Friday | 02.02
What: Honey Blazer w/The Blue Rider, Ryan Wong Band and Soulfax DJs
When: 8
Where: Hi-Dive
Why: This will be an evening of bands who have drawn upon some of the essence of the songwriting prowess and musicianship of 70s era rock where psychedelia and Americana blurred some lines. Honey Blazer’s 2022 album Lookin Up revealed a knack for channeling that lush and chill Laurel Canyon country rock and weirded it up some with layers of atmosphere and texture expressed as entrancing pop songs. The Blue Rider’s vibe is more like unhinged garage rock in that 60s mode but driven in part by analog synth weirdness. Ryan Wong Band sounds like Wong himself went on a retreat and took in the entire catalog of 70s country and injected it with some of the cosmic strangeness of Townes Van Zandt.
Saturday | 02.03
What: The Disassociation of Aaron Dooley, Yard Art and Psilocyborne
When: 9
Where: Roxy on Broadway
Why: Aaron Dooley is perhaps better known for his membership in Denver shoegaze greats Totem Pocket. But in 2023 he put out an album called The International Disassociation of: Aaron Dooley that is like a combination of prog rock, psychedelia and free jazz so this is going to be something a little different. Yard Art’s own alchemy of progressive rock, psych and freak folk will fit in with the night. The name Psilocyborne kind of tells you what that band might be about.
Saturday | 02.03
What: Flesh Tape and Fainting Dreams album release w/Dry Ice
When: 8
Where: The Skylark Lounge
Why: This is a dual album release show from Flesh Tape and shoegaze/dream pop/emo group Fainting Dreams. The latter dropped its latest release Those Left Untouched By the Light on January 12 but this is the official unveiling of the album. Anyone that saw the band early in 2023 or in 2022 saw the more dream pop side of the songwriting from Elle Reynolds but recent performances have been more in the vein of tribal noise rock with expansive guitar atmospherics for something refreshingly original that fans of Kansas City noise rockers Flooding will truly appreciate.
Wednesday and Thursday | 02.07 and 02.08
What: Twin Tribes w/Urban Heat and Vandal Moon
When: 7:30/8 and 7
Where: Fox Theatre (02.07) and Oriental Theater (02.08)
Why: Twin Tribes is one of the most prominent darkwave/post-punk artists in America at the moment. Hailing from Brownsville, Texas, the duo’s richly synth-driven music offers not just tales of the usual rock and roll subjects but informed by the occult and esoteric subject matter that blurs the line between the supernatural, the romantic and a style of science fiction that incorporates elements of Gothic literature. Currently touring in support of its 2024 album Pendulum. Austin’s Urban Heat’s style of post-punk is more steeped in EBM but graced with frontman Jonathan Horstman’s commanding baritone vocals. Vandal Moon is a darkwave band from Santa Cruz, California whose sound seems rooted in a coldwave version of early 80s synth pop with some clear influence from Depeche Mode and Duran Duran.
Thursday | 02.08
What: Chance Peña w/Hayd
When: 7
Where: Lost Lake
Why: Rising folk pop artist Chance Peña is a bit of a music industry veteran at age 22 having worked in making music for film and TV as well as contributing to the work of other artists as with John Legend’s “Conversations in the Dark” from his 2020 album Bigger Love. Peña’s latest EP Lovers to Strangers (2023) with lead single “In My Room” dropped in the summer but has major fall energy with its melancholic yet emotionally effusive and vulnerable melodies and tales of life as a thoughtful young person in this very challenging and conflicted period in our culture.
Friday and Saturday | 02.09 and 02.10
What: Cold War Kids 20 Years Tour w/HOVVDY
When: 8
Where: Gothic Theatre
Why: Cold War Kids is celebrating its 20 years together as a band with this tour in the wake of the release of its tenth, self-titled, album in 2023. After a trilogy of albums called New Age Norms (1-3 respectively) from 2019-2021 and its topical subject matter examining developments in society and culture with the group’s typically blues-and-soul-infused indie rock flair, the new album feels more like a set of power pop songs but with the same uplifting energy and thoughtful lyrics that has garnered the band its sizable following. Also on board for this tour is Austin-based indie pop group HOVVDY whose own self-titled album is set for release on April 26, 2024. The duo of Charlie Martin and Will Taylor are no strangers of utilizing electronic elements and aesthetics into its sound and performances but the advance singles from the new album sound like the guys have been listening more to some hip-hop production and incorporated beat-making into their songwriting in a way that just expands its evocative range and nuance of composition. It’s a creative development that frankly sets the group apart from many of its would-be brethren in indie music generally especially in the particular way they have utilized the new sound palette. Should be interesting to see how they pull it off live.
Saturday | 02.10
What: The Kills w/The Paranoyds
When: 8
Where: The Summit Music Hall
Why: The Kills have reliably produced hard rocking music of great imagination and creative production since its earliest days and the live shows always never skimping on the passionate performances. The duo’s new album God Games (2023) is yet another flavor of the group’s alchemy of rock and electronic music with some of its more gloriously moody and sonically enveloping pieces of its career. The Paranoyds from Los Angeles has been one of the more interesting punk-adjacent post-punk bands of recent years with its noisy guitar rock and mutant synth freakouts sounding like a band that could have been on both Kill Rock Stars and GSL Records.
Saturday | 02.10
What: Dressy Bessy w/Barbara, The Raton 3 and Bad Boy Bug
When: 8
Where: Hi-Dive
Why: Dressy Bessy are the reigning legends of Denver indiepop with roots back to its formation in the 90s including then current and former members of The Apples in Stereo and Sissy Fuzz. These days the group is as vital as ever with live shows that are as joyously unhinged in the best tradition of great rock and roll but with catchy hooks and heartfelt lyrics. The Raton 3 is a band that includes Deborah Iyall who some may remember as the lead singer of New Wave legends Romeo Void perhaps best remembered for the iconic single “Never Say Never.” Raton 3 is more like psychedelic indiepop with a tender spirit and the kind of frayed edges you wish you heard more in pop music generally.
Wednesday | 02.14
What: Midwife w/American Culture, Cherished and Water on the Thirsty Ground
When: 7
Where: Hi-Dive
Why: Midwife’s ambient folkloric shoegaze that she dubs “heaven metal” is awash in a tenderly cosmic insight into human frailty and vulnerabilities that manifest as deeply atmospheric songs that hit like direct doses of emotional catharsis and transcendence. American Culture is an evolving rock band whose roots in indiepop and punk lands in always interesting and unique places so it’s never quite fit into some trendy subgenre insipidity. Cherished is like if a raw emo band fused with a shoegaze band that came out of punk but with more focused chops. Water on the Thirsty Ground might be different now but it’s experimental, industrial-inflected, noisy glitchcore has to be taken on its own terms of its own unfiltered emotional exuberance.
Friday and Saturday | 02.16 and 02.17
What: Yo La Tengo
When: 7
Where: Boulder Theater (02.16) and Washington’s (02.17)
Why: Yo La Tengo delivered one of the best records of its career with 2023’s This Stupid World in which it pushes the boundaries of its pop aesthetic and further into its knack for epic, expansive noise rock. The veteran band has always steered its own course and carved out a unique place as a foundational indie rock band whose sounds have waxed into the realms of Krautrock, space rock, noise, jazz, warmly rendered shoegaze and folk pop with a consistently evocative creativity and imaginative sonics. Live the group has also been pretty reliable as being able to manifest its most delicate songcraft and its roaring burns of rock theater.
Friday and Saturday | 02.16 and 02.17
What: Sarah Jarosz w/The Ballroom Thieves
When: 7
Where: The Gothic Theatre (02.16) and Boulder Theater (02.17)
Why: Sarah Jarosz released her new album Polaroid Lovers on January 26, 2024. The now Nashville-based, Austin, Texas born singer-songwriter garnered a sizable following with her more Americana flavored songwriting and delicately expressive vocals and lushly pastoral aesthetic. Her songs have always seemed to be informed by poetically observant lyrics that are vividly rendered emotional experiences and expressed in ways that are refreshingly free of clichés. The new record finds Jarosz building upon her mastery of the use of space and minimalism in her songs with deeper forays into electric sounds and soundscapes without sacrificing the aspects of her songs that feel intimate and brimming with great personal insight.
Tuesday | 02.20
What: Pigs Pigs Pigs Pigs Pigs Pigs Pigs w/Space in Time and Cheap Perfume
When: 7
Where: Hi-Dive
Why: The band aka Pigs x 7 is a psychedelic doom band from the UK whose musical momentum is almost the opposite of what one most often associates with the current equivalent of stoner rock. Like a weird fusion of Neurosis and Sleep and with a quality that makes you think maybe people in the band were in hardcore groups prior to this. Its latest album Land of Sleeper blends sonic aggression with warped atmospheres and a cathartic treatment of existential dread. Space in Time is the long-running boogie rock/psych doom band from Denver who seem like the idea opening act for this show. Cheap Perfume is the political punk band from Colorado Springs whose joyful takedowns of misogyny and right wing ideology as it manifests in the culture are thrilling because they are creatively and poignantly on point.
Wednesday | 02.21
What: Reverend Kristin Michael Hayter
When: 7
Where: The Bluebird Theater
Why: After Kristin Hayter shelved the arresting avant-garde/classical/noise project Lingua Ignota after a lengthy tour in 2023, the artist had announced a new musical direction with Reverend Kristin Michael Hayter and an album SAVED! Which dropped in October of the same year. It’s a collection of songs that document Hayter’s, according to the blurb on the Bandcamp listing, “earnest attempt achieve salvation through the tenets of charismatic Christianity, focusing on the Pentecostal-Holiness Movement, which dictate that one’s closeness to God is demonstrated through transcendental personal experience.” So it’s a similar experience as what Hayter seemed to be doing with Lingua Ignota and with similar musical methods and sounds but fusing her original music with traditional hymns. Given Hayter’s unique performance style and emotional commitment to the concept as a vehicle for personal transformation it will likely be quite the thing to witness.
Wednesday | 02.21
What: Provoker w/Riki and Candy Apple
When: 7
Where: Larimer Lounge
Why: Provoker is a post-punk band based in Los Angeles with roots in the musical scores of horror cinema with brooding and low-end robust synth, driving bass lines and soulful vocals. A lot of current post-punk has a spindly lo-fi sound and Provoker is in sharp contrast to that with lush production and a refreshingly richness of tone. Opening the show is the noisy post-punk/post-hardcore trio Candy Apple and Riki. The latter is hopefully due for a new album this year but either way her moody synth pop is like a musical time travel journey to a time and place that doesn’t exist where the 1980s didn’t end and bands could pick up where Depeche Mode left off with Speak & Spell and picked up a bit of Kim Wilde and baked it into modern minimal dance pop.
Thursday | 02.22
What: Circling Over w/Weathered Statues, Summer of Peril and Mood Swing Misery
When: 7
Where: HQ
Why: Circling Over is a dark post-rock band from Denver in that heavy shoegaze vein. Weathered Statues is probably the best death rock band in Denver at the moment with poignantly evocative vocals and dense yet dynamic rhythms that set it apart from the often sonically thin music rampant in modern post-punk. Summer of Peril calls itself “grungegaze” but its musical output so far sounds like that end of emo that wasn’t trying to adhere too closely to the punk roots and went for pure emotional expression through crafting vulnerable, atmospheric sounds to process melancholic moods.
Thursday | 02.22
What: Porno for Pyros farewell tour w/Tigercub
When: 7
Where: The Fillmore Auditorium
Why: Porno for Pyros is an alternative rock band that formed following the 1991 dissolution of Jane’s Addiction when frontman Perry Farrell and drummer Stephen Perkins brought on board Peter DiStefano and Martyn LeNoble for a group with similar sensibilities and knack for unconventional melodies and sophisticated rhythms. The songs that would emerge on the band’s 1993 debut album were more chill and experimental in sound palette than Farrell and Perkins had employed with Jane’s and more psychedelic but maintained a sense of otherworldly mystique that surrounded the music and image of their previous band. The group remained active until 1998 and has had reunion performances since then in the 2000s and 2020s (before the pandemic botched an initial attempt at a reunion and release of new material to support). In 2023 founding bassist Martyn LeNoble announced his amicable departure from the band with his supportive words for the as yet unreleased music aside from the “Agua” single but former member, and punk legend, Mike Watt (Minutemen, fIREHOSE, Dos, mssv, Stooges etc.) agreed to return for this final run of live shows assuming the band doesn’t decided to do performances in support of what one hopes is a final release of the recordings done with LeNoble.
Tigercub is a rock band from Brighton, England that formed in 2011 by vocalist and guitarist Jamie Stephen Hall and drummer James Allix who met a university and joined by bassist Jimi Wheelright in 2012. From its earliest releases the trio has demonstrated a knack for crafting commanding hard rock with a cinematic sensibility that it has consistently evolved into a body of work that has expanded its range and variety of expression across now three albums including arguably its most fully realized work to date with 2023’s The Perfume of Decay. The group’s 2021 album As Blue as Indigo delved deep into themes of anxiety, depression, mortality and loss. The latest release found the band exploring the use of found tapes that Hall had been collecting from old Dictaphone machines found in thrift stores as a layer of atmosphere that served as almost a sonic canvass upon which its hard rocking sound could find a subtle context. It’s a subtle effect but for the keen listener there’s a certain something to the music on the record that lends it an emotional impact like a well chosen setting and time of year can add something unmistakable and compelling to a film.
For the new album some of the themes of the previous offering linger as emotional fallout and reflecting the kinds of experiences we all go through when we’ve been through a particularly traumatic period and have to return to going through the usual daily experiences with a different emotional lens having been changed by grief and existential turmoil. For the new record the group seems to have taken in the influence of early shoegaze and Can in terms of working out the underlying moods and atmospherics and challenging themselves to produce something another level of creative ambition with its arrangements. You can hear the impact of Queens of the Stone Age in its fluid use of heavy guitar and rhythms but in its perhaps not as obvious ear for the aesthetics of electronic music and in the structure of where the sounds sit in the mix one might compare Tigercub to Failure whose own fusion of hard rock, post-punk and the influence of cinematic sound design has yielded its own career of noteworthy records. Listen to our interview with Hall for the Queen City Sounds Podcast.
Thursday | 02.22
What: Spectral Voice album release w/Mephitic Corpse and Street Tombs
When: 7
Where: The Bluebird Theater
Why: Denver-based death metal/doom band Spectral Voice is celebrating the release of its new record Spargamos with a these days rare performance in town at The Bluebird. The new album expands on the group’s claustrophobic, dark, atmospheric, grinding and caustic sprawl. It hasn’t sounded like some black metal aficionados recording in their bedroom or garage in awhile and that might put off purists but now its darkly cosmic sound just hits with an enveloping spirit of desolated awe in the face of the possibilities of existence beyond our mortal ken. Spooky but never corny.
Thursday | 02.22
What: Gig for Gaza w/Time/Calm., Church Fire, Stay Tuned, Team Nonexistent and Damn Selene
When: 6:30
Where: The Marquis Theater
Why: Probably everyone you know to the left of center and at this point even people who think of themselves in the political center in America have been critical of the response of Israel to the October 7, 2023 attacks of Hamas. Dropping more bombs in a shorter period of time on a much smaller land than America did in all of the Iraq War with the supposed aim of rooting out an organization that is often cited as a terrorist organization in the West seems like a genocidal war crime to anyone that isn’t buying into warhawk propaganda. When an election hasn’t been allowed since 2007 and the majority of the population of Gaza and the West Bank in general wasn’t born at that time or an even vaster number at most children it seems obvious that holding them accountable in such a barbaric fashion for the acts of a political party acting rashly in response to horrible conditions imposed on their people should be condemned and de-funded by the rest of the world. Until then independent methods of aiding the people of Gaza have been organized including this event. When world leaders especially those in the USA work to end this conflict and others around the world maybe these sorts of events don’t need to happen to raise funds and highlight atrocities. Fortunately all the acts on this bill are worth seeing beyond any political activism.
Saturday | 02.24
What: Sweeping Promises w/Colfax Speed Queen and Angel Band
When: 8
Where: Hi-Dive
Why: A time not so long ago Lawrence, Kansas was known for great, underground indie rock if you were plugged into the DIY circuit. But like all college towns phases of who is around and active changes as the demographics change. So to hear about Sweeping Promises releasing their sophomore album Good Living Is Coming For You on both Feelt It and SubPop came as a bit of a surprise. The duo of Lira Mondal and Caufield Schnug got their start in bands together n the late 2000s while at Hendrix College in Conway, Arkansas and then being involved in the Boston underground scene forming, according to Grant Sharples in a July 2023 profile on the band in Pitchfork, Sweeping Promises in 2019 after trying out different styles of music as Silkies, Dee-Parts and Mini-Dresses. In 2021 the group found a place in Lawrence near University of Kansas where Schnug has set up a studio and already recorded numerous bands. The new record is reminiscent of the kind of thing you might have heard on Kill Rock Stars or K Records in the 90s or out of Athens, GA in the 80s and 90s with punk rock spirit, pop accessibility and lo-fi charm. So if you missed the band when it was in town in September 2023 this is your chance to rectify that as well as catch local psych garage greats Colfax Speed Queen and Angel Band.
Monday | 02.26
What: Militarie Gun w/Pool Kids, Spiritual Cramp and Roman Candle
When: 6
Where: The Marquis Theater
Why: Los Angeles-based post-punk band Militarie Gun has garnered a bit of cachet for itself with its exuberant live shows and music that taps post-hardcore and noise rock roots for its own melodic manifestation of the synthesis of those influences. In 2023 the group released the anthemic Life Under the Gun and toured extensively in support of the album and now with another swing through Denver in the wake of the release of its new EP Life Under the Sun which is much more minimal versions of songs from the aforementioned record and not so obviously grounded in punk with lush atmospheres and contributions from Bully, Mannequin Pussy and Manchester Orchestra.
Tuesday | 02.27
What: Small Black w/NITE
When: 7
Where: Meow Wolf Convergence Station
Why: Small Black were pioneers of the chillwave sound, although it never embraced the genre tag because its own music was more in line with experimental, DIY electronic weirdos like Pictureplane and drawing inspiration from early synthpop which was making up its style as it went and incorporating noise and generating its own aesthetics, when it formed in the late 2000s and its 2010 debut album New Chain a classic of the genre. But that music was surpassed in development and sophistication by its 2013 record Limits of Desire which got a double vinyl deluxe reissue for its 10 year anniversary in 2023. For this tour you’ll probably get a bit of those older flavors of its music as well as its even more lush and R&B inflected newer material.
Queen City Sounds and Art 
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