Queen City Sounds Podcast S5E17: Chris Stamey

Chris Stamey, photo by John Gessner

Chris Stamey is one of the leading figures of American indie rock as we know it. Born in Chapel Hill, North Carolina, Stamey grew up in Winston-Salem and earned a degree in philosophy from NYU. While living in New York, Stamey became the bass player for Alex Chilton’s band for around a year and released a 1978 by another Big Star alum Chris Bell on his own Car Records imprint with “I Am the Cosmos” and “You and Your Sister.” Around that time he formed The dB’s with Peter Holsapple. That band’s jangle guitar and post-punk sensibilities in terms of literary lyrics and willingness to write emotionally complex songs made it a favorite of college radio throughout the 1980s before splitting in 1988 (though back together since 2005). Stamey is renowned for his production and his credits would be too long to list. For example perhaps unexpectedly he produced the first two Le Tigre records and Pylon’s classic 1983 album Chomp. Simply put indie rock and pop bears the hallmarks of Stamey’s work directly on indirectly for decades. He has played in numerous bands during the course of his lifetime including a short stint in Let’s Active with his friend and also legendary producer Mitch Easter and he has had an acclaimed solo career as well.

Stamey’s latest long player Anything Is Possible released via Label 51 Recordings on July 11 on 12” LP vinyl (out August 8, 2025), CD, digital download and on streaming. The new record Stamey says “is a love letter to the kind of harmonically rich yet often lyrically innocent pop music I heard, on the family turntable and especially on AM radio, growing up in the late 50s and mid-60s in the American South.” With contributions from Tthe Lemon Twigs, Mitch Easter, Probyn Gregory (Brian Wilson Band), Marshall Crenshaw among other luminaries of modern music the album has the sophisticated and sonically detailed pop songcraft that Stamey has perfected across a lifetime. Shades of Harry Nilsson and Brian Wilson can be heard throughout the album supported by Stamey’s knack for fusing texture and tone into the kinds of pop hooks and moods that linger with you.

Listen to our interview with Chris Stamey on Bandcamp and follow the artist at the links below.

chrisstamey.com

Chris Stamey on Apple Music

Chris Stamey on YouTube

Chris Stamey on Instagram

Chris Stamey on Bluesky

Chris Stamey on Facebook

Chris Stamey on Twitter

Chris Stamey on Deezer

Chris Stamey on TIDAL

Chris Stamey on qoboz

Chris Stamey on Audiomack

Chris Stamey on Amazon Music

Queen City Sounds Podcast S2E30: Richard X. Heyman

Richard X. Heyman, photo courtesy richardxheyman.com

Richard X. Heyman recently released his 15th solo album 67,000 Miles An Album. The veteran musician and producer was is a founding member of The Doughboys who in the 1960s were a legendary garage rock band from New Jersey though their oeuvre was comprised mostly of covers of commercially successful bands of the time like The Yardbirds, The Kinks and of course the Rolling Stones. When the group split in 1968 (before re-forming in 2000) Heyman went on the drum for the likes of Brian Wilson, Link Wray, Jonathan Richman, played keys for Ben. E. King, guitar for Mary Weiss of The Shangri-Las. The new album includes new material and older work reworked and assembled as a kind of tour through time and in space. The earth travels through space at 67,000 miles per hour and on its axis at more than 1,000 miles an hour. The length of the album in time is approximately the distance you’ll have traveled as a passenger on spaceship earth. Recorded at both Heyman’s home studio Kick Factory and at Eastside Sound in NYC, the album features Heyman on vocals and a wide array of instrumentation with Nancy Leigh on bass and backing vocals and guest performances from Probyn Gregory on brass, Julia Kent on cello and Chris Jenkins on viola. Musically the album is brimming with infectious and exuberant melodies and exquisitely orchestrated power pop. It’s the kind of record that could have come out fifty years ago or now and seemed very much of the moment.

We had a chance to speak with Heyman about his career and his collaborations as well as the concepts and assemblage of the new record and you can listen below on Bandcamp. The album is now available on CD, digital download and via streaming services having released on Turn-Up Records on October 21, 2022. Please visit www.richardxheyman.com for details on listening and purchasing.