Best Shows in Denver and Beyond June 2024

Miki Berenyi Trio perform at The Bluebird Theater on June 6, 2024, photo by V. Arbelet
The Damned in 2018, photo by Steve Gullick

Tuesday | 06.04
What: The Damned with The Mañanas
When: 7
Where: Gothic Theatre
Why: The Damned were one of the foundational UK punk bands in the mid-1970s releasing that scene’s earliest single with the iconic “New Rose.” In subsequent decades the group managed to evolve and still remain a powerful and entertaining live band with a sense of theater. Though part of the first wave of punk The Damned’s raucous live show proved an enduring influence on hardcore. After numerous lineup changes the current band includes founding members Dave Vanian and Rat Scabies and Captain Sensible.

Wand, photo by Asal Shahindoust

Wednesday | 06.05
What: Wand w/Supreme Joy
When: 7 PM
Where: The Marquis Theater
Why: Wand guitarist Cory Hanson is widely considered one of the great talents of 2010’s psychedelic rock whose solo recordings are as fascinating as anything he’s done in anyone else’s band (Ty Segall, Mikal Cronin, Meatbodies etc). But Wand is the musical vehicle that has perhaps rightfully garnered Hanson and his bandmates much deserved attention for actually making modern psychedelic rock that is more than simply adding trippy sounds and pedals to fairly standard indie rock songwriting. Its forthcoming record Vertigo (due out July 26, 2024 via Drag City) and its lead single “Smile” has all the gorgeously warm melodies and winding momentum you’d expect from Wand as well as the mind-warping soundscapes but its music video is a surreal journey from intense highs to transcendent tranquility akin to the best of Flaming Lips tracks. Though the record doesn’t come out for over a month this show will surely feature plenty of that new material as well as mind-melting classics on Wand records past. Opening the show is psychedelic post-punk Denver band Supreme Joy who opened for Cory Hanson’s solo trek through Colorado this past year.

Dylan Owen, photo courtesy the artist

Wednesday | 06.05
What: Abstract & Dylan Owen w/Jake Luke, FLWRS and Merch
When: 7
Where: Lost Lake
Why: Rappers Abstract (Nashville) and Dylan Owens (New York) bring their tour to Lost Lake. Both artists deal in heartfelt, confessional lyrics seemingly inspired in part by 2000s alternative rap but with more modern production style. Owens’ lyrics in particular seem clearly informed by a deep exploration of music and ideas beyond what one might expect. In his song “LA FREESTYLE” he references Philip Glass and that doesn’t happen much in hip-hop.

Miki Berenyi Trio, photo courtesy V. Arbelet

Thursday | 06.06
What: Miki Berenyi Trio w/Lol Tolhurst X Budgie
When: 7
Where: The Bluebird Theater
Why: Miki Berenyi is one of the founding members of influential early shoegaze band Lush. Her unique and melodious vocals and unorthodox guitar style helped to shape the sound of the genre. With this current band Berenyi tapped an old comrade in guitarist Kevin McKillop formerly of shoegaze legends Moose to be in the lineup as well as Oliver Cherer (Gilroy Mere, Aircooled). Its early recorded music and live performances promise plenty of immersive soundscapes and otherworldly melodies. Opening the show are Lol Tolhurst who, you know, was in The Cure for years as a drummer/synth player during that band’s key years of development and Budgie, the drummer of Siouxsie & the Banshees and The Creatures and the duo has been collaborating with various musicians on a string of singles and performances so who can say what to expect this night.

Meet the Giant, photo by Tom Murphy

Friday | 06/07
What: Takipnik, Meet the Giant, Falcon Haptics and Saint Somebody
When: 7:30
Where: The Skylark Lounge
Why: Takipnik is a synthrock band that sounds like it draws a bit of influence from modern prog/art rock bands like Tool. Falcon Haptics are a black metal band from Fort Collins with some stoner rock leanings. Saint Somebody is an Americana band from Denver with some chamber pop flavor. Meet the Giant is a trio that completely blurs the line between downtempo, shoegaze and fiery alternative rock with imaginative soundscapes and top shelf electronic production fully integrated into its live sound.

Ghostly Kisses, photo by Fred Gervais

Friday | 06/07
What: Ghostly Kisses w/Kroy and Mon Cher
When: 7
Where: Globe Hall
Why: Margaux Sauvé is a singer-songwriter from Québec, Canada who releases music and performs under the moniker Ghostly Kisses. Her songs combine a sublime synthpop sound and orchestral indie rock. Her newly released full-length Darkroom (May 17, 2024 via Akira Records) features her beautifully breathy vocals and ethereal yet warmly executed soundscapes tied together with techno production-rooted beats and an almost classical music sensibility that at times waxes into similar realms of organic-electronic pop populated in the 90s by the likes of Everything But the Girl and other luminaries of sophistipop. Also on hand for this tour is Montreal-based, experimental pop/downtempo artist KROY and Denver’s Mon Cher which is the synth-driven musical project of producer and multi-instrumentalist Meghan Holton.

Cris Jacobs, photo by Joshua Black Wilkins

Friday and Saturday | 06.07 and 06.08
What: The Bluegrass Generals featuring Chris Pandolfi & Andy Hall, Jarrod Walker, Cris Jacobs, Emma Rose w/Twisted Pine
When: 7 both nights
Where: Cervantes’ Mastrerpiece Ballroom
Why: The Bluegrass Generals aka Chris Pandolfii & Andy Hall are putting on this even of some of the more gifted practitioners of the modern version of that style of music suggested by their shared moniker. For this edition of the event Baltimore-based roots rocker Cris Jacobs who is touring in support of his new album One Of These Days (Soundly Music). The songwriter’s expressive vocals and vivid storytelling and gift for expanding upon his stylistic foundations with imaginative arrangements has made him a favorite in his hometown and well beyond as evidenced by the invite to be part of this event with some of his more talented peers.

Quits, photo by Tom Murphy

Saturday | 06.08
What: Dry Wedding,. Snakes, Quits and Moon Pussy
When: 8
Where: Hi-Dive
Why: Dry Wedding is a dark, Americana flavored post-punk band from Portland, Oregon. Its gloomy and brooding moods are shot through with bursts of nervy energy like purgings of anxiety and desperation. Ready comparisons to The Birthday Party and other Nick Cave projects are valid because it has a touch of that surreal, dark and harrowing carnival murder punk vibe. But fans of Love Life and Bambara will appreciate the band too. Snakes is a band whose music is Americana adjacent but its sound is almost as much spooky surf garage with expansive energy. Quits’ portraits of a conflicted and desperation-wracked American life are as inherently Americana as anything dubbed so even if its distorted, discordant sonic gyrations and burns are noise rock gold. Moon Pussy should be mandatory listening for anyone wanting a quick and thrilling escape from Mile High City Yuppie Normie bullshit.

American Culture in 2018, photo by Tom Murphy

Saturday | 06.08
What: American Culture album release w/Wave Decay, Cherry Spit, Dirt Filled and Flaming Tongues Above
When: 7
Where: D3 Arts
Why: American Culture’s latest, and greatest, album Hey Brother, It’s Been Awhile is a self-redemption arc fable not just on a personal level but for a society that has lost its way more than most individuals ever will. The music is a step away from the inspired and earnest indiepop of some of the group’s earlier efforts and has all the hallmarks of 90s Britpop, modern dream-pop-adjacent shoegaze and production driven dub. It’s a unique record in a time of many imitators and vibe hoppers. Wave Decay is a shoegaze act with foundations in krautrock and noise rock. Cherry Spit splits the difference between post-hardcore, noise rock and aggressive shoegaze and shapes it into electrifying live performances. Flaming Tongues Above is the solo, singer-songwriter project of former American Culture and current Destiny Bond guitarist Amos Helvey.

Death to All, photo courtesy the artists

Saturday | 06.08
What: Death to All (Scream Bloody Gore in its entirety) w/Cryptopsy
When: 7
Where: The Oriental Theater
Why: Death is one of the most influential bands in all of heavy metal and one of the earliest death metal bands. The group split for the final time in 2001 with the untimely passing of guitar wizard and frontman Chuck Schuldiner. Death to All is a tribute to the legacy of the group and includes former members of the like drummer Gene Hoglan (who has been one of the most important musicians in modern metal), bassist Steve DiGiorgio and guitarist Bobby Koelble joined by Max Phelps who some may know from his time in Obscura and Cynic. So the line-up is solid and filled with gifted musicians in the artform. For this tour the group will perform two nights. This first night it will play the entire 1987 debut album Scream Bloody Gore with some choice classics from Leprosy and Spiritual Healing.

Pale Waves, photo by Pip

Saturday | 06.08
What: PVRIS w/Pale Waves and Sizzy Rocket
When: 6
Where: Summit Music Hall
Why: PVRIS is the electro-pop band from Lowell, Massachusetts that has come a long way since its early metalcore days as Operation Guillotine. And for the better. Its uplifting and triumphant songs about life and love delivered with no small degree of emotionally charged vocals and ethereal melodies has struck an enduring chord with fans. Sizzy Rocket seems to produce pop songs with undeniable hooks but about being very accepting of what other people might perceive as your flaws especially if you’re really just not a polite society conformist. Pale Waves is a pop rock band from Manchester, UK that’s a little challenging to pin down to some simple subgenre. Its bright melodies and rich arrangements somehow tie in a bit of post-punk grit and style with modern indie pop. Its visual presence and attitude bears all the marks of a darkwave band but one that isn’t ashamed of embracing a love for mainstream pop without giving up lyrics that aim for emotional authenticity.

Death to All, photo courtesy the artists

Sunday | 06.09
What: Death to All (The Sound of Perseverance in its entirety) w/Cryptopsy
When: 6
Where: The Oriental Theater
Why: This second night of Death to All will be a performance of the final Death album 1998’s progressive death metal masterpiece The Sound of Perseverance along with favorites from Human, Individual Thought Patterns and Symbolic.

Quintron and Miss Pussycat in 2015, photo by Tom Murphy

Tuesday | 06/11
What: Quintron & Miss Pussycat w/Mr. Pacman
When: 7
Where: Hi-Dive
Why: Going to a Quintron and Miss Pussycat show is a bit like going to an adult version of a weekday kids’ show with the surreal sounds and imagery and often an elaborate live puppet show as part of the act. The music bridges the gap of psychedelic garage rock and the avant-garde/noise. Mr. Pacman similarly preserves a mystique of the weird with its members in costume like a band from a long lost video game show of the 90s but with music that is synth punk with actual edge and intensity.

The Chameleons, photo by Mick Peek

Wednesday | 06.12
What: The Chameleons perform Strange Times w/Missing and FashionNation DJ Eli
When: 7
Where: The Oriental Theater
Why: The legendary, Manchester post-punk band The Chameleons will perform its 1986 classic Strange Times in its entirety. The band’s perfect fusion of electronic and rock aesthetics with emotionally charged and existential lyrics as well as its masterful guitar work anticipating the sound of shoegaze in the 90s has proven influential across decades and this incarnation of the band includes original singer Mark Burgess and guitarist Reg Smithies so expect more than a little of the magic of the group’s classic material.

LABRYS, photo from Bandcamp

Friday | 06.14
What: LABRYS w/Tiny Tomboy and Isadora Eden
When: 8
Where: The Skylark Lounge
Why: LABRYS is the songwriting vehicle for Oklahoma City-based Penny Pitchlynn and the sounds heard on the project’s 2024 album 10:10 has a brooding grit like PJ Harvey gone psychedelic blues garage. Tiny Tomboy is a Denver based indie band whose delicate songwriting is reminiscent of Soccer Mommy’s brash vulnerability and ear for finely sculpted guitar melodies. Isadora Eden’s introspective and soulful dream pop has a gentle feel even as the lyrics often give voice to intrusive thoughts and dark musings captured in imaginative songwriting.

bellhoss, photo taken at JCPenney

Saturday | 06.15
What: SarahFest
When: 5 doors, 6 show
Where: The Mercury Cafe
Why: This inaugural edition of SarahFest showcases some of the most noteworthy female or female fronted acts from Colorado’s Front Range including bellhoss, The Milk Blossoms, Luna Nuñez, Dream of Time, Gartener, Nina de Freitas, Summer Bedhead, Tammy Shine and DJ Demigod (Demi Harvey). Listen to our interview with organizer Becky Otárola of bellhoss here.

Morgan Garrett, photo from Bandcamp

Saturday | 06.15
What: Morgan Garrett, Purity LP tour w/Many Blessings, Fossil Fuel and Head Slug
When: 8
Where: Glob
Why: Morgan Garrett recently released the new album Purity through Orange Milk Records and further cemented the artist’s reputation for genre bursting weirdness that happen to form into coherent songs with a unique and haunting emotional resonance whether it’s the abstract industrial noise metal or organically flowing anti-folk acoustic ambient. Also on hand are Denver noiseniks including Many Blessings, the harsh noise side project of Ethan McCarthy who many may know from his being in legendary doom death grind trio Primitive Man.

DIIV, photo by Louie Kovatch

Sunday | 06.16
What: DIIV w/Sasami and Glixen
When: 7
Where: The Ogden Theatre
Why: DIIV is the New York City band that helped to re-popularize shoegaze in the early 2010s with the release of its 2012 album Oshin. It wasn’t merely imitative but its own take and sound in an established genre which is something not nearly enough bands accomplish. And so DIIV has never seemed simply derivative. Its new album Frog In Boiling Water is a deep commentary on what if feels like to live in the end stages of capitalism and how sometimes the despair at what we could have done as a civilization but seem to continue to fail to do to alleviate the inevitable destruction and suffering ahead of us in terms of the environment, economic collapse and political collapse can be deeply dispiriting. But the gentle energy of the record and its richly atmospheric songwriting makes the album a standout from the group and something to witness live. Also on the bill is Sasami whose inspired genre bending songwriting has manifested as garage-y dreampop and alternative metal.

Shwarma, photo from Bandcamp

Friday | 06.21
What: Shwarma w/Cloud Catcher and Kaepora
When: 7
Where: Cervantes’ Other Side
Why: Denver’s Shwarma might be best described as a psychedelic space rock band whose players all got into Frank Zappa and Melvins along the way as well as perhaps Hawkwind. The group is celebrating the release of its new album Best Cerv’d Shwarm with this show and sharing the stage with doom metal group Cloud Catcher and prog jazz fusion bluegrass band Kaepora.

d4vd, photo by Nick Walker

Friday | 06.21
What: d4vd – My House is Not a Home Tour w/Scott James
When: 6
Where: Ogden Theatre
Why: David Anthony Burke aka d4vd has been building an audience since his earliest singles came out when he was a mere 16 years of age. But from early on the singer-songwriter’s songs demonstrated an ear for soulful melodies and freely associating a wide array of influences, not all musical, into sonically rich songs that don’t fit neatly into even broad categories of R&B, hip-hop, pop and rock. 2022’s “Romantic Homicide” and its J-horror-themed music video was a beautifully haunting song about heartbreak. His live shows proved the artist had real command of the stage and audience interaction. 2024 saw d4vd release his the single “Feel It” as part of the soundtrack season two of the animated adaptation of Robert Kirkman’s (Walking Dead), dystopian super hero comic series Invincible.

Fainting Dreams, photo from Bandcamp

Friday | 06.21
What: Nighdrator w/Evan Kallas, Water on the Thirsty Ground, RMO and Fainting Dreams
When: 7
Where: Squirm Gallery
Why: Nighdrator is a psychedelic shoegaze doom band from Hattiesburg, Mississippi that shares membership with the great post-punk band MSPAINT. Its epic and nuanced soundscapes are cinematic in scope yet intimate in its expressions of personal challenges. Fans of SubRosa and the more shoegazey of Chelsea Wolfe’s songwriting will find much to like in Nighdrator’s arresting compositions. And so it’s only fitting that doomy shoegaze post-dream pop band Fainting Dreams is also on the bill with its thrillingly gritty soundscapes and raw catharsis.

Friday | 06.21
What: Colorado Goth Fest Pre-Party
When: 9pm-2am
Where: 715 Club
Why: This event inaugurates Colorado Goth Fest with some of the DJs who have been very much part of the local Goth scene in Denver in its more post-punk, death rock and darkwave manifestations with Precious Blood, Lord Charon, DJ BatBoy and DJ Mal Toxisk.

Plague Garden, photo courtesy the artists

Saturday | 06.22
What: Colorado Goth Fest Featuring Calabrese and Scary Black w/WitchHands, Plague Garden, Opaque Shades, Funeral Process, Thee Coroners, Redwing Blackbird and Devoratus
When: 3 doors, 4 show
Where: HQ
Why: Colorado Goth Fest returns after a long hiatus but finally in Denver. This edition puts the focus on post-punk, death rock and horror punk. The out of town headliners include Arizona-based horror punk act Calabrese and Louisville, Kentucky’s Scary Black, a one man Goth rock act like a post-punk Alabama 3. And the local line-up includes notable veterans of local darkwave and post-punk like WitchHands, Plague Garden and Redwing Blackbird and newer acts like Devoratus and its Spanish-language darkwave pop.

Ex Lover, photo from Bandcamp

Saturday | 06.22
What: Ex Lover w/Twin Ion Engine, Pill Joy, Sell Farm and Kill You Club DJs
When: 8
Where: Hi-Dive
Why: Omaha-based Ex Lover stops in Denver for a night for a performance of her hyperpop infused darkwave dance songs. Her 2023 album Devotion mixes English and Spanish lyrics but all threaded through with soaring guitar melody and upbeat vocals. Fans of Nuovo Testamento should check out Ex Lover.

Hawthorne Heights, photo by Courtney Kiara

Monday| 06.24
What: 20 Years of Tears: Hawthorne Heights, I See Stars, Anberlin, Armor for Sleep, Emery, This Wild Life
When: 5
Where: Ogden Theatre
Why: This package tour features some of the stars of 2000s and 2010s post-hardcore and emo. The latter is a genre that earned plenty of ridicule with the scene kids and their signature style of dress and hair cuts nevermind the controversies with various bands in later years. Hawthorne Heights took on that moniker in 2004 before which it operated as A Day in the Life. Even if you weren’t into emo at least Hawthorne Heights had interesting guitar work, expressive vocals (and not mostly shouting and easily parodied screaming) and a dramatic flair in its arrangements. Is it easy to trace the band’s influences? Certainly. But its music has aged better than that of many of its peers.

The Alarm, photo by Andy Labrow

Tuesday | 06.25
What: The Alarm w/Jay Aston’s Gene Loves Jezebel and Belouis Some
When: 6
Where: The Oriental Theater
Why: The Alarm is a post-punk/New Wave band from Wales lead since its formation by Mike Peters. The group’s lyrics and musical style bore the influence of Welsh literature and cultural tradition that it translated into songs that caught on with a much wider public than simple local cult band status. Early on the group played shows with The Fall and U2 going on to support the latter for its US War Tour in 1983. The Alarm became popular on college radio throughout the 80s while also enjoying a degree of commercial popularity as well that landed them a support slot with Bob Dylan by the end of the decade. The band’s buoyant melodies and poetic lyrics sustained a following while it was broken up between 1991 and 1999 and since the group has reconvened it has been more prolific than its first chapter in existence. Also on this bill other than Jay Aston’s Gene Loves Jezebel and its own blend of psychedelia and post-punk is New Wave artist Belouis Some aka Neville Keighley. The latter garnered some popularity for hits “Some People,” “Imagination” and cinematic fame with “Round, Round” featured on the soundtrack to the 1986 John Hughes film Pretty in Pink. Though mostly known for his 80s heyday Keighley has remained active in music on and off since that time and this is a rare chance to see him live in Denver.

Adrianne Lenker, photo by Germaine Dunes

Wednesday | 06.26
What: Adrianne Lenker w/Twain
When: 6
Where: Mission Ballroom
Why: Adrianne Lenker has firmly established herself as both a member of one of the more acclaimed bands of recent years and as an equally respected solo artist. Lenker had already garnered critical accolades before Big Thief got going in 2015. Her second album Hours Were the Birds was released on Saddle Creek in 2014 already revealing Lenker’s gift for articulating personal insight with spareness of composition and vulnerable minimalism. A decade later Lenker offers her latest record Bright Future which while offering more orchestral arrangements still comes across as Lenker finding the poetic essence of solitary revelations that flash into your mind fully formed. The cover art to the record give you a clue into the vibe a bit of late evening drives on the road with enough time to sort out the important thoughts from the distractions. Lenker’s voice intoning with a tender slight warble like the songs were worked out around a campfire with friends.

French Cassettes, photo by Marisa Bazan

Wednesday | 06.26
What: French Cassettes w/Body and Barbara
When: 8
Where: The Skylark Lounge
Why: French Cassettes is touring in support of its latest album Benzene. The latter is frontman Lorenzo Scott Herta’s family nickname given without the usual connotations. It’s a gentle set of songs with rich melodies like an indie rock psychedelic band with an ear for lushly orchestral arrangements reminiscent of art pop bands like The Magnetic Fields and Belle & Sebastian. It’s a record about miscommunication and reconnecting on a better basis while owning up to shortcomings and coming together to sort out the barriers to mutual comprehension and coming to terms with how we’ve been, how we are and how we will be.

Yellow Card, photo by Acacia Evans

Wednesday | 06.26
What: Third Eye Blind w/Yellowcard and Arizona
When: 5
Where: Red Rocks
Why: Third Eye Blind wrote one of the iconic songs of late 90s, late alternative rock with “Semi-Charmed Life.” The band’s upbeat music and wry humor has since garnered a cult following enough to be able to headline Red Rocks Yellowcard might have been forgotten as yet another pop punk band at a time when the world seemed awash in multiple generic versions of that sound. But its fourth album, 2003’s Ocean Avenue, somehow fused sunny pop punk with lyrics about struggling with what you want to do with your life, complicated relationships with the people in your life and the nature of relationships beyond those teen and high school romances that are the subject matter of a lot of rock, pop and certainly pop punk and emo. And hey Sean Mackin, the only original member left in the band, doesn’t just do lead vocals he plays violin and it actually adds an atmospheric element that doesn’t just sound like a gimmick in a punk band.

Steven Lee Lawson, photo courtesy the artist

Thursday | 06.27
What: Steven Lee Lawson + The Archers EP release w/Blacktop Musical
When: 7
Where: Roxy on Broadway in the Speakeasy Downstairs
Why: Steven Lee Lawson is a singer-songwriter from Denver whose musical exploits date back to the late 90s and early 2000s when as a fledgling musician he was involved in a variety of styles of music including the experimental/krautrock of Zubabi before finding his lane at the edges of Denver’s indie rock scene in the mid-2000s with the more classic pop and Americana-inflected projects like Oblio Duo and its multiple incarnations with then songwriting partner Will Duncan (now of Pleasure Prince). Lawson’s poetic lyrics shed a light on his attempts to come to terms with life challenges and struggles with a society and culture seemingly stuck on boosting dull and crass commercialism and anti-human systems of politics and economy. Lawson also spent some time as a sideman in bands like Ross Etherton and the Chariots of Judah before dropping out of actively being involved in music for a handful of years and then getting back into the joy of creating music again in recent years. Obvious touchstones like Harry Nilsson, Townes Van Zandt, Sparklehorse and Neil Young can be heard in Lawson’s musical DNA but his songs have always seemed deeply personal and idiosyncratic including his new EP Help Is On the Way due out June 27, 2024. Listen to our interview with Lawson here.

Fake Fruit, photo by Daniel Topete

Saturday | 06.29
What: Omni w/Fake Fruit and Tender Object
When: 8
Where: Hi-Dive
Why: Atlanta’s Omni has been one of the more interesting post-punk bands out of the past decade and more with intricate and angular rhythms and structures like a missing link between jangly college rock sounds and Wire’s art punk minimalism and ferocity. Its latest record Souvenir was borne out of creating during a time of immense change in the world during the course of the 2020 pandemic and how that has played out and necessitated some reflection and reassessment of one’s life and priorities but this time Omni does so with no small amount of wry humor and and vulnerability. Oakland’s Fake Fruit seems to share some similar musical DNA but with more jagged edges and noisy outbursts that bear the potential influence of arty guitar bands like Women and Lithics. With its forthcoming album Mucho Mistrust Fake Fruit has a wonderfully discordant fervor like The Pretenders gone unhinged and with the cathartic vitriol aimed at the anxieties of living under late capitalism and its trickle down inhumanity and has and continues to warp hearts and minds.

Quits, photo by Tom Murphy

Saturday | 06.29
What: Red Fang w/Spoon Benders and Quits
When: 8
Where: The Bluebird Theater
Why: Portland-based sludge rock band Red Fang makes a stop in Denver on its current tour. Frontman and bassist Aaron Beam grew up in Fort Collins and still has family in the Mile High City so it’s sort of a hometown show for the musician. Also on the tour is psychedelic doom prog band Spoon Benders and opening is one of Denver’s greatest noise rock bands Quits and its own mind-altering sonic assault and emotionally harrowing lyrics.

To Be Continued…

DISCHAAAGEEE’s Frantic, Synth-driven Song “Xuxu” Sits at the Sweet Spot Between Garage Rock, Synth Pop and Post-punk

DISCHAAAGEEE, photo courtesy the artist

Imagine a lo-fi blend of Devo, The Fall and Quintron and that will give you some idea what you’re in for listening to “Xuxu” by Japanese band DISCHAAAGEEE. Its propulsive pace, regimented yet borderline unhinged dynamics, playful synth melodies and enigmatic vocals sit in the sweet spot between garage rock, synth pop and post-punk. It sounds futuristic in the way it free associates musical ideas and recontextualizes them to make something that draws inspiration from what has come before without being beholden to it stylistically even if the spirit of that music can be heard echoing in the distorted gyrations and frantic pulses of “Xuxu.” Fans of Pow! and The Screamers will appreciate the songs surrealistic soundscaping and raw energy as well as its undeniably catchy tunefulness. Listen to “Xuxu” on Spotify and connect with DISCHAAAGEEE at the links below.

https://open.spotify.com/artist/3OEW90E5e6KLcFFRrDJCba
https://www.youtube.com/channel/UCK3Eokb8k_1NsZO4IQnLPrw
https://twitter.com/dischaaageee
https://www.facebook.com/uch.kenhttps://www.instagram.com/dischaaageee

Best Shows in Denver 07/12/18 – 07/18/18

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Neurosis performs at The Ogden Theatre on Wednesday, July 18 with Converge and Birds in Row Photo by Scott Evans.

Thursday | July 12, 2018

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Bell Witch, photo by David Choe

Who: Yob, Bell Witch and Primitive Man
When: Thursday, 07.12, 7 p.m.
Where: The Bluebird Theater
Why: Yob’s sludgy doom has always been accompanied with a healthy sense of play. Yes, the crushing heaviness of the band’s music is undeniable but so is the group’s obvious self-awareness. It’s latest record, 2018’s Our Raw Heart subverts doom conventions with almost buoyant melodies and dynamics and a layering of conventionally pretty sounds and gritty, deeply textured atmospherics. It’s only fitting that the trio is touring with fellow Pacific Northwesterners in the duo Bell Witch from Seattle. The latter has crafted majestic and minimalist soundscapes since its 2010 founding. With the tragic death of former drummer/vocalist Adrian Guerra in 2016, bassist/vocalist Dylan Desmond recruited Jesse Shreibman to continue with the project. The first album with Desmond and Shreibman, 2017’s Mirror Reaper, is both a continuation of the colossal sonics of the band’s first two albums but also a step further into a powerful and moving expression of grief and despair as well as an evocation of cosmic time and our place in it. Conceived of as a single track at over eighty minutes, Mirror Reaper may move slowly and employ repetitive dynamics but it never seems to overstay its welcome. Opening the show is Denver’s own juggernaut of death metal and doom, Primitive Man.

What: Musical Mayhem: Spyderland, Enji and Snaggletoothe
When: Thursday, 07.12, 8:30 p.m.
Where: Lion’s Lair
Why: Musical Mayhem had a home for quite some time at The Skylark Lounge. But now the night curated by Claudia Woodman is happening at Lion’s Lair. Spyderland is a weirdo music duo including Marie Litton of Pretty Mouth and Drew McClellan of Archipelaghost. Enji is TripLip bassist Kevin Schultz doing solo material that sounds like Hella doing music for an 8-bit video game. Snaggletoothe is a noisy, improvisational rock guitar and drum duo.

What: Glasss Presents The Speakeasy Series Season 2: Fringe Class and Dorian
When: Thursday, 07.12, 6 p.m.
Where: Hooked On Colfax
Why: How Portland, Oregon’s synth pop dance band Fringe Class is going to play at Hooked On Colfax is anyone’s guess. But paired with the more ambient Denver project Dorian maybe the group will do a more stripped down set than it will do in other rooms during its trip through Denver.

What: Lou Barlow
When: Thursday, 07.12, 7 p.m.
Where: Bruz Beers
Why: Lou Barlow of Dinosaur Jr and Sebadoh playing a solo set at Bruz Beers? Given Barlow’s love of brilliantly unusual guitar styles like those of Joni Mitchell, it could be a chance to see something unlike anything you’ll see from Barlow in Denver again.

What: The Dandy Warhols w/Uni
When: Thursday, 07.12 and Friday, 07.13, 8 p.m.
Where: Ophelia’s Electric Soap Box
Why: The Dandy Warhols are still kicking along and remain one of the great live bands that came out of the alternative rock milieu that’s still around and not milking some nostalgia circuit. Normally the band plays much larger venues making this string of shows at Ophelia’s a rare chance to catch the band in an intimate environment.

Friday | July 13, 2018

 

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A$AP Ferg, photo by Jason Goodrich

What: A$AP Ferg w/IDK and Buddy
When: Friday, 07.13, 7 p.m.
Where: The Ogden Theatre
Why: For a guy that did visual art and fashion before doing music, realms in which he excelled, A$AP Ferg has done well for himself. While not a pioneer of trap, which had its roots in music that came out before he was born, Ferg nevertheless became one of the genre’s most skilled practitioners in the 2010s. Having the nerve to name his 2013 album Trap Lord, Ferg could at least back-up the bravado and embody the claim. What has kept the rapper interesting is the fact that there’s an unmistakable unusual quality to his beats and wordplay. Perhaps grittier than the work of his A$AP Mob cohort A$AP Rocky, Ferg nevertheless shares a sensibility that aims beyond genre and beyond hip-hop. Even when he engages in lyrics rife with hip-hop tropes, Ferg uses them as elements rendering them meta and more like musical elements than anything to be taken at face value. 2017’s Still Striving showcases the artist’s ever-evolving incorporation of musical elements that give his songs a layered dimensionality.

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Sarah Shook & The Disarmers, photo by John Gessner

What: Sarah Shook and the Disarmers w/Timmy The Teeth
When: Friday, 07.13, 8 p.m.
Where: Hi-Dive
Why: Sarah Shook’s country songs of survival and struggle reflect her upbringing in a fundamentalist Christian family that made the town elders in the movie Footloose seem open-minded by comparison. The video for “New Ways to Fail” (doesn’t the title tell a lot already) shows some everyday urban rebels skateboarding as Shook lays out immediately relatable, self-deprecating lyrics. But every song on the band’s 2018 album Years is, as Henry Rollins once said of early Black Flag records, a direct line to what the fuck it’s all about in America for anyone that can’t expect much out of a society and a culture built on getting us to neglect ourselves and each other on a rat race to nowhere. But there’s an inherent hope in Shook’s music because she’s out there touring and expressing so eloquently and understanding of the everyday lives of anyone that might come to catch one of the band’s shows.

What: Compost Heap Day 1
When: Friday, 07.13, 4 p.m.
Where: Seventh Circle Music Collective
Why: The first day of a festival that is to some extent a celebration of the more folk end of punk and bands within that general realm of music. Schedule for today: Real Lyin’ Rohr 4, Just Hanging Out (TX) 4:40, Violet Valentine 5:20, Fire Ant Season (TX) 6, Marissa 6:35, Paul Ski & The James Joyce Letters 7:15, Bird Teeth (WA) 7:55, Long Sought Rest (WA) 8:35, JSR 9:15, Whistlepig (AZ), Crow Cavalier 10:35

What: Quintron & Miss Pussycat w/Phallic Meditation
When: Friday, 07.13, 8:30 p.m.
Where: Lost Lake
Why: Quintron & Miss Pussycat from New Orleans somehow combine a high energy weirdo cabaret/psychedelic rockabilly show with a mind-altering puppet theater performance. Always entertaining and it will transport you outside your everyday life if you let it.

Saturday | July 14, 2018

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Rowboat circa 2013, photo by Tom Murphy

Who: Great American House Fire
When: Saturday, 07.14, 10:30 a.m.
Where: Ross Cherry Creek Library
Why: Someday more bands will figure out that the emotional rawness of emo, the diverse songwriting methodology of 2000s indie rock bands, Americana’s textures and warmth and soulful vocals are completely complementary elements for a band. But for now you can catch a group that excelled at that going back to the days of Denver’s Spokeshaver, from which Great American House Fire draws some of its membership. Now presented on a Saturday morning at the Cherry Creek branch of Denver Public Library,

Who: Rowboat, Wild Call and Grass
When: Saturday, 07.14, 9 p.m.
Where: The Skylark Lounge
Why: Sam McNitt’s roots in folk music and literature probably account for some of the sophistication and poetic sensibility to his music. When he was writing music with his old space rock band Blue Million Miles he met the challenge of amplifying his expressive and emotionally taut vocals. Rowboat is more an expression of McNitt’s more sonically gentle work but the emotional colorings are still vibrant and complex. Wild Call is one of Denver’s best psychedelic rock bands because it’s gone beyond the whole psychedelic bandwagon of the past decade with grittier sounds and lyrics that tap into psychological spaces that can’t be reduced to a celebration of mind altering chemicals and partying. Grass is a noisy shoegaze band from Boulder whose 2016 album Dragwire is pleasantly reminiscent of Night Beats and the more dirty dream pop acts on the Siltbreeze label.

What: Compost Heap 3 Day 2
When: Saturday, 07.14, 3 p.m.
Where: Seventh Circle Music Collective
Why: Schedule for day 2 of Compost Heap 3, a kind of folk punk festival (Sliver isn’t folk punk unless someone wishing they were Bad Brains is folk punk–the argument could be made) featuring artists from Colorado and far beyond: open mic 3, Murder Person For Hire (IL) 4, Sliver 4:40, Old Fox Road (IL) 5:20, Rascal Mikes (OR) 6, Chatterbox and the Latter Day Satanists 6:35, Hello Darkness 7:55, Human Behavior 8:35, Shooting Tsars (TX) 9:15, Fun Abuse (CA) 9:55, Suspicious Activity 10:35.

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Modern Leisure, photo courtesy Modern Leisure

Who: Modern Leisure album release w/Down Time and shark dreams 
When: Saturday, 07.14, 8 p.m.
Where: Syntax Physic Opera
Why: Indie pop band Modern Leisure is celebrating the release of its new album, Super Sad Rom-Com. As usual, Casey Banker’s songs are well crafted pop gems with lyrics that are self-deprecating but never maudlin. This time around Banker seems to have a chuckle at the excesses and absurdities of life in America now and navigating interpersonal hurdles while finding it all a bit wearisome. Banker’s employment of melancholic tones has always been good but with Super Sad Rom-Com he’s taken it to places he hasn’t before with his keen ear for emotional and tonal nuance. Also on the bill is Down Time who have quietly been one of the most interesting pop bands out of Denver since its inception two or three years ago combining the intimacy of folk, rock and an experimental streak born of needing to do things in your own way with available equipment and personnel like a drummer/bassist at one point. Not unlike a Young Marble Giants but one that could only have happened in the Twenty-First century.

Who: SPELLS (album release) w/Cheap Perfume, Future Perfect, People Corrupting People
When: Saturday, 07.14, 8 p.m.
Where: Hi-Dive
Why: SPELLS is putting out its odds and sods album Loose Change, Vol. 1 at this show. The band’s joke, and song, is “80% is Good Enough” and isn’t it really? Forget that oh so American overpromising, boastful nonsense that seems to be an angstrom of our president’s ego and narcissism. Trying too hard without adequate compensation makes chumps of everyone. At any rate, the Denver-based punk band is releasing the compilation through guitarist Chuck Coffey’s scrappy little label Snappy Little Numbers as well as Chicago imprint Anxious and Angry. On red vinyl. So get them while you can. The other bands on the bill are pretty alright too including Colorado Springs’ unabashedly fun feminist punk band Cheap Perfume. At this point having to say a band is feminist seems redundant and regressive because it’s a perspective that should be the part of the thinking and ethos of anyone in America in this century and if not, do some catching up. Maybe start slow and check out some bell hooks, Betty Friedan, Adrienne Rich, Clarissa Pinkola Estés and Inga Muscio. It could happen.

Sunday | July 15, 2018

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Jackie Cohen, photo by Anise Lew

Who: Jackie Cohen w/Jobless and Hillary Susz
When: Sunday, 07.15, 7 p.m.
Where: Lost Lake
Why: Jackie Cohen just put out her first proper music EP, 2018’s Tacoma Night Terror Part 1. If you’ve spent any time in Tacoma this might be a truthfully humorous exaggeration of a memory from time spent there. For a Colorado specific reference, big stretches of Tacoma are a lot like Commerce City and Thornton but even more worn out with blocks of dubious legitimacy. Cohen’s songs may have some connection to that vibe on some level. The recordings sound older like finding a well-listened to pop cassette from the 70s including the hiss. But none of these songs could really have come out back then. It’s the post-jaded self-discovery vibe that Cohen nails that makes the best Fleetwood Mac songs worth listening to after enduring repeated broadcast of those songs on the radio or friends who never had to experience that music the first time getting obsessed with entire too much music that came out of artists who were entirely too familiar with cocaine and quaaludes. Cohen’s performance isn’t jaded and that’s what makes the difference. She sounds like she’s been through it, man, but finds that dulled emotions don’t work for her and that life must go on even if you’re not over the pain of a bad experience in relationships and other disappointments in life. That you get to see Denver’s great folky, experimental indie rock trio Jobless is more than a bonus, it would be reason enough to go.

What: Compost Heap 3 Day 3
When: Sunrday, 07.15, 3 p.m.
Where: Seventh Circle Music Collective
Why: This is the third and final day of Compost Heap. Less on the folk punk side this day with the likes of hip-hop artist Adam Selene, noise punks Plasma Canvas and hard rock band The Velveteers but the ethos is one shared between the artists. Today’s schedule (all times being p.m.): open mic 3, Patrick the Pirate 4, Adam Selene 4:40, Queen Ren Faire Dance Party (TX) 5:20, Davey Dynamite (IL) 6, Bert Olsen 7:15, Wayfairy 7:55, Ludlow 8:35, Dandelion Massacre (CA) 9:15, Plasma Canvas 9:55, The Velveteers 10:35

What: Final Show at The Climax Lounge
When: Sunrday, 07.15, 4 p.m.
Where: The Climax Lounge
Why: A Taste of Denver to most 80s punks, The Raven to punks in the 90s and in the 2000s mostly The Climax Lounge (its original name), this building at 2217 Welton Street was one of the most important venues for a real underground music world in Denver. It will be knocked down to build yet another shitty, cheaply built condo that downtown doesn’t need or maybe yet another brewery or some other Nü Denver crap that has become the inevitable for all the cool, historic buildings that made Denver a worthwhile and interesting place to live and make art and music for decades. It’s not the nail in the coffin by any means and it hasn’t been a terrible active music venue in years but for many it’s like seeing your favorite high school hangout get the axe. The bands playing on such short notice include the following: Sputnik Slovenia, Scooter James, The Narrow Down, Bourbon Brawlers, Dangerous Friends and National Blues Arsenal.

Monday | July 16, 2018

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Marisa Anderson, photo by Jason Quigley

Who: Marisa Anderson w/Howling Hex and Cuckoo
When: Monday, 07.16, 7 p.m.
Where: Lost Lake
Why: Marisa Anderson’s masterful, expressive, guitarwork, on mostly instrumental songs, evokes moods, landscapes and memories in a way more vivid and emotionally immediate than many artists. One might consider her music in the realm of folk but in the more experimental vein of a John Fahey or Michael Hurley. Her 2018 album Cloud Corner finds Anderson sketching in different ways with her guitar, more impressionistic than solid, if intricate, lines. She shares the bill with Colorado-based Howling Hex whose music is a hypnotic, for lack of a better word, avant-garde Mariachi/norteño band led by Neil Michael Hagerty whose legacy of experimental guitar music includes his stints with influential bands like Pussy Galore and Royal Trux as well as noise super group Dan’l Boone. Cuckoo pretty much blurs the line between noise rock, punk and mathy-folk.

Who: Unknown Mortal Orchestra w/Shamir
When: Monday, 07.16, 7 p.m.
Where: The Gothic Theatre
Why: Ruban Nielson probably could have enjoyed a respectable career in music in his home country playing in his Flying Nun-signed band The Mint Chicks. But New Zealand is a small place and Nielson relocated to Portland, Oregon as he and his brother Kody have dual citizenship with their mom having been a hula dancer from Hawaii. Their new band Unknown Mortal Orchestra, formed in 2010, had that quality of just off of standard guitar rock that seems to be the hallmark of all New Zealand Bands but it also introduced a kind of psychedelic flavor that wasn’t basically following what would become a popular musical trend in America and elsewhere. UMO had crafted its own flavor of transporting music that suggested a parallel dimension where pop music could reconcile atonality, unusual shifts in rhythm the likes of which one might expect out of one of the weirder prog bands like Can or Faust. UMO has done well enough and produced a solid body of work up to and including the 2018 album Sex & Food. Lead single “Hunnybee” with its yacht rock leanings probably confused some fans because it sounds a bit like an old Foxygen track but the whole album has plenty of UMO’s wonderful weirdness.

Wednesday | July 18, 2018

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Chief White Lightning, photo by Jack Grisham

Who: Neurosis w/Converge and Birds in Row
When: Wednesday, 07.18, 7 p.m.
Where: The Ogden Theatre
Why: Neurosis evolved out of the San Francisco Bay area’s post-punk/hardcore scene and its earliest albums have more in common with the likes of English anarcho punk bands like Amebix and Crass than perhaps some of their hometown’s well-known punk luminaries. Yet by 1992 the group had garnered the interest of former Dead Kennedys singer Jello Biafra who mixed that year’s Neurosis record, the decidedly more metal Souls at Zero. Neurosis has since then established itself firmly as a powerful live act whose records have pushed the boundaries of metal, hardcore and psychedelic music more than almost another other single band. Most of the truly interesting and innovative modern extreme metal bands can trace a strand of influence to Neurosis. Tourmates Converge were pioneering their own form of metal and hardcore crossover in Salem, Massachusetts. By 2001, the group had developed a particularly savage and precise form of posthardcore whose sound and aesthetic permeates a good deal of the extreme metal of today as well as any hardcore band that wants to taken seriously. Its live shows are legendarily intense and be prepared for the cascade of would-be stage divers and crowd surfers.

Who: Greg Hill presents the Zebra Skin Shirt release
When: Wednesday, 07.18, 7 p.m.
Where: Tattered Cover – Colfax location
Why: Former Six Months to Live and current Manotaur frontman Greg Hill will present the release of his latest novel, Zebra Skin Shirt, the third and final installment in the Stratford County trilogy all set in Colorado (including 2012’s East of Denver and 2015’s The Lonesome Trials of Johnny Riles). Hill’s gift for incorporating the supernatural and even science fiction concepts into deeply personal novels about people struggling with their personal shortcomings in life and in their relationships or attempts thereof are always incredibly engaging and entertaining brimming with Hill’s vivid descriptions, sense of humor and attention to detail whether that’s in recreating past Denver and Joes, Colorado locations or intricacies of plot. Zebra Skin Shirt may be Hill’s most unusual novel to date and his best. If you have to miss the release it’s easy to find the book online including at Amazon.

Who: Chief White Lightning w/Keef Duster
When: Wednesday, 07.18, 9 p.m.
Where: Hi-Dive
Why: Josh Logan may be cultivating that look somewhere between Elvis, Zach Galifianakis and Joaquin Phoenix from I’m Still Here, but seeing as he is a member of Austin stoner rock band Blind Pets, his music pleasantly flies in the face of the expectations one might have just looking at his stage persona. The band’s fuzzy, poppy punk and country mix shouldn’t work and the kitsch should render it difficult to take seriously but the group’s new self-titled album is impossible to dismiss as anything but a great rock and roll album with more diversity of sound and songwriting style than a lot of bands who have delved into modern rock and roll.