Queen City Sounds Podcast S3E15: Many Blessings

Many Blessings in 2021, photo by Tom Murphy

Many Blessings is the long-running, solo noise project of Ethan McCarthy. The latter is perhaps best known to the world outside of Denver as the vocalist and guitarist of extreme metal band Primitive Man. But McCarthy has long been one of the pivotal figures in Denver underground going back a couple of decades. He first came to prominence as a member of grindcore outfit Clinging to the Trees of a Forest Fire and he ran the DIY space that was the downtown location of Monkey Mania that transitioned into Kingdom of Doom under his stewardship. McCarthy has always exerted a benevolent influence in the Denver scene as someone who hosts shows, books events and as an ambassador within and beyond the Mile High City who not only ran Kingdom of Doom but spaces like Funhouse and Aqualung’s Community Music Space in addition to booking shows at Blast-O-Mat before it turned into Seventh Circle Music Collective. His musical output has bridged the worlds of metal, noise and experimental music of various kinds including one-off noise projects, death doom bands Vermin Womb, Death of Self and Keep. Many Blessings represents an evolution of McCarthy’s exploration of a more harsh noise end of that musical leaning with processed vocals and electronic components that allow him an outlet of self-expression not dependent on anyone else’s input or timeline or availability. It is also his most prolific musical endeavor to date with dozens of releases. In contrast to his more ambient solo noise concern Spiritual Poison, Many Blessings has gritty texture and a darkly cathartic reflection of the brutal and ugly aspects of our civilization. McCarthy has also made a bit of a name for himself as a visual artist and these days releasing that work through his Hell Simulation moniker with his evocative creations gracing flyers, album art, tour posters and more.

Listen to our interview with Ethan McCarthy of Many Blessings on Bandcamp and catch him live at Ghost Canyon Fest this weekend at the matinee show at Mutiny Information Café on Saturday, August 12, 2023. Many Blessings also tours internationally so there’s a good chance you’ll be able to catch a performance sometime down the line if you’re not able to make it to Denver for the fest. For more information on McCarthy and his visual art and other projects the best portal of contact is likely via hellsimulation.com.

Queen City Sounds Podcast Ep. 32: Oliver Holloway of Knuckle Pups

Knuckle Pups at 1010 Workshop October 18, 2021, photo by Tom Murphy

Knuckle Pups is a rock band with roots in the DIY and indie underground scene in Denver. Its music has a bit of that solid pop song craft, accessibility and a touch of the experimental infused with punk spirit. Singer and guitarist Oliver Holloway was born in and grew up in Denver and attended Jefferson County Open School as well as coming up in the Universalist Unitarian Church which gave him a foundation in pursuing his creative and intellectual interests in a supportive environment. Out if high school he became involved in the local DIY scene of house shows and spaces like Monkey Mania and Blast-O-Mat. His then band The Fainting Fansies were charged with the kind of amateur exuberance one would hope from a folk-punk band but also strong songwriting. Holloway followed that band with Henry Sugar which had a similar degree of exuberant performance but more informed by emo. Mega Gem came along shortly after that with its blend of punk and orchestral arrangements in a pop format and unlike most musical bands out of Denver at the time and now. Along the way Holloway toured the country and connected with DIY and activist communities broadly including the members of folk punk legends Defiance, Ohio and Ian Vanek of Japanther and Howardian. Hollowway still subscribes to the communitarian spirit of DIY music and culture as a core component of his approach to being in bands. Knuckle Pups is releasing its debut full-length TV Ready which combines the disparate influences of the members of the band with a unified vision of making music that is brimming with emotional authenticity, sensitively observed lyrics and strong vocal harmonies. Its eclectic aesthetic fortifies the effectiveness of the music and reflects the aforementioned punk and DIY ethos by drawing upon the collective strengths of the members of the band and embraces any perceived flaws and rough edges as part a unique creative work.

Listen to our broad ranging interview with Holloway on Bandcamp linked below. Knuckle Pups will perform at Mercury Café in celebration of the release of the album with home made CDs and t-shirts on Friday, July 15, 2022 with Jeff Cormack of South of France and Earth to Luna. To further explore the world of Knuckle Pups music and to find out about shows and to connect with the band follow the group’s LinkTree.