Metro Riders’ “Aenigma,” Inspired by Lucio Fulci’s Film of the Same Name, Resonates With a Darkly Enigmatic Menace

Metro Riders’ “Aenigma” was inspired by Lucio Fulci’s 1988 horror film of the same name. And in the video we see a chain of gossip in a classroom at the boarding school where the film was set. Which fits track that has a clandestine feel, one might say it has a mood of late night contemplation and after dusk secret adventures. There is a slow oscillating melody over a pulsing low end drone and minimalist percussive tone holding an informal rhythm. But it maintains a deep sense of mystery and when the flourish of other keyboard sounds come in it feels like other secrets are unveiled even though we know nothing of the exact thoughts going into the track’s composition, it just imparts the emotional resonance of traveling further into an alluring mystery that might go tragically but not without a certain dark fascination with a tantalizing enigma. Watch the video for “Aenigma” on YouTube and follow Metro Riders at the links below. The new Metro Riders album Lost in Reality became available on September 29, 2023.

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Best Shows in Denver 12/13/19 – 12/17/19

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Angel Olsen performs at Gothic Theatre December 14 and 15, photo by Cameron McCool

Friday | December 13

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Tourist, photo by David Ellis

What: Tourist w/Matthew Dear and Swim Mountain
When: Friday, 12.13, 8 p.m.
Where: Globe Hall
Why: English electronic musician Tourist aka William Phillips is currently touring in support of his 2019 album Wild. Though known for his production and remixing work for higher profile pop artists, his own music is becoming known for his spacious and emotionally luminous compositions. His mastery of sculpting the sound in the mix and crafting vivid soundscapes that take you out of mundane life into a realm of bright colors and tranquil, uplifting moods is impressive. Also on the bill is aesthetically like-minded musician and producer like Matthew Dear whose 2018 album Bunny is imbued with its own head-space-shifting energy.

What: Princess Dewclaw w/Demoncassettecult, Savage Bass Goat, Techno Allah and $addy
When: Friday, 12.13, 7 p.m.
Where: Seventh Circle Music Collective

What: Nova Fest 7: Fathers, Sorry No Sympathy, The Burial Plot, Cheap Perfume and Saving Verona 
When: Friday, 12.13, 7 p.m.
Where: Hi-Dive

What: Landgrabbers, Octopus Tree, The Pollution and Electric Condor
When: Friday, 12.13, 8:30 p.m.
Where: Tennyson’s Tap

What: Moral Law, Disposal Notice, Thieves Guild, Pontius Pilate
When: Friday, 12.13, 7 p.m.
Where: Mutiny Information Café

What: Black Dots, Surrender Signal, No Comma, Good Family
When: Friday, 12.13, 8 p.m.
Where: Glitter City

What: Deep Club Presents: Ash Lauryn
When: Friday, 12.13, 11 p.m. – 5 a.m.
Where: Rhinoceropolis

Saturday | December 14

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Lot Lizard, photo by James Dean

What: Lot Lizard w/No Gossip in Braille, Old Soul Dies Young and more
When: Saturday, 12.14, 7 p.m.
Where: Seventh Circle Music Collective
Why: Lot Lizard is a post-punk band from Sioux Falls, South Dakota whose debut full-length released on December 6, 2019 and made it as a late entry into our Year End Best List (to be published over six weeks soon). Rather than take cues from the current darkwave movement, Lot Lizard’s noisy, moody songs have more in common with the likes of Iceage, Pere Ubu and bands on the Amphetamine Reptile imprint than the usual suspects. Yet its songs are accessibly melodic and rooted in songwriting rather than bludgeoning volume while also indulging in plenty of noisescaping when the moment strikes right. Denver-based post-punk band No Gossip In Braille recently released its own album in 2019 called Bend Toward Perfect Light, capturing the overpowering despair and sorrow of the past few years in the American psyche, especially in the realm of underground music and art and among those not favored by a system seeming to only boost the interests of the economic elite. Rather than wallow in despair No Gossip in Braille channeled those feelings into a hopeful energy that honors the hurt.

What: Angel Olsen w/Vagabon
When: Saturday, 12.14, 8 p.m.
Where: Gothic Theatre
Why: Angel Olsen has consistently written fascinating music that pushes her own frontiers as an artist and as a vehicle to challenge cultural norms. Her 2019 album All Mirrors is a “[poignantly] dreamlike examination of identity in an age of universal scrutiny” (from our year end best albums coverage). It is a lush sound environment in which to get lost and rediscover yourself.

What: Harry Tuft w/Rich Moore, Glenn Taylor, Bill Rich, Ed Contreras, John Magnie
When: Saturday, 12.14, 7 p.m.
Where: Swallow Hill Daniels Hall
Why: Harry Tuft is the godfather of all folk from Denver and the Front Range since the early 60s and founding the Denver Folklore Center as well as Swallow Hill Music in the 70s. He’s been performing his own music in the last few years and proving he’s a gifted artist as well as interpreter of the work of others.

What: Khemmis w/Wayfarer and UN
When: Saturday, 12.14, 7 p.m.
Where: Bluebird Theater

What: King Cardinal w/Corsicana and Bellhoss
When: Saturday, 12.14, 8 p.m.
Where: Hi-Dive

Sunday | December 15

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Plaid circa 2011, photo by Tom Murphy

What: Plaid w/Nasty Nachos and Xoxford
When: Sunday, 12.15, 7 p.m.
Where: Larimer Lounge
Why: Plaid is one of the foundational projects of IDM and modern experimental electronic music. Since 1991 the group has helped to redefine and evolve beat-driven synthesizer music while mixing in live instruments and samples. Its 2019 album Polymer which has as its subject the examination of the nature of technology and our use of resources and the myriad ways in which they benefit and potentially harm us.

What: Angel Olsen w/Vagabon
When: Sunday, 12.15, 8 p.m.
Where: Gothic Theatre

Tuesday | December 17

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Empath, photo by Daniel Topete

What: Empath w/American Culture and Reposer
When: Tuesday, 12.17, 7 p.m.
Where: Bluebird Theater
Why: Psychedelic noise punk band Empath put out its debut full length in 2019—Active Listening: Night on Earth. But the Philadelphia-based group has been making waves in the underground for the past few years for its creative take on punk as not just as a sound but as an attitude and ethos. And yet its spirited performances are pure punk—a catharsis of emotion and inspiration.