Queen City Sounds Podcast S5E05: Detention

Detention (back left is Kevin Shields), photo courtesy the artists

Kevin Shields enlisted in the Coast Guard when he was 17-years-old. But as fate would have it he was stationed in Alameda, California as he was growing tired of 70s rock and learned about punk. That post allowed him the time to go to Mabuhay Gardens in San Francisco a few nights of week to witness firsthand the excitement of early West Coast punk acts Dead Kennedys, DOA and Black Flag among others. When he got back home to New Jersey in 1981 he had all the inspiration he needed to start his own band so he recruited his brothers and himself bought a bass that he would eventually learn to play. Their band Detention was a raucous and wiseacre bunch whose first show at Raritan Manor was hosted by Matt Pinfield when he had his first radio DJ stint at WRSU at Rutgers. The police busted the show. But the band went on to record several of its songs many of which were filled with an irreverent spirit but others with more than a touch of social consciousness. Detention put out a self-produced, self-titled album in 1985 before breaking up. But the band’s legacy continued in college radio and beyond up to now with the wonderfully humorous and tasteless “Dead Rock ‘n Rollers” single. Its cover art has been endlessly imitated and the song itself in the realm of “Take The Skinheads Bowling” as an underground classic. The single and choice cuts from the self-titled album as well as unreleased material was released on vinyl in 2024 as Dead Rock ‘n Rollers on Left For Dead Records.

Listen to our interview with Kevin Shields on Bandcamp and visit the Left For Dead Records for more information and to order the vinyl.

leftfordeadrecords.com

Queen City Sounds Podcast S3E41: Comateens

Comateens, photo by Charles Baran

Comateens were a pioneering synth-punk band in NYC when it formed in 1978 when guitarist Ramona Jan and drummer Nicholas “Nic North” Dembling brought together the latter’s more straight ahead rock and pop musicianship and the former’s self-taught, experimental instincts. The group didn’t fit in so much with the other punk bands of the day because it was so different and it traveled in a bit different social circles so its sound wasn’t truly impacted by other groups. Jan was working at the Mediasound studio as an audio engineer as one of a very few women engineers in the world. The job would lead her to a lifetime career in audio engineering and production and working with the likes of Brian Eno, Talking Heads, Ramones (“Ramona” was written about her) and countless others. Jan left rhe band in 1980 and it continued through the mid-80s leaving behind three full-length albums. 2023 sees the release of a limited 12-inch (90 copies on orange vinyl and 200 on black on Left For Dead Records) of early single “Danger Zone” and the unreleased track “Elizabeth’s Lover” both of which feature the early lineup. The music in retrospect sounds like a more forward thinking example of early New Wave with synth used in a way in the songwriting that wasn’t as common until the 1980s placing Comateens ahead of its time. In this interview Jan and Dembling discuss the origins of the band and how it was a happy accident of not knowing or being told the proper way to make the band work as well as some of Jan’s time working with Eno.

Listen to our interview with Ramona Jan and Nicholas “Nic North” Dembling on Bandcamp and connect with Comateens at the links below where you can also find where to order the vinyl and/or digital download.

leftfordeadrecords.com

Left For Dead Records on Instagram

Left For Dead Records on Facebook

comateens.com

Comateens on Wikipedia