Queen City Sounds Podcast S4E09: Tigercub

Tigercub, photo by Andreia Lemos

Tigercub is a rock band from Brighton, England that formed in 2011 by vocalist and guitarist Jamie Stephen Hall and drummer James Allix who met a university and joined by bassist Jimi Wheelright in 2012. From its earliest releases the trio has demonstrated a knack for crafting commanding hard rock with a cinematic sensibility that it has consistently evolved into a body of work that has expanded its range and variety of expression across now three albums including arguably its most fully realized work to date with 2023’s The Perfume of Decay. The group’s 2021 album As Blue as Indigo delved deep into themes of anxiety, depression, mortality and loss. The latest release found the band exploring the use of found tapes that Hall had been collecting from old Dictaphone machines found in thrift stores as a layer of atmosphere that served as almost a sonic canvass upon which its hard rocking sound could find a subtle context. It’s a subtle effect but for the keen listener there’s a certain something to the music on the record that lends it an emotional impact like a well chosen setting and time of year can add something unmistakable and compelling to a film.

For the new album some of the themes of the previous offering linger as emotional fallout and reflecting the kinds of experiences we all go through when we’ve been through a particularly traumatic period and have to return to going through the usual daily experiences with a different emotional lens having been changed by grief and existential turmoil. For the new record the group seems to have taken in the influence of early shoegaze and Can in terms of working out the underlying moods and atmospherics and challenging themselves to produce something another level of creative ambition with its arrangements. You can hear the impact of Queens of the Stone Age in its fluid use of heavy guitar and rhythms but in its perhaps not as obvious ear for the aesthetics of electronic music and in the structure of where the sounds sit in the mix one might compare Tigercub to Failure whose own fusion of hard rock, post-punk and the influence of cinematic sound design has yielded its own career of noteworthy records.

Tigercub is currently on tour with alternative rock legends Porno for Pyros for what is apparently it’s farewell shows and you can catch them at The Fillmore Auditorium in Denver, Colorado on Thursday, February 22, 2024, doors 7 p.m., show 8 p.m.. Listen to our interview with Jamie Stephen Hall on Bandcamp and follow Tigercub at the links below.

tigercubtigercub.com

Tigercub on Instagram

Toy City Bring a Great Sense of Rediscovery and Outgrowing the Past in the Introspective and Earnest Melodies of “Mountains”

Toy City, photo courtesy the artists

Paul Burke and Steve Shaheen of Toy City met while playing in the alternative rock scene of Boston in the 1990s but returned to music during the 2020 pandemic lockdown period and traded files recorded in studios in New York City and San Francisco. The self-titled debut album mixed by John Russell of modern noise rock legends Kal Marks and mastered by Joe Lambert released on May 5, 2023. The single “Mountains” has an unvarnished yet sophisticated charm like something these guys recorded in their practice studio but the songwriting reveals a keen ear for interlocking rhythms and an intimate mood even within a song that pulses with energy and is both brooding, yearning and hopeful with expressions of missing someone or perhaps one’s old self as one grows in new directions, perhaps outgrowing old associations and a past life to which one cannot return even if you’ve returned to familiar activities and pastimes once put on the shelf for years. It’s like a theme song for the project and the album and mentions of taking things one step at a time even if it’s clear Toy City have a command of imbuing its songs with an earnestness, elegance and economy of expression. Fans of early Failure and more recent songs by The Church will find something to appreciate in the introspective soundscapes and sincerity of the songwriting not just on “Mountains” but on the rest of the eponymous debut. Listen to “Mountains” and more on Spotify and follow Toy City on Instagram.

Sandkamper’s Majestic “Ohne Erinnering” is a Metallic Art Punk Ode to Living Your Best Life

Sandkamper1_crop
Sandkamper, photo courtesy the artist

The way the guitar distorts and rings out throughout Sandkamper’s “Ohne Erinnerung” is reminiscent of the grit, shimmer, melodic weightiness and energy of Les Thugs in the late 90s. In particular the song “Magic Hour” from that band’s 1998 album Nineteen Something. But it also buzzes and hums in a way more suggestive of a rooting in heavy metal like early Smashing Pumpkins the way the melody floats with an unexpected elegance given how the tone is almost cutting. The minor chord progressions and fiery drive and the way the song seems to have a dynamic of everything coming crashing down in a way that bears some comparison with Failure as well. But the guitar solo toward the end of the song is like something out of 1970s heavy metal in that it is a display of technical prowess but it also serves the song and what it’s about, in this case “friendship and dementia,” and the spirit of triumphing over what ails you even if the best you can hope for is leading as good a life as you can with the time you have left. Listen to “Ohne Erinnerung” on Bandcamp and follow Sandkamper at the links below.

soundcloud.com/sandkamper
twitter.com/sandkamper
facebook.com/sandkamper
instagram.com/mauriziomenendez