangelis’ score for Blade Runner. But in its gently roiling dynamic one hears the sound of a warm summer night by the ocean with moonlight on the water, its reflection interrupted with the ripples of raindrops stirring in your own mind a contemplation of your own place in the world and in your own life. In the context of the album Gemini, which Cleary released on November 21, 2019, it is a vivid passage of reverie, an homage even to treasured memories of immersion in works of deep creative imagination, on a sonic journey of exploration that takes you through dark and foggy places before emerging into a musical and emotional place of clarity. Listen to “Lost like Teardrops in Rain” on Bandcamp (where you can also listen to, perchance purchase, Gemini in its entirety) and follow Cleary at the links below.

jackclearymusic.com
jackcleary.bandcamp.com
facebook.com/JackClearyMusic
instagram.com/jackclearymusic

Nicole Theo’s “Would You Save Me” Aches With the Yearning For an Unrequited Love

nicole-sunset-cover_crop — Nicole Theo, photo courtesy the artist

Nicole Theo’s voice on “Would You Save Me” seems to come from a distance and through the filter of a fog enshrouded room within which you can make out shapes illuminated by fingers of light from a mysterious source, a breeze dopplering her voice, pitching it as a kind of somehow naturally occurring autotune effect. The latter alters Theo’s voice expertly as an enhancement of the sound rather than the trendy affectation you hear in entirely too many pop and trap songs. Sax and strings come into the song to give this song that aches with the yearning of an unrequited love a grounding and resolution that suggests soon emerging into action rather than wrapping oneself up continuously in unfulfilled fantasy. Listen to “Would You Save Me” on Spotify, watch the music video for the song on YouTube and follow Theo at the links provided. Look for Theo’s debut EP due out in 2020.

facebook.com/Nicole-Theo-102884934422714
Twitter: @theo_nike
nicoletheo.com
instagram.com/nicoletheomusic
Spotify: https://open.spotify.com/album/3Fh1HqVLkcgY2HJjJ8NGMi