Savage Republic – Queen City Sounds and Art

The Trypes is an experimental, psychedelic folk band that began in 1982 in Haledon, New Jersey. It’s instrumentation began with an eclectic mix of sounds and textures so that its music was difficult to narrow down to an established genre. Fans of Savage Republic (who were contemporaries) and Stereolab will find something to like in The Trypes’ unconventional use of rhythm and composition at times seeming to favor compound time signatures and textural atmospheric elements. Its brand of folk and psychedelia sounded like it had tapped into a bit of the minimalist post-punk of the early 80s like Young Marble Giants and the more avant-garde Swell Maps whose own use of noise collage has some resonance with what you hear in a song by The Trypes. Around the mid-80s Glenn Mercer and Bill Million of influential post-punk band Feelies joined The Trypes for a time when their own band was on hiatus adding to some of this group’s artistic legacy. In 2012 Acute Records released the collection Music fore Neighbors which collected the group’s 1984 EP The Explorer’s Hold as well as unreleased demos and a compilation track not so easy to come by. But now in 2022 that compilation has been reissued on Pravda Records to celebrate the band’s 40 year anniversary and now includes songs from a 1984 showcase at the Bottom Line in New York and two tracks recorded when the original Trypes performed a reunion show in 2017. The CD is available now with a gatefold vinyl to be issued later in 2022. This interview was conducted with founding keyboard player John Baumgartner and delves into the group’s early days in New Jersey and its development and for many rediscovery.

Listen to the interview with Baumgarnter on Bandcamp linked below and for more information on The Trypes and to order the CD/download of Music For Neighbors visit the links below.

The Trypes on Facebook

Pravda Records

It seems only appropriate that Savage Republic’s video for the lead single “Stingray” from its new album Meteora (it’s first since 2014’s Aegean) looks like it was filmed on VHS on the seashore. The almost entirely instrumental track showcases the more playful yet edgy side of the band and an example of how it threaded together surf rock with menacing post-punk and non-Western rhythm schemes. It sounds fairly straightforward until it sinks in that it’s probably not in 4/4 time. As an introduction to the band’s respectable body of work it’s a pretty accessible and energetic short slice of the band’s eclectic aesthetic. Other tracks on the album including “Nothing at All” linked below demonstrate how Savage Republic has always been deft at injecting pointed post-punk with almost tribal rhythms and raw industrial beats. The new album also has tastes of the band’s nuanced yet direct political lyrics. From its 1982 debut album Tragic Figures (the song “Real Men” appeared in the 1991 film The Silence of the Lambs) through the albums the group has released since it got back together in 2002, Savage Republic has been explicitly anti-authoritarian and on Meteora making no bones about being anti-fascist. All while having some creative fun with making darkly cathartic soundscapes alongside its more international musical roots in crafting arresting songs that make it seem exciting to be on the right side of history without getting didactic about it all. Watch the videos for “Stingray” and “Nothing At All” on YouTube and connect with this influential cult post-punk band at the links below.