Tag: NNAMDÏ

Saturday | 09.07
What: Dust City Opera’s Haunted Costume Ball w/The Constant Tourists
When: 7
Where: Swallow Hill
Why: Dust City Opera is a rock band from Albuquerque, New Mexico whose sound interweaves orchestral Americana, dark psychedelia and art pop into cinematic and literary songs filled with evocative tales of “sadness, madness and mayhem.” But within the group’s rich body of work there is a surreal sense of humor and humanity that reveals an empathy for the human condition and the characters and situations depicted in which listeners can identify aspects of their own experiences navigating our often physically and emotionally perilous world. Since it’s 2018 foundation, pick any of Dust City Opera’s albums from its 2019 debut album Heaven to 2022’s horror and science fiction themed Alien Summer record to the 2024 EP Cold Hands (released March 8 via Rexius Records) and you’ll hear imaginatively eclectic arrangements and vivid narratives from a band that seems fully realized even as it’s still relatively early in its career. There is a theatrical sensibility to the music that translates to the band’s live performances that fans of the likes of DeVotchKa and Beirut will appreciate. For this rescheduled show in Denver the band is encouraging attendees to come dressed up for their Haunted Costume Ball to help launch spooky season.

Sunday | 09.08
What: Midwife w/DBUK and Polly Urethane
When: 7
Where: Bluebird Theater
Why: Midwife just released a new album called No Depression in Heaven, which is a heavy enough title on its own, but for the new album the mood isn’t quite as downcast as the previous album but the tenderness and vulnerability is still there with the sensitivity tuned more sharply into examining and evoking where memory and dreams intersect and the role that plays in how we live our lives and our psychological orientation of identity and aspiration. The records are all great but Madeleine Johnston is even more powerful live though this will be a bigger stage than usual for the songwriter at least in Denver and you’ll have to go to see how the music translates. Denver Broncos UK is a more post-punk offshoot of Slim Cessna’s Auto Club but still plenty of the element of Gothic Americana in its music. Polly Urethane always does a different kind of show and you don’t really know what you’re in for except that it’ll be interesting, it’ll incorporate aspects of performance art and ambitious composition and often breaking the barrier between performer and audience.

Monday | 09.09
What: Keane w/Everything Everything
When: 6:30
Where: Temple Hoyne Buell Theater
Why: Keane technically existed in an earlier form for nearly a decade before its 2004 album Hopes and Fears was released on major label Island Records. But that album reflected years of development and refinement of songwriting craft and even though the band received criticism for being derivative the record went on to multi-Platinum status in sales. The piano-driven songwriting and singer Tim Rice-Oxley’s vocal melodies though polished convey earnest sentiments that have connected with an international audience. With this tour the group celebrates the record that launched its career coinciding with support behind the remastered 20 year anniversary edition of the album.

Wednesday | 09.11
What: Osees w/Timmy’s Organism
When: 7
Where: The Ogden Theatre
Why: Osees is the ever evolving band led by John Dwyer and really you can check in anywhere in the band’s catalog and under any of its names and find records that are often radically different from the release that preceded it. The new record Sorcs 80 sounds like Butthole Surfers at its most manic mixed with Trans Am but delivered with the mutant stylings we’ve come to expect from the band. Motorik, psychedelic garage rock doesn’t quite cover the raw power and attitude of the album but it gives you an idea. Check out the live video of the performance of the album on YouTube. But best experienced in person as no YouTube video is an adequate surrogate for the vital, real thing unless you can’t be there.

Thursday | 09.12
What: Alphabeat Soup #75: Acidbat, DEBR4H, Melodies Never Lie, Yung Lurch, Furbie Cakes and Skyfloor
When: 9
Where: The Black Box
Why: The long-running showcase of some of Denver’s most daring and forward thinking experimental electronic music composers and performers this month features, among others, IDM/techno wizard Acidbat, Fort Collins-based synthwave/synthpop artist DEBR4H, the latest project from former Mehko and the Ocean Birds member Isaac Javier River as Melodies Never Lie and its fusion of dream pop and ethereal indie folk and ambient hip-hop producer Skyfloor aka Grant Blakeslee who some may know more as MYTHirst or in his collaborations with experimental pop genius Felix Fast4ward.

Thursday | 09.12
What: Kikuo
When: 7
Where: Ogden Theatre
Why: Kikuo is an acclaimed Vocaloid artist from Kanagawa Prefecture in Japan (basically suburban Tokyo but it’s a big urban sprawl in that part of the country). The artist is known for his highly detailed sound-design oriented dance pop songs that explore themes of trauma and suffering and the habits of self soothing that provide catharsis from both. For the uninitiated Kuko’s music sounds like music that reflects the moods and kinetic energy of anime and Japanese popular culture but expressed in a way that does honor to the underlying emotions that inform a lot of the best creative endeavors that have manifested out of Japan. And yet Kikuo’s music most often seems joyous and the live show like a high energy, live DJ set with samples and beats with vocals manipulated and processed into something that could only happen with technology, like the voices of a particularly upbeat, even kawaii, anime or video game characters but delivering heartfelt emotional content that contrasts with a conventional interpretation of that style of art.

Saturday | 09.14
What: Mortiis w/Brighter Death Now, Sombre Arcane, Malfet and Fogweaver
When: 6
Where: The Oriental Theater
Why: Probably the biggest dungeon synth show in Denver in maybe ever. Headlined by one of the genre’s pioneers, Mortiis who since 1993 has been crafting fantastical soundscapes that have exerted an influence on other practitioners of the music since. Brighter Death Now isn’t really a dungeon synth band but its industrial ambient noise seems to have been one of the foundations of what would become music in that style and its own industrial/power electronics style music evokes of the mysterious and otherworldly even as it can often be unsettling and confrontational. Colorado’s Fogweaver isn’t short on the fantasy elements of the music but its own synth compositions are well within the realm of ambient.

Saturday | 09.14
What: Deth Rali album release w/Hex Cassette, Church Fire and DJ Reed Fox
When: 8
Where: Hi-Dive
Why: Denver-based darkwave synth pop band Deth Rali is releasing its first album in three years with Ruby Castle Island. It’s a transporting and psychedelically inflected set of songs if early singles are any indication. Sharing the bill is one man industrial music death cult Hex Cassette. Okay, the death part is only a joke but part of the project’s aesthetic is going to the limit for one’s art and bringing the audience along for the ride to the darkwave industrial dance party or else. Church Fire has expanded its stage show with an even more robust light show to accompany its revolution darkwave and emotionally charged synth pop dance songs aimed at making resistance to the capitalist patriarchy fun.

Sunday | 09.15
What: Zheani w/The Buttress and ZAND
When: 7
Where: The Summit Music Hall
Why: Zheani is an electronic pop artist from Australia some of whose fans have dubbed her style of music “Fairy Trap.” What does this mean? Check out any of her music videos or live footage if you can find it and you’ll find music that mixes the ethereal and playful with hyper pop, trap beats and occult imagery and industrial-adjacent sonic intensity. Fans of Alice Glass both with Crystal Castles but especially solo will appreciate Zheani’s fantastical hybrid pop and visual aesthetic.

Tuesday | 09.17
What: Fabio Frizzi “Zombie” movie screening with live soundtrack performance
When: 7
Where: The Oriental Theater
Why: Italian composer Fabio Frizzi will perform his iconic score as a live soundtrack to a screening of Lucio Fulci’s classic 1979 film Zombi 2 (aka Zombie), which was to have been a sequel to George A. Romer’s Dawn of the Dead (1978).

Tuesday | 09.17
What: Johnny Marr & James
When: 6:30
Where: Paramount Theatre
Why: Johnny Marr, the legendary guitarist of The Smiths and later of Modest Mouse, shares a bill with fellow Mancunians James. The Smiths and James started the same year (1982) and likely crossed paths during the course of their careers. James had hits in college and alternative rock radio throughout the 80s and 90s maintaining a cult following for its exuberant and inventive, idiosyncratic songwriting with hits that include “Laid,” “Born of Frustration” and “Come Home.” Marr’s solo albums of recent years revealed the guitarist as an artist in his own right capable of writing compelling songs and live being able to deliver favorites by The Smiths. So this show will be a celebration of the band’s catalogs and continued ability to deliver it with a sense of joy and catharsis.

Wednesday | 09.18
What: Public Memory w/Voight and DJ Niq V
When: 7
Where: HQ
Why: Public Memory is the solo project of Robert Toher who has been releasing albums of entrancing darkwave techno for around a decade. With layers of dub rhythm and texture and an otherworldy cast like the most haunted music that came out of 90s IDM, Public Memory pushes boundaries of modern electronic music and often has a quality like even moodier trip hop. Voight is more like a true fusion of techno, noisy shoegaze, post-punk and an emotional intensity that nearly tips the music over and all the better for not playing it safe.

Wednesday | 09.18
What: Ulrika Spacek w/Bluebook and Pale Sun
When: 7
Where: Hi-Dive
Why: Ulrika Spacek is a psychedelic post-punk shoegaze band from the UK whose intricate guitar work seems to weave layers of mood rather than come across as an unusual form of math rock. Its 2023 album Compact Trauma had the melodic and rhythmic complexity of something you’d expect from Women or Black Midi but with more melancholic sounds like an English cognate of something more like Deeper and its proclivity for conveying emotional rawness. Bluebook is an art rock and dream pop band from Denver but don’t be fooled by the delicacy of expression on some of the recorded music you can find because there is a dark yet inviting and intense energy to the live show that has made the group a favorite among fans and critics. Pale Sun has some of the most imaginative and deeply evocative guitar work of any band from Colorado or elsewhere. It’s like experiencing a weather anomaly in real time with ethereal melodies and a resonant emotional colorings in its arrangements of voice and instrumentation.

Friday | 09.20
What: Marc Ribot Quartet (Hilliard Green, Chad Taylor, Mary Halvorson)
When: 7
Where: Mercury Cafe
Why: Marc Ribot is one of the true guitar geniuses of the past few decades. His style and skill means he has fit in with some of the most demanding jazz groups and experimental musicians and pop and rock mavericks around including the likes of Tom Waits, John Zorn, Foetus, Marianne Faithfull, Allen Ginsberg, Arto Lindsay, Ikue Mori, Cibo Matto, David Sylvian and Elvis Costello. His style seems to be boundary-less yet distinctive. This quartet is like if a way out free jazz band teamed up with a bunch of weirdos from the 20th century classical avant-garde.

Friday | 09.20
What: Charly Bliss w/Raffaela
When: 7
Where: The Marquis Theater
Why: Charly Bliss has been described as a mix of 90s alternative rock and pop of various kinds. But the salient aspect of the group’s music since its 2017 debut album Guppy has been a a pairing of vulnerability and joy. That combination along with the band’s playful exuberance gives an uplifting quality to even its more melancholic songs. On its new record Forever (released August 16, 2024) the quartet embraces even more thoroughly the influence of modern pop music with the electronic production thoroughly threaded into the songwriting. Still very much in place is a likability and a knack for tasty indie pop hooks.

Friday | 09.20
What: Beabadoobee w/Hovvdy and Keni Titus
When: 6
Where: The Fillmore Auditorium
Why: Beabadoobee has established herself as a singer and songwriter of note over the past seven years with a diverse body of work that incorporates a blend of styles without getting stuck in a definitive genre, a quality that is a testament to the likely durability of her career. But the songs and their delicately heartfelt style speak for themselves. From early bedroom recordings to her currently new album This Is How Tomorrow Moves (2024), Beabadoobee’s expressive vocals are often confessional but always distinctive in their ability to tap into poignant emotional resonances that augment the songwriter’s vivid lyrics. The new record in particular showcases a real gift for borrowing elements of classic and lo-fi modern pop in an eclectic style that seems orchestral and spare at once.
Hovvdy is an Austin-based duo that has offering contemplative and emotionally rich slowcore pop songs since its 2014 self-titled debut EP. Its, self-titled full-length finds Hovvdy delivering some of its most finely crafted soundscapes to date. At times the music seems like experiments in sound design and experimental songwriting. Like Charlie Martin and Will Taylor hopped back to making demos on cassette and trying to capture some of that room ambiance and the analog warmth of it and translating the intimacy of that sound to a more high fidelity environment without losing the essential charm. With the storytelling on the album one imagines a box of Polaroids as a starting point for turning cherished memories into accessible songs. Whatever the methodology or inspiration or techniques it’s a long record that seems to also come out of wanting to write an album that would sound good for a road trip.

Saturday | 09.21
What: Minstrels and Minimoogs performed by Gregory T.S. Walker, Elena Camerin Young and Todd Reid celebrating the reissue of the cosmic medieval masterpiece w/Pete Swanson & Entrancer and Luke Leavitt
When: 8
Where: Glob ($15)
Why: Gregory T.S. Walker released Minstrels & Minimoogs in 1988 as a music for an immersive, multimedia performance that took place at the Fiske Planetarium on the University of Colorado Boulder campus. It was originally released as a one-sided 12” and was really only ever available at performances at Fiske. But the Freedom To Spend label co-owned by Pete Swanson of experimental music legends Yellow Swans is reissuing the record with a special performance this night including collaborative sets with Swanson and modular synth genius Entrancer as well as Luke Leavitt. It’ll be a unique live music experience showcasing idiosyncratic synth composition the likes of which may never happen again.

Saturday | 09.21
What: Why? w/NNAMDI
When: 7
Where: Meow Wolf
Why: Yoni Wolf sounds particularly lost and yearning on the new Why? Record The Well I Fell Into (2024). The song’s have a more acoustic aspect in the instrumentation this time around and that lends it a different kind of sonic intimacy than some of the project’s previous music. It’s pastoral in its stories of growing older and feeling obsolete and unsure of what is left in life when those moments of existential crisis impact broad areas of your life and hit as so heartfelt it can sink your spirit. But Wolf offers no pat answers, just poignant expressions of the part of one’s life when you’re not sure what it all means and what felt like the directions and focus points of your life have disappeared or gone adrift and you’re left trying to sort through that emotional wreckage that can collapse upon you suddenly and make sense of where your life needs to be next. Also on the bill is experimental pop and rock weirdo NNAMDI whose energetic and eclectic, surreal pop songs expand notions of what a pop song can sound like and what it’s rhythms and structures can be.

Saturday | 09.21
What: Willie Watson w/Tanasi and The Sullivan Sisters at Wildflower Fallgrass ‘24: A Pavilion Pickin’ Party Night 2
When: 5:30
Where: Planet Bluegrass (Lyons)
Why: Former Old Crow Medicine Show singer/guitarist/banjo player Willie Watson released his latest, self-titled, solo album on September 13. The early singles promised a set of spare and intimate folk songs featuring Watson’s expressive vibrato delivering earnest portraits of life with a broad range of subjects and moods. Watson’s lyrics seem refreshingly free of tropes and rich with poignant turns of phrase that give his spare songwriting a rare dimensionality that reward a deep listen.

Sunday | 09.22
What: FM Skyline, Auragraph and Modern Devotion
When: 8
Where: Glob
Why: FM Skyline is a vaporwave composer and artist from Richmond, Virginia who a month ago released his album Images which sounds like a mix of the music for corporate training videos, The Art of Noise and New Wave New Age seminar soundtracks. Auragraph released his latest album New Standard on Dais Records in 2023 and its sounds brilliantly reconciled the aesthetics of techno, EBM and vaporwave. Opening the show is Denver’s Modern Devotion, the solo, industrial techno side project of Adam Rojo of shoegaze-infused post-punk greats Voight.

Sunday | 09.22
What: Everclear w/Marcy’s Playground and Jimmie’s Chicken Shack
When: 6
Where: Gothic Theatre
Why: Everclear is one of the few bands associated with the late era of alternative rock (although its roots date back to the beginning of that wave of music) whose music has aged well in spite of ubiquitous airplay in the 90s and on nostalgia playlists. In no small part that’s due to singer/guitarist Art Alexakis’ thoughtful and vulnerable lyrics and obvious authenticity. Sure he found a way to write songs with wide appeal but never sacrificed putting meaningful words into what he would sing on stage. In 2024 the band’s 2000 album Songs from an American Movie Vol. One: Learning How to Smile was released on vinyl for the first time on September 13 and there’s a better than average change the set will include material from that record as well as the band’s beloved hits.

Monday | 09.23
What: Leprous w/Earthside and Fight the Fight
When: 6
Where: Gothic Theatre
Why: Norwegian progressive metal band Leprous released its new album Melodies of Atonement on August 30, 2024 and demonstrated once again that its technical prowess and precision is a vehicle for ambitious songwriting. Passionate vocals and evocative synth-infused soundscapes and orchestrated, sweeping guitar create a layered effect like the band is thinking more cinematically than merely musically. In that way the group’s new record maybe more than its predecessors seems to bear the marks of the influence of the likes of Failure and Marillion. And though the songs are epic in scope each feels like they touch on the personal and the emotional resonance of the melodic vocals are akin to something from the better emo records of the late 90s.

Tuesday | 09.24
What: Future Islands w/Oh, Rose
When: 7
Where: Mission Ballroom
Why: Since early in its existence Baltimore’s Future Islands has mastered the pairing of upbeat and gorgeously melodic synth pop with sad, melancholic lyrics delivered with a passionate soulfulness. The combination has made listening to its music feel like you’re sharing moments with people who won’t lie to you about how rough life can be but also encourage you to embrace what’s good and even great about it. Its 2024 record People Who Aren’t There Anymore was written and recorded during the early part of the pandemic and into the endemic era and has as its subject matter the slow breakdown of singer Samuel T. Herring’s long-distance relationship during the period of lockdowns. Sure it’s a deep exploration of loss, existential doubt, self-assessment and learning to let go. All of which can be challenging for anyone but these songs make it feel like it’s something that not only can you do but do so without linger rancor and the kind of emotional trauma that limits your future ability to connect with people. The shows are always cathartic and high energy and yet intimate and tender making Future Islands a special band that made the transition from DIY scene notables to indie rock stars without losing the core of their art.

Thursday | 09.26
What: Spectral Voice, Polish, Nightshark and Mournful Ruin
When: 7
Where: Hi-Dive
Why: Spectral Voice is the black metal band from Denver three fourths of whom are also in psychedelic death metal group Blood Incantation. It released the album Sparagmos in February 2024 and thus unleashing even more of its spooky, sepulchral heavy compositions. The music sounds like the kind of music that should have been playing at the entrance to hell in Baskin. But this bill isn’t just a bunch of other death/black/doom metal bands and the like. Nightshark and its noisy free jazz freakouts will be on hand as well to offer its impassioned skronk and No Wave bop.

Friday | 09.27
What: NightWraith, Necropanther, Upon a Field’s Whisper and Lacerated
When: 8
Where: Hi-Dive
Why: Denver’-based melodic death metal heroes NightWraith just released their new record Divergence. This time around the synths lends an even more cinematic quality to the epic scale of the songwriting and personal struggles cast as those more eternal and the kinds of things heroes of myth and lore tangle with on the road to defeating the big bad. Also more than ever the band’s progressive rock leanings are present and in moments they sound like they’ve been listening to a lot of both Neurosis and early 80s Yes.

Saturday | 09.28
What: Peter Hook & The Light w/DJ boyhollow
When: 7
Where: Ogden Theatre
Why: Peter Hook is a founding member of two of the most important post-punk bands of the early era as the bass player of both Joy Division and New Order. This tour the band will perform the Substance albums so you’ll get plenty of the early JD and vintage era New Order stuff including songs that never much appeared on anything but singles and those two compilations.

Saturday | 09.28
What: Mass of the Fermenting Dregs w/Cam Kahin and Blush
When: 6:30
Where: Meow Wolf Convergence Station
Why: Mass of the Fermenting Dregs is the Japanese dream pop band who seem to somehow have blended art rock leanings into the songwriting while sounding like they wouldn’t be out of place in the poppier end of the Austin, TX shoegaze scene. A fusion of the sublime and of the noisy.

Saturday | 09.28
What: Tassel w/Plague Garden and DJ Katastrophy
When: 8
Where: Hi-Dive
Why: Tassel is a Phoenix, AZ-based post-punk trio who didn’t seem to feel the need to differentiate between the sound palette one would use for industrial punk, deathrock and darkwave. Currently on tour supporting its new album A SACRIFICE: UNTO IDOLS. Opening is one of the current great post-punk/New Wave bandsw of the moment with Denver’s Plague Garden. Its own electronic side is richly imagined and evocative with the guitar work both beautiful and gritty and expressive basslines that elevate the band’s music beyond the current wave of post-punk.

Saturday | 09.28
What: The National w/The War on Drugs and Lucious
When: 6:30
Where: Fiddler’s Green
Why: The National is already one of the most popular and critically acclaimed of indie rock bands of the past two decades. And yet the band continues to surprise with offering finely crafted albums that actually offer more than the usual tropes of adolescent struggles projected into adult life. 2023’s Laugh Track may not have garnered the critical acclaim of some of the band’s earlier records but its melancholic and pastoral songs sound like they’re about getting through a period of your life that feels like offers nothing new to spark your brain into action and like you don’t have much left to say to anyone that feels authentic and vital. It’s again the kind of record that shows a path to doing something creative and different even well into middle age without having to look back to that mythical time of youth when everything felt new. It’s an album about discovering something new or at least reinventing oneself and discovering the kinds of things that can inspire you all over again and find a reason to not feel like you’re treading water until the end. Middle age can feel like that for a lot of people and this album is aimed at show how that’s not an inevitability and that experience and perspective matter and can illuminate your existence for the rest of your life.

Sunday | 09.29
What: Jonathan Richman w/Tommy Larkins on drums
When: 6
Where: The Bluebird Theater
Why: Jonathan Richman isn’t filling stadiums and never has but his charmingly idiosyncratic and oddly wise and no oddly creative songs have been influential on generations of musicians and non-musicians alike. The keyboard player for his old band Modern Lovers went on to be in Talking Heads and plenty of punkers and other musicians have covered “Roadrunner” because it is absolutely one of the spiritual ancestors of punk in its glorious simplicity and unforgettable energy. These days Richman with Tommy Larkin are a fantastic duo who deliver some of the finest American songs ever written with humor and charisma.

Sunday | 09.29
What: Chrissy Costanza w/Voilá
When: 7
Where: Lost Lake
Why: Chrissy Costanza is currently on her first solo tour separate from doing shows with the band for whom she is perhaps most well known, Against the Current. The powerhouse singer is set to release her debut solo EP VII on October 9 so this is a chance to catch the artist perform those songs live prior to the album being available worldwide. The solo stuff is a bit of a break from the pop punk and alternative rock fusion of ATC and allows Costanza to stretch out into realms of vocal expression that might otherwise be out of place with the band.

Sunday | 09.29
What: NIKI w/Allison Ponthier
When: 6
Where: Summit Music Hall
Why: Nicole Zefanya was born in and raised in Jakarta, Indonesia and started playing and writing music from a young age. Good thing because at 15 she won a contest to be the opening act for Taylor Swift for Jakarta stop of The Red Tour. At eighteen she moved to Nashville to study music and began releasing music as Niki and was on the roster of the 88rising record label which specializes in putting out music by Asian American artists. Niki’s latest album is Buzz, a collection of jazz-inflected, bedroom-pop style songs with Zefanya’s tender and introspective vocals center stage. But in that tenderness you’ll hear some raw truth and attitude that can be as startling as it is welcome in separating Niki from other artists operating in a similar lane of modern indie pop.

Monday | 09.30
What: Spirit of the Beehive w/Winter
When: 7
Where: Meow Wolf Convergence Station
Why: As usual, Philly’s The Spirit of the Beehive offer us a psychedelic pop and IDM album that sounds like they used a cut up method of songwriting with all members writing a different style of music and collaging it all together in ways that make their own strange kind of sense with 2024’s You’ll Have to Lose Something. And they’ll pull it off live and seem like a band that is changing radio stations throughout one song yet make it seem coherent and compelling in the way a psychotronic film can be. Like a kinder, gentler Butthole Surfers.