Tag: Simon Scott

Letting Up Despite Great Faults Leans Into Fulfillment Over Comfort on Indiepop Shoegaze Single “Powder”

Letting Up Despite Great Faults, photo courtesy the artists

Letting Up Despite Great Faults delivers its follow up to 2022’s entrancing album IV with Reveries with mixing by Melina Duterte (Jay Som) and mastering by Simon Scott (Slowdive). Lead single “Powder” dips a little into the band’s early days with some playful synth sounds like something one might more hear coming from a reprogrammed Famicom and fans of the long defunct The Depreciation Guild will appreciate the vulnerable sounds and delicacy of orchestration in the song’s melodies and rhythms. Guitar notes linger, electronic motes hit with a percussive quality over the rush of spare percussion. The vocals intone like fragments from a diary placed expertly together to comment on the unease of being in a liminal space in one’s life where you think about how people tell you to give up on anything fun and creative in order to “grow up.” But what about what’s in your heart to do and who would want you to give up what brings more than a fleeting shred of joy into your life? The line “You only love the things pinned to the ground” perfectly expresses how some people relate to those they would aim and profess to love—by controlling them and make them into a static entity. A museum piece of life. The song is about resisting that but also the hint of thinking of succumbing to that spirit diminishing but comfortable status yet in the end leaning heavily toward uncertainty in some areas of life over giving it all up for someone that doesn’t truly value your deep happiness. It’s a lot to pack into two minutes twenty seconds with a rare level of emotional and psychological nuance but Mike Lee and the band have a knack for saying meaningful things with great economy in songs that have great forward and outward momentum. Listen to “Powder” Spotify and follow Austin, TX-based Letting Up Despite Great Faults at the links below. Reveries will become available for streaming, download and on vinyl October 11, 2024.

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body / negative’s “persimmon” is a Melodious Tapestry of Transcendent and Deeply Soothing Tones

body / negative, photo by Audrey Kemp

Mastered by Slowdive’s Simon Scott, body / negative’s forthcoming album Everett (Track Number Records on December 8, 2023) includes contributions from Madeline Johnston aka Midwife and Randall Taylor aka Amulets. The album’s sixth track “persimmon” features Justin Maranga of Dune Altar Records and Lionel Williams (Vinyl Williams). The song begins with echoing, ethereal tones in the middle distance and the sound of a voice like all of it is coming to you from deep inside a cave or from across a canyon where the acoustics are just right enough to carry sound from a distance so that it’s discernible if not explicitly identifiable. The effect is like that feeling of half-remembering a dream on waking up and wanting to get back to it. In this case a more solid bit of percussion comes into the foreground surrounded by melodious, abstract voices and a floating echoing set of tones. One stream of sound seems to be going one direction and the other in the opposite but all circling and interweaving into a tapestry of textures and soothing music into which the anxious wrinkles in your psyche can unravel. It is a music that invites you to take it on on its own terms without needing to impose a genre as a tool of comprehension as in that mix are elements of ambient, slowcore, shoegaze, musique concrète and post-rock but combining to create something uniquely entrancing. Listen to “persimmon” on Spotify and follow Los Angeles-based artist body / negative at the links below.

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