Best Shows in Denver and Beyond June 2024

Miki Berenyi Trio perform at The Bluebird Theater on June 6, 2024, photo by V. Arbelet
The Damned in 2018, photo by Steve Gullick

Tuesday | 06.04
What: The Damned with The Mañanas
When: 7
Where: Gothic Theatre
Why: The Damned were one of the foundational UK punk bands in the mid-1970s releasing that scene’s earliest single with the iconic “New Rose.” In subsequent decades the group managed to evolve and still remain a powerful and entertaining live band with a sense of theater. Though part of the first wave of punk The Damned’s raucous live show proved an enduring influence on hardcore. After numerous lineup changes the current band includes founding members Dave Vanian and Rat Scabies and Captain Sensible.

Wand, photo by Asal Shahindoust

Wednesday | 06.05
What: Wand w/Supreme Joy
When: 7 PM
Where: The Marquis Theater
Why: Wand guitarist Cory Hanson is widely considered one of the great talents of 2010’s psychedelic rock whose solo recordings are as fascinating as anything he’s done in anyone else’s band (Ty Segall, Mikal Cronin, Meatbodies etc). But Wand is the musical vehicle that has perhaps rightfully garnered Hanson and his bandmates much deserved attention for actually making modern psychedelic rock that is more than simply adding trippy sounds and pedals to fairly standard indie rock songwriting. Its forthcoming record Vertigo (due out July 26, 2024 via Drag City) and its lead single “Smile” has all the gorgeously warm melodies and winding momentum you’d expect from Wand as well as the mind-warping soundscapes but its music video is a surreal journey from intense highs to transcendent tranquility akin to the best of Flaming Lips tracks. Though the record doesn’t come out for over a month this show will surely feature plenty of that new material as well as mind-melting classics on Wand records past. Opening the show is psychedelic post-punk Denver band Supreme Joy who opened for Cory Hanson’s solo trek through Colorado this past year.

Dylan Owen, photo courtesy the artist

Wednesday | 06.05
What: Abstract & Dylan Owen w/Jake Luke, FLWRS and Merch
When: 7
Where: Lost Lake
Why: Rappers Abstract (Nashville) and Dylan Owens (New York) bring their tour to Lost Lake. Both artists deal in heartfelt, confessional lyrics seemingly inspired in part by 2000s alternative rap but with more modern production style. Owens’ lyrics in particular seem clearly informed by a deep exploration of music and ideas beyond what one might expect. In his song “LA FREESTYLE” he references Philip Glass and that doesn’t happen much in hip-hop.

Miki Berenyi Trio, photo courtesy V. Arbelet

Thursday | 06.06
What: Miki Berenyi Trio w/Lol Tolhurst X Budgie
When: 7
Where: The Bluebird Theater
Why: Miki Berenyi is one of the founding members of influential early shoegaze band Lush. Her unique and melodious vocals and unorthodox guitar style helped to shape the sound of the genre. With this current band Berenyi tapped an old comrade in guitarist Kevin McKillop formerly of shoegaze legends Moose to be in the lineup as well as Oliver Cherer (Gilroy Mere, Aircooled). Its early recorded music and live performances promise plenty of immersive soundscapes and otherworldly melodies. Opening the show are Lol Tolhurst who, you know, was in The Cure for years as a drummer/synth player during that band’s key years of development and Budgie, the drummer of Siouxsie & the Banshees and The Creatures and the duo has been collaborating with various musicians on a string of singles and performances so who can say what to expect this night.

Meet the Giant, photo by Tom Murphy

Friday | 06/07
What: Takipnik, Meet the Giant, Falcon Haptics and Saint Somebody
When: 7:30
Where: The Skylark Lounge
Why: Takipnik is a synthrock band that sounds like it draws a bit of influence from modern prog/art rock bands like Tool. Falcon Haptics are a black metal band from Fort Collins with some stoner rock leanings. Saint Somebody is an Americana band from Denver with some chamber pop flavor. Meet the Giant is a trio that completely blurs the line between downtempo, shoegaze and fiery alternative rock with imaginative soundscapes and top shelf electronic production fully integrated into its live sound.

Ghostly Kisses, photo by Fred Gervais

Friday | 06/07
What: Ghostly Kisses w/Kroy and Mon Cher
When: 7
Where: Globe Hall
Why: Margaux Sauvé is a singer-songwriter from Québec, Canada who releases music and performs under the moniker Ghostly Kisses. Her songs combine a sublime synthpop sound and orchestral indie rock. Her newly released full-length Darkroom (May 17, 2024 via Akira Records) features her beautifully breathy vocals and ethereal yet warmly executed soundscapes tied together with techno production-rooted beats and an almost classical music sensibility that at times waxes into similar realms of organic-electronic pop populated in the 90s by the likes of Everything But the Girl and other luminaries of sophistipop. Also on hand for this tour is Montreal-based, experimental pop/downtempo artist KROY and Denver’s Mon Cher which is the synth-driven musical project of producer and multi-instrumentalist Meghan Holton.

Cris Jacobs, photo by Joshua Black Wilkins

Friday and Saturday | 06.07 and 06.08
What: The Bluegrass Generals featuring Chris Pandolfi & Andy Hall, Jarrod Walker, Cris Jacobs, Emma Rose w/Twisted Pine
When: 7 both nights
Where: Cervantes’ Mastrerpiece Ballroom
Why: The Bluegrass Generals aka Chris Pandolfii & Andy Hall are putting on this even of some of the more gifted practitioners of the modern version of that style of music suggested by their shared moniker. For this edition of the event Baltimore-based roots rocker Cris Jacobs who is touring in support of his new album One Of These Days (Soundly Music). The songwriter’s expressive vocals and vivid storytelling and gift for expanding upon his stylistic foundations with imaginative arrangements has made him a favorite in his hometown and well beyond as evidenced by the invite to be part of this event with some of his more talented peers.

Quits, photo by Tom Murphy

Saturday | 06.08
What: Dry Wedding,. Snakes, Quits and Moon Pussy
When: 8
Where: Hi-Dive
Why: Dry Wedding is a dark, Americana flavored post-punk band from Portland, Oregon. Its gloomy and brooding moods are shot through with bursts of nervy energy like purgings of anxiety and desperation. Ready comparisons to The Birthday Party and other Nick Cave projects are valid because it has a touch of that surreal, dark and harrowing carnival murder punk vibe. But fans of Love Life and Bambara will appreciate the band too. Snakes is a band whose music is Americana adjacent but its sound is almost as much spooky surf garage with expansive energy. Quits’ portraits of a conflicted and desperation-wracked American life are as inherently Americana as anything dubbed so even if its distorted, discordant sonic gyrations and burns are noise rock gold. Moon Pussy should be mandatory listening for anyone wanting a quick and thrilling escape from Mile High City Yuppie Normie bullshit.

American Culture in 2018, photo by Tom Murphy

Saturday | 06.08
What: American Culture album release w/Wave Decay, Cherry Spit, Dirt Filled and Flaming Tongues Above
When: 7
Where: D3 Arts
Why: American Culture’s latest, and greatest, album Hey Brother, It’s Been Awhile is a self-redemption arc fable not just on a personal level but for a society that has lost its way more than most individuals ever will. The music is a step away from the inspired and earnest indiepop of some of the group’s earlier efforts and has all the hallmarks of 90s Britpop, modern dream-pop-adjacent shoegaze and production driven dub. It’s a unique record in a time of many imitators and vibe hoppers. Wave Decay is a shoegaze act with foundations in krautrock and noise rock. Cherry Spit splits the difference between post-hardcore, noise rock and aggressive shoegaze and shapes it into electrifying live performances. Flaming Tongues Above is the solo, singer-songwriter project of former American Culture and current Destiny Bond guitarist Amos Helvey.

Death to All, photo courtesy the artists

Saturday | 06.08
What: Death to All (Scream Bloody Gore in its entirety) w/Cryptopsy
When: 7
Where: The Oriental Theater
Why: Death is one of the most influential bands in all of heavy metal and one of the earliest death metal bands. The group split for the final time in 2001 with the untimely passing of guitar wizard and frontman Chuck Schuldiner. Death to All is a tribute to the legacy of the group and includes former members of the like drummer Gene Hoglan (who has been one of the most important musicians in modern metal), bassist Steve DiGiorgio and guitarist Bobby Koelble joined by Max Phelps who some may know from his time in Obscura and Cynic. So the line-up is solid and filled with gifted musicians in the artform. For this tour the group will perform two nights. This first night it will play the entire 1987 debut album Scream Bloody Gore with some choice classics from Leprosy and Spiritual Healing.

Pale Waves, photo by Pip

Saturday | 06.08
What: PVRIS w/Pale Waves and Sizzy Rocket
When: 6
Where: Summit Music Hall
Why: PVRIS is the electro-pop band from Lowell, Massachusetts that has come a long way since its early metalcore days as Operation Guillotine. And for the better. Its uplifting and triumphant songs about life and love delivered with no small degree of emotionally charged vocals and ethereal melodies has struck an enduring chord with fans. Sizzy Rocket seems to produce pop songs with undeniable hooks but about being very accepting of what other people might perceive as your flaws especially if you’re really just not a polite society conformist. Pale Waves is a pop rock band from Manchester, UK that’s a little challenging to pin down to some simple subgenre. Its bright melodies and rich arrangements somehow tie in a bit of post-punk grit and style with modern indie pop. Its visual presence and attitude bears all the marks of a darkwave band but one that isn’t ashamed of embracing a love for mainstream pop without giving up lyrics that aim for emotional authenticity.

Death to All, photo courtesy the artists

Sunday | 06.09
What: Death to All (The Sound of Perseverance in its entirety) w/Cryptopsy
When: 6
Where: The Oriental Theater
Why: This second night of Death to All will be a performance of the final Death album 1998’s progressive death metal masterpiece The Sound of Perseverance along with favorites from Human, Individual Thought Patterns and Symbolic.

Quintron and Miss Pussycat in 2015, photo by Tom Murphy

Tuesday | 06/11
What: Quintron & Miss Pussycat w/Mr. Pacman
When: 7
Where: Hi-Dive
Why: Going to a Quintron and Miss Pussycat show is a bit like going to an adult version of a weekday kids’ show with the surreal sounds and imagery and often an elaborate live puppet show as part of the act. The music bridges the gap of psychedelic garage rock and the avant-garde/noise. Mr. Pacman similarly preserves a mystique of the weird with its members in costume like a band from a long lost video game show of the 90s but with music that is synth punk with actual edge and intensity.

The Chameleons, photo by Mick Peek

Wednesday | 06.12
What: The Chameleons perform Strange Times w/Missing and FashionNation DJ Eli
When: 7
Where: The Oriental Theater
Why: The legendary, Manchester post-punk band The Chameleons will perform its 1986 classic Strange Times in its entirety. The band’s perfect fusion of electronic and rock aesthetics with emotionally charged and existential lyrics as well as its masterful guitar work anticipating the sound of shoegaze in the 90s has proven influential across decades and this incarnation of the band includes original singer Mark Burgess and guitarist Reg Smithies so expect more than a little of the magic of the group’s classic material.

LABRYS, photo from Bandcamp

Friday | 06.14
What: LABRYS w/Tiny Tomboy and Isadora Eden
When: 8
Where: The Skylark Lounge
Why: LABRYS is the songwriting vehicle for Oklahoma City-based Penny Pitchlynn and the sounds heard on the project’s 2024 album 10:10 has a brooding grit like PJ Harvey gone psychedelic blues garage. Tiny Tomboy is a Denver based indie band whose delicate songwriting is reminiscent of Soccer Mommy’s brash vulnerability and ear for finely sculpted guitar melodies. Isadora Eden’s introspective and soulful dream pop has a gentle feel even as the lyrics often give voice to intrusive thoughts and dark musings captured in imaginative songwriting.

bellhoss, photo taken at JCPenney

Saturday | 06.15
What: SarahFest
When: 5 doors, 6 show
Where: The Mercury Cafe
Why: This inaugural edition of SarahFest showcases some of the most noteworthy female or female fronted acts from Colorado’s Front Range including bellhoss, The Milk Blossoms, Luna Nuñez, Dream of Time, Gartener, Nina de Freitas, Summer Bedhead, Tammy Shine and DJ Demigod (Demi Harvey). Listen to our interview with organizer Becky Otárola of bellhoss here.

Morgan Garrett, photo from Bandcamp

Saturday | 06.15
What: Morgan Garrett, Purity LP tour w/Many Blessings, Fossil Fuel and Head Slug
When: 8
Where: Glob
Why: Morgan Garrett recently released the new album Purity through Orange Milk Records and further cemented the artist’s reputation for genre bursting weirdness that happen to form into coherent songs with a unique and haunting emotional resonance whether it’s the abstract industrial noise metal or organically flowing anti-folk acoustic ambient. Also on hand are Denver noiseniks including Many Blessings, the harsh noise side project of Ethan McCarthy who many may know from his being in legendary doom death grind trio Primitive Man.

DIIV, photo by Louie Kovatch

Sunday | 06.16
What: DIIV w/Sasami and Glixen
When: 7
Where: The Ogden Theatre
Why: DIIV is the New York City band that helped to re-popularize shoegaze in the early 2010s with the release of its 2012 album Oshin. It wasn’t merely imitative but its own take and sound in an established genre which is something not nearly enough bands accomplish. And so DIIV has never seemed simply derivative. Its new album Frog In Boiling Water is a deep commentary on what if feels like to live in the end stages of capitalism and how sometimes the despair at what we could have done as a civilization but seem to continue to fail to do to alleviate the inevitable destruction and suffering ahead of us in terms of the environment, economic collapse and political collapse can be deeply dispiriting. But the gentle energy of the record and its richly atmospheric songwriting makes the album a standout from the group and something to witness live. Also on the bill is Sasami whose inspired genre bending songwriting has manifested as garage-y dreampop and alternative metal.

Shwarma, photo from Bandcamp

Friday | 06.21
What: Shwarma w/Cloud Catcher and Kaepora
When: 7
Where: Cervantes’ Other Side
Why: Denver’s Shwarma might be best described as a psychedelic space rock band whose players all got into Frank Zappa and Melvins along the way as well as perhaps Hawkwind. The group is celebrating the release of its new album Best Cerv’d Shwarm with this show and sharing the stage with doom metal group Cloud Catcher and prog jazz fusion bluegrass band Kaepora.

d4vd, photo by Nick Walker

Friday | 06.21
What: d4vd – My House is Not a Home Tour w/Scott James
When: 6
Where: Ogden Theatre
Why: David Anthony Burke aka d4vd has been building an audience since his earliest singles came out when he was a mere 16 years of age. But from early on the singer-songwriter’s songs demonstrated an ear for soulful melodies and freely associating a wide array of influences, not all musical, into sonically rich songs that don’t fit neatly into even broad categories of R&B, hip-hop, pop and rock. 2022’s “Romantic Homicide” and its J-horror-themed music video was a beautifully haunting song about heartbreak. His live shows proved the artist had real command of the stage and audience interaction. 2024 saw d4vd release his the single “Feel It” as part of the soundtrack season two of the animated adaptation of Robert Kirkman’s (Walking Dead), dystopian super hero comic series Invincible.

Fainting Dreams, photo from Bandcamp

Friday | 06.21
What: Nighdrator w/Evan Kallas, Water on the Thirsty Ground, RMO and Fainting Dreams
When: 7
Where: Squirm Gallery
Why: Nighdrator is a psychedelic shoegaze doom band from Hattiesburg, Mississippi that shares membership with the great post-punk band MSPAINT. Its epic and nuanced soundscapes are cinematic in scope yet intimate in its expressions of personal challenges. Fans of SubRosa and the more shoegazey of Chelsea Wolfe’s songwriting will find much to like in Nighdrator’s arresting compositions. And so it’s only fitting that doomy shoegaze post-dream pop band Fainting Dreams is also on the bill with its thrillingly gritty soundscapes and raw catharsis.

Friday | 06.21
What: Colorado Goth Fest Pre-Party
When: 9pm-2am
Where: 715 Club
Why: This event inaugurates Colorado Goth Fest with some of the DJs who have been very much part of the local Goth scene in Denver in its more post-punk, death rock and darkwave manifestations with Precious Blood, Lord Charon, DJ BatBoy and DJ Mal Toxisk.

Plague Garden, photo courtesy the artists

Saturday | 06.22
What: Colorado Goth Fest Featuring Calabrese and Scary Black w/WitchHands, Plague Garden, Opaque Shades, Funeral Process, Thee Coroners, Redwing Blackbird and Devoratus
When: 3 doors, 4 show
Where: HQ
Why: Colorado Goth Fest returns after a long hiatus but finally in Denver. This edition puts the focus on post-punk, death rock and horror punk. The out of town headliners include Arizona-based horror punk act Calabrese and Louisville, Kentucky’s Scary Black, a one man Goth rock act like a post-punk Alabama 3. And the local line-up includes notable veterans of local darkwave and post-punk like WitchHands, Plague Garden and Redwing Blackbird and newer acts like Devoratus and its Spanish-language darkwave pop.

Ex Lover, photo from Bandcamp

Saturday | 06.22
What: Ex Lover w/Twin Ion Engine, Pill Joy, Sell Farm and Kill You Club DJs
When: 8
Where: Hi-Dive
Why: Omaha-based Ex Lover stops in Denver for a night for a performance of her hyperpop infused darkwave dance songs. Her 2023 album Devotion mixes English and Spanish lyrics but all threaded through with soaring guitar melody and upbeat vocals. Fans of Nuovo Testamento should check out Ex Lover.

Hawthorne Heights, photo by Courtney Kiara

Monday| 06.24
What: 20 Years of Tears: Hawthorne Heights, I See Stars, Anberlin, Armor for Sleep, Emery, This Wild Life
When: 5
Where: Ogden Theatre
Why: This package tour features some of the stars of 2000s and 2010s post-hardcore and emo. The latter is a genre that earned plenty of ridicule with the scene kids and their signature style of dress and hair cuts nevermind the controversies with various bands in later years. Hawthorne Heights took on that moniker in 2004 before which it operated as A Day in the Life. Even if you weren’t into emo at least Hawthorne Heights had interesting guitar work, expressive vocals (and not mostly shouting and easily parodied screaming) and a dramatic flair in its arrangements. Is it easy to trace the band’s influences? Certainly. But its music has aged better than that of many of its peers.

The Alarm, photo by Andy Labrow

Tuesday | 06.25
What: The Alarm w/Jay Aston’s Gene Loves Jezebel and Belouis Some
When: 6
Where: The Oriental Theater
Why: The Alarm is a post-punk/New Wave band from Wales lead since its formation by Mike Peters. The group’s lyrics and musical style bore the influence of Welsh literature and cultural tradition that it translated into songs that caught on with a much wider public than simple local cult band status. Early on the group played shows with The Fall and U2 going on to support the latter for its US War Tour in 1983. The Alarm became popular on college radio throughout the 80s while also enjoying a degree of commercial popularity as well that landed them a support slot with Bob Dylan by the end of the decade. The band’s buoyant melodies and poetic lyrics sustained a following while it was broken up between 1991 and 1999 and since the group has reconvened it has been more prolific than its first chapter in existence. Also on this bill other than Jay Aston’s Gene Loves Jezebel and its own blend of psychedelia and post-punk is New Wave artist Belouis Some aka Neville Keighley. The latter garnered some popularity for hits “Some People,” “Imagination” and cinematic fame with “Round, Round” featured on the soundtrack to the 1986 John Hughes film Pretty in Pink. Though mostly known for his 80s heyday Keighley has remained active in music on and off since that time and this is a rare chance to see him live in Denver.

Adrianne Lenker, photo by Germaine Dunes

Wednesday | 06.26
What: Adrianne Lenker w/Twain
When: 6
Where: Mission Ballroom
Why: Adrianne Lenker has firmly established herself as both a member of one of the more acclaimed bands of recent years and as an equally respected solo artist. Lenker had already garnered critical accolades before Big Thief got going in 2015. Her second album Hours Were the Birds was released on Saddle Creek in 2014 already revealing Lenker’s gift for articulating personal insight with spareness of composition and vulnerable minimalism. A decade later Lenker offers her latest record Bright Future which while offering more orchestral arrangements still comes across as Lenker finding the poetic essence of solitary revelations that flash into your mind fully formed. The cover art to the record give you a clue into the vibe a bit of late evening drives on the road with enough time to sort out the important thoughts from the distractions. Lenker’s voice intoning with a tender slight warble like the songs were worked out around a campfire with friends.

French Cassettes, photo by Marisa Bazan

Wednesday | 06.26
What: French Cassettes w/Body and Barbara
When: 8
Where: The Skylark Lounge
Why: French Cassettes is touring in support of its latest album Benzene. The latter is frontman Lorenzo Scott Herta’s family nickname given without the usual connotations. It’s a gentle set of songs with rich melodies like an indie rock psychedelic band with an ear for lushly orchestral arrangements reminiscent of art pop bands like The Magnetic Fields and Belle & Sebastian. It’s a record about miscommunication and reconnecting on a better basis while owning up to shortcomings and coming together to sort out the barriers to mutual comprehension and coming to terms with how we’ve been, how we are and how we will be.

Yellow Card, photo by Acacia Evans

Wednesday | 06.26
What: Third Eye Blind w/Yellowcard and Arizona
When: 5
Where: Red Rocks
Why: Third Eye Blind wrote one of the iconic songs of late 90s, late alternative rock with “Semi-Charmed Life.” The band’s upbeat music and wry humor has since garnered a cult following enough to be able to headline Red Rocks Yellowcard might have been forgotten as yet another pop punk band at a time when the world seemed awash in multiple generic versions of that sound. But its fourth album, 2003’s Ocean Avenue, somehow fused sunny pop punk with lyrics about struggling with what you want to do with your life, complicated relationships with the people in your life and the nature of relationships beyond those teen and high school romances that are the subject matter of a lot of rock, pop and certainly pop punk and emo. And hey Sean Mackin, the only original member left in the band, doesn’t just do lead vocals he plays violin and it actually adds an atmospheric element that doesn’t just sound like a gimmick in a punk band.

Steven Lee Lawson, photo courtesy the artist

Thursday | 06.27
What: Steven Lee Lawson + The Archers EP release w/Blacktop Musical
When: 7
Where: Roxy on Broadway in the Speakeasy Downstairs
Why: Steven Lee Lawson is a singer-songwriter from Denver whose musical exploits date back to the late 90s and early 2000s when as a fledgling musician he was involved in a variety of styles of music including the experimental/krautrock of Zubabi before finding his lane at the edges of Denver’s indie rock scene in the mid-2000s with the more classic pop and Americana-inflected projects like Oblio Duo and its multiple incarnations with then songwriting partner Will Duncan (now of Pleasure Prince). Lawson’s poetic lyrics shed a light on his attempts to come to terms with life challenges and struggles with a society and culture seemingly stuck on boosting dull and crass commercialism and anti-human systems of politics and economy. Lawson also spent some time as a sideman in bands like Ross Etherton and the Chariots of Judah before dropping out of actively being involved in music for a handful of years and then getting back into the joy of creating music again in recent years. Obvious touchstones like Harry Nilsson, Townes Van Zandt, Sparklehorse and Neil Young can be heard in Lawson’s musical DNA but his songs have always seemed deeply personal and idiosyncratic including his new EP Help Is On the Way due out June 27, 2024. Listen to our interview with Lawson here.

Fake Fruit, photo by Daniel Topete

Saturday | 06.29
What: Omni w/Fake Fruit and Tender Object
When: 8
Where: Hi-Dive
Why: Atlanta’s Omni has been one of the more interesting post-punk bands out of the past decade and more with intricate and angular rhythms and structures like a missing link between jangly college rock sounds and Wire’s art punk minimalism and ferocity. Its latest record Souvenir was borne out of creating during a time of immense change in the world during the course of the 2020 pandemic and how that has played out and necessitated some reflection and reassessment of one’s life and priorities but this time Omni does so with no small amount of wry humor and and vulnerability. Oakland’s Fake Fruit seems to share some similar musical DNA but with more jagged edges and noisy outbursts that bear the potential influence of arty guitar bands like Women and Lithics. With its forthcoming album Mucho Mistrust Fake Fruit has a wonderfully discordant fervor like The Pretenders gone unhinged and with the cathartic vitriol aimed at the anxieties of living under late capitalism and its trickle down inhumanity and has and continues to warp hearts and minds.

Quits, photo by Tom Murphy

Saturday | 06.29
What: Red Fang w/Spoon Benders and Quits
When: 8
Where: The Bluebird Theater
Why: Portland-based sludge rock band Red Fang makes a stop in Denver on its current tour. Frontman and bassist Aaron Beam grew up in Fort Collins and still has family in the Mile High City so it’s sort of a hometown show for the musician. Also on the tour is psychedelic doom prog band Spoon Benders and opening is one of Denver’s greatest noise rock bands Quits and its own mind-altering sonic assault and emotionally harrowing lyrics.

To Be Continued…

Best Shows in Denver 9/20/18 – 9/26/18

FRIGS_-Chelsee_Ivan
Frigs perform 9/25/18 with Natural Violence, American Culture and Law of the Night at Hi-Dive

Thursday | September 20, 2018

VOIDZ_photoCourtesy_TheVoidz
The Voidz, photo courtesy the artist

Who: Propagandhi w/Iron Chic and Cheap Perfume
When: Thursday, 09.20, 7 p.m.
Where: The Oriental Theater
Why: Propagandhi made leftist politics and veganism into some great pop punk songs even as its sound evolved in heavier directions later in its career. From 1993’s humorous yet pointedly political How To Clean Everything to 2001’s opus of politically pointed yet irreverent and fun Today’s Empires, Tomorrow’s Ashes, Propagandhi were one of the few relatively high profile modern punk bands that didn’t get stuck in pure entertainment and only songs about heartache and everyday life mode. Thankfully the band still hasn’t cynically cashed in with essentially content-free records. Long Island’s Iron Chic seems cut from a similar cloth writing genuinely clever songs pairing meaningful and insightful lyrics with infectiously catchy melodic punk. Colorado Springs’ own Cheap Perfume opens the show with plenty of searing social commentary for an entire evening of music packed into its set.

Who: The Voidz w/Promiseland and The Velveteers
When: Thursday, 09.20, 7 p.m.
Where: The Gothic Theatre
Why: The Voidz released its sophomore record Virtue in March and for those uninitiated its video for “QYURRYUS” suggested some sort of futuristic weirdo psychedelic band but one that took older trash technology and made something new and interesting with it. That Strokes frontman Julian Casablancas was involved in that song and video, a seeming mutant send-up of 80s VHS mashup and modern post-punk and trap, shouldn’t have come as a surprise and yet it did. The rest of the album isn’t all quite as engagingly strange but nevertheless a sprawl of concentrated musical imagination, welcome in a time when such things aren’t in as abundant as one would hope. The previous album, 2014’s Tyranny, had some promising moments but Virtue is where Casablancas and company really want to be in creating music not just a departure from other projects but in making something that is of the moment even when it mines the past for compositional elements recontextualized.

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Murder By Death, photo by Tall James Photography

Who: Murder By Death and William Elliott Whitmore
When: Thursday, 09.20, 7 p.m.
Where: The Ogden Theatre
Why: Murder By Death’s latest album The Other Shore sounds like a band that has taken a decisive step to musically reinventing itself while preserving the core of what has made it one of the most interesting bands of the past two decades. Before chamber pop and indie Americana was really much of a thing, Murder By Death had been making that music with a high level of artistry with lyrics that skirted a fine line between the conceptual, the personal, narrative elements and the poetic without coming off as pretentious. The Other Shore, as the album title suggests, showcases a band that has been on a journey since it’s inception to explore its musical interests as an Americana band in a place and a time when post-hardcore and emo was the prevailing form of music around them, and one that wrote music about an imaginary American West with a greater accuracy and resonance than many bands actually from that part of the country. For this tour Murder By Death is joined by its friend and early compatriot in making music out of step with then trends in music. His warm, textured songwriting and singing has the ability to draw you in with the clarity and vivid imagery of his own storytelling. His new record Kilonova on Bloodshot Records is a collection of songs that truly find the great stories in everyday life better than almost anything out this year as yet.

Friday | September 21, 2018

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Meat Beat Manifesto, photo courtesy the artist

Who: Meat Beat Manifesto w/C-Tec, Mondo Obscura and DJ Dave Vendetta
When: Friday, 09.21, 7 p.m.
Where: The Oriental Theater
Why: Nine Inch Nails and huge swath of 90s and 2000s electronic music acts cite Meat Beat Manifesto as a primary influence. Jack Dangers’ production fingerprints have been all over the musical landscape from the 90s onward. Part of the reason for this is Dangers’ wide-ranging curiosity about various musical styles and technology and techniques involved in making those sounds. He didn’t just dabble in all sorts of techno, EDM, IDM, dub and more, he produced innovative work in all of those sonic realms. MBM’s 1990 album 99% was a landmark in electronic music production and composition perhaps only surpassed immediately afterward by 1992’s Satyricon. But in recent years MBM has released some of its most interesting music to date including the two 2018 albums in an especially fruitfully prolific era of the project with Impossible Star out this past January and a new full-length due out in November. Both records reveal a band that has consistently moved into new realms of sound while maintaining its unique voice in music.

Also on the bill is C-Tec, a dark EBM-esque project of some of that music scene’s luminaries including Jean-Luc DeMeyer of Front 242, Marc Heal of Cubanate, Ged Dention of Crisis NTI and Julian Beeston of Nitzer Ebb. Denver ambient/industrial duo Mondo Obscura opens the show with probably a harder edged of their more hypnotic chill out vibe. If their 2018 album Focus On Black is any indication that shouldn’t be a problem.

Tribulation_EsterSegarra

Who: Tribulation and Pallbearer
When: Friday, 09.21, 7 p.m.
Where: The Bluebird Theater
Why: Arvika, Sweden’s Tribulation probably could have become stuck mining the melodic/Gothenburg death metal territory or hybriding that with neo-thrash or Goth-ed out black metal. But its sound is much more interesting and not trying to be all things to all fans of heavy music. Rather, it’s eclectic sound is one that has roots but uses those sonic elements to write layered music with imaginative dynamics that allow for writing songs about occult themes in 2018 without seeming corny. The group’s 2018 album Down Below is sort of to death metal what T.S.O.L.’s 1982 to album Beneath the Shadows was to hardcore.

Who: 7C 6-Year Night #1: Only Echos (album release), Only Souls Die Young and more
When: Friday, 09.21, 7 p.m.
Where: Seventh Circle Music Collective
Why: This Denver DIY space is one of the few places you can go and see something new and good you’ve never heard of on a bill of very different other music every single time. It’s also the main place where younger musicians are going to play for their peers as they develop as artists. What that means is that you can see bands grow from the ground up, which is the most exciting time to see them. Congratulations no Seventh Circle Music Collective in keeping things going for 6 years thus far.

Who: El Ten Eleven w/Tennis System and Picture the Waves
When: Friday, 09.21, 8 p.m.
Where: Summit Music Hall
Why: El Ten Eleven is the Los Angeles based post-rock band whose music you’ve heard in television and film. Its texture and rhythm driven compositions give El Ten Eleven a bit more presence than some of its peers in the realm of instrumental rock. Also on the bill this night is another L.A.-based ethereal rock project with Tennis System. That trio takes the kind of bright, breezy melodies that Depreciation Guild had discovered in melding pure 8-bit electronic composition with dream pop. Tennis System, though, weds the sound with a sort of melancholic, disillusioned yet hopeful tone suggestive of being in a place where all aspirations can supposedly be met but the reality is much less glamorous.

Saturday | September 22, 2018

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Kat Ellinger circa 2005 in Sleepers, photo by Tom Murphy

Who: Kat Ellinger tribute/benefit featuring: I’m A Boy, Toddy Walters, The Red Tack, Stereoshifter, New Ben Franklins, Doug and Liz from Sympathy F and Shindei Shashin
When: Saturday, 09.22, 7 p.m.
Where: Mutiny Information Café
Why: Kat Ellinger was a respected songwriter and singer/musician in Denver from the early 90s until her untimely passing in June 2018. Her bands Worm Trouble and Sleepers should have propelled her into at least the tier of touring bands that plays mid-sized clubs as her knack for writing meaningful, well-crafted rock and pop songs with a strong individual vision was on par with anyone anyone could name from that same time period. Her songs were eclectic, emotionally powerful, honest and accessible. Ellinger herself was an engaging and strong live performer and this show, a benefit for her family, features Denver underground luminaries such as Ted Thacker formerly of Baldo Rex (a band often cited by DeVotchKa as an influence) as The Red Tack, New Ben Franklins playing a rock rather than country set and Doug Seaman and Liz Rose of Sympathy F performing a stripped down set.

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Stonefield, photo courtesy the artist

Who: Frankie And the Witch Fingers w/Stonefield, King Eddie and DJ Ross Taylor
When: Saturday, 09.22, 8 p.m.
Where: Hi-Dive
Why: Kind of a psychedelic party rock show with Frankie And the Witch Fingers from Los Angeles and their Colorado kin with King Eddie. Stonefield, though, is an all female heavy psych band from Australia. The group released its most recent full length Far From Earth in 2018 with a sound somewhere betwixt early solo Dio and Acid Witch and 70s hard rock bands like Uriah Heep.

Who: 7 C 6-Year Night #2: David Liebe Hart, Chip the Black Boy, Whatever Your Heart Desires, Unit-Y, Shwarma, Actobog and more
When: Saturday, 09.22, 4 p.m.
Where: Seventh Circle Music Collective
Why: Night two of Seventh Circle Music Collective’s 6-year anniversary show with an appearance by eccentric outsider pop artist David Liebe Hart who is responsible for some of the most surreal segments of the already quite strange Tim and Eric Awesome Show, Great Job! Some have speculated that it’s all an act but what you see is what you get and there is an unmistakable appeal to Hart’s utter sincerity and conviction and faith in his music and art to reach people.

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Iron and Wine, photo by Kim Black

Who: Iron & Wine w/Erin Rae
When: Saturday, 09.22, 7 p.m.
Where: The Paramount Theatre
Why: Sam Beam’s songs, no matter the format and line-up performing them, always come off like campfire sessions in which everyone shares stories and ideas and autobiographical musings that taking into flights of personal philosophy. That warmth and intimacy sets Bream’s work apart from many of his peers and there is a timelessness to his music akin to that of Cat Stevens or Harry Chapin. His new offering, 2018’s Weed Garden EP, follows on the heels of 2017’s Beast Epic and what many consider to be a return to the stripped down, simple style that made 2004’s Our Endless Numbered Days a classic.

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DeVotchKa, photo by Jen Rosenstein

What: On Tap With KBCO featuring DeVotchKa, Cake and Calexico
When: Saturday, 09.22, 12:30
Where: Breckenridge Brewery
Why: This is a show benefitting Take Note Colorado, an organization dedicated to getting musical instruments and lessons to Colorado students K-12. Cake is the alternative rock band that had wry 90s hits like “The Distance” and “Rock and Roll Lifestyle.” Calexico is the excellent Americana/dream pop band with a bit of Southwest flavor. DeVotchKa, the hometown heroes, released its latest album This Night Falls Forever in August. That it’s the group’s first release of an entire album of new material since 2011’s 100 Lovers suggests a period of deep self-doubt, assessing oneself as an artist and as a person and a reinvention without discarding everything. The new record has all the hallmarks of DeVotchKa’s best material—depth of sound space, intricate sonic details that never seem cluttered and excessive and a haunted quality that hints at accepting one’s regrets if not gladly, of loss and calm and grace in the face of an uncertain future. Frankly, it’s music for the current era and comfort in a time of trouble and chaos as DeVotchKa has a gift for tapping into one’s sense of nostalgia and triggering a gentle catharsis.

Monday | September 24, 2018

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Who: The Charlatans UK w/Reyna
When: Monday, 09.24, 7 p.m.
Where: The Bluebird Theater
Why: The Charlatans UK were one of the bands whose mix of soul, acid house and psychedelic rock was early associated with the Madchester aesthetic of the late 80s and early 90s. And, thus, what became known as Britpop. The Charlatans were a step removed from Madchester coming from the relatively nearby Western Midlands but were clearly musically kindred spirits. The group’s 1990 debut full-length Some Friendly was recorded when the band had been together for around a year and can be a bit uneven but it yielded an iconic hit with “The Only One I Know.” Throughout the 90s The Charlatans evolved in interesting ways as its members stayed engaged with new sounds and ideas and in growing as artists themselves rather than rest on past laurels. The result has been a string of albums with a familiar element to the songwriting because of Tim Burgess’ strong yet emotionally chameleonic voice, Martin Blunt’s subtle yet fluid bass style perfectly accenting the song dynamics, the late Rob Collins’ (and now Tony Rogers’) ebullient but tasteful keyboard work and Mark Collins’ gift for playing to the song and taking on a broad variety of roles as a guitarist—lead, rhythm, texture, accents.

The Charlatans released a 2017 album called Different Days which is both a reminder that maybe the more recent world of rock and pop has caught up to what The Charlatans have done all along quite well in threading psychedelic rock, classic songwriting about perennial themes and listening to the new music for ideas to not get stuck in one’s own rut and inspiration for the future. In 2018 the Totally Eclipsing EP, comprised of material recorded during the time of Different Days, was released on limited edition 12” green vinyl as well as for download and as a second CD with a deluxe edition of the full-length.

Who: Dr. Montgomery Maxwell, Joohs Uhp, $addy and Shamwow
When: Monday, 09.24, 7 p.m.
Where: Mutiny Information Café
Why: A good slice of some of Denver’s weirdo/experimental/industrial hip-hop. Dr. Montgomery Maxwell is more on the industrial side of that spectrum though maybe for this show he might not break as much stuff on stage as usual. But you never know. Joohs Uhp sounds like a guy who is way into nü metal and hip-hop and unabashedly all about what some might think is the trashier more ephemeral end of that but has found a way to turn that affection for other people’s supposed trash and turned it into something interesting. Shamwow sounds like, for lack of a better term “slacker trap.” Meaning, to some, it’ll sound like lazily made weird, lo-fit who-knows-what but really it’s well produced, intentional stuff that some fans of “real” hip-hop won’t recognize its quality. But, supposedly, Trev Rich is a fan so there’s that. $addy’s sound is as the name suggest—sort of a melancholic vibe but using beats that sound like they’re right out of a surreal game about being a gamer hacker destroying the horrific international economic system and unlocking achievements by dropping sick 8-bit beats rife with noise and undoubted sonic reference samples from realms of the gaming world most of us have never heard about. Or something like that.

Who: Beck w/Jenny Lewis
When: Monday, 09.24, 6:30 p.m.
Where: Red Rocks
Why: Beck made being an utterly eccentric songwriter a commercially viable thing in the 1990s. Maybe he was tapping into the zeitgeist in a way that the alternative rock explosion of the early 90s made possible by speaking to the inner weirdo of a broad audience. There is no reason a song like “Loser,” “Where It’s At,” “Devil’s Haircut” and “The New Pollution” should have been hits to anyone but hipster oddballs except that Beck also employed elements of soul, hip-hop, R&B and interesting but odd cultural references that was a far cooler predecessor to the awkward comedy kick that got more popular in the 2000s. But Beck evolved and his genre splicing became more refined and fascinating with every album from Midnight Vultures onward reflecting perhaps a  particularly focused set of ideas and sounds. Beck simply wouldn’t allow himself to be limited by the expectations of others and trusted his imagination and instincts to be his guide.

Jenny Lewis was an actress in various television shows and films before people knew of her as an actress. But her band with Blake Sennett, another child actor, Rilo Kiley introduced the world to one of the most genuinely clever, incisive and insightful commenters on personal psychology and American culture in Lewis as a lyricist. It didn’t hurt that her emotionally rich and powerful voice put conviction behind those words. Whether in Rilo Kiley, her solo albums, Jenny & Johnny or her recent work in Nice As Fuck, Lewis has consistently been an artist with something to say, singing with a poignant honesty but one informed by a sense reality and kindness.

Who: Boulder Guitar Society: Janet Feder
When: Monday, 09.24, 7 p.m.
Where: First United Methodist Church of Boulder
Why: Janet Feder is an educator and master guitarist whose experimental compositions both extend the range and possibilities of the instrument but whose songs have an accessibility and emotional resonance that one doesn’t often associate with a musician that is both an academic and long-standing figure in the musical avant-garde. But just like the human that is Janet Feder, the music is immediately engaging and inviting into an unpretentious creativity that anyone can access.

Tuesday | September 25, 2018

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Jenny Lewis, photo from Jenny Lewis Tumblr

Who: Beck w/Jenny Lewis
When: Tuesday, 09.25, 6:30 p.m.
Where: Red Rocks
Why: For Beck and Jenny Lewis see above for Monday, 09.24.

Who: FRIGS w/Natural Violence, American Culture and Law of the Night
When: Tuesday, 09.25, 8 p.m.
Where: Hi-Dive
Why: FRIGS at first listen might remind you of 90s angular post-punk bands like Fugazi, 2000s’ Canadian art guitar groups like Women or the English, experimental rock band Electrelane. That use of layered simple yet intricate and entrancing guitar and rhythm. All intertwined with Bria Salmena’s soulful and expressive vocals. The band’s 2018 debut full-length Basic Behavior is a raw, menacing, atmospheric wail of wiry energy unleashing and transforming the angst and anxiety of this era. The band’s live shows bring some mystery and emotionally-charged physicality to the stage in a way not many bands these days do.

Who: Gringo Star w/Turvy Organ and Shuttles
When: Tuesday, 09.25, 7 p.m.
Where: Lost Lake
Why: Before it became too fashionable, Atlanta’s Gringo Star was perfecting its signature psych/soul garage rock sound. What seems lost in some of the assessments of the band, that is hinted at through its numerous music videos, is how the group’s music tells stories from the perspective of urban, Southern youth and its use of musical forms from other parts of the country (surf rock, California psych, Memphis soul/garage rock etc.) as the palette of its imaginative expression. The band’s 2018 album Back to the City finds it in a more wistful mood with a sense of nostalgia that is far more interesting, genuine, personal and poignant than has often been the case in a lot of music of late.

Wednesday | September 26, 2018

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Ms. Lauryn Hill, photo from Ms. Lauryn Hill Facebook

Who: The Miseducation of Lauryn Hill 20th anniversary w/Talib Kweli and Shabazz Palaces
When: Wednesday, 09.26, 5:55 p.m.
Where: Red Rocks
Why: In 1998 Lauryn Hill announced herself as a solo artist of note with the release of The Miseducation of Lauryn Hill after having parted ways with her former band, the popular and influential R&B hip-hop group The Fugees. On the strength of promotional singles and name recognition alone, the record was probably destined to top the Billboard charts. But the record struck a chord with a strong yet nuanced evocation of the experience of women’s experiences as well as Hill’s sheer stylistic range. And Hill didn’t write the album with the commercial audience in mind. Yes, it’s well-produced and written, of course, but it’s also a raw and honest record that is accessible to a broad audience because of those qualities. The record has rightfully come to be seen as a classic of neo soul but it’s also one of the greatest albums of the 90s for the vitality of its creative vision. As a bonus you get to see Talib Kweli and Shabazz Palaces. Kweli is one of America’s most important social critics and one of its greatest hip-hop artists. Ishmael Butler of Shabazz Palaces could have merely been a legendary of alternative hip-hop as a member of Digable Planets. But in Shabazz Palaces with Tendai Maraire he is exploring experimental realms of sound, noise and rhythm that is pushing the boundaries of what hip-hop can sound like, look like and be.