Michael VQ Evokes Late 90s Experimental Electronic Weirdness on Hip-Hop-Inflected IDM Single “The Remakes”

Michael VQ, photo courtesy the artist

Even without the outstanding video treatment for the song, “The Remakes” by Michael VQ has a tonal resonance and immediacy of production that holds your attention from the beginning. It’s style is a bit like if Aphex Twin and say JPEGMAFIA or Aesop Rock collaborated on a track that was too weird to be the kind of hip-hop many people think when that expectation is set and too hip-hop for whatever genre tags one might want to apply to the work of Richard D. James. Voices are layered in the track to form rhythm and melody alongside the programming giving the whole affair an organic quality that is intimate while the processed beats lend it the aspect of a dance track for a more forward thinking modern rave event. The music video has vivid images mirrored in quadrants and constant motion and imaginative color palettes like an Edgar Wright film and the procession of figures hits like an experimental horror film minus the fear. The net effect will be reminiscent for those that remember of a time in the late 90s at night on MTV when some of the most forward thinking electronic music of the 90s found a place to be broadcast to people who might otherwise have never heard much less seen visuals for that music for years without being in the places where it came from. The imagery and the music together feels like a well kept secret that won’t be for long. Watch the video for “The Remakes” on YouTube. Look for Michael VQ’s album 4U&URMØN$TER out soon on Tanoshi Crime School Records. Connect with the artist at the links below.

Michael VQ on Instagram

Schnoz Slyly Uses the Metaphor of Being a Creature From Space for Social Persecution of Being the Other on “Aliens”

schnoz, photo courtesy the artist

“Aliens” by Miami-based hip-hop artist schnoz sounds playfully mysterious like the alternative soundtrack to the video game Metroid. But when his vocals kick in with a story about being a “bonafide alien” he brings a bit of swagger to a story that could be a surreal take on what it must feel like to be a classic alien coming to earth via means not familiar to us humans and how even if you aren’t coming with nefarious intentions, human beings will act with terror and suspicion about your nature and motives. But isn’t that really also a metaphor for how we too often treat each other when we encounter someone that doesn’t look like our in group (racially, ethnically, socially, religiously, culturally etc.) and how many people will act like they don’t even know how to relate to that person and treat them accordingly. Schnoz identifies what it feels like to not want to start trouble but having it delivered to you merely because you are sufficiently different. Fans of Aesop Rock may appreciate schnoz’s cadence and use of creative beats drawing on mood more than mere rhythm. Listen to “Aliens” on YouTube and follow schnoz’s further exploits on Spotify.