Best Shows In Denver 8.16.18 to 8.22.18

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Sandra Collins performs in Denver on Saturday night, August 18, at a venue to be announced

Thursday | August 16, 2018

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The cover of Returning to a Scorched Earth by A Light Among Many

Who: A Light Among Many album release, Sonic Vomit, Green Druid and Vexing
When: Thursday, 08.16, 6:30 p.m.
Where: Hi-Dive
Why: A Light Among Many is the doom drone solo project of Franklin Binder. Using voice, guitar and loops, Binder articulates the spirit of the desolate stretches of Colorado’s high plains stitched with lonely highways and an unseen networks of ley lines. His music has a haunted and tortured yet transcendent menace like a violent storm hovering on the horizon, circling loci of civilization, touching down periodically as a reminder of the primacy of nature over humankind’s hubristic plans. ALAM’s new album Returning to a Scorched Earth drops tonight at the Hi-Dive. It is a beautifully despairing composition of rage at mankind’s abusive stewardship of the earth.

Who: Musical Mayhem: Equine, Space Jail, Full Bleed
When: Thursday, 08.16, 8:30 p.m.
Where: Lion’s Lair
Why: Musical Mayhem is now happening at the Lion’s Lair. The monthly event curated by Claudia Woodman is a good way to see some of the more unusual or experimental bands not necessarily seeing a lot of time at most clubs. Equine is the soundscaping/future jazz/avant-garde guitar solo project of former Motheater and Epileptinomicon guitarist Kevin Richards whose been having quite a prolific year recently in terms of releases and collaborations with each of his shows being fairly different from one another. Space Jail is what might be described as a psychedelic downtempo space rock band. Full Bleed fortunately doesn’t fit an easy formula either with elements of more tripped out stoner rock and soundsculpting use of distortion. What does that mean? They use distortion to give a drawn out sound texture and evolving qualities of sound that seem to impact your body and ears with modulating levels of volume and physicality. When one learns to control these qualities more it can be an interesting musical and experiential effect on its own despite not necessarily being a feature of most music that fits into a mainstream songwriting context.

Friday | August 17, 2018

 

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Old Crow Medicine Show, photo by Danny Clinch

Who: Esmé Patterson and The Still Tide
When: Friday, 08.17, 6 p.m.
Where: Levitt Pavilion
Why: Esmé Patterson will bring her thought-provoking and evocative art folk/pop to Levitt Pavilion tonight to share the stage with The Still Tide. The latter is sometimes referred to as dream pop or indie rock and as vague genre designations they both fit. But singer and guitarist Anna Morsett’s emotionally dynamic voice and stage presence elevates the already excellent songwriting.

Who: Old Crow Medicine Show with I’m With Her (featuring Sara Watkins, Sarah Jarosz and Aoife O’Donovan)
When: Friday, 08.17, 7 p.m.
Where: Red Rocks
Why: Old Crow Medicine Show’s existence predates the most recent wave of old timey/string band/folk Americana music and it could be argued it’s 2004 hit “Wagon Wheel” (co-written by Bob Dylan and OCMS’s Ketch Secor) helped to popularize that music with the mainstream and influenced a generation of like-minded musicians in its wake. Mumford and Sons covered the song several years later. Nevertheless, Old Crow Medicine Show sounds like it could have come up during the folk revival of the 60s and 70s. Its 2018 album Volunteer is a lively blend of bluegrass and classic country. I’m With Her is a trio of some of the best Americana artists in the land right now all of whom have highly respectable careers outside of the band.

Who: All Out Helter 10 year anniversary, day 1 w/Muscle Beach and Record Thieves
When: Friday, 08.17, 8 p.m.
Where: Hi-Dive
Why: All Out Helter is a band that has too much of a hard rock edge to be purely punk and with its progressive politics firmly in place and eloquently expressed, the band’s firebrand energy is very welcome in an era when too many bands shy away from having anything to say without blunting the impact a little for the infirm of heart and mind. To celebrate its first decade as a band, All Out Helter is playing two nights at the Hi-Dive. On this first night a similarly unpigeonholable heavier hardcore band Muscle Beach will share the stage with the veteran group as well as melodic hardcore outfit Record Thieves.

Who: Luke Vibert with Sortof Vague, Seied and Kanyon Walker
When: Friday, 08.17, 9 p.m.
Where: The Black Box
Why: Acid jazz/techno artist Luke Vibert, sometimes collaborator with Aphex Twin, will perform tonight at The Black Box. Vibert’s prolific and diverse career has included some time playing in punk band, a hip-hop crew and the electronic composition for which he’s most well known. His most recent record Smell The Urgency might be described as acid hip-hop as it has more in common with the likes of J. Dilla, Flying Lotus and Jonwayne with its favoring chill yet otherworldly beats.

Who: King Buffalo w/Green Druid, Emerald Siam
When: Friday, 08.17, 8:30 p.m.
Where: Globe Hall
Why: King Buffalo from Rochester, New York makes the kind of vibey psychedelic music that has some connection to the hybrid of atmospheric doom and trippy pop. What sets the band apart from many of its peers, though, is partly the expansive, drifty melodies that have more in common with the early period of The Verve than some later era lazy shoegaze wannabe act. But its basslines are exceptional and set the pace and the mood with a fluid strength that channels the songwriting into interesting sonic spaces. That quality can also be found in Denver atmospheric rock band Emerald Siam. While the latter has some roots in psychedelic garage rock and the retrofuturist soundscaping of The Jesus and Mary Chain its more recent music has struck deep into musical darkness with an uncommon originality born of not wanting to sit comfortably in someone else’s shoegaze or psych subgenre.

Saturday | August 18, 2018

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Lamb of God/Burn the Priest, photo by Travis Shinn

Who: Slayer, Avenged Sevenfold, Lamb of God, Anthrax, Behemoth and Testament
When: Saturday, 08.18, 3:30 p.m.
Where: Fiddler’s Green
Why: This is supposed to be Slayer’s final tour. We’ll see. Nevertheless, the legendary thrash band will share Fiddler’s Green with some of the greats of thrash in New York’s Anthrax and the Bay Area’s Testament. As well as newer bands that managed to come out of the 90s as metal but not nü metal. Poland’s Behemoth on the surface seems to be the most out of place with its occult-y black metal but its root is the same kind of death metal and thrash that Slayer helped to influence. Both Avenged Sevenfold’s and Lamb of God’s sound can also be traced to the first wave of thrash. LoG has recently hinted that it will perform as Burn the Priest with a release harkening back to the time when it performed under that name as a band that was experimenting with a hybrid of death metal and hardcore. In May 2018, as Burn the Priest, Lamb of God released Legion: XX, an album of covers of hardcore, thrash, sludge rock, industrial bands as well as a cover of Big Black’s “Kerosene,” whatever genre that might really be if any. Chances are you’ll get to see a bit of that with this tour.

Who: All Out Helter 10 year anniversary, day 1 w/The Windermeres and Black Dots
When: Saturday, 08.18, 8 p.m.
Where: Hi-Dive
Why: This second night of All Out Helter’s 10 year anniversary weekend at the Hi-Dive includes performances from two of Denver’s better punk bands The Windermeres and Black Dots.

Who: Sandra Collins
When: Saturday, 08.18, 10 p.m.
Where: Venue to be announced
Why: Sandra Collins made a name for herself as a talented trance artist in the world of 90s rave and electronica long before electronic dance music became synonymous with the acronym EDM. Really her roots in that music pre-date the widespread use of the aforementioned terminology. Whatever designations have been applied to Collins’ music her skills as a producer, remixer and DJ have long been widely respected and she was inarguably the first female DJ in electronic dance music to gain wide popularity. Her ear for solid, evolving rhythms intersected with rhythmic melodies and textures has made for a large body of work as a live DJ and on recordings like one of trance’s creative landmarks, 2000’s Tranceport.3. In 2013 Collins’ career was documented in Kandeyce Jorden’s 2013 film Girl (in 2018 the film started steaming on iTunes, Google Play and Amazon). Still traveling the world and doing sets, Collins remains one of the few superstar artists in an especially male-dominated realm of music but one that has become increasingly less so in part due to her encouragement and example.

Who: Bluebook w/Erica Ryann
When: Saturday, 08.18, 8 p.m.
Where: Aurora Fox
Why: There are pretty much never any shows in Aurora of this kind going on. Experimental folk/downtempo duo Bluebook at downtown Aurora’s classic theater on Colfax? Hopefully the harbinger of more interesting stuff to come to A-town.

Who: Amen Dunes w/Okay Kaya
When: Saturday, 08.18, 8:30 p.m.
Where: Globe Hall
Why: Amen Dunes is often presented as merely some of of psychedelic indie rock artist. But if his latest album, 2018’s Freedom, is any indication he’s been ahead of that curve for some time. If clumsy comparisons must be made his songwriting is as unique, as interesting and as unusual as that of Devendra Banhart or going back some decades, Roxy Music. There is an organic yet otherworldly and sultry quality to the songwriting. It’s also earnest in its emotional outpouring recalling a more mellow Soft Boys or solo Robyn Hitchcock.

Who: Fed Rez (album release) w/Los Mocochetes, R A R E B Y R D $, The Original Ills, DJ Bloodpreshah
When: Saturday, 08.18, 7 p.m.
Where: Lost Lake
Why: Fed Rez’s version of hip-hop is one that doesn’t get hung up over genre conventions. Its sample-based compositions don’t shy away from acerbic observations but always informed by a sense of humor that is clever rather than cruel. The quartet releases its latest album this night, On the Regs. To usher in the new record Fed Rez has brought together some of Denver’s finest, like-minded musical entities including Latin funk band Los Mocochetes and dream beat, future jazz, post-apocalypse world beat phenoms, R A R E B Y R D $.

Sunday | August 19, 2018

 

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Rope Trick Effect (pictured; Molly Zackary), photo by Kit Chalberg

Who: Rope Trick Effect and Halo Halo
When: Sunday, 08.18, 7 p.m.
Where: Mutiny Information Café
Why: Rope Trick Effect and Halo Halo could loosely be called jazz-fusion. If that fusion included R&B, torch song lounge, punk and the expected prog when one speaks of fusion. But don’t expect Mahavishnu Orchestra style musical gyrations so much as something you might expect to share a bill with Leonard Cohen in the early 80s. Rope Trick Effect vocalist Molly Zackary is billing the show as #jazznotjazz #sorrynotsorry because of the short shrift that the original jazz scene in Denver gets from most of the local media and, well, music fans too who may not know such a thing exists in the Mile High City. As with everything else Zackary has done in music in Denver, as a music instructor and musician, there is a great deal of musical prowess and emotional power involved in Rope Trick Effect. Its 2017 EP is so solid and refined it could have come out on Blue Note. But see for yourself at this free and children friendly/but not wack show at Denver’s underground/above ground culture hub, Mutiny Information Café.

Tuesday | August 21, 2018

 

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Winter & Triptides, photo by Gabe Fernandez

Who: Winter with Vinyl Williams and Corsicana
When: Tuesday, 08.21, 7 p.m.
Where: Lost Lake
Why: Samira Winter grew up in Curitiba, Brazil, the daughter of an American father and a Brazilian mother, but went to college in Los Angeles. The mix of cultures has given her pop songs a decidedly different flavor beyond the bilingual lyrics. With her band, named Winter, Samira has crafted lushy atmospheric pop gems and the band’s 2018 album Ethereality is most suitably titled. It’s reminiscent of late 2000s dream pop and chillwave with a lo-fi aesthetic giving the songs hazy edges of nostalgic whimsy. Winter is also set for a late September release of a collaborative album as Winter & Triptides called Estrela Mágica that sounds like a long lost Latin psych/folk record of the 1970s.

Who: The WHEAL and Voight
When: Tuesday, 08.21, 9 p.m.
Where: Blue Ice
Why: The WHEAL came all the way from Paris, France to perform at Blue Ice. The project supposedly has roots and a lineage in 80s electronic music and post-punk.Whatever its origins, The WHEAL is a modern darkwave band that uses ambient tracks, drum machines and synth compositions to create a dense and deep soundscape. Paired with The WHEAL on the bill is Denver’s Voight, a band whose own fusion of electronic/minimal synth and searing post-punk guitar sounds is unique in the Mile High City.

Wednesday | August 22, 2018

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Bad Bad Hats, photo by Zoe Prinds-Flash

What: Centered Volume 3: Ian Sherlock, Mobdividual, Lepidoptera and J. Hamilton Isaacs
When: Wednesday, 08.22, 7 p.m.
Where: Bar Max
Why: This third edition of Jacob Isaacs’ Centered series, which features underground, experimental electronic artists from around the country as well as Colorado, will include local artists Mobdividual, Lepidoptera and Isaacs himself along with Syracuse, New York-based ambient/environmental sound artist Ian Sherlock. Taking place in the basement of Bar Max, the event will make it easy to escape the bustle of Colfax and take in some great, minimalist soundscapes.

Who: Bad Bad Hats w/Cumulus
When: Wednesday, 08.22, 7 p.m.
Where: Hi-Dive
Why: Minneapolis-based indie rock band Bad Bad Hats recently released its new album, Lightning Round. Singer Kerry Alexander has long written music playing with and often subverting pop clichés. Lightning Round is no different with, according to an August 2018 interview with Rolling Stone, Alexander examining the love as drug metaphor as someone who hasn’t indulged in the song “Nothing Gets Me High.” Alexander imagines possibilities in cultural artifacts and their impacts on our lives and popular culture as with “1-800.” Across her career Alexander has commented insightfully on the emotionally/psychologically fraught moments in any relationship as it starts and develops but especially so on Lightning Round with “Absolute Worst” and “Girl.”

Best Shows in Denver 04/05/18 – 04/11/18

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Kitty Crimes, photo by Lindsey Webb

Thursday | April 5, 2018

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Frankie Cosmos, photo courtesy Loroto Productions

Who: Frankie Cosmos w/Lomelda and Ashley Koett
When: Thursday, 04.05, 8:30 p.m.
Where: The Fox Theatre
Why: Frankie Cosmos released its third album Vessel on March 30, 2018. Like it’s predecessors there’s a tender sensibility to the songwriting that recalls the lo-fi introspection of Exile In Guyville period Liz Phair and the peek-into-a-strikingly-insightful diary quality of Casiotone for the Painfully Alone. Sure, Kline had famous parents (Kevin Kline and Phoebe Cates) and was once a member of Porches. But Frankie Cosmos doesn’t sound like it’s resting on any of those laurels. Kline uses everyday details as a vehicle for exploring feelings and thoughts long hidden. The results are a refreshing frankness and intimacy even in the context of a pop song without the overpolishing and overproduction that the musical form often gets.

Who: Glasss Presents the Speakeasy Series 2: Brother Saturn and Vahco
When: Thursday, 04.05, 7 p.m.
Where: Hooked On Colfax
Why: This edition of the new season of the Speakeasy Series (all in the basement of Hooked on Colfax) includes some of the most mind-calming artists of the entire programme. Brother Saturn’s dreamlike soundscapes are an entrancing synthesis of ambient and dream pop. Vahco is the solo project of Vahco Before Horses from Demoncassettecult and Gold Trash. Whereas those other two are more in the realm of noise and experimental electronic music, Vahco is more in the realm of pop music with soulful vocals.

Who: Liza Anne w/Valley Queen and Down Time
When: Thursday, 04.05, 7 p.m.
Where: Globe Hall
Why: Liza Anne’s 2018 album Fine But Dying may sound upbeat and bright and, well, like a conventionally commercial pop record I some ways. But not at all beneath the surface of the music is the fact that, according to a recent interview with Billboard, Anne just laid out her struggles with “panic disorder and depression,” articulating them in a way that could be relatable to almost anyone and hopefully at least putting to rest some of her own anxiety and shame regarding those issues. In putting the struggle in very specific personal terms without sensationalizing it or making it seem like a special taboo subject, Anne brilliantly makes it all seem like something anyone might experience without judgment. Joining Anne for this tour is Los Angeles’ Valley Queen who take a folk/acoustic music foundation to songwriting and make it warm and energetic. There’s plenty of post-neo-Laurel Canyon stuff around in the world today but Valley Queen frontwoman Natalie Carol doesn’t sound like she’s copping someone else’s vibe. Rather, her voice, sometimes quavering from the well of emotion, provides a compelling narrative and vivid imagery. One might compare her in that regard to Esmé Patterson’s own knack for creative storytelling that aims at bigger issues through the language of personal experience.

Who: Ty Segall w/Dirty Few ogdentheatre.com/events/detail/347251
When: Thursday, 04.05, 8 p.m.
Where: The Ogden Theatre
Why: Probably anyone that’s been paying attention to modern rock music knows who Ty Segall at this point. If not, pick up pretty much any of his records (they’re all worth listening to) and you’ll get an idea of what music Segall makes but keep in mind that he is clearly a songwriter who wants to explore a wide variety of tones, moods, dynamics and songwriting styles. On his 2018 album, Freedom’s Goblin, Segall explores a more lush songwriting style without waxing into the fake soul and ersatz R&B that is being peddled a little too much of late. Covering Hot Chocolate’s 1978 hit “Every 1’s a Winner” was an interesting choice for the record but it all fits in with an album that sounds like Segall is trying to create for himself an emotionally comfortable space in which to express feelings that are out of step with some of the more hard-edged rock and roll that some may have come to expect from Segall who is too much of a creative chameleon to ever fully embody, all the better for fans of musicians who evolve whether their fans are ready for the changes or not. People have been trying to pigeonhole Denver’s Dirty Few  for any manner of reasons for years as just rock and roll hooligans. And they are that but bottom line, the band actually writes solid, surprisingly thoughtful, songs that fit in the context of a rowdy live show.

Who: Kitty Crimes album release w/GVgrace
When: Thursday, 04.05, 8 p.m.
Where: Hi-Dive
Why: Maria Kohler has been performing as Kitty Crimes for several years now and it seems as though many of her fans never really knew her as a talented musician and singer in various past bands including Houses, Science Partner and Mercuria and the Gem Stars. Kitty Crimes sometimes seemed like a goof and a gimmick. The whole white-presenting woman doing “dirty” rap thing. But Kohler isn’t someone easily clowned and she turned an interesting project into something powerful and well-composed beyond the obvious appeal. Her new record, Crimes of the Kitty, Volume 2 has soul, the expected deft wordplay, personal insight and lush production. For fans of K’Valentine and Kari Faux.

Who: Entrancer, Cities of Earth, Staggered Hooks, Glissline
When: Thursday, 04.05, 8 p.m.
Where: Syntax Physic Opera
Why: This fundraiser for Project Worthmore, an organization dedicated to aiding the refugee community, is also a great chance to catch some of Denver’s most interesting experimental electronic projects. Entrancer’s music is grounded in the production and sensibility of 90s hip-hop and Detroit techno as well as the full breadth and depth of synthesizer music as someone who has more than a passing experience with modular synths. Cities of Earth’s Tangerine Dream-esque IDM sounds like what should be on the soundtrack to a documentary about Warp Records. At least if his 2017 EP Tangra is any indication. Staggered Hooks is probably the latest project from Dean Inman whose up-to-now-most-recent project, Dream Hike, was responsible for some of the most beautifully hypnotic deep house/ambient going. Glissline is the name Tommy Metz (formerly under his given name as well as Iuengliss) is using for his music these days. Metz has a gift for melodies that soothe the mind and his beats seem to employ the interval that releases endorphins. But whatever his music really does, fans of Aphex Twin and Clark should make an effort to see Glissline sometime if not tonight.

Who: Built to Spill w/Rituals of Mine, Black Belt Eagle Scout
When: Thursday, 04.05, 7 p.m.
Where: Gothic Theatre
Why: Coming out of post-punk/post-hardcore band Treepeople, Doug Martsch put together a band that could synthesize his musical interests and a path of sonic curiosity that wouldn’t fully congeal in underground culture in quite the same way until the late 90s/early 2000s. He cited Caustic Resin as an influence and brought that band’s brilliant guitar player into the new band, Built to Spill, on bass as well as Ralf Youtz on drums. The group’s 1993 debut album Ultimate Alternative Wavers was an oblique thumbing of the nose at how their music culture had been co-opted and marketed as product rather than a culture parallel to the mainstream. The music sounded like a blend of Neil Young, Dinosaur Jr (a band clearly influenced by Young) and underground Pacific Northwest rock. But inside all of that, Martsch had found a way to bring in extended guitar jams that were emotionally charged and expressive rather than purely self-indulgent and wanky. The development of that sound and dynamic perhaps reached its apex on Built To Spill’s 1997 masterpiece, Perfect From Now On and the 1999 follow-up, Keep It Like A Secret. Along with the visionary indie pop of the Elephant 6 collective, the bands on Merge Records, K and Kill Rock Stars, and unlikely “alternative rock” star bands post-alternative collapse like Pavement, Built To Spill helped to shape indie rock in the first decade of the 2000s by offering yet another alternative vision to what was being pumped by large commercial outlets for music.

Seeing Built To Spill in 2018 is a bit like a glimpse back to a time when it was more easily possible to have a viable career in music without having to get commercially huge or over compromise or have to fit in with a trendy subgenre of the moment and ride that wave. Sure, BTS has been on Warner Brothers since Perfect From Now On but if they’re being encouraged to get more commercial you sure can’t tell from even its most recent record, 2015’s Untethered Moon. If the group’s showing at Treefort Music Fest 2018 is any indication, the trio is still capable of weaving its gritty, hypnotic magic today. And its sonic DNA is in music of most modern indie rock bands whether those bands know it or not.

Friday | April 6, 2018

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Palehorse/Palerider, photo by Tom Murphy

What: Immediate Music Festival 
When: Friday, 04.06, 7 p.m.
Where: Metropolitan State University of Denver
Why: The Immediate Music Festival celebrates collaborative improvisation. Throughout the day (for more information click here) there will be workshops on group improvisation, soundpainting, noteworthy avant-garde musician Pauline Oliveros’ presentation Deep Listening. That night, at the King Center, there will be a concert from the avant-garde-improv band Sone which includes some of the local luminaries of that world with Jane Rigler, Janet Feder, Evan Mazunik, Gil Selinger and Mark Harris as well as a performance from Grammy-nominated jazz drummer extraordinaire Matt Wilson.

Who: Dead Meadow w/Mad Alchemy Liquid Light Show, Grass and Palehorse/Palerider
When: Friday, 04.06, 8:30 p.m.
Where: Globe Hall
Why: Dead Meadow is one of the pioneers of the recent psychedelic rock resurgence with its mixture of heavy rock, droning blues, freak folk and densely flowing psychedelia. Read our piece on/interview with Jason Simon of Dead Meadow here. Also on the bill is Palehorse/Palerider, Denver’s own masters of heavy, mind-altering rock that blurs lines between doom, heavy shoegaze and post-rock.

Who: Steve Gordon Art Show
When: Friday, 04.06, 6-9 p.m.
Where: Vertigo Gallery 960 Santa Fe
Why: Master sculptor, painter and drawing artist Steve Gordon is having what may be one of his last art shows into the foreseeable future. Gordon is also a significant artist in Denver’s experimental music world mostly notably with improvisational composition band Animal / object, which often includes Violent Femmes frontman Gordon Gano.

Who: Doug Spencer: Cave Lovers 
When: Friday, 04.06, 6-11 p.m.
Where: Dateline Gallery 3004 Larimer St.
Why: This is the latest art show from painter Doug Spencer whose creative use of texture and lighting has made his work desired by connoisseurs of the artform wherein Spencer combines 2D design with 3D, sculptural/diorama elements to create truly unique works. Some may know Spencer as the imaginative guitarist in notable Denver and Fort Collins rock bands Snake Rattle Rattle Snake, Monofog and Sweet Tooth Meat Tooth.

Who: Nocturnal Presents: Exos w/Talien and Alex Whittier
When: Friday, 04.06, 11 p.m. – 5 a.m.
Where: TBA
Why: Nocturnal is a long-running event that puts together deep house/experimental electronic dance events akin to a classic rave. So there will be long sets with the artists listed above going from late night until the early morning.

Who: Slugger, Henry and the Kissingers, Galleries, Pelvis Presley
When: Friday, 04.06, 9 p.m.
Where: Mutiny Information Cafe
Why: After too many bands embraced the less interesting aspects of 60s and 70s rock a little too much a group of bands were bound to come along that embraced the more interesting aspects of that music including original songwriting that isn’t so obviously beholden to an earlier band. This is a show that includes a handful of those groups on the local level including Slugger, the band fronted by former Silver Tone songwriter/guitarist Gabriel Albelo.

Saturday | April 7, 2018

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Cut Chemist, photo by Joseph Armario

Who: Cut Chemist w/El Dusty and Chris Karns (Pretty Lights Live Band)
When: Saturday, 04.07, 8 p.m.
Where: Cervantes’ Masterpiece Ballroom
Why: Cut Chemist is perhaps best known for his long term stint as a DJ/turntablist in Jurassic 5 and his involvement in the early era of Ozomatli. His tasteful breaks and ear for unusual and evocative samples brought a an uncommon elegance and depth to Jurassic 5’s beats. But the call to do something outside the context of the influential hip-hop group drew Cut Chemist to a solo career in 2004. His 2006 debut album under his own name was an eclectic and borderline world music and downtempo record called The Audience’s Listening. Since then the turntablist has served as a producer on numerous records, performed live DJ sets including opening for Shakira on her 2007 tour, collaborated with DJ Shadow and, in 2017, started doing a bi-weekly radio show, A Stable Sound, on dublab / 99.1 FM KZUT. In March 2018, Cut Chemist released his second solo album, Die Cut. The record continues Cut Chemist’s masterful treatment of samples into songs with a Dilla-esque use of motes of white noise in the mix, samples processed to sound like you’re getting intermittent transmissions of old radio programs, vintage television shows and commercials and ambient IDM glitch-hop.

Who: Nina Storey w/Michael and Sarah Hornbuckle
When: Saturday, 04.07, 7 p.m.
Where: Soiled Dove Underground
Why: Nina Storey spent years cultivating her sound, songwriting and live show in Denver before relocating to Los Angeles in the 2000s. If you caught Storey in the 90s you probably got to see a singer whose voice was perfectly suited to the bluesy rock music she was writing then. Also, that her powerful voice seemed unlikely coming from someone with such a relatively small frame. Since then (and likely even at that time), Storey has explored the range of her voice and where it fit in and discovered it was well-suited to jazz and R&B as well. On her most recent full-length album, 2013’s Think Twice, Storey blended all her musical impulses into well-crafted modern pop songs. These days Storey still comes through Denver and on this date she is joined by local luminaries in the Denver blues world, Michael and Sarah Hornbuckle.

Who: Suss Law, Rotstrotter, Sentry Dogs, Berated and Florida Man
When: Saturday, 04.07, 8 p.m.
Where: Bar Bar / Carioca Café
Why: Portland, Oregon’s Suss Law could be where power violence, noise and grindcore meet. Its recently released seven inch is a chaotic and relentless assault on the senses with few concessions to accessibility. If you go to this show you can also catch local grind/hardcore luminaries like Rotstrotter and Sentry Dogs. And given the set times of most of these groups, who don’t waste our time by dragging things out, the show may be over by midnight even with five bands.

Monday | April 9, 2018

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Acid Mothers Temple circa 2013, photo by Tom Murphy

Who: Acid Mothers Temple w/Yoo Doo Right and Emerald Siam
When: Monday, 04.09, 7 p.m.
Where: Larimer Lounge
Why: Acid Mothers Temple in its Melting Paraiso U.F.O. incarnation is now on the Electric Dream Ecstasy Tour. The long-running Japanese psychedelic rock band manages to continuously bring a unique show every tour because its roots can be traced back mainly back to fairly experimental western music whether rock or avant-garde (i.e. Can, Karlheinz Stockhausen and King Crimson) but members of the band past and present have been instrumental, literally and figuratively, in comprising and shaping underground music and noise in Japan. The composition of the band’s songs is influenced more by concept than technique. It is bombastic and wild and simultaneously as gorgeous and as mysterious as an other-dimensional spirit incarnate. A list of the band members and their official role and their real title clues you into the fact that leader Kawabata Makoto has a sense of humor to match his imagination and technical prowess as a musician.

Kawabata Makoto : guitar, voice, synth, voice, speed guru
Higashi Hiroshi : synthesizer, harp, noodle god
Jyonson Tsu : vocal, guitar, bouzouki, electronics, midnight whistler
Satoshima Nani : drums, another dimension
Wolf : bass, space & time

Prepare to be taken to otherworldly emotional spaces during the show if you surrender to the music some. Also on the bill is Denver’s Emerald Siam which has become refreshingly difficult to pigeonhole. Ever since singer/guitarist Kurt Ottaway and the rest of the band has seemingly tapped deeper into a creative muse, the songs have gotten darker yet more open and spacious. Expect a full-length release in 2018.

Who: Primitive Man, Spectral Voice, Prison Glue and Cadaver Dog
When: Monday, 04.09, 9 p.m.
Where: Syntax Physic Opera
Why: Primitive Man is celebrating its return from a long tour with this show at Syntax with like-minded death/doom/grind band Spectra Voice. Joining both bands will be hardcore band Cadaver Dog as well as noise/performance artist Prison Glue.

Tuesday | April 10, 2018

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Luna, photo courtesy Grandstand Media

Who: Luna w/Flaural
When: Tuesday, 04.10, 8 p.m.
Where: Fox Theatre
Why: Luna split for around ten years after its 2005 tour. The disappointment and despair and reality of the music industry at that time is documented in the 2006 film Tell Me Do You Miss Me. If you got to see Luna on that until now final tour, those feelings radiated from singer/guitarist Dean Wareham’s eyes when he looked out into the crowd. And not just because the late-night-hours lush pop that has been Luna’s hallmark ever since Wareham left influential dream pop band Galaxie 500 (which also never got its due during its time together or much since except by aficionados of deeply evocative, melancholy and ethereal gorgeous guitar rock). Wareham genuinely seemed like he was looking out on the last days of his career with plenty of life left to lead knowing he’d created some great music that would only be appreciated in the past tense. You couldn’t help but feel for him unless you’re one of those people for whom music is merely entertainment made not by humans but by functionaries of some kind of Distraction Industrial Complex.

But Wareham didn’t give up. He wrote music with then bandmate now wife Britta Phillips as well as noteworthy solo albums. He also wrote one of the best and most well-written and thoughtful rock autobiographies of all time with 2008’s Black Postcards. The book reads like all the music Wareham has been a part of making, warm and not detached but able to examine one’s feelings and intimate thoughts and express them in a way that is immediate relatable with a passionate yet gentle spirit even when the music is in moments of high feeling. Luna reconvened in 2015 and in 2017 released an album of interesting and not predictable covers called A Sentimental Education as well as an EP of originals, A Place of Greater Safety. That latter being some of the best music Luna has yet released so this would be a tour on which to catch one of the great rock bands of the last 27 years.

Who: Animal / object live on KGNU Radio Kabaret: Kurt Bauer, Steven Gordon, George Figgs and Karen Sheridan
When: Tuesday, 04.10, 7-8 p.m.
Where: Streaming on KGNU.org and broadcast on radio
Why: Animal / object is Denver’s premiere avant-garde acoustic instrument band. For the last several years the group around the current core of Kurt Bauer, Steven Gordon has had a prolific and varied recorded output captured with various other noteworthy collaborators including the likes of Gordon Gano of the Violent Femmes, Gordon Pryor, Paul Mimlitsch and for this show, Karen Sheridan formerly of all-female deathrock band 1980s Denver band Your Funeral, experimental rock band Corpses as Bedmates and R.O.C., a kind of deconstructionist pop band that incorporates elements of electronic industrial music and sampling. Over the weekend Sheridan did vocals for an incantation at Steven Gordon’s art show at Vertigo Gallery. So tune in to KGNU for this special performance from one of Denver’s great experimental bands.

Who: Lo Moon w/Kraus
When: Tuesday, 04.10, 8 p.m.
Where: Hi-Dive
Why: Lo Moon spent a great deal of time developing and percolating its sound and then waiting for the right opportunity and format to even let out its September 2016 single “Loveless.” A little under a year and a half later, the full-length self-titled album comes out on on Sony. The single came out at a time when many of the dream pop and neo-shoegaze bands were not drawing on the same inspirations as Lo Moon so it seemed especially sophisticated and sonically and emotionally deep by comparison. The full-length album including “Loveless” doesn’t capitalize on the promise of the single so much as showcase a sound the band had cultivated and perfected in this first stage of its development as a band. The record didn’t exactly blow the minds of critics but it was interesting to see a band not succumb to the pressure of putting out its music as quickly as possible, given the avenues in which to do so, before developing that music to the point it needed to be and without fully submitting to the de-mystifying tendency of the social media game most bands use to garner any excitement for its new material these days. Lo Moon distinguished itself playing larger venues when it toured with Ride in 2017 and getting to see a band with this large a sound on the small stage now would be a great time to see a group that may not be regularly playing such small clubs in the future.

Who: Timber Timbre w/Thor & Friends
When: Tuesday, 04.10, 7 p.m.
Where: Globe Hall
Why: Timber Timbre has been described as psychedelic folk. But if that’s the case then its 2017 album, Sincerely, Future Pollution is more brooding and darker than that designation would suggest. More akin to Midlake’s artistically ambitious compositions or those of Six Organs of Admittance than Vetiver and early Animal Collective. Thor & Friends is a band lead by Thor Harris who some may know from his stints in Shearwater, Swans and Bill Callahan. Though largely known for his skills with a broad spectrum of percussion instruments, Harris is a multifaceted artist and multi-instrumentalist and this band displays that especially well with creative use of marimba prominent in the mix of percussion heavy, yet gently beautiful and atmospheric music.

Wednesday | April 11, 2018

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Ethan McCarthy of Vermin Womb performing as Many Blessings in 2017, photo by Tom Murphy

Who: Wake, Vermin Womb, Call of the Void and Full Bore
When: Wednesday, 04.11, 8 p.m.
Where: Hi-Dive
Why: Wake is a deathgrind band from Calgary, Canada. Currently on tour in support of its towering, brutal 2018 album Misery Rites, Wake is joined on this Denver date by like-minded locals. Vermin Womb is a band that includes Ethan McCarthy from Primitive Man as well as former Clinging to the Trees of a Forest Fire drummer J.P. Damron. Call of the Void took the blunt, abrupt, savage dynamic of deathgrind to another level of creative sonic violence.

Best Shows in Denver 02/08/18 – 02/14/18

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Emerald Siam at Lost Lake on Friday, February 9, 2018. Photo by Tom Murphy

Thursday | February 8, 2018

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lib.eriana, photo by Tom Murphy

 

Who: Musical Mayhem: lib.eriana, Klaus Dafoe and Brian Parton
When: Thursday, 02.08, 9 p.m.
Where: The Skylark Lounge
Why: This edition of Musical Mayhem looks like a doozy. Alan Muñiz is probably not someone you think of when you think of Denver’s music scene much less the avant-garde end of it. But he has been part of multiple projects that have been exploring sounds and musical ideas out on the edge of accessibility while rooted in a very organic approach to composition. His current project, lib.eriana is a mix of elegant acoustic-electronic music and abstract dub IDM. The moody, gorgeous pieces he’s shared on his Soundcloud account are just a taste of what you’re in for tonight. Also on the bill is post-punk/Canadian avant guitar aficionado solo artist Klaus Dafoe and Americana pop artist Brian Parton. Eclectic line up as should happen more often.

Who: Telefon Tel Aviv w/Dean Grenier, Bones and Peter Vaughan
When: Thursday, 02.08, 9 p.m.
Where: The Black Box
Why: Joshua Eustis and Charles Cooper started Telefon Tel Aviv in the late 90s composing IDM ambient music with sounds suggesting specific natural environments. The duo’s debut album, 2001’s Fahrenheit Fair Enough, established a sound that later became popular among the post-EDM/deep house set—a new kind of dance music for chillout zones. The project went on to explore various extensions of its root aesthetic across five albums before the untimely death of Cooper shortly after the release of Immolate Yourself, Telefon Tel Aviv’s up to now final album. Since then, Telefon Tel Aviv became a bit of a legendary band in the realm of IDM. Eustis became a touring member of Nine Inch Nails in 2013 as well as Puscifer. But since that year, Eustis has presumably worked on the recent reissues of classic Telefon Tel Aviv material and has apparently been working on new material that you can hopefully catch if you make it out to this show.

Who: Ice Troll, New Standards Men, Transmutation
When: Thursday, 02.08, 8 p.m.
Where: Streets of London
Why: Calling this a post-rock show might be a bit misleading because Ice Troll is clearly more in the realm of what one might call a doom orchestra. New Standards Men have more in common with noise sculptor punks and post-punks like Unwound and A Minor Forest than something as calming as Explosions in the Sky. But it’ll be instrumental and not adhering to basic genre formats of any kind.

Friday | February 9, 2018

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Jessica Lea Mayfield, photo by Ebru Yildiz

Who: Jessica Lea Mayfield, Sun Seeker and Porlolo
When: Friday, 02.09, 8 p.m.
Where: Larimer Lounge
Why: Jessica Lea Mayfield’s 2017 album Sorry Is Gone sounds noisier and more conflicted than perhaps her earlier efforts. But having gone through a breakup with an abusive spouse with songwriting as one therapeutic outlet, Mayfield nevertheless expertly writes in a way that comes across emotionally honest and poetic. With her life so disrupted Mayfield would have been excused for sounding angry but the record is more melancholy and expressive of hurt buoyed a bit by a spirit of defiance. Musically, Mayfield combines a soulful Americana with the desert-y atmospheric rock of Rain Parade or bits of Meat Puppets II. Though there is a bit of throwback to Mayfield’s melodies the tone of emotion in her voice is poignantly immediate.

Who: The Velveteers EP release w/Plastic Daggers, Bud Bronson + The Good Timers
When: Friday, 02.09, 8 p.m.
Where: Hi-Dive
Why: The Velveteers are releasing a new EP with songs informed partially by singer/guitarist Demi Demitro’s love of Grimm’s Fairy Tales with at least some of the material written in a graveyard. The duo has always sounded larger than seems possible with just drums, guitar and vocals. But with the new EP, Demi and her brother John push the envelope of their format further and guitar harmonics in the main riffs give the sound broader dimensions than has ever had. The Velveteers have always been a surprisingly compelling and powerful band with fire and bite in their songwriting and performances. The new EP confirms the promise that The Velveteers have plenty more to offer ahead with imaginative hard rock. To help celebrate the release of the debut EP are fuzz rock punks Plastic Daggers and Bud Bronson + The Good Timers, one of the few straight ahead rock bands that isn’t boring us with leaning on the crutch of a sound established completely by bands from decades past.

Who: Wrinkle album release w/American Grandma, Club Soda, Terremoto
When: Friday, 02.09, 7 p.m.
Where: 7th Circle Music Collective
Why: With its new album, A Kaleidoscope of Butterflies, Wrinkle from Denver has some self-effacing laughs amid its signature melancholic stories of the decaying American culture and its erosion of anything resembling the American dream while trying to survive and make sense of anything that could be worth doing, holding on to the bits of life that bring any joy or relief from the grim reality that faces all of us but specifically anyone under 30 that didn’t learn some technocratic trade, had a leg up in the financial industry or otherwise had advantages in life most of us don’t possess. Wrinkle has articulated the anomy of our times so well in its full catalog of songs but A Kaleidoscope of Butterflies finds the band using a broader palette of sounds and dynamics beyond any band inspired by late 90s emo and melodic hardcore. Wrinkle is more interesting than any throwback could be because its expanding what the music could be rather than merely putting on an individual stamp.

Who: Male Blonding, Plume Varia and Emerald Siam
When: Friday, 02.09, 9 p.m.
Where: Syntax Physic Opera
Why: This is the show of the year so far when post-punk and dream pop will be well-represented on stage between Male Blonding’s gift for making dynamics really create an architecture for atmosphere without having to make it obvious, Plume Varia’s deeply evocative yet gentle melodies and Emerald Siam’s layered, burning of the midnight lamp tones and dipping into wells of disappointment and gloominess and transforming it into something darkly beautiful. The latter released its most recent single, “Clean Split” on January 31, 2018. emeraldsiam.bandcamp.com/track/clean-split

Sunday | February 11, 2018

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Sliver, photo by Tom Murphy

Who: Sliver, Television Generation, Mr. Atomic and Bad Nostalgia
When: Sunday, 02.11, 7 p.m.
Where: Lost Lake
Why: Chris Mercer may have had a bit of a troubled life of struggle like Kurt Cobain. But all of it has fueled his lyrics and the music he makes with Dylan Jammes and Hollis Pierman. Obvious comparisons could be made to Nirvana pre-Nevermind and Tad. But there’s plenty of the DC hardcore Mercer encountered and witnessed firsthand before he moved to Colorado from the East Coast. There’s an edginess to the emotional catharsis the band lays out on stage but also an ear for melody that bands so noisy and unapologetically intense sometimes don’t bother to cultivate. Television Generation is cut from similar cloth except that its fuzzy pop songs, especially on 2017’s excellent Peel, are reminiscent of some amalgam of Love Battery, Love & Rockets and Love. Scratch the latter even if it fits and think more like Green Day or Weezer. And because there’s a clear pop-punk and early 90s alternative rock influence informing the music. But also a touch of early psychedelia and a melancholic, sometimes otherworldly, undertone to the songs. Mr. Atomic sounds like it grew up on the last gasp of the legitimate group of alternative rock bands but in forming decided being essentially a tribute band for an era wasn’t going to work out and its songs reflect a modern sensibility. Boneth Ahaneku’s tuneful vocals coupled with the band’s overall songwriting are reminiscent of Letters to Cleo or Veruca Salt in their ability to sound joyful and even playful while not cheapening essentially thoughtful lyrics. And, really, Amy Heckerling should tap this band for her next soundtrack.

Wednesday | February 14, 2018

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Chella And The Charm, photo by Tom Murphy

Who: Bonnie and the Clydes, Chella & The Charm, Ryann & Lee, Jennifer Jane Niceley, Five Mile Woods
When: Wednesday, 02.14, 7 p.m.
Where: Hi-Dive
Why: Sure, Valentine’s Day Special at the Hi-Dive called “Sweethearts of the Rodeo.” And if it were a show in which vapid, soulless “country” musicians told stories that weren’t an amped up attempt to imbue limited life experience with faux gravity it might be worth it. But no, if you choose to attend you will get to see talented people like Bonnie Sims, the singer and main songwriter in Bonnie and the Clydes whose songs about life and love have a flavor that reveal her Texan roots but in doing so also a sensibility that more than suggests she’s been around the block a few times with laying her heart on the line. Also, Chella & The Charm’s songs about love and heartache come from a place of striking self-examination and contemplation of the essence of what it all means without bogging it all down with intellectualizing the experience yet not also having a perverse need to dumb it down for accessibility. A great country and Americana show for people who think they don’t like any of that music.

Who: Mandy Yoches & The Hell Knows
When: Wednesday, 02.14, 9 p.m.
Where: Goosetown Tavern
Why: Soul and R&B singer extraordinaire Mandy Yoches and her band The Hell Knows will perform a set of songs for Valentine’s Day. Probably not a cynical take on the subject of love because that’s not Yoches’ style but surely the set list will be interesting with some surprises from Yoches’ diverse repertoire.