
Maya Beiser’s actual heartbeat was recorded and used as the pulsating beat heard in the distance in her interpretation of the Beethoven classic “Moonlight Sonata: Adagio” from her forthcoming album delugEON due out August 30 on her own impirint Islandia Music Records. The layered cello rather than the original piano brings an especially sonorous tone to the piece. She expands, restructures and extrapolates throughout but returns to the iconic figure at the center of the composition on a recording that sounds like it was captured for an old 78 of music meant to be played during screenings of a Theodor Dreyer or F.W. Murnau film. Yet the subtle changes reflect a modern classical and avant-garde sensibility and knowledge of sound design and digital production processing that is used to give the song a wide sonic range as well as an intimacy with the original to give it a slower pace (and thus “Adagio”) when the original goes into its faster section. The effect being to give this version of “Moonlight Sonata” an emotionally weighty denouement to the outro of the nearly echoing heartbeat. With the deep level of immersion, skill with impromptu tonal inflection and sonic imagination it’s no wonder Beiser has worked with the likes of Brian Eno, Phillip Glass and Steve Reich, to name a few, over the years. Listen on Soundcloud and follow Beiser at the links provided.
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