The Pastoral Grandeur of Dustin O’Halloran’s Minimal Piano Piece “Gold” is an Expression of the Mind Free of the Pressure of Mediated Life

Dustin O’Halloran, photo courtesy the artist

“Gold” was recorded in one take by Dustin O’Halloran in his studio in Reykjavik, Iceland. The member of A Winged Victory for the Sullen captured the intimacy of just him at his piano and natural resonances and reverb without removing the physicality of the instrument and its moving parts heard in the recording nor punching in any “mistakes” in the performance or the intonation the can change when you’re using analog instrumentation. The result is the essence of what it would be like to be there and experience the lingering progression, the chords sounding out and trailing off before being replaced by the next set of sounds. O’Halloran’s accents and minimal arrangement lend the pastoral piece a quietly majestic quality that is adjacent to melancholy but is more reflective as though concentrating on and taking in moments of pure tranquility separate from the press of mediated information that clutters up so much of modern life unless you take the time to disconnect and prioritize life and experience as we had it more than a decade ago and can still have it if we indulge our capacity for grace and patience to benefit our inner psychological spaces and not fill it with maximized and monetized content.

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As Winter Takes Hold, “Katie, my Queen” by Cold, cold heart is the Soundtrack to the Season’s Tranquil Contemplation Dreams for Future Fulfillment

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Cold, cold heart, image courtesy the artists

Cold, cold heart weaves together piano, cello and modular synth to craft “Katie, my Queen” as if from frosty, blizzard winds and the night time fogs of deep winter. It feels like looking out into the forbidding weather from a place of warmth and comfort and instead of finding despair atthe obvious limitations it will impose, it engenders a reflective mood born of having the luxury of being able to wait out the worst and the spirit to enjoy the moment and take in the imposed tranquility and inactivity to fuel dreams and plans for the time when the natural world will support carrying them out. Piano and cello sketch out this dream territory and the broad vista drone of synths are like the winds that stir them to life through winter’s hibernation, contemplation and plotting and into the warmer weather of execution. Composed by English musicians Chris Daniel, Robert Manning, Gareth Jones and Alex Wilson, “Katie, my Queen” was passed for post-production work to mixing and mastering engineer Francesco Donadello who is most well known for his work on ambient and post-rock music with the likes of A Winged Victory for the Sullen, Michael Price and Eluvium. The results are a thoroughly evocative and captivating listen. Witness the results for yourself on Soundcloud.