Queen City Sounds Podcast S3E26: CALAMITY

CALAMITY, photo by Tom Murphy

CALAMITY began as the solo project of Kate Hannington whose journey to her current musical endeavors has been unorthodox, circuitous and in the end seemingly inevitable as a culmination of a life in creative work in various ends of that world. Hannington grew up in the Cleveland are and was involved in performing classical music as an oboe player who initially went to college to be in the sciences but found that deeply unsatisfying despite having a gift for engineering and she went on to New York City and ultimately earned a degree in music and got involved in the avant-garde music community in the city. But Hannington found herself at a life crossroads again and landed a job in Denver working on repairing musical instruments and then working in an engineering capacity for a major defense contractor near the Mile High City and discovered the local underground music world. Falling in with a circle of friends including Chris Adolf, Joe Sampson and Adam Baumeister Hannington found a group of people with whom to casually perform and exchange ideas in weekly get-togethers. Out of that milieu she started writing the songs that would form the core of the music for the early CALAMITY which she performed at the open mic at Syntax Physic Opera just in time for the COVID-19 pandemic to hit. It was around that time that Hannington had been working on her latest live film score in collaboration with a friend. The extended time off from even having performing live as an option allowed Hannington the time to refocus on her decision to make music a priority as it was the only thing over the course of a successful regular work life that felt like where she wanted to be. When shows started happening again, CALAMITY became an active project and most often during 2022. The musical style would be difficult to narrow down to something definitive except to say that it has elements of shoegaze, left field punk, Americana and all united by strong songwriting and Hannington’s powerful and expressive voice and strong stage presence. All of this can be heard strikingly on the debut CALAMITY full-length Chiromancy. From the gorgeously symbolic cover art to the vividly captured and produced recordings there is a unified intentionality that seems obvious in every detail. Hannington’s stories hit as deeply personal but also as a widely relatable set of narratives of letting go of relationships, the beliefs, the habits and associations that hold us back from a fulfilling and rewarding life and moving on toward it.

Listen to our extensive interview with Hannington on Bandcamp and follow CALAMITY at the links below. The band is having an album release show at The Skylark Lounge on Friday, October 6, 2023 with Allison Lorenzen and Soy Celesté. Also catch Hannington performing with local rock supegroup Easy Ease.

katehannington.com

CALAMITY on Bandcamp

CALAMITY on Instagram

Kate Hannington/CALAMITY LinkTree

Queen City Sounds Podcast S3E25: Cinema Cinema

Cinema Cinema with Thor Harris (center), photo by Martin Bisi

Cinema Cinema is an art punk duo from Brooklyn, New York that has been crafting a diverse body of work since 2008. From its inception the group comprised of cousins vocalist/guitarist Ev Gold and drummer Paul Claro has perhaps intentionally crafted a body of work that embodies its name. The music is deeply rhythmic and combines cathartic sonics and deep moods. Its music caught the attention of Greg Ginn of Black Flag fame and has been invited on various jaunts with the aforementioned foundational and influential band as well as Ginn’s other projects. Cinema Cinema has performed nearly 500 shows in its career across 11 countries and its thus far seven albums seem to be coming from a place that suggests the influence of gnarly free jazz like Naked City and the heavy, improvisational soundscapes of Neurosis. The seventh album Mjölnir was written and recorded in marathon sessions with multi-instrumentalist Thor Harris at BC Studio in Brooklyn with legendary producer of post-punk and noise rock Martin Bisi who has worked with Sonic Youth, John Zorn, Boredoms and Swans. Harris of course had been a contributing and touring member of Swans for years in addition to his stints in Shearwater, Xiu Xiu, Flock of Dimes and Thor & Friends since 2015. There is a spontaneous energy and rawness of emotion to the new record that will remind some listeners of a lost The Birthday Party album had that band gone into the realm of dub and ambient and folded that into its sometimes unhinged noise rock and jazz sensibilities.

Listen to our interview with Cinema Cinema on Bandcamp and follow the group’s antics and releases at the links below. Mjölnir released on July 14, 2023 and is available on vinyl and digital.

Cinema Cinema LinkTree

cinemacinemaband.com

Cinema Cinema Instagram

Cinema Cinema Facebook

Cinema Cinema YouTube

Cinema Cinema Twitter

Queen City Sounds Podcast S3E24: Nuclear Dudes

Nuclear Dudes, photo by Maria Alcantara

Nuclear Dudes is the solo project of Jon Weisnewski who has a career in video game development but who some may know for his time in heavy metal group Akimbo and most recently the sludge metal band Sandrider which released its most recent album Enveletration in 2023. Nuclear Dudes came about from Weisnewski having time away from the usual band activity during he early period of the 2020 global pandemic and ample creative energy to put into a project that didn’t necessarily require the direct input of other people. The initial album Bad At Sleep (2021) sounded like the soundtrack for a bombastic science fiction action film and at times informed by a sense of humor such as the title to the song “Shitty Terminator.” The name Nuclear Dudes of course hints at a self-awareness clued into the fun of making melodramatic music for fun on your own. 2022’s Gin & Panic continued the blend of extreme metal, industrial music and electronic soundscapes and the name check of actor and director Bill Duke who many may remember for his roles in Commando and Predator for a song title established the nerd level bonafides for the cultural references built into the Nuclear Dudes aesthetic and concept. For the latest album, Boss Blades (2023), Weisnewski brought on board Dave Verellen of Botch fame for guest vocals as well as Irene Barber of Dust Moth for the same. The songs are even more of a manifestation of a sound that suggests science fiction inspirations and the heavy guitar sounds, processed sounds, synth and manipulated vocals brought together the way you will hear upon giving the album a listen should appeal to fans of Godflesh and Author & Punisher.

Listen to our interview with Jon Weisnewski on Bandcamp and follow Nuclear Dudes at the links provided. Nuclear Dudes is performing live for the first time for Rat City Recon at Southgate Roller Rink in Seattle, Washington on Saturday, October 14, 2023.

Nuclear Dudes on Bandcamp

Nuclear Dudes on Instagram

Nuclear Dudes on Twitter

Queen City Sounds Podcast S3E23: Harmony Rose of The Milk Blossoms

Harmony Rose of The Milk Blossoms at Titwrench, October 3, 2021, photo by Tom Murphy

Harmony Rose is a vocalist and multi-instrumentalist in indie pop band The Milk Blossoms. Born in Brooklyn, New York, Rose’s family moved to rural Colorado during her elementary school years and she attended high school in Durango. It was there that she met and befriended her future bandmate Michelle Rocqet. Right out of high school Rose moved to Portland, Oregon for about a year and began her initial forays into songwriting before ultimately landing in Denver where she lived with a friend at a house show venue putting her in the right place at the right time to be involved with one of the peak periods of DIY music culture in the Mile High City. As circumstance would have it Rocqet was looking for a place to live shortly afterward and moved into the same house where the two formed the foundation of the band that would come to be called The Milk Blossoms. Initially calling their collective project Architect, the band became something of a staple in the DIY music world and as their music and songwriting developed they changed the name to The Milk Blossoms. With the addition of multi-instrumentalist Blair Larson, The Milk Blossoms definitely made their mark on the local scene and their unique and emotionally rich melodies and vulnerable songwriting struck a chord well beyond the DIY music world with the then trio having been a featured artist on live radio shows and the Sounds on 29th program in 2016 on Rocky Mountain PBS.

To date, The Milk Blossoms have two albums Worrier (2015) and Dry Heave The Heavenly (2018) with a third featuring the new lineup due out in 2024. The immediacy of the songs The Milk Blossoms has been striking in both the music itself and the thoughtful and emotionally resonant lyrics from the beginning but with the new set of songs, Rose feels like she has focused more on the discipline of her craft in singing to a click track to bring more consistency to the recording process. Although Rocqet stepped away from the band in 2023 to focus more on her academic pursuits and professional opportunities in New York City, she had been active in the production of the new album which includes contributions from current members William Overton (keyboards, formerly of Loanword), David Samuelson (bass, member of Church Fire and formerly of Bangtel and Culture Pig) and Tyler Lindgren (drums, engineering, formerly of Holophrase and True Aristocrats). Whatever the configuration at the heart of the music of The Milk Blossoms is a delicacy of feeling and unexpectedly powerful emotional impact on the recordings and especially in the live setting.

Listen to our interview with Harmony Rose on Bandcamp and catch The Milk Blossoms at The Black Buzzard on Friday, September 15, 2023 with Isadora Eden and Bell Mine. For more information regarding The Milk Blossoms, visit one of the links below the interview.

themilkblossoms.com

The Milk Blossoms on Facebook

The Milk Blossoms on Instagram

The Milk Blossoms on Bandcamp

The Milk Blossoms on Apple Music

Queen City Sounds Podcast S3E21: John Gross

John Gross at Rhinoceropolis in March 2012, photo by Tom Murphy

John Gross is one of the godfathers of the Denver noise scene since becoming active as a noise artist as a member of Page 27 in 1994 when he was still in high school. That project began as more of a trying a variety of sounds as a kind of live improvisational sound collage with a changing lineup and a wide array of instrumentation but by the end of the decade had evolved into the more electronic configuration for which it became known in the realm of noise. For a comprehensive lesson on what noise encompasses simply plug “Noise music” into a search engine and read the Wikipedia entry. Gross has been involved in making a variety of the forms of that music with analog and electronic devices and methods and as one of the most prominent practitioners of the art in Denver and beyond (primarily in Page 27 with founding member John Rasmussen but also as a member of projects such as Zoologist with Todd Novosad, Robot Mandala and doom band Burn Heavy among others) he has also been an advocate for other artists in noise in setting up shows and helping to organize the long running Denver Noise Fest. While his prolific recorded catalog can be challenging to track down as it’s often been on formats and limited editions that didn’t get transferred to streaming platforms you may be able to give a listen on performances uploaded to YouTube or on Soundcloud. After an extended hiatus with the onset of the pandemic, Gross has resumed performing under his own name and with Zoologist. Long affiliated with the DIY scene in Denver and elsewhere for pragmatic reasons as most venues don’t book noise as a kind of niche musical style that can alienate people with more conventionally-minded tastes, Gross lived in and helped to run Rhinoceropolis from 2010 to early 2020 and the onset of the COVID-19 pandemic.

Listen to our interview with Gross about his life and time in noise and getting into the DIY and noise scenes on Bandcamp and for more information on John Gross and his music, please visit the links below. Gross will be performing at D3 on Saturday, September 2, 2023 with Human Fluid Rot (FL), Many Blessings, Castration Pact, Whitephosphorous (TX) and Sounding and on Friday, September 29, 2023 at Seventh Circle Music Collective with Granular Breath (IA), Dead Hawk (Springs) and A Light Among Many. Doors 7pm for both shows. Typically asking $10 at door.

page27.com

Page 27 on Bandcamp

Zoologist on Bandcamp

John Gross on Instagram

Queen City Sounds Podcast S3E20: The Siren Project

The Siren Project, image courtesy the artists

The Siren Project is a downtempo/dream pop/post-punk band that started in Denver in 1998 and quickly became a staple in the local Goth and alternative rock scenes for several years. When the cultural infrastructure around the Goth scene began to dissolve and being a band perceived as making music in that style and the social connections surrounding it didn’t quite line up with the ascendance of mid-2000s indie rock in Denver, The Siren Project most often performed at events and club nights that catered to the subculture. And during the course of life events that sometimes put being more active on hold the band remained the enduring duo of vocalist Malgorzata Wacht and producer/synthesist Alex Seminara throughout the 2010s and now 2020s. In 2016 The Siren Project released its debut album Denouement. The record included songs dating back to the group’s earliest days and featured the contributions of various collaborators and yet at its heart was the sense of yearning and connection, of a romance with life and its meaning. Wacht’s powerful and expressive vocals and the lush and dreamlike melodies conveyed a very European sensibility that one hears in bands that influenced the duo’s early creative efforts like Clan of Xymox, Depeche Mode, Dead Can Dance and The Cure. Yet The Siren Project very much as its own sound that has set itself apart from its peers in the older Goth scene of Denver and of today. These days the style might best fall under the umbrella of darkwave seeing as its songwriting style and aesthetic has had less in common with industrial and EBM and more with modern acts like Boy Harsher, KANGA and Kaelan Mikla.

Listen to our interview with Wacht and Seminara on Bandcamp and follow The Siren Project at the links below. The band has a live show opening for Goth industrial legends Seraphim Shock at The Oriental Theater on Friday, September 1, 2023 with Faces Under the Mirror, hosted by Sid Pink and DJ sets from DJ Slave 1. For more information on the band and its goings on as well as to listen to the music please visit the links below.

thesirenprojectmusic.com

The Siren Project on Facebook

The Siren Project on YouTube

Queen City Sounds Podcast S3E17: Everything Is Terrible!

Everything Is Terrible!, photo by Jim Newberry

Since 2007 Everything Is Terrible! has mined the detritus of media cultural artifacts from thrift stores, garage sales and the like in the form of VHS tapes and in more recent years some streaming video for content to recontextualize clips of the most absurd and awful videos into informative and hilariously disturbing new forms. EIT helped to propel trash media culture into the mainstream of meme-making with its now nine found footage documentaries that shine a light on what our culture has produced and often decided to forget the way it does the rest of disposable media that reveals often uncomfortable truths about the submerged aspirations and dreams of our collective, modern civilization. Since 2009 the artist collective has toured with screenings of its films and have incorporated a puppet variety show and music to add just that special little layer of the surreal and weird to enhance the viewing experience of the people that show up. Perhaps the collective’s most infamous project is its goal of collecting thousands of VHS copies of the 1996 film Jerry Maguire with the goal of building a pyramid from the tapes in the desert. As of May 2023, the collection has reached 40,000+ copies and counting. In 2022 EIT released perhaps its greatest and most coherent creation to date, Kidz Klub! The film draws on the sheer dreck of the most misguided and misconceived television and home video programming made for children designed to educate and in many cases indoctrinate the nation’s youth. Even a casual viewing of the movie reveals recurring themes that edited together seem to be a continuous narrative with a touch of hypnotic reputation. For this iteration of the collective’s creative output the soundtrack pulled both from the original source material and original composition establishes the perfect air of the hyper real and otherworldly at once. In the live setting the movie is split up into roughly 5-10 minute sections interspersed with the puppet show and dance and song routines giving it the air of a psychedelic variety show in real time. It’s the kind of thing no one was asking for but which we all needed as a dose of sanity in a world in which we are increasingly bombarded with random content disconnected from the endless stream that is life itself.

Listen to our interview with Commodore Gilgamesh on Bandcamp and for more information on Everything Is Terrible!, to purchase merch and copies of the videos, and for information on live performances, please visit everythingisterrible.com. EIT is currently on tour now with a stop at Meow Wolf Convergence Station in Denver on August 15, 2023 and for tickets click this link.

Queen City Sounds Podcast S3E15: Many Blessings

Many Blessings in 2021, photo by Tom Murphy

Many Blessings is the long-running, solo noise project of Ethan McCarthy. The latter is perhaps best known to the world outside of Denver as the vocalist and guitarist of extreme metal band Primitive Man. But McCarthy has long been one of the pivotal figures in Denver underground going back a couple of decades. He first came to prominence as a member of grindcore outfit Clinging to the Trees of a Forest Fire and he ran the DIY space that was the downtown location of Monkey Mania that transitioned into Kingdom of Doom under his stewardship. McCarthy has always exerted a benevolent influence in the Denver scene as someone who hosts shows, books events and as an ambassador within and beyond the Mile High City who not only ran Kingdom of Doom but spaces like Funhouse and Aqualung’s Community Music Space in addition to booking shows at Blast-O-Mat before it turned into Seventh Circle Music Collective. His musical output has bridged the worlds of metal, noise and experimental music of various kinds including one-off noise projects, death doom bands Vermin Womb, Death of Self and Keep. Many Blessings represents an evolution of McCarthy’s exploration of a more harsh noise end of that musical leaning with processed vocals and electronic components that allow him an outlet of self-expression not dependent on anyone else’s input or timeline or availability. It is also his most prolific musical endeavor to date with dozens of releases. In contrast to his more ambient solo noise concern Spiritual Poison, Many Blessings has gritty texture and a darkly cathartic reflection of the brutal and ugly aspects of our civilization. McCarthy has also made a bit of a name for himself as a visual artist and these days releasing that work through his Hell Simulation moniker with his evocative creations gracing flyers, album art, tour posters and more.

Listen to our interview with Ethan McCarthy of Many Blessings on Bandcamp and catch him live at Ghost Canyon Fest this weekend at the matinee show at Mutiny Information Café on Saturday, August 12, 2023. Many Blessings also tours internationally so there’s a good chance you’ll be able to catch a performance sometime down the line if you’re not able to make it to Denver for the fest. For more information on McCarthy and his visual art and other projects the best portal of contact is likely via hellsimulation.com.

Queen City Sounds Podcast S3E12: Stella Rose

Stella Rose, photo courtesy the artist

Stella Rose released her debut full length album Eyes of Glass LP on May 19 via Yves Rothman’s KRO Records. The daughter of a famous pop star, Dave Gahan of Depeche Mode fame, Stella Rose might have been given a pass for following in his footsteps as a songwriter and musician herself and resting on those laurels but even a superficial listen to the album and its early singles made obvious that Rose has forged her own creative identity beyond any advantages she may have had growing up. There is a thorny grit to the songs and a dark moodiness and intensity that has to come from self-cultivation. Visually this aesthetic has been given dramatic form in the three music videos for the singles from the album thus far in the treatments for “Angel,” “Muddled Man” and “Jane.” Rose has been performing live shows over the past couple of years and the footage has revealed an artist who has quickly established an individual musical vision that has continued to evolve even beyond the recording of the album. It is perhaps facile to compare to her to the likes of PJ Harvey but a bit of that raw energy and poetic sensibility (she got her start songwriting through her poetry and other writing) is part of Rose’s appeal as is her facility with combining the aesthetics of rock instrumentation and the electronic and though not obvious her instinct toward exploring more experimental newer artists Jenny Hval (as we discuss in the interview) is reflected in the creative directions each song takes.

Listen to our interview with Rose on Bandcamp and follow the songwriter at the links below.

Stella Rose on Instagram

Stella Rose on Twitter

Stella Rose and the Dead Language LinkTree

Stella Rose on TikTok

Queen City Sounds Podcast S3E12: Brian Krumm

Brian Krumm, photo by Gibran Hadj-Chikh

Brian Krumm is the frontman of Chicago-based Americana/alt-country band The Great Crusades and like most musicians at the beginning of the pandemic lock downs he found himself with ample time to think, consider and stew about the state of things and contemplate about the future of his chosen path in life. So in an effort to stay sane he drank a shot of whiskey every evening at 5 p.m. and tried to write a song. 25 days later he had 25 songs and over the course of the next two to three years he identified 11 that he could shape into an album and develop the material with band mates and other musical colleagues. The result is Just Fade Away, released as Brian Krumm and his Barfly Friends, out now on Pravda on digital, 12” vinyl LP and CD as well as streaming platforms. The record is a deeply introspective and poetically observed set of songs that get into an assessment of one’s life and one’s shortcomings, triumphs and the moments of joy that illuminate existence. Fans of Tom Waits will appreciate Krumm’s vulnerable rasp and the frank and witty storytelling is reminiscent of the likes of Robyn Hitchcock and Warren Zevon.

Listen to our interview with Brian Krumm on Bandcamp and connect with the artist at the links below.

briankrumm.com

Brian Krumm on Instagram

Brian Krumm on Twitter

Brian Krumm on Facebook

Brian Krumm on Bands In Town

Brian Krumm on Songkick

Brian Krumm and his Barfly Friends on Pravda Records Bandcamp