
Amelia Coburn taps into a sensibility of Vaudeville with her single “See Saw.” A simple, repeated guitar/ukulele figure repeats as she spins a darkly folkloric tale of life in a traveling carnival with some nods to Mikhail Bulgakov’s 1967 masterpiece The Master and Margarita, novel not published not even in Bulgakov’s home country of the Soviet Union until well after his death in 1940 censored for its supernatural elements and religious themes and for its satire of Soviet society and culture. Coburn’s sing-song-y vocals and Eastern European folk pop sound draws on a similar otherworldliness in crafting the mysterious imagery of the song which informs Michael Sreenan’s music video with its puppet theater stage props and dolls all in black and white. At the end of the video we see Coburn resisting being put into a travel case and something in the visuals and the old-timey sound of the song recalls the dark mysticism that seems to permeate a great deal of German Expressionist cinema. The clarity of the melody reminded Coburn of he production on “Being for the Benefit of Mr. Kite” by the Beatles who took inspiration from the traveling circuses in establishing the mood, the tenor of their own composition. Watch the video for “See Saw” on YouTube and follow Amelia Coburn at the links below.


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