Queen City Sounds Podcast Ep. 37: Felix Bechtolsheimer of Curse of Lono

Felix Bechtolsheimer of Curse of Lono, photo courtesy the artist

Curse of Lono is an alternative rock band based in London, UK that formed in 2015 when former Hey Negrita members Felix Bechtolsheimer and Neil Findlay continued making music together after their former band’s split. Curse of Lono borrowed its name from the rare 1983 Hunter S. Thompson book of the same name and its songs have been informed by a literary sensibility and exquisitely soulful moods. The group’s new album People In Cars (Submarine Cat Records) is named after Mike Mandel’s 2017 photo book featuring people through the windows of cars in a Los Angeles intersection in 1970. The aesthetic of the photos parallels that of the songs with their late night, weary, existential folk blues like one might hear in the late 1980s and early 90s albums of Leonard Cohen. There is a noir quality to the songs and its themes of menace, depression and personal dissolution resonate like Ed Brubaker’s Reckless series. A version of the new album was recorded in June 2020 with each band member (guitarist Joe Hazell, drummer Neil Findlay, keyboardist Dani Ruiz Hernandez and bassist Charis Anderson) recording their parts individually. But Bechtolsheimer had lost his father that April and he began writing more songs for the album and delved deeper into his psyche and re-recorded the songs in stripped down form with Bayston pedal steel player Joe Harvey-Whyte and Boxed In drummer Liam Hutton in the first part of 2021. The resulting album is a vibrant and introspective piece of work like many long nights driving alone and leaving oneself exposed to the raw side of one’s feelings and tapping into their insight that can be covered over in everyday life.

Listen to our interview with Felix Bechtolsheimer on Bandcamp linked below and follow Curse of Lono at the links below.

Curse of Lono on Instagram

Curse of Lono on Facebook

Curse of Lono on Twitter

Cam Maclean’s “Visions” is a Nostalgic and Mysterious Pop Noir

Cam Maclean’s enigmatic, dusky pop single “Visions” on the surface level sounds like a modern equivalent of yacht rock song but with the chill vibes and perpetually on vacation energy cut out completely. It’s more like the kind of song that would be perfect for a noir drama directed by Sofia Coppola but written by Ed Brubaker. There is an existential undercurrent to the song that comes from a place of deep introspection and when Maclean sings of how “there is no darkness that can purify his soul” it just makes sense from the perspective of darkness as a metaphor for the unknown and that in too many realms of life it’s not there on the edge of town or in neglected corners of downtown areas in a compelling way. And the song sounds like a melancholic reflection on how things have changed and how it changes people and the places they live and how what was special about so many cities is being bleached out by corporate developers and the like buying up so many “undervalued” property and draining the personality out of every place many people might like to live and make their own in a social ecosystem that isn’t comprised of moneyed monoculture and the businesses and public works that seem to cater to that. Who can say if Maclean had this perhaps heavy handed socio-political, analytic projection but this moody song, a touch of accordion adding a nice glimmer of nostalgia, certainly captures a time in life when you’re assessing what it’s all about and where you are in life and how you took for granted simple and familiar comforts as it’s fading away. Listen to “Visions” on YouTube and connect with Maclean at the links provided.

Cam Maclean on Facebook

Cam Maclean on Twitter

Cam Maclean on Bandcamp

Cam Maclean on Instagram

The Frenetic Cool of Duchamp-Killer’s “BDA – Domestic affairs” is Like the Soundtrack to a Noir Set in a Bustling City

There is an undercurrent of menace and unease in Duchamp-Killer’s song “BDA – Domestic affairs.” The trumpet sample that runs through with the fragmented and off-kilter piano loop and the piano figure near the beginning that goes off of any standard melody with the start and stop percussion all while a spectral drone resonates underneath identifies this as a jazz song in the expanded sense of that genre. Like an experimental, samples based jazz song that could serve as the opening sequence soundtrack to a gritty modern noir. Though highly detailed and packed with musical elements the song has a cool vibe that would suit an Ed Brubaker graphic novel set in a busy metropolis rather than the sleepy settings and quiet, dark underbelly environs that are usual for him. Listen to “BDA – Domestic affairs” on Soundcloud.