Saturday | 02.01
What: Dressy Bessy, The Milk Blossoms and Bellhoss
When: 8
Where: Hi-Dive
Why: Dressy Bessy is the great indiepop band from Denver with roots in the wave of that music in the 90s. Early on the band was a bit like a psychedelic pop band mixed with noisiness of The Velvet Underground. Subsequently the band’s songwriting has developed into various branches but live always entertaining and spirited in its presentation with enough of a touch of the genuinely weird to be interesting. Since its inception The Milk Blossoms have offered music of the type of vulnerability and sensitivity that feels like being invited into a secret world of imagination, introspection and emotional richness. Its 2024 album Open Portal is like listening to and experiencing a series of vivid dreams cast in the language of personal mythology. Bellhoss is another of Denver’s premier pop bands whose music is a self-aware and heart on sleeve style dream pop with raw emotional expressions baked into its cathartic confections.
Saturday | 02.01
What: Lauren Mayberry w/Cult of Venus
When: 7
Where: The Gothic Theatre
Why: Lauren Mayberry is perhaps best known as the frontwoman of dream pop band CHVRCHES. In 2024 she released her debut solo album Vicious Creature. The record which explores themes of mortality, social expectations, personal development and the not so quiet rampant sexism in the music industry. Mayberry took inspiration from 90s pop and early 2000s pop in particular female artists whose work was and is vital in its refreshingly unvarnished honesty and creativity like PJ Harvey, Jenny Lewis, and Fiona Apple among others. The album itself sounds very modern but with songwriting that has a clarity of purpose that informs the performances and the impact of Mayberry’s incisive lyrics. The album is eclectic yet unified in the excellence of production and the strength of Mayberry’s vocals, perhaps stronger than her work in CHVRCHES.
Sunday | 02.02
What: Bad Knees EP release w/Replica City, Motel Frunz and Calamity
When: 4
Where: Larimer Lounge
Why: Bad Knees is releasing its new EP Small Talk which showcases the band’s ability to mix punk attitude with introspective pop songwriting for an effect somewhere between post-punk and slowcore. Also on the bill is angular post-hardcore circa Dischord Records act Replica City and Kate Hannington playing solo under her band moniker Calamity with her own style of atmospheric post-punk with some real grit, passion and imaginative musicianship behind the songwriting and performance.
Thursday | 02.06
What: Kool Keith: Black Elvis w/Ultramagnetic MCs
When: 8:30 doors, show 9
Where: Ophelia’s Electric Soap Box
Why: Kool Keith is the influential rapper and producer from NYC who cofounded Ultramagnetic MCs. The latter impacted newer school hip-hop in the late 80s with production innovations including developing a style of “chopped” samples that directly inspired Boogie Down Productions. Kool Keith made waves of his own under his name as well as under the moniker Dr. Octagon. The artist has collaborated with numerous other acts on all levels of fame and thus his fingerprints can be heard in a broad spectrum of commercially popular and underground music. For this tour he will be performing music from his Black Elvis albums perhaps in conjunction with Ultramagnetic MCs and one hopes resulting in a unique and theatrical live show.
Friday | 02.07
What: The Ocean Blue performing self-titled and Cerulean w/Brian Tighe
When: 7
Where: The Marquis Theater
Why: The Ocean Blue got started before the term “shoegaze” was a thing and its 1989 self-titled debut is more in line with atmospheric post-punk like an American analog to what Echo & The Bunnymen and The Smiths were doing in the UK. But The Ocean Blue had its own sound that suggested broad vistas and emotional expansiveness that transcended the melancholic undertones of its urgent and sometimes jangle-y guitar work. The music certainly had a kinship with bands out of the realm of C86 in the UK and the Dunedin sound in New Zealand. The group’s 1991 follow up Cerulean developed on that foundation and added a little fuzziness without compromising its melodious compositions while focusing the songwriting a touch more. The band will perform both albums at this show.
Saturday | 02.08
What: Wave Decay, Pale Sun, Pinkku and Pyramyd
When: 7
Where: Hi-Dive
Why: Wave Decay recently released its debut full-length Reflections on both digital and vinyl for which this show is a celebration. The Denver-based band’s sound is rooted in shoegaze and psychedelic rock with the motorik beat of Krautrock. It’s easy to get swept up in the band’s mastery of dense yet expansive atmospheric melodies and hypnotic rhythms for the duration of the live set like you’re on that ride with them. Fans of Black Angels, A Place to Bury Strangers and Denver’s own Bright Channel should definitely catch the band on stage but failing that don’t fail to give the record a listen. Fortuitously Jeff Suthers, former guitarist of Bright Channel, will be performing with his more recent band Pale Sun and offering his own emotionally-charged space rock thick with mind-altering low end and vibrant, melancholic riffs. Pinkku launches again after a nearly two decade-long hiatus. The project led by Wymond Miles began as an otherworldly space rock band and evolved into a moody post-punk band akin to the Bad Seeds. The new version is more in the realm of a noisier Slowdive or the solo Kevin Shields music.
Saturday | 02.08
What: Lucas Granpa Abela, Fearless Leaders, John Gross, Pipsqueak, Mumble and MPW
When: 7
Where: The DMV 2424E 43rd Ave. 18+, $15
Why: This will be a noise show in the tradition that faded out for a few years on either side of the 2020 pandemic including sets from John Gross, one of the godfathers of modern Denver noise with his long membership in Page 27. Also performing is Mumble from Colorado Springs who has helped hold down an outpost of experimental music in that city for years with his own experiments in power electronics, electronic beats, harsh noise and industrial ambient. And touring from Sydney, Australia is noise legend Lucas “Granpa” Abela whose prolific career in sculpting sound and collaboration would be difficult to sum up as simply noise even though much of his output fits in the broad umbrella of the term.
Tuesday | 02.11
What: Howard Jones w/ABC and Richard Blade
When: 6
Where: Mission Ballroom
Why: In the mid-80s Howard Jones was all over the pop charts with ten top 40 hits. His exquisitely crafted synth pop songs helped to define the sound of an era with his mastery of the synthesizer as a songwriter with a deep knowledge of the instrument so that his compositions had a stylistic coherence and aesthetic innovation that could be missed because his knack for combining sensitive, romantic lyrics and imaginative musicianship meant he became a mainstream artist with diverse and superb technical skills. His 1984 debut album Human’s Lib was a breakthrough with multiple charting songs including “What Is Love?’ But the 1985 follow up Dream into Action pushed the artist further into international popularity with “Things Can Only Get Better,” “Life In One Day,” “No One is to Blame” and the reissue of “Like to get to Know You Well” meant Jones’ music essentially became part of the soundtrack for a generation. Sure he sang about love and all of those pop music subjects but didn’t come across cheesy or corny in his sentiments and his talent for a melodic hook is undeniable. Also on this tour are ABC, the soul-infused synth pop band from Sheffield who came out of that weird world of experimental music that is what that city has produced and made that experimental spirit accessible with their own bevy of hit singles including the enduring “Poison Arrow.” Perhaps tagged with the designation of “Northern soul” ABC nevertheless made danceable synth pop with incredible and innovative production. The band’s 1982 debut album The Lexicon of Love was written with Anne Dudley of avant-garde pop/production band Art of Noise combining punk spirit with the sonic sophistication of disco.
Thursday | 02.13
What: Benjamin Booker
When: 7
Where: The Marquis Theater
Why: Benjamin Booker has been at making music for several years with his genre bending style that early on seemed more in the realm of bluesy indie rock but always with a keen ear for mood and atmosphere. His second album Witness (2017) had more of a punk edge to the songwriting as he continued to comment on social issues that America has tried to bury and pretend isn’t right in front of everyone’s faces. His new record LOWER (2025) is an even more daring stylistic leap. What to call it? It has some deeply ambient soul and electronic noise rock style with his emotionally nuanced vocals running through it all. The record is boundary pushing in a way that more than hints that Booker’s musical instincts and tastes don’t bother with needing to fit into anyone’s boxes even his own. It’s difficult to compare his new songs to much of anything else except for maybe The Weeknd’s more recent work or Yves Tumor or when Osees go off the expected map. It’s the kind of album that is perhaps being underrated now but the elements of which will be seen and appreciated more in years to come. Best to get into it now when it’s a fresh thing that you can experience live.
Friday | 02.14
What: Kiltro w/Nina de Freitas
When: 7
Where: Meow Wolf
Why: Kiltro is the brainchild of Chris Bowers Castillo who over the course of two albums has woven together strands of folk, psychedelic rock, prog and the aesthetics of experimental electronic music. The band’s sophomore album Underbelly fully realized this melange of musical influences as it was partly written and developed during the early part of the pandemic. Live the band is unique in its evocation of the fusion of styles so that it resonates with the subversive eclectic style of psych innovators Os Mutantes as heard through the lens of an IDM band but done with live instruments.
Friday | 02.14
What: The Velveteers w/Cherry Spit and Diva Cup
When: 7
Where: Hi-Dive
Why: The Velveteers are a rock trio from Boulder, Colorado that has blossomed from humble origins playing house shows and DIY venues in the mid-2010s after forming in 2014 to touring internationally with the likes of Great Van Fleet and Black Keys. Dan Auerbach of the latter took a liking to the band and produced and released the 2021 debut full-length Nightmare Daydream. That record demonstrated that the group had moved beyond some of its more blues rock/garage rock early days into something with more musical depth and with something to say regarding the vagaries of society, identity, self-image and sexism. A little over three years later The Velveteers are releasing their second album A Million Knives which reveals the band’s further explorations into integrating an electronic music aesthetic and songwriting into its core sound of vulnerable pop songs charged with raw emotional power. The themes of the record involve the complexities of navigating relationships and one’s aspirations. Underlying it all are elements of heartbreak of all varieties—the interpersonal, the kind when one’s expectations and dreams find reality lacking from the world and from oneself and the sort stemming from disappointment. But as the album makes it obvious, finding the will and energy to pull yourself back from that brink.
Saturday | 02.15
What: Jordana w/Rachel Bobbitt and Sarah Adams
When: 7
Where: Globe Hall
Why: Jordana Nye is a bedroom pop songwriter and musician originally from the Washington, DC area but these days calling Los Angeles home. Her 2019 debut album Classical Notions of Happiness garnered her label interest for a 2020 re-release. The lo-fi pop of the album had an undeniable appeal with vulnerable, well-crafted songs with an attention to sonic detail that made the record stand out in an often crowded indie/bedroom pop field of the time and even today. Her new record, the self-aware and humorous Lively Premonition (2024) is much more developed in production and songcraft, Nye clearly having taken her music on tour and absorbed some of the atmosphere of her new environs and one hears echoes of classic 1970s and 80s pop music and the sophistication in production and musicianship often imitated but not often captured. Jordana and co-songwriter Emmet Kai definitely nail the vibe and live you’ll get to see the band pull off this music including Jordana playing violin and singing which is something you don’t see that often in pop music.
Tuesday | 02.18
What: Whores, Facet and Moon Pussy
When: 7
Where: Hi-Dive
Why: Whores is the sludgy, noise rock band from Atlanta with a wonderfully caustic heaviness to it reminiscent of Unsane with the momentum of Melvins. The band will headline a show in good company with Oakland’s post-hardcore/post-punk stars Facet. The trio recently released a split with Seattle’s Haunted Horses that sounds like the deconstruction of modern existential anxiety turned into music designed to ease that tension at least a little. Moon Pussy from Denver is challenging to compare to any band in particular and its raw power and sheer catharsis on stage has baked into it a surreal sense of humor with social commentary and personal anxiety stitched together in a thrilling mutant cyborg of noise rock.
Tuesday | 02.18
What: David Gray w/Sierra Spirit
When: 7
Where: Temple Hoyne Buell Theatre
Why: David Gray is the well-known British singer-songwriter who moved beyond his folk-rock origins in the early 90s to establish himself as a latter day alternative rock icon beginning with the 1999 hit single “Babylon.” Gray never divested his style of its folk roots and crafting songs in an acoustic vein before developing them into the energetic yet atmospheric songs with a signature guitar jangle and shimmer alongside his emotionally-charged vocals for which he is rightfully known. In January 2025 Gray released his new album Dear Life, a record that seems more intimate and personal in execution with poignant observations on getting older and the need to remain engaged in a struggling world. Opening the show is Tulsa, Oklahoma-based artist Sierra Spirit. In October 2024 she released her debut EP coin toss. The six songs are resonant and even confessional narratives about mental health issues, the struggles of growing up with her unique background in the Otoe-Missouria and Kieetoowah Cherokee tribes and how that impacts and informs navigating a world that can be challenging in itself. Her songs are awash in exquisitely melancholic melodies like a nimbus of personal reflection that the listener can identify with immediately. Her vocals are what command your attention with their emotional strength and open and expansive spirit.
Tuesday | 02.18
What: Phantogram
When: 7
Where: Fillmore Auditorium
Why: New York-based psychedelic pop duo Phantogram returned in 2024 with its new album Memory of a Day. The record represents the band coming out of the early pandemic era after it couldn’t tour in the wake of the March 6, 2020 release of its previous album Ceremony. If you’re looking for the immersive, hard rocking synth pop the band has developed since its early days you’ll find that but Phantogram has also always had a knack for pushing its own boundaries and the new album reveals that Sarah Barthel and Josh Carter have been experimenting with the production and composition ends of the music to create a sound palette that taps further into hip-hop beatmaking and the potential of archaic electronic sounds to make for memorable sounds within equally memorable songs that once again re-establish the band as fine purveyors of fusing the entrancingly otherworldly with emotional intimacy.
Thursday | 02.20
What: Forty Feet Tall, Shadow Work and Supreme Joy
When: 7
Where: Hi-Dive
Why: Forty Feet Tall is one of the most commanding and underrated post-punk bands going at the moment. Melding angular rhythms and melody in perfect proportion with a visceral live show Forty Feet Tall may have a name that suggests something more straight forward but it is a lot weirder and more spirited than expected. Shadow Work is a Denver band whose hazy psychedelia has its seeming roots in shoegaze and lo-fi post-punk. Supreme Joy too has a name that suggests a different kind of music than the Dischord-esque post-punk you’re in for but go expecting that sound to be infused with a psychedelic garage rock sound of the kind that should have happened more often in the 2010s but perhaps one might have found more often in the Bay Area in the 80s and 90s.
Thursday | 02.20
What: Michigan Rattlers w/Elias Hix
When: 7
Where: Meow Wolf
Why: Michigan Rattlers is a band of lifelong friends who have been in bands together since they were in their early teens and started recording their songs in 2016 under their current name. The band’s first two albums offered beautifully pastoral Americana about everyday life, articulating the aspirations of yearnings that would be recognizable instantly to anyone that has spent more than a few months contemplating what it is you really want and what you have and what you value. The 2024 album Waving From A Sea is a creative leap forward for the band with more atmospheric elements and a songwriting style more in line with the kind of power pop one heard in the late 70s or in a more modern era with the likes of The War on Drugs. The songs tie the feelings to a strong sense of place both physically and psychologically at a time when you’re re-orienting your life and finding the anchors in your psyche that remind you of the contexts that have helped shape you and the boundaries you have moved beyond. Listen to our interview with singer Graham Young on the Queen City Sounds Podcast.
Thursday | 02.20
What: Franc Moody
When: 7
Where: Fox Theatre
Why: London’s Franc Moody has been releasing music that sits at the intersection of disco, funk and soul since 2018. The duo had tried to make music in the vein of jazz circa the early 1950s until Jon Moody bought a Juno 60 and discovered the possibilities of synthesizers opened up for songwriting and the broad palette of sounds and styles into which it could be plugged. The band’s new album Chewing the Fat will be released on March 7, 2025 but this show will offer more than a peek into the immersive, psychedelic, electronic disco-funk that the act has been developing since its 2022 album Into the Ether.
Saturday | 02.22
What: Mount Eerie w/Ragana
When: 7
Where: Fox Theatre
Why: With the 2024 release of the new Mount Eerie record Night Palace we hear in Phil Elverum’s songwriting a different essence and energy that what we witnessed in the previous few, emotionally harrowing records that so eloquently documented loss and devastation. The album’s 26 tracks engages in the sprawl of the styles the Elverum has explored so well during his career as The Micophones and Mount Eerie. The pastoral washes over meditative, abstract slowcore pop, the black metal vistas and the noisy lo-fi folk, the ambient and field recording collages and a re-embrace of poetry itself to go with the poetic sensibilities of earlier efforts. It’s a richly varied record that feels like a journey through the ravages of time and the cycles of life and the environment and coming to the other side of struggles and loss and finding meaning to sustain oneself in some of the things that gave one’s life meaning at key points in one’s existence, using songwriting as a vehicle for personal mythology as part of the context of a greater narrative, finding not just the horror but a sense of peace with the essential uncertainty of a mortal life. Apparently Elverum had been inspired by Zen meditation which leads one to a dynamic mode of tranquil acceptance of how fickle things can be when you spend so much of your life struggling against the way things are and imposing one’s ego on reality in that Western mode rather than being open to the possibilities of operating in the moment. Also on the bill is the anarcho-feminist black metal band Ragana from Olympia, Washington who cite Mount Eerie as an influence along with the likes of avant-ambient legend Grouper and fellow Olympians Wolves in the Throne Room. Ragan’s latest release is the harrowing and politically-charged 2023 album Desolation Flower.
Saturday | 02.22
What: Playground Ensemble: Community Resonances
When: 6:30 doors, 7pm concert
Where: Holiday Theater
Why: This interactive performance will feature a commissioned version of Arone Dyer’s Dronechoir, an experiment in social performance that brings together unfamiliar collaborators in an unrehearsed performance with everyone singing together. The night will also premiere works by Denver composers Gabriel Mininberg and Playground Ensemble founding director Conrad Kehn.
Tuesday | 02.25
What: Molchat Doma w/Sextile
When: 7
Where: Mission Ballroom
Why: Molchat Doma has quickly established itself as one of the most critically acclaimed and beloved post-punk bands of the past decade since its 2017 debut album S krysh nashikh domov made it out of their home country of Belarus. That record as well as the 2018 follow-up Etazhi got reissued on vinyl via its current label Sacred Bones in 2020 making the band’s unique blend of post-punk/darkwave/synthpop widely available. Unfortunately for the band that was the same year that COVID-19 hit and ending touring and the possibility of playing live to an appreciative audience in North America. But when live music performance opportunities opened up more broadly in 2022 Molchat Doma played to sold out audiences in large clubs in support of its then most recent album Monument (2020). The live performances proved what was hinted at on the early records with the lower fidelity production that being a commanding presence and tonal richness that was enveloping and transporting. In 2024 Molchat Doma released its new album Belaya Polosa. Benefiting from more immediately available recording studios the new record has an immediacy and presence worthy of the live band and its haunting and vibrant songs reminiscent of peak era Depeche Mode linger with you well after giving the record a deep listen.
Friday | 02.28
What: MJ Lenderman & The Wild Wind w/Wild Pink
When: 8
Where: The Bluebird Theater
Why: MJ Lenderman aside from his membership in alternative rock band Wednesday and having played drums for Indigo De Souza has been establishing himself as a gifted songwriter in his own right with a handful of albums under his name beginning with the self-titled 2019 album. His most recent studio effort is 2024’s Manning Fireworks. Lenderman’s wit and vivid storytelling on the album are obvious and on the surface level it’s in an alt-country mode. But Lenderman’s imaginative guitar work bears comparison to that of J. Mascis and his style of Americana closer to the psychedelia tinged variety favored by Jason Molina and Meat Puppets at their most countrified.
Queen City Sounds and Art 
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