Chris Ianuzzi’s Video for “Edge of the Earth” is a Visually and Sonically Mind-Bending Foray Into a Parallel Universe of Conscious Machines of the Future

Chris Ianuzzi, photo courtesy the artist

Chris Ianuzzi and his creative team of Serkan and ilke have crafted the perfect visualization for his song “Edge of the Earth.” Utilizing Stable Diffusion and Deforum AI SD Animation Pipeline, the music video looks like something Dash Shaw might use for his next animated film. After seeming to take a portal into the world inside the box of a set of synthesizer rigs, we see a group of people seemingly attending a deeply psychedelic live musical event with glowing mushroom trees and glowing sky objects with an ever shifting landscape with planets rising on the horizon and flowing architecture and coastline and colors and settings rapidly manifesting and evolving. The music itself sounds a little like a synth pop song as written by Coil working with Edward Ka-Spel. The combination is like multimedia uncanny valley and both menacing and entrancing. Unsettling and calming. In its endless use of patterns and color alongside sonics both textural and tonal, distorted and smoothly melodic the song and the video stimulate your brain in ways that a song and visuals crafted another way might not. And in the end we leave that universe through the aforementioned array of synthesizers into a tranquil exit. At a time when a a lot of psychedelic music feels pretty safe and rote this is the opposite of that. Watch the video for “Edge of the Earth” on YouTube and follow Chris Ianuzzi at the links below.

Chris Ianuzzi on Facebook

Chris Ianuzzi on Twitter

Chris Ianuzzi on Bandcamp

Chris Ianuzzi on Instagram

chrisianuzzi.com

Chris Ianuzzi’s “Fork” is Cybernetic Dance Ambient From the Other Side of the Event Horizon

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Chris Ianuzzi, photo courtesy the artist

Electronic composer Chris Ianuzzi recently released an EP, Olga in a Black Hole on March 6, 2020 with an album Planeteria forthcoming in 2020. The single “Fork” from the EP reminds one in a way of V’Ger from Star Trek: The Motion Picture. Where in the film Voyager 6 gets lost in a black hole and comes back a sentient being upgraded by an advanced alien race, Olga has returned from her trip into the black hole with the ability to draw on a an unusual palette of sounds with which to communicate. The hard and constantly evolving rhythms bleep and bloop like some kind of 8-bit dance music that might have been made by Autechre at some point in its career. But that angular, android dance pop gives way to an echoing, ambient abstraction that fades out at the end. Like maybe we’re to understand Olga’s journey through the black hole as an intense, transformative experience that altars form, function and existential orientation leaving her on the other side in a state of tranquility and grace. Maybe a journey through a black hole as a worm hole isn’t just one simply of going from point A to point B but one more like entering Siege Perilous wherein you will emerge changed in ways impossible to know or predict completely without having experienced it for yourself. Perhaps Planeteria offers an experience on the other side of that black hole processing. Listen to “Fork” on Spotify and connect with Chris Ianuzzi at the links below.

chrisianuzzi.com
soundcloud.com/i-synthesist
chrisianuzzi.bandcamp.com
twitter.com/Isynthesist
facebook.com/ISynthesistMusic
instagram.com/chrisianuzzi