Tag: Jello Biafra

Friday | 08.02
What: Brotherhood of Machines (album release), Seance, Snowswept and Aloe Static
When: 8/8:30
Where: Glob
Why: Brotherhood of Machines is the project of Tyler Knapp who has been crafting haunted experimental electronic music for years in Denver alone. You wouldn’t call his music ambient though adjacent, not beat driven dance music though those influences are present and not noise though aspects of his compositions incorporate what often sound like field or otherwise repurposed recordings. In July 2024 he released two albums Loops From Temple Familiarity and Unknown Set and is releasing one or both at this show. Also on the bill are the ethereal melodies and ambient soundscapes of Snowswept and Aloe Staic’s more glitch and texture post-IDM environmental moods.

Friday | 08.02
What: SUMAC w/Portrayal of Guilt and Trigger Object
When: 7
Where: Meow Wolf Convergence Station
Why: In June SUMAC released its latest set of moody, evocative and crawling, post-metal improv The Healer. The trio channels intense passages of rhythm and sound into expressive bursts that sound like a death metal band discovered doom and utilized those musical modes to make a heavy post-hardcore designed to embody the deconstruction of the world and shedding of old ways and habits in favor of those more nurturing and open. Even more psychedelic than previous records, The Healer finds SUMAC charting new territories of of how heavy music can seem more immersive than merely monolithic. Portrayal of Guilt is the kind of hardcore band that enjoys drenching its aggressive sounds in caustic moods like it explored to the roots of he music that built where it had been and found the connections with the likes of St. Vitus, Celtic Frost and Possessed.

Saturday | 08.03
What: Alejandro Escovedo w/James Mastro
When: doors/dinner 6, show 9
Where: Ophelia’s Electric Soapbox
Why: Although Alejandro Escovedo is now rightly known as one of the great artists in modern roots rock and alt-country, he cut his teeth as a member of pioneering punk band The Nuns who were one of the two bands (including The Avengers) that opened for the Sex Pistols at the final live performance at Winterland in San Francisco in January 1978. In subsequent decades and in various bands and under his own name Escovedo has maintained more than a bit of that spirited, early punk and counterculture attitude including on his 2024 record Echo Dancing. Opener James Mastro also his his own unique place in punk and Americana as a member of The Richard Lloyd Group in his teens and later with a variety of music activities including in bands like The Health & Happiness Show. Mastro has been a staple of the rich NYC and Hoboken, NJ scenes and for this show he will be playing double bass in Escovedo’s band but prior to that he will perform liberally from his own 2024 record Dawn of a New Error with graced by the singer/songwriter’s warmly husky voice, expansive spirit and bright and vivid production courtesy engineer and mixer James Frazee and mastering by Greg Calbi.

Saturday | 08.03
What: Listening Lawn IV: Cholla, Blood Out w/Silt, Glissline, Combat Sport & DJ Ursa, Yonbre Netz and Sunswept
When: 5-8 pm
Where: Carpio Sanquinette Park
Why: These events happen in a semi-hidden pocket in Denver at a public park with a setting like ruins of an older Denver long neglected. The perfect setting to witness innovative electronic music in the realms of techno, ambient, IDM and free jazz.

Saturday | 08.03
What: A Rally For Worker’s Rights: Vegan Gore, F1sh1fty, “Horsegirl,” and Clayton Kenney
When: 6-10 pm
Where: Cheeseman Park Pavilion
Why: This is an event to draw attention to collective efforts at promoting the interests of workers in one of the more expensive cities in America with the sprawl of that income inequality spreading everywhere. The musical portion of the gathering includes performances by techno/glitch/IDM artist Vegan Gore and weirdo performance art dream pop band “Horsegirl.”

Wednesday | 08.07
What: Nox Novacula w/Church Fire and Weathered Statues
When: 7
Where: HQ
Why: Seattle deathrock band Nox Novacular is touring in support of its newly released latest album Feed the Fire. Its brooding atmospheres and impassioned performances have made the quartet a band of choice for discerning fans of post-punk like a commanding mix of Xmal Deutchland and the spookier end of The Cramps. Weathered Status from Denver is cut from a similar cloth with clear roots in punk with standout basslines and haunted synths. Church Fire while not a post-punk band plays its electronic darkwave with an electrifying conviction.

Thursday | 08.08
What: Orville Peck w/Jaime Wyatt and Gold Star
When: 6
Where: The Fillmore Auditorium
Why: Orville Peck performs his 70s cowboy country style music masked like a nod to The Lone Ranger. His songs about love and heartbreak are well within the storytelling tradition of classic country but with Peck infusing the songwriting with a queer perspective his songs have another dimension of potential resonance with fans. His latest album Stampede finds Peck collaborating with the likes of Willie Nelson, Beck and Nathaniel Rateliff among others.

Thursday | 08.08
What: Urban Heat w/Gvllow and Delores Galore
When: 7
Where: HQ
Why: Austin’s Urban Heat makes an appearance in Denver just over a week before the release of its latest album The Tower. The darkwave trio has mastered a reinvention of 80s moody synthpop into expansive darkwave with commanding and soulful vocals. The group’s 2023 cover of Q. Lazzarus’ classic single “Goodbye Horses” brought to the song a tonal richness and expressed the fiery intensity underneath the surface of the original. Urban Heat’s earlier releases showcased the band’s gift for EBM beatmaking akin to what TR/ST and Kontravoid have been doing by fusing techno sensibilities with emotionally-charged pop songcraft. The singles from The Tower thus far have revealed the band has been evolving its use of space to great evocative effect.

Friday | 08.09
What: Keytar Fest: The Jinjas and Claudzilla
When: 8pm doors/9pm show
Where: 715 Club
Why: Claudzilla returns for the most recent edition of Keytar Fest, an event that showcases artists that make use of that most visually iconic of 1980s synthesizer technology. Claudzilla is a little like a lo-fi weirdo outsider avant-pop performance artist that is part personae part a manifestation of inner space. Like if Klaus Nomi made indie pop. The Jinjas are a synth and drums-driven rock band that use bass synth and keytar to build a sound like a retro synth pop band with a songwriting style that’s more modern and akin to something like The Blow and Trans Am gone more pop.

Friday | 08.09
What: Magic Sword w/ESSENGER and Church Fire https://tickets.meowwolf.com/events/denver/magic-sword/
When: 7
Where: Meow Wolf Convergence Station
Why: Magic Sword is the costumed space night synthwave band from Boise, Idaho who sure do have a gimmick but its music speaks for itself with its saturated tones and science fiction epic themes like if Giorgio Moroder had been convinced to score the music for The Terminator, Children of Men or the latest Dune movies. Fresh off opening for Nox Novacula, Church Fire will be in good company here too with their own epic, emotionally vibrant, electronic dance ragers.

Friday | 08.09
What: Plack Blague w/God Save the Queens and Hex Cassette
When: 8
Where: Hi-Dive
Why: Plack Blague is the by now legendary industrial techno and performance artist whose on stage personal is like a leather daddy delivering queer themed bangers in a darkwave mode. Reliably entertaining and charismatic. So it’s only appropriate that God Dave the Queens is part of this show as a drag show with Noveli, Heavenly Powers, Neurotika Killz and Belle Fegore. Opening is the one man, occult EBM freakout and heavy darkwave dance music Hex Cassette who excels at provoking the audience with good-natured ribbing.

Sunday | 08.11
What: Sluice w/Fust and The Milk Blossoms
When: 7
Where: Hi-Dive
Why: Sluice aka Justin Edward Morris is an indie folk artist from Winston-Salem, North Carolina whose songs have a textured moodiness and freshness to them that gives the songwriter’s more pastoral musical impulses a tangible presence. His 2023 album Radial Gate is a deeply reflective set of seemingly autobiographical vignettes like a kinder, gentler Bill Callahan. Also on the bill is Durham, NC’s Fust whose music is similarly-minded in the mining personal history for creative illumination of everyday human experiences but in a more country rock mode. Opening the show are The Milk Blossoms whose tenderly rendered indie pop songs have some roots in folk but whose songs and performances have both a raw vulnerability and emotional intensity that powerfully manifest the group’s creatively poetic lyrics.

Monday | 08.12
What: Brijean w/Colloboh
When: 7
Where: Larimer Lounge
Why: Brijean Murphy is known for her time serving as a percussionist for Mitski, Poolside and Toro Y Moi but this project with multi-instrumentalist producer Doug Stuart has resulted in entrancing, dance-music adjacent art pop. The saturated synths, ethereal vocals and layers of textured polyrhythms sound like something from a retrofuturist disco if the music being played dipped liberally into 70s disco and 2010s deep house. The duo’s new album Macro introduces even more organic percussion and bass to great effect marking the record as one of the most fascinating electronic pop releases of the year alongside that of Mount Kimbie’s The Sunset Violent.

Thursday | 08.15
What: Mac Sabbath w/Tejon Street Corner Thieves
When: 7
Where: Summit Music Hall
Why: Mac Sabbath is celebrating 10 years of its absurd concept of doing parody covers of Black Sabbath songs with fast food-themed lyrics and fully committed stage costumes of characters not unlike some of the most well-known of McDonald’s characters. It’s a gimmick that the band has been able to sustain for a decade without admitting to being people other than the stage personae which is an accomplishment in itself in the modern era.

Friday | 08.16
What: Atmosphere w/Method Man & Redman, Deltron 3030, NOFUN! and Skratch Basitd
When: 5:30
Where: Red Rocks
Why: Atmosphere is of course the hip-hop duo from Minneapolis that were foundational figures in early alternative hip-hop and advocates for other underground artists in that style. Its eclectic and atmospheric beats and introspective lyrics are a consistently effective counterpoint to the group’s energetic and extroverted stage performances and Slug’s crowd interaction. The subject matter of the lyrics from Atmosphere have evolved in content and nuance over the years but always informed by a reflective and empathic sensibility paired with a sense of personal exploration of psychological and social issues. All along Slug and Ant have created a body of work with music that speaks to the artists’ innate curiosity and willingness to expand beyond where they’ve already been.

Friday | 08.16
What: The Green Typewriters, A Strange Happening and Van Death
When: 8
Where: Goosetown Tavern
Why: The Green Typewriters have become a bit of a psychedelic glam rock/indiepop mutant with their music but all for the better. The songwriting is as accessible and its sounds comforting yet mysterious and its live show colorful and friendly. A Strange Happening has always been a high concept indie rock band but its music has more of a raw and ragged Neil Young flavor recently.

Saturday | 08.17
What: Sunny Day Real Estate – Diary 30 year anniversary w/Kevin Devine
When: 7
Where: Summit Music Hall
Why: Sunny Day Real Estate’s 1994 debut album Diary is one of the blueprints of the Midwest emo sound with its post-hardcore grit, raw emotional vocal style, quiet-loud dynamics and gritty melodies. Though from Seattle the band’s sound then and now was out of step with the grunge bands its label Sub Pop was known for championing. But the live band and its earnest and intense performances resonated with that realm of music and has had a lasting impact on pretty much all emo since as well as modern sheogaze and a whole swath of punk adjacent music in a way that is obvious from the moment you play a song from that first record and this show will celebrate what SDRE accomplished on Diary.

Saturday | 08.17
What: King Dunn (King Buzzo & Trevor Dunn) w/JD Pinkus
When: 7
Where: The Bluebird Theater
Why: For this show King Dunn will perform the solo work of Buzz Osborne, the renowned guitarist and singer of Melvins with Trevor Dunn of Mr. Bungle fame on hand to provide bass duties as he did when Melvins toured as Melvins Lite a handful of years back. It’s the kind of left field move that Osborne seems to favor with Melvins always trying to do their tours a little differently and pushing into new territory in performance and songwriting. Osborne didn’t get to tour behind his 2020 solo album Gift of Sacrifice and there’s a good chance a lot of people haven’t seen the music from 2014’s This Machine Kills Artists live and the more acoustic guitar-driven songwriting from an artist perhaps most well known for some of the heaviest guitar rock in the modern era.

Tuesday | 08.20
What: The Struts w/Barns Courtney
When: 7
Where: Mission Ballroom
Why: The Struts are a band from the UK that rode that wave of retro glam rock revival that began in the early 2010s and garnered hit singles along the way. Luke Spiller early on having done his level best to tap into that Freddy Mercury sound. More recently the band has pivoted in a more pop-oriented style of songwriting channeled through the lens of 80s glam metal. Barns Courtney started his career in bands SleeperCell and more professionally with Dive Bella Dive until that band was hamstrung by label contracts. But those didn’t limit Courtney as a solo artist whose early singles caught the attention of audiences and garnered a recording contract. Fast forward to 2024, Courtney released his third full length Supernatural on July 19 for a record that showcases the songwriter’s commanding vocals and knack for crafting sonically rich rock songs of broad stylistic touchstones fusing acoustic and electric sounds. There is the sort of blues rock foundation there but Courtney injects the classic sounds with modern pop song sensibilities.

Tuesday | 08.20
What: Sheppard w/Seth Beamer
When: 7
Where: Moon Room at Summit Music Hall
Why: Sheppard is an indie pop trio from Brisbane, Australia that formed as a duo of siblings George and Amy Sheppard in 2009 but expanded to a six-piece by 2012 including their sister Emma on bass. In 2014 the group released its debut full-length Bombs Away and the record’s second single “Geronimo” became something of an international hit for its undeniably uplifting melodies and the kinds of song elements that invite participation among listeners including choruses pretty much anyone can sing and clap along rhythms, a hallmark of Sheppard’s songwriting in general. In 2023 the group relocated to Nashville and a year later issued its latest record Zora named for the now trio’s grandmother. It’s sounds are more atmospheric but the album is the kind of life-affirming/celebrating work that could be cloying but the songwriting finds Sheppard growing beyond where it has been before and its melodies undeniably infectious.

Wednesday | 08.21
What: Roselit Bone w/George Cessna and Fly Janet
When: 7
Where: Hi-Dive
Why: Portland, Oregon’s Roselit Bone writes darkly dramatic songs like a noir version of country music with deep mood and a touch of psychedelia. So it’s a good pairing to have George Cessna on the bill with his own thought-provoking, dusky country in its own existential and cosmic mode. Denver’s Fly Janet will bring the spooky surf-spaghetti Western Americana.

Thursday | 08.22
What: Car Microwave, The Milk Blossoms and mLady
When: 8
Where: The Skylark Lounge
Why: Kansas City-based indie folk band Car Microwave released its latest record Photo Album in 2023. Its delicately rendered musicianship and vulnerable vocals have an underlying emotional strength that gives the music a charmingly earnest quality reminiscent somehow of both 10,000 Maniacs and one of Mary Timony’s bands or even in moments of Throwing Muses. One might be tempted to call The Milk Blossoms and indie folk band but with it too there is a poetry to the lyrics that more than hint at a more experimental creativity and there is a passionate delivery of the music that imbues even its most beautifully fragile moments with a vibrant emotionality.

Friday | 08.23
What: Acidbat album release w/Lanx Borealis and Church Fire at Glob
When: 8
Where: Glob
Why: Acidbat aka Seth Ogden celebrates the release of his latest album Empty Vial (out on Witchcat records) at this show feature other Denver luminaries of electronic and dance music. The new record is a further evolution of Ogden’s sonically rich and playful, psychedelic techno and ambient compositions using almost if not entirely analog synth sources. Lanx Borealis creates what might be described as ambient pop at least as far as her 2024 EP Released It seems to reveal. But think something darker with more grit but imbued with a sense of the fanciful. Church Fire is the now legendary industrial dance band with strong political content that while polemical doesn’t lack for creativity and a healthy sense of fun and humor. It is cathartic music that doesn’t skimp on the intellectual and socially critical element either.

Friday | 08.23
What: Ghost Canyon Fest Night 1: Noun, Lung, BleakHeart, Ex Everything and Cherry Spit
When: 6
Where: The Skylark Lounge
Why: Every night of Ghost Canyon Fest features some of the best weird and experimental rock and not-rock bands/artists operating today. This night kicks off with post-hardcore, thorny shoegaze locals Cherry Spit. Ex Everything will provide scathing and thrilling critiques of the prevailing order of things with its angular noise rock. BleakHeart’s dark, epic dream pop will provide the paradoxical chill and vibrant emotional expressions for the night. Lung’s fusion of punk, blues and classical sensibilities delivered with its raw energy will be a good pairing to come on the stage before Noun closes the night as the vehicle for former Screaming Females frontwoman Marissa Paternoster’s solo songwriting. The project dates to before Screaming Females formed in 2005 and over the years the songwriter has released Noun albums including the gritty and entrancing dream pop of the 2021 album Peace Meter.

Saturday | 08.24
What: Ghost Canyon Fest Matinee Show: Flaming Tongues Above, Lake Mary and Matt Talbot
When: 1
Where: Mutiny Information Cafe
Why: Flaming Tongues Above is the solo project of Amos Helvey who has been in various local bands over the years including American Culture, Destiny Bond and Angel Band. This is more a kind of cosmic bluegrass thing with exquisitely intricate musicianship. Lake Mary is the long-running project of Chaz Prymek whose compositions solo or with various collaborators is an embodiment of the spirit of improvisation and the pastoral sides of the American landscape and consciousness. Matt Talbot’s introspective, ambient slowcore minimalism is elegantly composed slices of tranquility in practice. Some may know him better as the lead singer and guitarist of Hum.

Saturday | 08.24
What: Ghost Canon Fest: Replica City, Stress Palace, Nightosphere, Ghostlike, Aseethe, Jaye Jayle, Wolf Eyes
When: 6
Where: Hi-Dive
Why: Replica City is an angular post-punk band from Denver whose atmospheric shimmer contains as much urgency and menace. Stress Palace is a noise rock band from Kansas City, the kind with caustic and desperate vocals and seething, suspended guitar when it’s not gouging the air alongside pummeling percussion. Nightosphere also from KC is a darkly slowcore project that some may be tempted to call dream pop but it’s a little too gloomy and noisy for that and more for fans of the likes of Flooding and Unwound’s more atmospheric moments. Ghostlike hails from Lincoln, Nebraska and its dense drifts of tone are in the region of shoegaze but more slow-moving like a post-metal band with unconventional melodies. Aseethe’s brooding, crushing doom metal sounds like colossal weather patterns struggling with each other until the vocals come in and then it’s like a possessed person for an effect akin to Neurosis gone more grindcore. Its 2024 album The Cost is brimming with the purge of negative emotions transformed into transcendent heaviness. Jaye Jayle is the solo project of Young Widows’ Evan Patterson who brings to this project a sensibility of mystical, experimental, tribal folk. Wolf Eyes is of course the legendary noise improv band from Detroit who have been prolifically exploring the possibilities of the use of sound since 1996. Now a duo of Nate Young and John Olson Wolf Eyes has always bucked the perception of noise being just harsh noise and mere chaos for the sake of putting off normies. There is an odd accessibility to the work of Wolf Eyes that is more like an unpretentious art that live has always been compelling and unlike anything much else even of previous performances and thus more in the vein of early Cabaret Voltaire and Throbbing Gristle.

Saturday | 08.24
What: Alvvays w/The Beths
When: 7
Where: Mission Ballroom
Why: Something about Canadian pop band Alvvays has always set it apart from being just an indie pop band or shoegaze or psychedelic. Its melodies drift and warp in sometimes unpredictable directions off so that Alvvays consistently has a quality of unpredictability and inspired imperfection though its tone is coherent and entrancing. Out the gates with its self-titled debut the band started garnering a bit of a cult following for its emotionally rich vocals and layered, atmospheric guitar and poetic and sharply observed lyrics. The most recent Alvvays album Blue Rev proved that the quartet is as capable of captivating twee sounds as robust guitar rock and live something about the band seems to exude a kind of mystique most bands can’t muster.

Saturday | 08.24
What: Dad Bod w/Oruã and Totem Pocket
When: 5
Where: Larimer Lounge
Why: Dad Bod is a psychedelic pop band from Salt Lake City that seems steeped on folk rock of the 70s. Oruã is like if a great modern jazz band decided to start doing a garage rock version of krautrock and came off a little like a bedroom version of a psychedelic rock band from Texas but just a little weirder. Totem Pocket rides the line well between 2010’s psych rock and shoegaze.

Sunday | 08.25
What: Ghost Canyon Fest: Animal Bite, Fainting Dreams, Bear Claw, Missouri Executive Order 44, Nina Nastasia and Young Widows
When: 6
Where: Hi-Dive
Why: The final night of Ghost Canyon Fest begins with a set from Casper, Wyoming’s mutant, heavy, psychedelic noise rock quartet Animal Bite. Fainting Dreams is now like the opposite image of its more dream pop beginnings, more thorny, more sonically pointed yet also moody and an intense release of tangled emotions. Bear Claw is a two bass and one drum set outfit from Chicago whose jagged and clipped dynamics range widely and akin to the likes of Mclusky and yet one gets the impression that at least one person in the band is into Failure. Missouri Executive Order 44 may or may not be based out of the Missouri side of Kansas City. But its post-hardcore, math-y riffs and mischievously surreal song titles suggest metalcore roots before the members discovered the Butthole Surfers.

Nina Nastasia is the critically acclaimed songwriter currently based in Seattle who grew up in Hollywood but moved to New York before making a name for herself as a gifted musical artist who worked throughout much of her career recording with Steve Albini. Due to years of abuse by her then partner, Nastasia left music in 2010 before returning to writing and releasing songs Her return to releasing music was the 2022 album Riderless Horse, an album or tender sounds and textures but whose subjects are a rich tapestry of the evocation of love, despair, loss, and finding moments of joy and humor in the great sprawl of life especially when you’ve been suppressing your creative gifts and now finding your vehicle of expression once again free of former limitations. The album charts the aftermath of the death of Nastasia’s former partner in 2020 and her own rediscovery of being able to write music with integrity after around a decade of finding herself unable to do so. It’s a record of rare beauty and deep personal insight that while bearing the hallmarks of going through periods of personal darkness ends up being an uplifting record and a declaration of self-empowerment. While writing and recording that record, Nastasia was simultaneously crafting the songs that would comprise the 2023 self-titled debut album by Jolie Laide, a duo with Nastasia and Jeff MacLeod. Both records have a noir quality in the nuance of emotional expression and entrancing moods that have a cinematic quality that one might compare favorably to Lana Del Rey and Cat Power.

Young Widows from Louisville, Kentucky formed following the dissolution of influential post-hardcore band Breather Resist. Young Widows’ own music was in a post-hardcore vein with roaring guitar sounds and crushing rhythms. But its musical ideas stretch out the sounds into unpredictable shapes a little more and its lyrics often depict the world as we know it, not inaccurately, as a place of great perils and challenges.

Monday, Tuesday and Wednesday | 08.26, 08.27 and 08.28
What: Khruangbin
When: 7 (each night)
Where: Mission Ballroom (08.26) and Red Rocks (08.27 and 08.28)
Why: Houston’s Khruangbin is a trio that may have absorbed the surf and garage psych influences that were shaping a good swath of rock music in the 2010s but all along the group also employed non-standard rhythms and elements of dub, funk and non-western musical forms into its sound. Its latest album A La Sala (2024) is more mellow than one might have expected and yet it’s perfectly in line with the energy Khruangbin has tapping into for years with the mood of a chill disco lounge in a retrofuturist cosmopolitan city near the beach.

Monday | 08.26
What: HIDE w/Mirrored Fatality, Bent and aeonexit
When: 7
Where: Seventh Circle Music Collective
Why: HIDE is the industrial noise punk duo from Chicago that has been releasing some of the most pointed and cathartic music of the past several years critical of the worst aspects of our culture and civilization. Its live performances are confrontational and not for the faint of heart or the easily spooked. And just from the raw intensity of the the band especially vocalist Heather Gabel’s seeming embodiment of the collective outrage of the oppressed and of the abused world challenging the foundations of power. Bent is an industrial noise project from Colorado Springs with a similar aesthetic and ethos. Mirrored Fatality is a brilliant, darkwave industrial hyperpop duo that produces scathing yet danceable critiques of late capitalism and its corrosive effects on us all. And aeonexit has long been producing experimental electronic music in forms that are as cohesive as they are eclectic, as structured and as coherent as they are intuitive and amorphous. Its in the realm of noisy ambient but even at its most darkly menacing has a gentleness that renders the music inviting rather than forbidding.

Tuesday | 08.27
What: Bikini Kill w/Sweeping Promises
When: 7
Where: Mission Ballroom
Why: Bikini Kill is the legendary feminist punk band originally from Olympia, Washington that in part inspired the riot grrrl movement and a branch of third wave feminism. The group was part of a community of like-minded artists of various types and not just musical and often lost in the projected hype is how Bikini Kill’s music while a vehicle for an important perspective was also thrilling and exciting with performances that helped show other women how you could be a member of a powerful band or something else cool and important and reclaim and own your power regardless of your role in life without having it be contingent upon what a man would have to say or the conventional social mores of mainstream society with its baked in misogyny. That was an important message and example to set even when the band split in 1998 but oddly just as relevant when the band reconvened in 2019 at a time when the then president’s influence on society seemed to expose deep currents of American racism, misogyny and xenophobia. Bikini Kill had to cancel its 2020 tour for obvious reasons but making up for it at a time that feels like yet another too soon cultural crossroads for the USA.

Thursday | 08.29
What: Lamb of God & Mastodon w/Kerry King and Malevolence
When: 7
Where: Red Rocks
Why: Lamb of God formed in 1994 and Mastodon in 2000 in Richmond, Virginia and Atlanta, Georgia respectively. That was a time when metal other than Metallica and “nü metal” was largely relegated to the underground. But both groups evolved and built up a strong following that has all but broken into the mainstream. Lamb of God has generally written music in a groove metal vein but its 2022 album Omens leans into the harder-edged and at times sounds like its members have been influenced by crossover thrash with lyrics reflecting the state of the world seemingly on the edge of environmental collapse and the rise of global authoritarianism. The band has teased the release of a new album and you may hear some of the new material at this show. Mastodon tends to be more psychedelic and melodic in its sound with progressive rock structures and diversity in rhythms. Its own most recent album Hushed and Grim is like a anthology of haunted and spooky stories utilized to discuss personal struggle in a way accessible and more creative than something more straightforward. Kerry King is one of the former guitarists of Slayer who released his debut solo album From Hell I Rise in 2024.

Friday | 08.30
What: Alternative TentaclesFEST hosted by Jello Biafra: Tsunami Bomb, Kultur Shock, Wheelchair Sports Camp and Dead Pioneers
When: 6
Where: Levitt Pavilion
Why: Legendary record label Alternative Tentacles headed by former Dead Kennedys frontman Jello Biafra is having a festival in Colorado featuring various acts on the label. Tsunami Bomb from Petaluma, California is a pop punk band with keyboards so it’s sound is decidedly different from other bands in that vein. Seattle’s Kultur Shock is a self-styled gypsy punk band that sounds more like Grazhdanskaya Oborona and its eclectic and experimental leanings than Gogol Bordello. Wheelchair Sports Camp is the great hip-hop group from Denver with the charismatic Kalyn Heffernan as the MC and contributors who are most often musicians with serious jazz chops. Dead Pioneers is a heavily political punk band from Denver but with a wry sense of humor that keeps the music from feeling didactic.

Friday | 08.30
What: Daniel Rachel Appearance Promoting Too Much Too Young: The 2Tone Records Story
When: 6 (start time)
Where: Tattered Cover (Colfax)
Why: Acclaimed and prolific writer and journalist Daniel Rachel saw the 2024 US publication of his 2023 book Too Much Too Young: The 2Tone Records Story, a non-fiction history of the influential but relatively short lived record label that helped launch modern ska into international consciousness and the careers of the likes of founders The Specials as well as The Selecter, Madness, The Beat and others. It is part oral history and part narrative and a compelling read particularly since Rachel was able to interview or find quotes from almost all of the major figures in the history of that music and movement. This event will be hosted by Queen City Sounds and Art writer and editor Tom Murphy whose own work has appeared in publications such as Westword, The Onion A.V. Club, Dagger Zine, Birdy, Denverse and Tidal HIFI.

Friday | 08.30
What: X
When: 7
Where: Summit Music Hall
Why: Influential Los Angeles punk band X is doing one final tour in conjunction with the release of one final album so if you’ve ever wanted to see the pioneering poetry, punk and Americana band definitely make it to this show. They may swing back through before retiring the band but maybe not.

Friday | 08.30
What: Isadora Eden, Pill Joy and May Be Fern
When: 8
Where: Hi-Dive
Why: Dark dream pop band Isadora Eden has a rare headlining show at the Hi-Dive ahead of taking some time off to work on its next record. Also on the bill are all non-male funk band May Be Fern and the excellent slacker pop shoegaze group Pill Joy.

Saturday | 8.31
What: Pleasure Prince w/Sunstoney, DeEt ta Jain
When: 8
Where: The Skylark Lounge
Why: Pleasure Prince is releasing its new album General Pallor at this show. The project is the duo of Lilly Scott and William Duncan whose eclectic background and musical chops prior to this project has yielded a strong body of creative work that blurs the line between avant-garde electronic music and ambient, techno, hip-hop, jazz, downtempo and dream pop. The new record further reveals the band’s knack for innovative songwriting with hazy atmospheres layered with those more vivid. As vocalists both Scott and Duncan complement each other well in delivering thoughtful lyrics and a deep sense of tranquility. The songs from the new album is like a fusion of neo soul and krautrock-flavored chillwave and a welcome respite from living in interesting times.