Saturday | 03.02
What: Thor w/Joecephus and the George Jonestown Massacre, Chamber Mage, DJ Eagle Wing
When: 8
Where: Hi-Dive
Why: THOR is the legendary, early heavy metal band from Vancouver, British Columbia. Founded and fronted by Jon Mikl Thor, a body building champion who among other titles won the designations of being Mr. USA and Mr. World Canada. When forming the band in 1973 Thor brought together his status as a body builder with music with his physical appearance and presence lending itself well to incorporating an early Viking warrior and gladiator image. In the mid-70s the band toured throughout the Eastern USA and Canada before gaining the attention of Merv Griffin who had the group perform on the Merv Griffin Show when it was broadcasting from Caesars Palace. That appearance garnered the group a record deal with RCA. With a new band lineup in 1977 and regular touring along with some releases under its belt, THOR made it over to England following a distribution deal where it signed with Motörhead manager Douglas Smith and relocated to London in 1984. Two records and three years later, the band called it quits in 1987 with Jon Mikl trying his hand at further his acting career. But that wasn’t the end of the road for THOR and a cult following lead to enough renewed interest that the group re-formed in 1997. The band has since become more active and musically prolific than it ever was in its first run and THOR continues to tour and evolve its performance concept, these days with THOR as a cowboy more in that heroic Roy Rogers and maybe even The Lone Ranger vein. In 2024 THOR will release its latest album Ride of the Iron Horse on March 15, 2024 and this may be an opportunity to catch those songs live. Give a listen to our interview with Jon Mikl Thor here.
Sunday | 03.03
What: Voivod and Prong w/Cobranoid
When: 6
Where: The Oriental Theater
Why: Voivod is the visionary early thrash band from Canada whose sound embraced elements beyond heavy metal and as the years have progressed Voivod could sometimes sound like a strange post-punk or industrial band and its own progressive metal/thrash roots have always been more imaginative than many of its peers. Its latest album Morgöth Tales (2023) is vintage Voivod with the spiraling twists and turns in its guitar leads and both gritty and haunted vocals with science fiction themed lyrics that clearly comment with great clarity and poignancy about the state of the world and with some nice Easter Eggs in the music and lyrics referencing earlier Voivod albums like Dimension Hatröss (1988). Live be prepared for a band that performs more like a hardcore band than one might expect from its art rock leanings. Prong also early on from its 1986 inception more than flirted with electronic sounds, industrial beats and what might be described as thrash psychedelia in its songwriting. And now the veteran band is touring in support of its 2023 album State of Emergency. An ideal double bill in classic heavy music.
Monday | 03.04
What: Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert
When: 7
Where: Paramount Theatre
Why: In 2023 Cat Power released the ambitious live cover album Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert (she knows it was at Manchester Free Free Trade Hall, but the legend differs). It’s a faithful recreation of the concert wherein Dylan switches halfway through from acoustic to electric instrumentation and someone in the audience yelled “Judas!” because how dare one of the darlings of folk music betray the tradition so callously and publicly. Quainter times but Cat Power’s performance, now recreated live on stage, is powerful and brilliantly rendered in exquisite detail in a way that is both ironic and sincere as an act of cultural and creative time travel and trying on a classic outfit for size in a musical sense in the way only Chan Marshall can. Why did she do this? Marshall has long made other people’s music her own as a tribute to their influence and impact and this was just the next level and taking on an absolute classic performance traded as bootlegs for years, a move that perhaps Dylan would have approved and who knows, maybe did behind the scenes. Whatever the origins of this effort Cat Power is a commanding live performer with undeniable mystique and emotional range and this will probably be the only time she tours this show.
Tuesday | 03.05
What: Otoboke Beaver w/Drinking Boys and Girls Choir
When: 7
Where: Gothic Theatre
Why: Otoboke Beaver is the hyperkinetic hardcore/post-punk/garage rock band from Kyoto that seemed to leap from very underground status in America before 2022 to a bit of a cult phenomenon following the release of that year’s ferocious, culturally and politically incisive and sharply humorous album Super Champon. The group toured extensively behind the record including a stop at Globe Hall in Denver where it sold out the show and with relentless energy and raw charisma more than earned its growing popularity followed by a return show at The Bluebird and now The Gothic. The group deftly uses media and cultural references in deconstructing consumerism and misogyny in almost a parody of Japanese television and its phantasmagorical reality TV shows and advertising. There is a nuanced awareness in what the band is doing while also making it all fun and exciting and to any extent that it’s kitschy it is a knowing employment of tropes that also embraces the uniqueness of Japanese popular culture and its widely varied manifestations.
Wednesday | 03.06
What: Real Estate w/Florry
When: 7
Where: Gothic Theatre
Why: Real Estate is a veteran band of 2000s and 2010s indie rock that survived changing tastes and the whole period when blogs and online music journalism made and sometimes unmade bands. And the pandemic which has been rough on the world of music generally. Its early sound may have been more shaped by jangle pop and surf rock with a drift toward dream pop in the 2010s. But with the release of its 2024 album Daniel it seems that Real Estate is firmly comfortable in embracing the entirety of its musical development with a soft melodicism that lends itself well to observational songs of adult introspection and assessment of what makes living meaningful and resonant after the rush of youth has long burned out but one’s desire to do more than just go along with being a cog in society’s machine. The record speaks to how none of us really wants to just plug in and go along with being a passive consumer when there’s so much of life left to live yet and so much of it is more than just going to work, doing some menial thing for 8-10 hours and commuting home and watching TV and maybe on the weekend do some shopping or engage in some light local tourism or super premeditated and marketed “adulting” amusement. The songs on Daniel are more reflective and speak to more going on than what we’ve been lead to believe means what it looks like to “grow up.”
Wednesday | 03.06
What: Cherry Glazerr w/Wombo
When: 7
Where: Bluebird Theater
Why: Clementine Creevy has been doing Cherry Glazerr since she was a teenager in 2013 and the project has evolved in always sonically interesting and ambitious directions. Early on the music might have been described as dream pop and shoegaze and that has been a consistent sound that runs through the band’s music through to today. But the 2023 album I Don’t Want You Anymore seems more gritty and raw and with more distorted, jagged edges and orchestrated moments of poignant dramatic flourishes alongside the masterful fusion of electronic composition and moody guitar rock. It sounds like the kind of album that serves as a way to write out coming to terms with the downbeats of one’s own life with daring honesty and arguably the trio’s finest record. Opening the show is the arty post-punk band Wombo from Louisville, Kentucky who for many is one of the great underground bands of the last several years. Its records are all inventive exercises in threading together psychedelic rock and whatever it was Pere Ubu was doing in its early days yet making it oddly immediately accessible with a startlingly commanding live performance.
Thursday | 03.07
What: Sleepytime Gorilla Museum w/Dreadnought, Surplus 1980
When: 7
Where: Bluebird Theater
Why: Sleepytime Gorilla Museum established itself as one of the great cult bands out of the 90s and 2000s with its utterly unique melange of theater, heavy art rock and psychedelia. Safe to say it would be challenging to compare the band’s music to that of any of its contemporaries except maybe something Mike Patton might be doing around the same time and in fact Matthias Bossi and Patton worked together for a live score for the 1924 film Waxworks. Its records are all fascinating pieces that at times seem industrial, others the kind of industrial noise rock one might expect from Cop Shoot Cop with the cathartic flourishes heard more often in the music of Swans—Frank Zappa gone fully jazz punk. When SGM split in 2011 probably no one was expecting a reunion but that’s what happened in 2023 and now the legendary experimental band is touring behind the release of its new album of the Last Human Being and yes it’s as wonderfully weird and as challenging and rewarding as one might hope to hear. Opening are Denver psychedelic doom band Dreadnought and Surplus 1980, a group headed by SGM’s Moe Staiano and in a what might be described as an avant-garde post-punk dub vein.
Thursday | 03.07
What: Ryan Beatty
When: 7
Where: Gothic Theatre
Why: Ryan Beatty got started in his musical career by posting videos on his YouTube channel beginning in 2011 and while still a teen embarked touring but with his image and thus to some extent his music and personal expression limited by adhering to a supposedly palatable media image for mainstream consumption. So he fired his management team leading to his not being able to actually put out his own music until he was around 20 years old. But Beatty’s warmly expressive vocals and ear for evocative arrangements meant he has been able to find success on his own terms. His 2023 album Calico with its wide open yet intimate sounds and production that lets the songs sound like they might be recorded at home minus the rich vocal sounds and orchestral touches that contrast well with sound design that capture background sounds to give the more pristine elements a human context.
Thursday | 03.07
What: Clayton Dexter’s Country Backwash w/Body and Ryan Wong Band
When: 7
Where: Hi-Dive
Why: Clayton Dexter’s Country Backwash is sort of a psychedelic country band from Denver that includes of course Clayton Dexter and at least for the 2023 self-titled album Paul Dehaven (Paper Bird, Eye & the Arrow, Heavy Diamond Ring). But of course the music stylistically ranges far from that sometimes limiting format and at times the band sounds like some sort of glam rock-flavored synth pop band with guitar twang. Body is a synth pop band that includes former members of Ned Garthe Explosion and Hindershot that though a trio seems to produce a massive and immersive panoply of sound. Ryan Wong Band is refreshingly a fairly straight forward country band from Denver that seems to draw its roots from a time when country didn’t need to stay on some narrow brand for a sound palette and dips into the realm of cosmic country as well.
Friday | 03.08
What: Replica City w/Quits and Supreme Joy
When: 6:30
Where: Mutiny Information Café
Why: Replica City is a post-punk band from Denver that is more informed by the likes of Dinosaur Jr than Joy Division and it will release its new EP Gift of Knives on March 5, 2024 for which this show is a celebration. Quits is the great Denver noise rock institution whose own album Feeling It released in September 2023 with a support tour in 2024. Supreme Joy is an angular post-punk band from Denver that has more than a leg in jangly psychedelic rock but think more in the vein of something like JOHN, Women or Swell Maps.
Saturday | 03.09
What: Black Flag – 40th Anniversary of My War
When: 7:30
Where: The Oriental Theater
Why: Black Flag’s 1984, second album My War introduced fans of the group’s ferocious and technically proficient hardcore to sludgier, heavy sounds and grinding tempos in a way that proved influential on the genre and crossover bands. Apparently, Black Flag had already done the accelerated punk thing for years and simply had to do something different. And for this show you’ll probably get to see the album in its entirety as well as other Black Flag classics. Greg Ginn is the only original member but getting to see Ginn unleash those crazy Black Flag riffs is still something impressive to behold.
Saturday | 03.09
What: Laetitia Sadier w/Susan James
When: 7
Where: Lost Lake
Why: Laetitia Sadier is the charismatic and soulful singer and songwriter who is perhaps best known for being a lead singer in experimental rock band Stereolab. But Sadier has long had projects outside the latter including a reliably fascinating solo career consisting of five albums since 2010 including Rooting for Love which dropped on February 23, 2024. In the album’s songs one years the lush, downtempo, jazz and Bossa Nova inflected art pop that has been Sadier’s signature musical flavor for decades. But there is a spaciousness in Sadier’s solo work that is inviting and soothing without being soporific. Her warm and expressive vocals sit solidly in the mix of drifting atmospheres as well as grounding the more energetic passages. The album sounds like a conversation about weighty subjects in French and English but in a manner that invites imagination and compassion to combine to look toward a world that is moving beyond the petty and incredibly destructive civilizational patterns, a death spiral really, in which our species now seems stuck. Sadier looks toward a time past that psychological gridlock honoring the complexities of human existence and habits that got us there. Susan James is a renowned singer-songwriter whose experimental, psychedelic folk also seems to draw bit from 60s French pop as well and whose 2015 album Sea Glass marked a shift in the artist’s songwriting to more incorporation of her influences among minimalist composers. It was also produced by Sean O’Hagan of High Llamas fame, an artist who in his own music fused psychedelic pop and the avant-garde.
Sunday | 03.10
What: Kendra Morris w/Rootbeer Richie & The Reveille and The Milk Blossoms
When: 7
Where: Hi-Dive
Why: Kendra Morris is a singer-songwriter from NYC whose sound is clearly rooted in soul, R&B and the neo-soul end of hip-hop. And there’s a touch of psychedelia at the edges of her lush arrangements and a general sense that Morris is writing her music driven by imagining unusual short stories that themselves inspire creativity and giving her songs their own personality so that her records while having some consistency of quality and imbued with a style that is uniquely Morris’ own are refreshingly varied and mysterious because there are no hackneyed premises and if there are playful uses of common subject fodder for pop music it’s all surround by unusual, often moody and deeply evocative music and Morris’ commanding vocals. Opening the show are two Denver bands in the rock and soul theater of Rootbeer Richie & the Reveille and The Milk Blossoms. The latter is more in line with Morris in the eclectic and emotionally rich songwriting and soundscapes and some roots in hip-hop, R&B, left field psychedelia and indiepop.
Friday | 03.15
What: RAREBYRD$, Sell Farm, Baby Baby and Doll
When: 8
Where: The Skylark Lounge
Why: Witch Cat Records is a record label based in Colorado that has been a home to some of the more experimental and forward thinking electronic and psychedelic music out now. While its roster is small its releases include offerings from Edward Ka-Spel of The Legendary Pink Dots fame, LPD reissues, Thanatoloop, Church Fire, Mourning Cloaks, Acidbat and Orbit Service. This is a showcase for acts whose own aesthetics align with the Witch Cat aesthetic and a now infrequent appearance by hip-hop greats RAREBYRD$, industrial/EBM auteur Sell Farm, left field pop artist Baby Baby and Doll.
Friday | 03.15
What: Eyedress
When: 7
Where: Summit Music Hall
Why: Eyedress has been a notable figure in modern pop/indie rock/psychedelia and hybrid forms of each with some hip-hop production and glitchcore thrown into the mix. Originally from the Philippines Eyedress now calls Los Angeles home and his most recent releases read like a modern hip-hop joints with multiple collaborators that Eyedress has brought in to expand his own sound palette and range as an artist.
Friday | 03.15
What: The Brook & The Bluff w/Teenage Dads
When: 7
Where: Boulder Theater
Why: The Brook & The Bluff formed in Birmingham, Alabama among two brothers and childhood friends around 2015 but has since relocated to Nashville. The group’s sound is in the realm of 1970s soft rock with a touch of psychedelia and Americana and its 2023 album Bluebeard highlighted the way the band can turn simple arrangements into intricate and lush soundscapes in which its stories take on an intimate quality that soothe as much as they take on subjects of everyday life and its usual struggles with a tender poignancy.
Sunday | 03.17
What: Deap Valley farewell tour w/Death Valley Girls
When: 7
Where: Marquis Theater
Why: Los Angeles-based blues-garage duo Deap Valley is taking one last run as a live band this spring through June before dissolving hopefully into other projects. Fans of Yeah Yeah Yeahs and The Kills will definitely appreciate the energy Deap Valley has been giving since its inception. Also on the bill is the great psychedelic shoegaze band Death Valley Girls. Also from Los Angeles. One hopes when the tour was being put together the two bands recognized the humor value of Deap Valley and Death Valley Girls touring together even though there’s nothing gimmicky about the music of each.
Monday | 03.18
What: The Dandy Warhols w/Sisters of Your Sunshine Vapor
When: 7
Where: Gothic Theatre
Why: The Dandy Warhols have been together since 1994 and from the beginning of their career the members of the group have pulled together an eclectic set of influences to synthesize into various styles of music yet not without a coherent sound. Early on its music seemed rooted in psychedelic garage rock, nascent Britpop and shoegaze soundscaping. As the group has evolved it has incorporated elements of electronic music and production to sculpt its songwriting into something compelling and unique even through times when perhaps some of its fans haven’t been as on board with the innovations and evolution of the Dandys’ songwriting experiments. But all along the quartet’s spirited and charismatic live show has remained worth witnessing. In 2024 the Dandys released the new album Rockmaker. In typical fashion the group has seemingly reinvented itself and indulged a kind of free association approach to its sonic elements so that the record is equally an electro rock and chill big beat affair and fuzzy, groovy psychedelia with a deep sense of play, an irreverent sense of humor and deft cultural and musical allusions. Hopefully the band plays liberally from the new album but it has always been good about giving fans a generous dose of its remarkable back catalog live.
Monday | 03.18
What: The Decibel Tour: Hulder, Devil Master, Worm and Necrofier
When: 6:30
Where: HQ
Why: Decibel Magazine is celebrating its twentieth anniversary with this tour featuring some of the more interesting bands in the broad realm of heavy music. Hulder is the transcendental black metal band from the Pacific Northwest, Devil Master is a Philadelphia-based, blackened crust/death rock group, Worm is the funeral doom project from Florida and Necrofier is the dark, death thrash outfit from Houston.
Monday | 03.18
What: The Schizophonics w/The Omens and Cleaner
When: 7
Where: Hi-Dive
Why: The Schizophonics is a garage rock band from San Diego who have more than a touch of psychedelia in their sound and its nervy energy and widely expansive sound is reminiscent of MC5 and a more feral 13th Floor Elevators. So yes Denver’s The Omens are coming out of semi-retirement with their own brand of unhinged garage rock power alongside heavy psych rock band Cleaner from Denver fronted by Kim Phat (Dirty Few, Keef Duster) with musicianship from members of other noteworthy Denver bands like Arj Narayan (Black Acid Devil etc.) and Justin Sanderson (Muscle Beach, Colfax Speed Queen, Night Fishing etc.).
Monday | 03.18
What: Slow Hollows w/P.H.F.
When: 7
Where: Globe Hall
Why: Slow Hollows split in 2020 but songwriter Austin Feinstein kept making music and relaunched the project himself in 2023. A year later the new Slow Hollows album Bullhead dropped on March 8, 2024 showcasing Feinstein’s gently intricate arrangements, evocatively thoughtful lyrics and eclectic style somewhere between indiepop and post-punk. Feinstein this time out sounds more confident and emotionally forward yet vulnerable and introspective. The drifts and bends in his melodies lend the song a disarming quality that makes you wonder if he’d been listening to a lot of My Bloody Valentine and Microphones for a few years but managed not to rip off their songwriting style while adopting some of their methods of crafting tone.
Monday | 03.18
What: The Kooks, The Vaccines and Daisy the Great
When: 6
Where: The Fillmore Auditorium
Why: Crazy to think The Kooks have been around for twenty years at this point but the group based out of Brighton, England has evolved beyond its early sound rooted in 60s mod and turn of the century post-punk and its most recent album, 2022’s 10 Tracks to Echo in the Dark, is almost like a Britpop revival sound but one that might have happened had The Verve embraced electro-funk and some hip-hop production and chillwave soundscaping. The Vaccines came along in the wake of The Kooks out of West London with its own brash stage show and fusion of surf rock and melodic punk. It’s 2024 album Pick-Up Full of Pink Carnations sounds like one of those triumphant New Wave power pop records of the 80s but without the cheese and just the soaring melodies and touch of nostalgia for one’s younger days as fuel for your present existence. Opening this leg of the tour is Daisy the Great. The indie pop duo of Kelley Dugan and Mina Walker started when the two were acting students at NYU’s Tisch School of the Arts who were writing a musical about a fictional band and then made that band into a real life thing. The group’s 2017 debut composition “The Record Player Song” was hit with to date over a quarter billion streams. Two albums and three EPs later including 2023’s Tough Kid Daisy the Great has garnered a bit of a following for its folk and R&B-inflected pop songs informed by a wry self-awareness and sense of humor. It’s charmingly spare live performances will definitely be an interesting counterpoint to the headliners for the night in some ways but Daisy The Great is also known to put in a lively set of its own.
Tuesday | 03.19
What: Madi Diaz w/Daniel Nunnelee
When: 7
Where: The Bluebird Theater
Why: Madi Diaz is an acclaimed songwriter who got her start playing shows in NYC in 2007, the same year of the release of her debut album Skin And Bones. Her observant and emotionally refined lyrics and gift for building textures into her melodies and rhythms has helped set her songwriting apart from many of her peers. Her 2024 album Weird Faith centers Diaz’s vocals in music that is at once orchestral and minimalist with rich yet unobtrusive production that showcases the songwriter’s immediately relatable lyrics about relationships with self, others and the universe we all try to navigate as best we can.
Tuesday and Wednesday | 03.19 and 03.20
What: K.Flay w/Cam Kahin
When: 7
Where: The Marquis Theater
Why: Kristine Flaherty aka K.Flay is a songwriter very much of the current vintage whose music isn’t bond by strict genres and whose music is eclectic yet coherently stylized. She began writing music in her late teens as a reaction against some of the popular music of the time writing a parody song only to realize she enjoyed the process of doing so and over twenty years later Flaherty has released multiple albums and collaborated with the likes FIDLAR, Tom Morello, Danny Brown, Matt and Kim, MC Lars and countless others, a testament to her gift for genre-bending. These two nights at The Marquis are part of of K.Flay’s MONO: Live in Stereo tour which are a series of intimate shows in just seven major cities in the USA.
Wednesday | 03.20
What: Torres w/Liza Anne
When: 7
Where: Larimer Lounge
Why: Torres pushed her songwriting envelope much further than her already unorthodox pop songwriting with the 2024 release of her new album What an Enormous Room. The album cover makes one wonder if the absurdity of the image as a concept made Torres both laugh and take as a challenge to reach beyond where she’d been before as an artist. The songwriter has of course been no stranger to crafting arty synth pop but the new record will probably alienate some people expecting her to give us more of what they’ve been expecting. Torres is embracing the strange and the experimental with this set of songs without sacrificing songcraft and thoughtful lyrics of an emotionally refined vintage. Could Torres take this impulse creative further? Of course but the new album is a welcome expansion of sounds and creative ideas one might compare to when Cat Power released her 2012 electronic pop/glam rock record Sun.
Wednesday and Thursday | 03.20 and 03.21
What: Night Cap w/Savanna Leigh
When: 7pm doors both nights
Where: The Coast (03.20) and Lost Lake (03.21)
Why: Night Cap is an indie rock band from Austin, Texas whose eclectic sound merges acoustic songwriting, rock and synth pop. Opener Savanna Leigh is a Nashville-based songwriter whose style synthesizes acoustic indie pop and electronic production. Her string of singles over the past year have revealed an artist whose vulnerability and sensitivity informs songs that are insightful examinations of the inner life and how when we take the time to listen to our often unspoken emotional turmoil and trauma we can attempt to unravel the control of past experience has over our present. Her evocative vocals and lush production combine a cinematic songwriting style with an intimate delivery of the music.
Th – S | 03.21-03.23
What: My Blue Heart Tour (3.21 with VALDEZ, 03.22 w/The Patient Zeros, SweetStreak and Rocky Burning and 3.23 w/Get the Axe and Gatehouse
When: 7 (3.21 and 03.23) and 8 (03.22)
Where: Magic Rat (03.21), Goosetown Tavern (03.22) and Vulture’s (03.23)
Why: Art pop My Blue Heart from Denver is celebrating the March 15, 2024 release of its new album Masquerade with a mini-tour along the front range. The album genre bends and seems to discard standard song structures and rhythm schemes. It’s musical roots seem to borrow heavily from blues and funk but mutated by the influence of art rock bands like Hamster Theater and Sleepytime Gorilla Museum and channeled into people songs that aren’t much like what anyone else in Denver is putting out at the moment unless you’re into weirdo music territory like TripLip and Bolonium.
Thursday | 03.21
What: Autoheart w/Pigeon Pit and RAEGAN
When: 6
Where: Meow Wolf
Why: Autoheart is a sophisti-pop band from the UK that has been perfecting its emotionally vibrant synth pop songs that don’t sit neatly in a stylistic box as the group draws on inspiration from disparate sources. In its sound you can hear a touch of R&B, soul and chillwave. The group recently dropped its Punch Demos compilation which includes eighteen demos including remasters of songs from the 2023 10th anniversary edition of the debut Autoheart album Punch. Fans of Erasure and Perfume Genius will definitely find a lot to like about Autoheart. Pigeon Pit is the well known folk punk band from Olympia, Washington. RAEGAN is a pop artist from NYC whose songs are sonically creative, insightful commentaries on popular culture, social dynamics and identity. She combines glitchcore beats, trap production, dub, strings and unconventional textures in rhythms that give her music a distinctive sound that cuts through the familiar trappings of modern alt-pop. Her forthcoming debut EP FUCK RAEGAN promises an expansion on the artist’s sound and the video for the lead single “Waltz” is a sort of queer re-telling of Romeo & Juliet with a music video with visuals like something out of Bram Stoker’s Dracula.
Friday | 03.22
What: Vatican Vamps album release w/Knuckle Pups and Wildcat
When: 7
Where: The Black Buzzard
Why: Vatican Vamps is celebrating the release of its self-titled album for this show. The record is filled with urgent and gritty songs brimming with brooding atmospheres and a sense of menace. A lot of post-punk and darkwave bands seem to be following sonic trends lately but Vatican Vamps seems to have carved its own path with seeming influences from the post-punk revival of the turn of the century, Britpop and 1980s deathrock. The vinyl edition of the album can be pre-ordered on the Vatican Vamps’ Bandcamp and should be out in April. Also on the bill is one of the great, modern indiepop bands Knuckle Pups.
Saturday | 03.23
What: Cellista and prologue by The Drood and Dustin Schultz (Skinny Puppy) and Hilary Whitmore
When: 7:30-9:30
Where: Dairy Center for the Arts
Why: Cellista is a Los Angeles-based performance artist with roots in the Bay Area and Colorado and over the past several years she has created what she calls stage poems which are narrative multimedia works after those of artist, filmmaker and writer Jean Coctea drawing together seemingly disparate thematic elements and modes of expression. In 2021 she performed at Lincoln Center and she has worked with Tanya Donelly, John Vanderslice, Troyboy, Don McLean, Casey Crescenzo of The Dear Hunter, Van Dyke Parks, Toni! Toni! Toné and Pam the Funkstress. Her work has been heard and scene on film and television and she has appeared as an extra on the TV shows Better Things and Will & Grace playing cello. In fall 2021 her stage poem Pariah explored themes of othering and exile within communities and it featured a companion book by philosopher Frank Seeburger. In 2024 Cellista is unveiling her latest stage poem Élégie. Directed and performed by the artist, Élégie is a one-woman show for cello, static trapeze and cinema. Choreographed by Cellista, Kennedy Kabasares and Joel Baker with film editing by Jennifer Gigantino and cinematography by Bryan Gibel, the one hour piece stars Cellista as the titular figure, a blackbird who shape shifts into human form and back. According to the press release for the stage poem, “Élégie awakens one day in her magical tree outside the walled off city of Cloture to find its entire population has disappeared. In their departure, the citizens have left behind a city of altars, decorated with unlit candles; each containing the memories and mementos of the banished citizens. Élégie shape shifts into human form to find out what happened to Cloture’s disappeared. In her journey she finds serenity.” As with Cellista’s previous stage poem the performance will be a uniquely evocative experience that brings those in attendance deeply into the story with visuals, music, spoken word, the choreography and the event’s baked in literary dimensions that blur the lines between all mediums involved. This Colorado date includes opening performances by ambient-industrial, psychedelic post-punk group The Drood which released its latest album The Book of Drood on March 1, 2024 and Dustin Schultz (Skinny Puppy) and Hilary Whitmore. Listen to our interview with Cellista here.
Monday | 03.25
What: Chew w/Moon Pussy and Church Fire
When: 7:30
Where: The Skylark Lounge
Why: Chew is a band from Atlanta, Georgia whose music defies simple categorization. Until late 2023 Chew had been a trio is now a duo comprised of Brett Reagan who plays sampler, synth bass and guitar while running strobe lights and Sarah Wilson who plays drums and bass lines with a drum sample pad. The project has toured the US and Canada extensively with three European tours under its belt. Because the outfit’s music is so unorthodox it’s music spans and often in the same song the realms of psychedelic and noise rock, ambient, noise, industrial and electronic dance music. Fans of the likes of fellow travelers of eclectic weirdness like Guerilla Toss, Black Moth Super Rainbow and The Spirit of the Beehive will find an immediate connection with the music Chew has been crafting since its inception. Its 2022 album Horses resonates with recent releases by Jockstrap and Sextile without the inspiration of either to feed into its stream of inspiration and influences. In addition to the music Chew’s surreal album covers and inspired song titles suggest more than a passing familiarity with esoteric knowledge and other obscure and niche realms of knowledge as well as a knack for clever wordplay. It all adds up to an uncommon depth of creative development that rewards anyone taking in the music and its presentation beyond the surface level. Also on the bill are local noise rock phenoms Moon Pussy and legendary industrial dance trio Church Fire.
Monday | 03.25
What: Midwife w/Vyva Melinkolya and Body Negative
When: 7
Where: Squirm Gallery
Why: Midwife brings her style of ambient folk soundscapes and vulnerable lyrics that she calls “heaven metal” back to Denver for a tour with artists operating in their own realms of music resonant with the vulnerable energies of Midwife’s textural soundscapes. Vyva Malinkolya and Midwife collaborated on an album recently with the 2023 release of Orbweaving and its fusion of gauzy shoegaze and emotional deep diving as a path to processing trauma and grief. Body Negative is an artist with whom Madeline Johnston aka Midwife has worked as a producer on the the newly released album everett that blurs the line between melancholic ambient and dream pop.
Monday | 03.25
What: HEALTH w/Pixelgrip and King Yosef
When: 7
Where: Gothic Theatre
Why: With the December release of RAT WARS, industrial noise/electronic punk band HEALTH has shown itself capable of reinvention on a deep level with a gritty, melancholic yet cathartic album that combines well with its glitchy and more experimental electronic impulses. And so bringing along the great industrial pop group Pixelgrip along for this tour will only make for a great evening of music with talented producer and recording engineer King Yosef opening the show with his industrial hardcore.
Tuesday | 03.26
What: Sleater-Kinney w/Palehound
When: 7
Where: Mission Ballroom
Why: Sleater-Kinney released its eleventh and latest album Little Rope in Jaunary 2024. The record with its grit and bombast matched with an experimentation with the band’s core sound is a welcome reinvention that finds Carrie Brownstein and Corin Tucker infusing what might be described as a more cinematic form of songwriting with raw and earnest emotion and the sharply and poignantly observed personal reflection and thoughtful social commentary one would hope for with a set of songs from this band. In moments it feels more like a glam rock album fortified by punk spirit. No one needs a band whose members are over 25 years of age to sing from a place informed by lingering teen angst and tapping into that mindset with a lack of irony. Fortunately Sleater-Kinney has never been stunted that way and this new album is filled with songs written by people plugging into their own sources of personal vitality and offering perspectives that seem to have zeroed in on clear and present concerns and the feelings we all share in navigating the conflicted world in which we find ourselves living right now. And if all tours since the group reconvened in 2014 are any indication, Sleater-Kinney is still one of the great live rock bands everyone should get to see at least once.
Thursday | 03.28
What: Jenny Haniver, Ethan Lee McCarthy and Fainting Dreams
When: 7
Where: Hi-Dive
Why: A Jenny Haniver is the carcass of a ray or skate that has been modified and dried into a mummy made to resemble a fictional creature of folklore like a sort of a demon, angel or dragon and in various cultures is said to possess magical powers or otherwise used for ritualistic purposes. The Jenny Haniver in this case is an industrial noise post-hardcore duo from Portland, Oregon whose detailed soundscapes are imbued with a melancholic mood. Ethan Lee McCarthy under his own name will likely perform one of his noise sets but one more steeped in atmospheric compositions and gritty gloom. Fainting Dreams has migrated its sound from its early dream pop songwriting to something more like darkly tribal noise rock.
Friday | 03.29
What: Gothsta, Witch Baby, SORROWS, Ak’chamel, Hypnotic Turtle Radio
When: 8
Where: Goosetown Tavern
Why: Gothsta is making a rare live appearance with their style of witchy, experimental, glitchy electronic weirdo pop. Think something more akin to the likes of The Space Lady and Renaldo and the Loaf and you’ll be on the right track. Don’t bother looking online for too much of Gothsta’s music because most of it you’ll have to acquire at the show or at Wax Trax. SORROWS is a downtempo electronic dance duo that combines moody melancholic melodies with a robust low end, orchestrated rhythms with a spontaneous energy and emotionally vibrant and operatic vocals. Witch Baby is a spontaneous composition, avant-garde improvisational group with drums, saxophone, synth, drums, guitar and bass. Ak’chamel, or with the full name of Ak’chamel, The Crazed and Sunchalked Bones of the Vanished Herds, is one of the choice musical entities for appreciators of genre bursting/synthesizing artists who employ their aesthetic as a deconstruction of cultures and a commentary on the impact of industrialized societies on those not as technocratically embedded. Its subversive and surreal song titles are an inspired example of the latter. Fans of African psychedelic artists like Mdou Moctar and esotericist psych post-punkers Savage Republic will appreciate the music and fans of theatrical, ritualistic performances should definitely seek out this psychedelic surf rock pan-continental avant-folk duo.
Friday | 03.29
What: The Egyptian Lover
When: 8
Where: Hi-Dive
Why: This is an exceedingly rare chance to catch the influential hip-hop composer, producer and remixer live. His use of analog electronic gear in sculpting his sound made a major impact on hip-hop in the 80s in particular his 1984 single “Egypt, Egypt” from his On the Nile album. It bore the influence of Kraftwerk but stamped with his own masterful production and gift for layering rhythm, vocals and synth melodies that get stuck in your consciousness.
What: Pictureplane w/Street Fever, Polly Urethane, Dreams of Blights, Kill You Club DJs
When: 8
Where: Hi-Dive
Why: Pictureplane returns to Denver, the city where he more fully developed the style of music and production for which he is now most well known. He helped to coin the genre term witch house to describe what he was doing in the late 2000s with a blend of noise, hip-hop production and synth pop that tapped into an emotional space that resonated with feelings of nostalgia and yearning for a better time and place that felt within reach. That sound with other artists manifested into chillswave but Pictureplane always had more of a leg in the experimental realm of the music and harder beats. His 2021 album Dopamine found him reconciling his previous creative impulses into music that hit like a return to form but also a step forward. Also on the bill is Boise, Idaho industrial dance legend Street Fever whose music is rooted in a dark kind of techno and house that has proven to influential on a certain stripe of underground electronic dance music world of a more avant vintage with a live show that is both entrancing, enveloping and enigmatic. Perhaps this includes fellow Boise crafters of pounding and pulsing, industrial noise freakouts Dreams of Blights. Another prime reason to go to this show is to witness a now not so common set from Polly Urethane whose often ritualistic performance art isn’t limited to a genre. It could be one of her sublime fusions of operatic classical and pop performances or combined with a confrontational, industrial noise pieces, a noise soundscape with a turntable, an alchemical mix of post-nü metal noise rock or pure performance art never to be repeated with a collage of classical music and her own tracks and unusual yet poetic visuals. You just never really know except that it will be worth your time and that’s part of the appeal.
Queen City Sounds and Art 
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