Micro/macro’s “Reassembling the Self” is an Extended Mantra of Emotional Healing Set to an Ambient IDM Beat

Macro/micro, photo courtesy the artist

Composer Tommy Simpson is releasing the song “Reassembling the Self” as a single under his experimental electronic moniker of Macro/micro. The track was originally written as part of the score to a forthcoming science fiction short film called R.A.E.R. BETA 0027 about, according to the film’s tagline, “a woman struggling to overcome a traumatic loss” who “seeks out help from a tech developer with a device that promises to accelerate the emotional healing process.” The beat-driven track works separate from that context as a song with a melancholic tonal echo of a melody that resonates in the near distance while a gentle industrial beat traces what feels like a process suggested by the title. Knowing some of the plot of the film only helps to hear in the song the kind of grace, patience and care one needs to exercise when you feel like you’ve come apart a little or more than a little and you want to get yourself on a better footing and often that takes some meticulous and steady effort without rushing yourself like you’re a mass manufactured product. Maybe some guided work can feel like you’re re-engineering your psyche some and that can help the process of coming back into yourself go more quickly. It’s a short song but it hits like a nuanced and extended emotional mantra that helps you to wrangle up some of the rough edges and put them back into place. Not a meditation so much as a set of sounds that keeps you on a track to center yourself as you ease yourself into a better place. Listen to “Reassembling the Self” on Spotify where you can hear the rest of Simpson’s deeply evocative score to the film and follow Micro/macro at the links below.

macromicromusic.com

Macro/micro on Instagram

Macro/micro on Bandcamp

Macro/micro on YouTube

Macro/micro’s “All Possible Worlds” is Like the Opening Music to a Future David Fincher Tech Noir

Macro/micro, photo courtesy the artist

Macro/micro’s “All Possible Worlds” sounds like a more deep house inflected, futuristic take on Nine Inch Nails’ “Closer (Precursor).” Its quivering, hovering tones and rhythms changing in texture and tone as though put through a very controlled bit of phasing so that it can pulse into full high definition sound or muted and blurred out in the background out of focus, switching places with a flurry of distorted white noise as a lonely piano figure draws out in lingering chords like something from a late period Talk Talk album recontextualized to preserve the stark mood but enhancing the sense of isolation. It’s the kind of track that makes one think this is what it might sound like if Demdike Stare was convinced to write opening music for a David Fincher noir much as the aforementioned NIN song appeared on the soundtrack to Se7en. Listen to “All Possible Worlds” on Spotify where you can listen to the rest of the Things Will Never Be The Same Again with other fascinatingly dark techno material and follow Macro/micro at the links below.

Macro/micro on Instagram

Macro/micro aka Tommy Simpson on IMDB