Wednesday | 09.03
What: Young Widows w/Moon Pussy and Almanac Man
When: 7
Where: Hi-Dive
Why: Young Widows is a noise rock/post-hardcore trio from Louisville, Kentucky that emerged from the the remains of influential mathcore group Breather Resist. The new band was more overtly melodic but retained the energy and intensity of the earlier group. In March 2025 Young Widows released its new album Power Sucker, its first record in 11 years. It dives headlong into existential crises and meeting the challenge of finding meaning when so many things in modern life seem to undermine finding a secure footing in a rapidly changing social and economic landscape. Almanac Man is the angular noise rock threesome from Denver that includes Ghost Canyon Fest founders Brian Dooley and Sean Dove. Though clearly influenced by DC post-hardcore its core sound is rooted in the heavier end of noise rock. Moon Pussy is almost less a band than a glorious and awe-inducing sonic science experiment gone off the rails but so right and always an entertaining and riveting live act.
Thursday | 09.04
What: An Evening with Lydia Lunch (film, spoken word, Q&A) w/Redwing Blackbird and DJ Christina Graves
When: 7
Where: Hi-Dive
Why: Lydia Lunch is the legendary and foundational artist that first came to wider circles of awareness via her connection with the No Wave scene of New York City with her bands Teenage Jesus and the Jerks and 8 Eyed Spy. But throughout the 80s and 90s she made major waves as a spoken word performer, actress, writer and maker of avant-garde music. Since the 90s Lunch has built on her reputation for challenging social commentary delivered with her creative and confrontational style. For this show Lunch will screen her film with Jasmine Hurst called Artists, Depression, Anxiety & Rage.
Thursday | 09.04
What: Slow Pulp w/She’s Green
When: 7
Where: The Bluebird Theater
Why: Madison, Wisconsin’s Slow Pulp headlines this show with its charming blend of pastoral Americana and shoegaze. Its 2020 album Moveys (which got a major re-issue this year with live tracks) is brimming with hazy melodies and introspective lyrics that pair with a sound that might also be described as psychedelic slowcore. She’s Green from Minneapolis is a fitting opener for this show with its tranquil dream pop and slowly-unfurling dynamics. Its own soundscape is more gossamer in tone and texture with sparkling streams of tone that take on a vibrant warmth through a touch of fuzz tone. The band’s new EP Chrysalis sounds like a missing link between Slowdive and Letting Up Despite Great Faults.
Friday and Saturday | 09.05-09.06
What: Colorado Goth Fest
When: 6 pm
Where: The Pearl
Why: In its tenth iteration Colorado Goth Fest is split between two nights at The Pearl fka The Mercury Cafe. The first night kicks off with sets from dance-industrial revolutionaries Church Fire, electro-industrial project Clockwork Echo, synth pop band Cruel Mourning, darkwave/prog adjacent group Future Club from Albuquerque and synthwave outfit Tetrakroma Saturday night is headlined by influential U.K. post-punk/death rockers Ausgang after performances from premier deathrock/post-punk/New Wave hometown heroes Plague Garden, horror punkers America’s Most Haunted, Seattle-based Goth rock band Eve’s Black Heart and Xmal Deutschland-esque, dark post-punk band Funeral Process hailing from Albuquerque.
Saturday | 09.06
What: Japanese Breakfast w/Ginger Root
When: 7
Where: Mission Ballroom
Why: The fourth Japanese Breakfast album For Melancholy Brunettes (& Sad Women) was, according to a piece in Stereogum, inspired in part by Michelle Zauner’s reading of a John Cheever short story collection and thus the title and its almost archaic literary pretensions, tongue firmly in cheek. The sounds are a little softer in some of the vocal inflections but the songwriting is just as finely crafted with the sounds balancing the organic, the atmospheric and the textural perfectly with the usual expansion of the sound palette. Elegant piano figures grace the songs like something out of a late 80s Talk Talk record and on songs like “Honey Water” you can hear Zauner stretching as an artist into ambitious sonic territory with the instrumentation soaring as high as it did on Soft Sounds From Another Planet (2017). And yet this set of songs seems very grounded and personal as well.
Saturday | 09.06
What: Slow Teeth w/The Milk Blossoms and Nina de Freitas
When: 7
Where: Better Barnum Animal Center
Why: Slow Teeth is a shoegaze-adjacent indie folk band from Durham, North Carolina whose 2025 album I simmers with soaring vocals and cinematic soundscapes in a post-rock mode. Nina de Freitas’ husky and soulful vocals lend her delicate guitar work and psychologically insightful lyrics an emotional power that hits you unexpectedly as her songs progress. In her music you hear a touch of blues, jazz and R&B but all channeled through a more sonically expansive creative lens. The Milk Blossoms have been crafting their most heart-searing and experimental music thus far with its new songs not yet on a record. The stories speak to the exploration of the ghosts that haunt our waking memories from which we can’t escape into a flight of imagination except to use our creativity to alleviate some of the worst emotional pain of our lives. The music is masterfully arranged and orchestrated to really express that shadow work in real time making the songs both unforgettable and deeply affecting.
W-Th | 09.10–09.11
What: Ani DiFranco w/Tune-Yards
When: 6
Where: Chautauqua Auditorium
Why: Ani DiFranco is the popular and influential alternative folk artist whose early DIY ethic was rooted in the same values as punk and her spirited performances garnered her a cult following long before any labels came sniffing around. Selling albums out of the trunk of her car after shows and the like. DiFranco’s own Righteous Babe Records imprint she launched in 1989 at age 19, showing more initiative than a lot of young artists. 20 albums and thirty-some years later DiFranco is still playing high energy, charismatic shows with wit and thoughtfulness. Opening the show is art pop duo Tune-Yards. The latter first made waves for its innovative use of loops and transforming the use of vocals and ukulele into almost a samples-based songwriting approach so that a Tune-Yards song with Merrill Garbus’ soulful and layered vocals lending an R&B flavor with a touch of psychedelia. In 2025 Tune-Yards released its first record in four years with Better Dreaming. The record is an attempt to dive into deep focus in an age of distractions in the face of fascism and to deliver uniqueness and joy when a lot of what is being fostered is perilous conformity and destruction. The unconventional rhythms and melodies going into the album and its emotional honesty make a solid case for an effort in at least turning the internal tides against despair which is where it needs to start.
Saturday | 09.13
What: Sarah Fest: Sunstoney, Machetè Mouth, Soy Celesté, Bellhoss, Fair Elle, DJ sets by Mis/s Flowers and clexstial 10
When: 10AM into the evening
Where: Manos Sagrados
Why: The femme-forward DIY music festival Sarah Fest is taking place for its second year but moving operations to Manos Sagrados in downtown Aurora. The lineup is no less noteworthy. The whole affair begins with workshops during the day and food trucks, vendors, tattoos, yoga, tarot and a size-inclusive clothing swap will be part of the event. Sunstoney’s bedroom/dream pop sound is soul-inflected and like the kind of music that would be perfect for modern, late night, roller skating. Machetè Mouth doesn’t fit into a genre box but Elise’s powerful and emotionally rich vocals imbue its hybrid of dream pop, blues, synth pop and R&B with a commanding energy that is vulnerable, vibrant and inviting. Soy Celesté is a punk artist whose lyrics are filled with a spirit of personal liberation that speak powerfully to the oppression of culture and toxic relationships of all varieties. Bellhoss writes the kind of indie rock that sounds like it came out of a youth spent listening to pop punk songs about heartbreak and the more poetic, Americana-tinged indie music like Rilo Kiley that sketches out the granular details of lingering melancholia but delivered with a defiant exuberance. Fair Elle is a singer-songwriter whose luminous R&B songs sound like anthems to overcoming soul searing heartsickness by discovering some forgotten lightness within oneself.
Saturday | 09.13
What: Owosso and The Picture Tour
When: 3
Where: Mutiny Information Cafe
Why: Owosso includes former O’er the Ramparts and Magic Mice member Aaron Betcher who is curating some of these afternoon shows at Mutiny Information Cafe since March pairing bands that might not be much alike but should be playing together. Owosso is like a combination of Guided By Voices-inflected noise rock and DC post-punk. The Picture Tour is the project fronted by former Emerald Siam guitarist and The Bedsit Infamy songwriter/producer/multi-instrumentalist Billy Armijo. For this band he is able to unfurl the shoegaze and moody-post-punk fusion that has been at the root of his more rock-oriented sound but informed by his gift for hooks and pop songcraft.
Saturday | 09.13
What: Circling Girl album release w/Genevieve Libien and Look at Fiona
When: 7
Where: Hi-Dive
Why: Denver-based dream pop group Circling Girl is celebrating the release of its latest album this night. Its intertwining, melodious guitar work and ethereal tones are reminiscent of an unlikely fusion of Throwing Muses, Lush and The Sundays but with songwriting and structures more in line with more modern indie rock blending of aesthetics and the songs sound like they were worked out on acoustic instruments to lock in naturally complementary dynamics. Look at Fiona is one of the few Denver bands in the shoegaze realm that seems to have studied how classic bands like Slowdive and Pale Saints sculpted soundscapes into the shapes of songs to get lost within and swept away by and then injected it with their own idiosyncratic sensibilities.
Saturday | 09.13
What: Indie 102.3’s Indieverse OK Go w/Dehd, Bartees Strange, Dead Pioneers, Pink Fuzz
When: 4
Where: Levitt Pavilion
Why: Denver’s indie music radio station Indie 102.3 is having this sort of capstone event at Levitt Pavilion to close out the summer. Headlining is the renowned, Chicago (now based out of L.A.) rock band OK Go. The group endeared itself to fans of early 2000s indie rock with its earnest and fresh melding of Kinks-esque Mod pop and high energy power pop. Its eccentric and elaborate music videos helped to popularize the band in an organic way that predated “going viral” in the way of social media marketing since the early 2010s. OK Go seems to embrace its eccentricity and its presentation and live shows invite the audience to do the same and have fun along with them. In April 2025 the group released its first album in eleven years with And the Adjacent Possible. Also on the bill is post-punk band Dehd (also from Chicago), soul-inflected, experimental indie pop genius Bartees Strange, politically-charged punk ragers Dead Pioneers and psychedelic stoner rock trio Pink Fuzz.
Saturday | 09.13
What: The Milk Blossoms w/Holy Garden District and Babelshack
When: 8:30
Where: The Broadway Roxy (free and all ages)
Why: Holy Garden District is an instrumental rock band including producer and musician Ben Clary based out of Santa Fe, New Mexico. Think something like a post-rock late 70s Genesis but imbued with pastoral aesthetics and an undeniably haunted quality that courses though its often gentle, glimmering and moody compositions. Babelshack sounds like they listened to a lot of 90s grunge, the better stuff like Mudhoney and the more post-punk and garage rock end of that like Gas Huffer and Love Battery. The Milk Blossoms close out the night with its deeply affecting songs with vivid storytelling and memorable melodies that convey a rare emotional complexity that upon repeated listens opens up depths of feeling and poetic expression of the nuances of human experience that may not have been immediately obvious the first time or three hearing the music and experiencing it live.
Saturday | 09.13
What: Deftones w/IDLES and The Barbarians of California
When: 5:30
Where: Ball Arena
Why: Deftones are one of the most popular bands in modern heavy music. But the group switched gears in a major way with its 2000 classic album White Pony when the music took on a more soundscape-y feel and was more like a heavy shoegaze sound before that fully became a thing a decade or so later. On subsequent albums the band continued experimenting and couldn’t safely be pigeonholed in terms of genre, a good place to be if you’re a band that doesn’t want to get bored as the years go on. One of the opening acts IDLES is indisputably the most popular post-punk band of the current wave of that thing out of the UK. The group’s songs are informed by a compassionate and working class ethos but the live show is a barn burner with Joe Talbot relating heartbreaking and life-affirming stories in the songs that hit with a vulnerable immediacy that has endeared the band to increasingly larger audience since the group began touring small clubs pre-pandemic. Embracing a critique of white privilege, the cruelty of traditional masculinity and an examination of class and support for immigrant communities, IDLES minces no words and does so with a spirited delivery.
Tuesday | 09.16
What: Janet Feder and Fred Frith
When: 6
Where: Bug Theater
Why: Janet Feder is considered one of the world’s most inventive and innovative guitarists and she has been a fixture of Denver’s local avant-garde/experimental music scene for decades as a musician, songwriter and educator. Her prepared guitar technique has yielded a sound like a miniature orchestra of sounds, textures and rhythms. Feder grew up playing music in a more traditional style as a guitarist including folk and rock styles but discovered a new world of technique and creative outlet upon witnessing a Thinking Plague show and seeing Mike Johnson and the band going beyond mere progressive rock to something that challenged even what that could sound like. From there Feder became part of the Denver avant-garde as a respected artist in her own right. The guitarist has several albums to her name going back to the mid-90s including collaborative albums with the likes of Mighty Fine Productions head and sound engineer/multi-instrumentalist Colin Bricker, composer Paul Fowler and the legendary Fred Frith. The latter was a founding member of Henry Cow, one of the leading lights of the “Rock in opposition” movement turning convention on its head. His list of collaborations are lengthy and include working with and/or contributing to the works of The Residents, Jad Fair, John Zorn, Brian Eno, Bill Laswell, Robert Wyatt and Mike Patton. In 2006 Feder and Frith released an album called Ironic universe that showcased their chemistry as high level practitioners of improvisation and imaginative musicianship.
In 2017 Frith and Feder performed at show at the studio space for Mighty Fine Productions and recreated the magic of that collaborative album while hinting at further refinements in their technique developed during the intervening years. On September 16, 2025 the two guitarists perform live again at The Bug Theater in Denver for another display of left field musical creativity and practice courtesy Creative Music Works.
Listen to our interview with Janet Feder on Bandcamp.
Wednesday | 09.17
What: Sextile w/Automatic and Mick Jeets
When: 7
Where: Meow Wolf Convergence Station Perplexiplex
Why: Early on, Los Angeles-based band Sextile had more of a shoegaze-adjacent post-punk sound that swung more moody and dark by the end of the 2010s. But by the time of its 2023 album Push the influences on the group’s sound were clearly 90s Big Beat, 2000s deep house and dance-infused ambient music of the 2010s and 2020s. The 2025 album yes, please delves further into the kinds of aesthetic that would have been entirely welcome in underground raves of the past decade and a half as well with expertly crafted, kinetic beats like a more psychedelic form of gabber.
Thursday | 09.18
What: The Rapture
When: 7
Where: Gothic Theatre
Why: The Rapture were one of the early groups out of what was called then and retrospectively as the post-punk revival. But The Rapture’s core sound was something more experimental and while undeniably creating infectious dance grooves indulged in a gloriously disorienting noisiness. Like they took inspiration from the more wild edges of what The Gang of Four was doing on its first four records. Live the band also had an unhinged energy that delivered at what the records merely hinted at, securing The Rapture as one of the great live acts of the 2000s. Its singles like “House of Jealous Lovers” and the title track to the 2003 album Echoes are bonafide classics of post-punk. Not so long ago it was assumed The Rapture was completely defunct but in 2025 singer and guitarist Luke Jenner announced The Rapture would be doing a series of live dates even without longtime members Vito Roccoforte and Gabriel Andruzzi and this is your chance to see the new incarnation.
Friday | 09.19
What: Everclear Sparkle and Fade 30th Anniversary Tour w/Local H and Sponge
When: 6:30
Where: Gothic Theatre
Why: Everclear’s second album Sparkle and Fade (1995) broke the band to the mainstream with the single “Santa Monica.” At a time when the alternative rock wave was breaking and fading into relative irrelevance, the spirited performances on the album, its undeniable hooks and lyrics that were passionate yet vulnerable meant the band would survive the then burgeoning backlash in mainstream culture to “alternative rock.” Singer and songwriter Art Alexakis during interviews came across as such a genuine and thoughtful person it added a dimension to the music the revealed that source of the pain, perseverance and sensitivity in the songwriting transcended obvious commercial appeal. As with tours in recent years Everclear is bringing along other noteworthy bands of the 90s and this time out peers like Local H and Sponge who came up around the same time as Everclear and who probably toured the same circuits in the early days and well into the 90s so the spirit of camaraderie will probably permeate the show.
Friday and Saturday | 09.19 and 09.20
What: The Federal Theater Grand Opening
When: 7 Friday 6 Saturday
Where: The Federal Theater
Why: The Federal Theater re-opens with two free shows (with registration) this weekend with local heavy hitters in psychedelic rock and punk both Friday and Saturday. Izcalli and Los Mocochetes grace the stage on Friday night with hard rock and Chica-inflected psychedelia. Cobranoid’s hardcore and thrash infusion alongside the punk of Clusterfux, The Pitch Invasion and Vitrify bring the fire on Saturday.
Saturday | 09.20
What: Hooper and Dulled Arrows
When: 3
Where: Mutiny Information Cafe
Why: Hooper is the kind of band that formed over a decade ago before the emo and melodic hardcore fusion came back into vogue and so its sound is not fully grounded in either and has touches of Americana in the mix. Some nice shimmer in the rhythmic guitar leads like its own taste in emo was more in the realm of Hum and Sunny Day Real Estate. Dulled Arrows come out of a similar realm of local post-hardcore with a lineup that includes former Ghost Buffalo and Jagtown musician Tom Ventura.
Saturday | 09.20
What: B.E.E.F. LLC, Emmanuel Looney, Modern Devotion and Staggered Hook
When: 7
Where: Pablo’s (East Colfax location)
Why: All forward thinking, richly conceived experimental electronic projects in the realms of industrial techno and gabber.
Saturday | 09.20
What: Dildox (Los Angeles), Deth Rali, Plague Garden and As In Heaven As in Hell
When: 7
Where: The Crypt
Why: Dildox is an industrial post-punk act from Los Angeles whose immersive darkwave dance sound is reminiscent of early, electroclash Ladytron and early ADULT. Deth Rali is a psychedelic, glam rock post-punk band from Denver with a flair for the performance art-adjacent on stage presence with costumes. Plague Garden is probably Denver’s best deathrock band with rich New Wave and industrial synth soundscapes and commanding vocals. As In Heaven As In Hell is the project of John Bueno who used to be in punk bands and was one of the great local comics artists but with this he straddles the line between noise, industrial post-punk and dark synthwave.
Saturday | 09.20
What: Hibou w/Corsicana
When: 7
Where: Better Barnum Animal Center
Why: Hibou used to be based out of Seattle but now hails from the South of France and his new album It Seems To Me (2025) sounds like a complete fusion of his early bedroom pop material, chillwave and some kind of immersive ambient dream pop of the moment now. Corsicana is on the more delicate end of shoegaze with some roots in more indie folk sounds and sensibilities and chamber pop aesthetics.
Sunday | 09.21
What: Jillith Fair
When: 6
Where: Elaine Wolf Theater 350 S. Dahlia
Why: This showcase benefit Jill Sobule’s It Was a Good Life Foundation put together by Doug Gertner and Tim Campbell, hosted by Ron Bostwick from 105.5 The Colorado Sound, performances from Hal Aqua, Liz Barnez, Rabbit Joe Black, Mollie O’Brien & Rich Moore, Carla Sciaky and Tony Trischka possible Harry Tuft health permitting. Sobule was the beloved singer-songwriter whose heyday was adjacent to that of the alternative rock era and her social commentary, thoughtful lyrics and unique songwriting garnered her a much-deserved cult following. Sobule passed away on May 1, 2025.
Monday | 09.22
What: Pulp
When: 7
Where: Red Rocks
Why: Pulp was a post-punk band from Sheffield influenced by that city’s experimental rock and pop scene of the 70s and 80s and outside of some perhaps local notoriety didn’t make many waves until its spectacular 1994 album His ‘n’ Hers and its great leap forward in songwriting and storytelling although the 1992 album Separations was plenty promising on its own. But from then on Pulp became a bit of a phenomenon in the Britpop world and its tales of working class British life struck a resonant chord beyond the band’s home country. 1995’s Different Class rendered Pulp legends of the time with heartbreaking portraits of class and love and yearning and striving for living a life with some meaning and inherent dignity and showing a way to have some of that for yourself against the odds. Then in 2002 and 2 later albums Pulp went on indefinite hiatus until 2025 with the release of its new album More. which hearkens back to the themes of its 90s records but updated for more adult, mature sensibilities but everyone that isn’t dead inside probably feels some of the same romantic yearnings, has the capacity to find a vital strand in their soul to cling onto when the world seems to horrible at times and Pulp’s music is now and always has been a bit about these eternal truths of the human spirit of wanting to feel the vitality of life and all the good things that come with that.
Wednesday | 09.24
What: Oracle Sisters w/Sabrina McCalla and Casey Jane
When: 7
Where: The Marquis Theater
Why: Oracle Sisters is a band based in Paris, France but its members are from elsewhere in Europe (Denmark, Northern Ireland and Finland) and its sound seems to tap into a sort of 1970s, hazy folk pop aesthetic with a dreamlike aspect to the backdrop of its expansive melodies. The songs on its new album Divinations are both introspective and outward looking. The music videos for the album are reminiscent of late 60s Godard films but more whimsical and as playful as the music. There is something inherently hopeful to the band’s songs that even when they wax melancholic it’s implied that the low times are as impermanent as anything else in life can be.
Thursday | 09.25
What: Sunday Mourners, Tassles, Critter and Sonic Chick
When: 7
Where: Squirm Gallery
Why: Sunday Mourners from Los Angeles bridge the gap between upbeat power pop and moody post-punk with a sound like they could have come out of the late 60s but would have seemed like aliens from another era. Tassles is a bedroom synth pop/lo-fi shoegaze artist from Denver whose 2025 album net worth is one of the most refreshingly unvarnished pieces of psychedelia-adjacent indie rock to have come out since chillwave first burst onto the scene eighteen years ago.
Thursday | 09.25
What: The Haunt w/Magic Whatever
When: 7
Where: The Marquis Theater
Why: Florida’s The Haunt recently released its new album New Addiction. The sounds somehow successfully blend glitchcore and grungy-punk so that it sounds simultaneously like an alt-pop band and something more in the realm of what might be called industrial garage rock. That the group is difficult to pin down to something we’ve heard done so often before is part of its appeal. Its ability to project vulnerability and ferocity simultaneously with lyrics about struggling with interpersonal adversity is a formula that has garnered the group a bit of a cult following.
Friday | 09.26
What: Cherry Spit, Replica City and Scorplings
When: 8
Where: Hi-Dive
Why: If one were to make a short list of Denver’s best post-hardcore/post-punk/noise rock bands every one of these acts would be on it. Cherry Spit is a little more wild in its guitar gyrations and feverish energy and confrontation. Replica City a little more angular, a little more DC 90s, a little more Pacific Northwest 90s underground too. Scorplings dip into that mid-west, math-y, jangle-jagged guitar noise that waxes into left field psychedelia around the edges.
Friday and Saturday | 09.26 and 09.27
What: They Might Be Giants
When: 7
Where: The Ogden Theatre
Why: They Might Be Giants from Brooklyn, New York is one of the few acts to pre-date the alternative rock era of the early 90s and made it through the end of the decade and maintained some critical and commercial success through to the present. Its clever, catchy, eccentric and endlessly creative songwriting and approaches to songcraft have evolved over time and thus while there is a musical essence at the core of the band that comes from a spirit of playfulness and a capacity to write sensitively about difficult subjects and with an absurdist fervor when the occasion calls for it, you can expepct that every album will be an exploration of ideas that invite you along for the ride. And the live shows are a reflection of all of that and extravaganza of sights and sounds that is endearingly idiosyncratic.
Saturday | 09.27
What: Almanac Man and Burning Sister
When: 3
Where: Mutiny Information Cafe
Why: Almanac Man is the Denver band whose angular take on post-hardcore noise rock is reminiscent of both Bay Area and DC post-punk. Burning Sister sounds like it listens to a whole lot of White Hills, Bardo Pond and Sleep. Its “Lethe//Oblivion” single was mastered by Tad Doyle of Tad which says a whole lot for the roots of the band. Also a little like if you slowed down a fast Butthole Surfers song in moments for a bit of the group’s output.
Saturday | 09.27
What: Swans w/Little Annie & Paul Wallfisch
When: 7
Where: The Bluebird Theater
Why: Swans is the legendary New York City band that influenced generations of not just noise rock, post-punk, industrial and any band doing left field music that defies easy categorization and which challenges musical orthodoxy. Its early records were abrasive, punishing and inspired in their evocation of human spiritual agony and expression of resistance to the oppressive cultural environment of the 1980s. Later in the decade when the lineup had changed some and included former singer and multi-instrumentalist Jarboe. The latter brought an elegance of vocal expressiveness and a new realm of melodic transcendence that helped to broaden the appeal of the band’s instincts for experimenting in musical form and style. The band’s first run ended by the late 90s following the tour for its ambient/industrial masterpiece Soundtracks For the Blind (1996). But in 2010 Swans reconvened without Jarboe and has since released seven ambitious albums that expanded its avant-folk palette and rhythmic layers while maintaining lyrics of literary sophistication that have delved into mortality, spiritual struggles and commentary on the nature of human society and civilization. By the time of Leaving Meaning. (2019), Gira had changed the nature of the band with various members being part of future albums not unlike the members of a jazz band but for experimental rock. The latest record Birthing (2025) seems to take on themes of personal mythology in a simultaneously symbolic and vividly concrete and human terms. This is supposedly the group’s final full tour and along for this jaunt the opener if Little Annie & Paul Wallfisch. Little Annie is the musician that in the late 70s and early 80s was part of the NYC post-punk underground who has worked with the likes of Current 93, Coil and Nurse With Wound.
Saturday | 09.27
What: Slow Crush w/Faetooth and NVM
When: 6
Where: The Marquis Theater
Why: On August 29, 2025 Belgian, heavy shoegaze band Slow Crush released its new album Thirst. Even more than its excellent previous releases the material for the new album showcases how the band perfectly balances dense atmospheres with engulfing melodies and weighty yet dynamic rhythms. Live the band’s sound is oceanic and uplifting with melodies that move through your body that only the type of shoegaze with a keen ear for low end can accomplish. Faetooth from Los Angeles also engages in the use of heaviness in its own “fairy doom” style that blurs lines between dream pop and gritty doom metal. Its album Labyrinthine (2025) is a record that seems to explore themes of beginnings, endings and the mysteries of transcending the usual experiences of mortal existence. Definitely for fans of SubRosa.
Saturday | 09.27
What: Big Wild w/Shallou
When: 8
Where: Mission Ballroom
Why: Big Wild is the stage name of Jackson Stell who cut his teeth making hip-hop beats as J Beatz in his early teens. But by the time he graduated from college and moved to Los Angeles he had cultivated an interest in electronic music, which of course these days is a natural progression from hip-hop beats in the modern era and a transition that seems to have suited his eclectic style. In August 2025 the new Big Wild album Wild Child dropped and revealed even more of the artist’s gift for updating a fusion of downtempo and the kind of dance music people like Fatboy Slim and Moby were bringing to wide audiences in the late 90s and early 2000s. But Wild Child adds a kind of smooth psychedelic mood to the music that gives it unique twist.
Saturday | 09.27
What: Samia w/Renny Conti
When: 7
Where: The Gothic Theatre
Why: Samia’s new album Bloodless (2025) has the hallmarks of her previous records with the exquisitely crafted guitar shimmer and texture and her warm melodic vocals delivering emotionally vivid lyrics and creative storytelling. But if you see any of the music videos and artwork you come to appreciate that the artist is going for something darker like she’s leaning into the edges of personal darkness and how that can haunt you like an “elevated horror” film. But the music doesn’t sound like that sort of thing and the contrast is what lends the new material a creative dimension that perhaps Samia hasn’t explored as a songwriter as much in the past.
Saturday and Sunday | 09.27 and 09.28
What: Bonnie “Prince” Billy w/Tim O’Brien and Jan Fabricius
When: 7
Where: Swallow Hill
Why: Will Oldham is one of America’s most acclaimed songwriters and performers whose musical curiosity spans decades and styles though he is perhaps most best known for his work in the realms of folk and country whether with his old project Palace (and its various monikers) or under his adopted name Bonnie “Prince” Billy. His catalog is prolific and you could start anywhere and find something worthwhile and fascinating. But his latest, The Purple Bird, though expressed in the language of bluegrass and a kind of left field Americana has some of the most poignant and pointed social commentary to be put on a record in 2025 or in recent years and that alone in the form of immediately accessible music is no mean feat.
Sunday | 09.28
What: Rico Nasty w/SadBoi
When: 7
Where: The Ogden Theatre
Why: Rico Nasty was shifting away from her signature sugar trap sound with her 2022 album Las Ruinas with forays into post-punk and industrial in the mix. Her new album Lethal (2025) consolidates her creative impulses as an artist while incorporating noisier glitch pop sounds so that her trap beats don’t sound stuck in the late 2010s and early 2020s when that music was sounding stale. Rico Nasty and her producers have instead crafted an entrancing set of soundscapes perfectly suiting the rapper’s swagger-laden stories of self-affirmation and catharsis.
Monday | 09.29
What: CJ Boyd, Church Fire, Luke Leavitt and Quinn Boudeleaux
When: 8
Where: Glob
Why: Composer, bassist and ambient artist CJ Boyd spent roughly a decade on what he called the “InfiniTour” from 2008 playing DIY spaces, art galleries and other DIY situations with his experimental soundscapes and pastoral avant-folk songs as well as deep forays into non-Western music and abstract jazz. He is now on tour again (but not on a permanent basis) with a stop in Denver with old friends the industrial dance trio Church Fire, avant-garde funk/ambient composer Luke Leavitt and multi-media electronic soundtrack artist Quinn Boudeleaux.
Tuesday | 09.30
What: múm w/Mr. Silla
When: 7
Where: Meow Wolf
Why: Icelandic dream pop experimentalists múm released its first album in 12 years, History of Silence on September 19, 2025. The album has a minimalist yet orchestrated feel like something that might be offered by an avant-garde chamber pop band. But the songs feel like the snapshots of dream-like meditations on love, yearning and affection. Its organic elements are perfectly melded with the more transcendently electronic harmonics that have been one of the band’s charms since its early days as well as unconventional sound sources and a sense of being welcome into emotionally intimate and tender psychological spaces. The live show is sure to reflect this and the group hasn’t been to the Denver area since playing the Gothic Theatre in 2007 so here’s your chance if you’re in town.
Tuesday | 09.30
What: Turnstile w/Mannequin Pussy, SPEED and Jane Remover
When: 6
Where: Denver Coliseum
Why: Turnstile is the Baltimore-based melodic hardcore band whose style has evolved so much from its early days that is new album Never Enough is practically a punk infused shoegaze albums with moments of ethereal dream pop. In that way it has been on a similar arc as bands like Nothing and Ceremony but with more extensive and obvious use of synth melodies to lend the music a touch of psychedelia. Mannequin Pussy from Philadelphia started the same year as Turnstile (2010) and more than likely crossed paths in the endless tracks of the underground American touring circuit. Its own raging punk rock and willingness to indulge atmospheric melodies inside indisputably cathartic songs against the trespasses of sexism, religious trauma and other forms of abuse one can be subjected to as a young woman. The group’s 2024 album I Got Heaven is a revelation of some of the most righteous invective recorded by a band of recent years paired with memorable hooks and melodies.
Queen City Sounds and Art 
You must be logged in to post a comment.