CTZNSHP recently released Lost Loves (A Collection Of Rarities), a compilation of early demos, practice space recordings, previous and more recent studio recordings. The Montreal-based post-punk band garnered attention a little over a decade ago for its commanding and spacious guitar and emotionally charged vocals with lyrics of uncommon psychological insight. The lead single “Hawaii” sounds more melancholic like a dark surf rock song Chris Isaak might sing. Its lightly distorted guitar lead threatens to break apart in any moment and the vocals similarly so in its urgency. And as the song progresses that initial impression splinters because it sounds more desparate and dissonant than anything you’d expect from Isaak and more like something in the vein of Preoccupations or Protomartyr and how both bands can dip into a fractured sensibility and then back into coherence reflecting the actual experience of having a moment of peak emotion. Listen to “Hawaii” on Bandcamp and follow CTZNSHP on Instagram.
01L4N (pronounced Oilan) recently released the downtempo neo soul single “Creep With Me.” The song with production by Brittany Campbell (aka 01L4N), Aaron Day and Dayloop with vocal contributions from The Last Artful, Dodgr has a dreamlike quality that draws you into its words of desire and a yearning for complete connection and commitment with one’s beloved in a deeply emotional, physical and spiritual way. The loping bass line pulses with a lingering dynamic off which hazy atmospheric melodies flow with the sensuous vocals in luminous cool colors of tone. The mood of the song is reminiscent of the more experimental moments of Erykah Badu’s New Amerykah albums with commanding and alluring performances from Campbell that bring you back in to revisit the spell the song weaves. Listen to “Creep With Me” on Spotify and follow Brittany Campbell at the links below.
Josh Hight is a former member of post-punk band The Detachment Kit until the mid-2000s when the group relocated to Brooklyn. He operated for a time as a solo artist under the moniker Irons before relocating to the UK and immersing himself in the world of photography, film and soundtracks. The later came about in part after Hight met Richard Norris at a Stone Club event in London. Norris is perhaps best known for his production work with the likes of Psychic TV, Marc Almond, Sun Ra, Robert Fripp and Joe Strummer but also as a member of influential electronic dance group The Grid. In 2025 Hight released his debut EP from his new solo project PINES with In His Wake, produced by Norris. The record as the name perhaps hints at is a product of grief, disillusionment and the soul searching that happens subsequent to hitting life’s low points. But the music that has come about is made up of gorgeously melodic atmospheres and poignant expressions of loss, the dull reality of much of adult existence and its relative lack of inspiration and leaps of discovery, melancholic reflections on past relationships and a yearning for the collapse of the current mode of human civilization and its capture by oligarchic monetization through digital channels and a more transcendent and vital future once that dissolution is well under way. Musically it’s like a cosmic slowcore, pastoral shoegaze form of psychedelic pop that at times is reminiscent of Hawkwind’s more accessible moments and shades of The Zombies. With guest musicians like Andy Bell (Ride, Oasis), Emmett Kelly (Bonnie “Prince” Billy, The Cairo Gang) and Dottie Cochran (Deary) it’s a richly emotional experience and one that seems more complete than EP often does.
Listen to our interview with Josh Hight on Bandcamp and follow PINES on Instagram.
Pullman returns after two decades with a new album Pullman III due out January 9, 2026 on Western Vinyl. The group which includes former members of Tortoise, Codeine, Eleventh Dream Day and Rex is primarily a studio project recording pastoral soundscapes with mostly acoustic instruments offers us a new single in “Weightless” with a free flow of warm guitar, textural and impressionistic percussion and a nearly hypnotic rise and fall dynamic as the main harmonic sounds seem to shimmer and glimmer in an organic pattern. It has a quality like a sonic suspension constantly resonating and revealing details of its quality with each moment. Listen to “Weightless” on YouTube and follow Pullman at the links below.
It’s best to set aside musical expectations when hearing/watching the video for Kat KIKTA’s sound piece “Your Voice In My Ear.” The background harmonics establish a dreamlike mood and the dialogue between a human woman and a processed voice whose source is implied to be a sentient machine intelligence in which there is a sensuousness and even sexual aspect to the way the voices interact. The touch of delicate rhythm along with the drones is very much more an ambient companion to the mood in the sonic foreground. It may be conceptually something like science fiction without the special effects but it speaks to the very human phenomenon of people falling for each other purely through vocal contact or even indirectly through letters or online because they feel a connection for the other person and a sense of ease, comfort and emotional attraction that can bond people together in a way that transcends more outward and superficial factors. It captures the essence of a modern experience of desire in a way few “songs” ever do. Watch the video for “Your Voice In My Ear” on YouTube and follow Kat KIKTA at the links below.
Laveda formed as a dream pop band in Albany, New York in 2018. The core duo of Ali Genevich and Jake Brooks released two outstanding albums of deeply introspective, atmospheric and tender records with 2020’s What Happens After and 2023’s A Place You Grew Up In. As though the title of the latter was a prompt to evolve creatively Laveda relocated to New York City the same year and whether it was already happening then or more came together once in the big city the band evolved in a decidedly different sonic direction without losing its instincts for crafting memorable melodies and vivid, emotionally vibrant and immediately relatable lyrics. 2025’s Love, Darla marked a change in style for a more gritty, more angular, almost No Wave sound as though Genevich and Brooks had delved further into the Sonic Youth catalog and found their way to the likes of Live Skull and, perhaps unrelated, The Cleaners From Venus. The new album sounds like the work of people who made the move to pursue their art further and didn’t come out the other side jaded. Instead transformed and challenged to do something to reflect their own development as people and artists.
Listen to our interview with Genevich and Brooks on Bandcamp and follow Laveda at the links below.
“Play Pretend” has a kind of icy moodiness, enigmatic energy and imaginative production that makes you wonder if Cry9c is tapping into the same frequency of creativity as more left field post-punk bands like The Serfs, Kaput and Luna Honey. The interweaving layers of rhythm, minimal guitar riffs, drones, distorted harmonics and lightly echoing vocals are reminiscent of an update of late 70s and early 80s proto-industrial pop like the members of the band listened to a lot of Cabaret Voltaire, Indian Jewelry and Drab Majesty at the same time. But the song has its own wonderfully dark resonance like the more accessible band at the noise show or the startling refreshingly different arty Witch House band at a more generally conventional post-punk show. The energy of the music is reminiscent of late 2000s American DIY scene with an elusive air of mystique and that’s a rarefied quality these days. Listen to “Play Pretend” on YouTube and follow Cry9C at the links below. The self-titled EP released October 16, 2025 and is available for digital download, streaming and on cassette.
Tuesday | 12.02 What:The Home Team: The Crucible of Life Tour w/Arrows in Action and Makari When: 6:30 Where: The Oriental Theater Why: Seattle’s The Home Team is touring in the wake of the release of the deluxe edition of its 2024 album The Crucible of Life. The record is a combination of its post-hardcore roots, R&B and modern alt-pop with the kind of production and electronic elements one would imagine out of that melding of sounds and styles. Also on the bill is Arrows in Action who recently released their new album I Think I’ve Been Here Before (Nettwerk). Since forming in 2017 the group’s fusion of modern rock and pop songwriting with R&B vocals and electronic pop production has garnered a bit of a wide online following. But live the band’s energy and commanding performances are proving it’s more than a studio creation capable of delivering a more visceral version of the slick production of its recordings.
Death Possession, photo from Bandcamp
Thursday | 12.04 What:Decibel Magazine Metal & Beer Fest: Denver pre-fest with Terror Corpse, Vimana and Death Possession When: 7 doors Where: Ratio Beerworks 2920 Larimer St. Why: Decibel Magazine’s Metal & Beer Fest has been pretty reliable for booking some of the most interesting bands in the realm of extreme metal since its inception. This pre-fest event includes performances from Texas-based blackened death metal group Terror Corpse, technical death metal/grindcore band Vimana and the ominous sounds of Denver-based death metal outfit Death Possession.
Story Of The Year, photo by Ryan Smith
Friday and Saturday | 12.05 and 12.06 What: Story Of The Year and Senses Fail w/Armor For Sleep When: 7 Where: The Summit Music Hall Why: Two of the better and more popular bands out of that post-hardcore and pop-punk crossover in the early 2000s are sharing the bill on this tour with Senses Fail and Story of the Year. The latter settled on the name in 2002 after forming in 1995 in St. Louis. It’s intricate yet hooky guitar riffs and emotionally charged vocals weaving between emo sensitivity and more distorted screaming meant Story of the Year was in the pocket of a popular style with younger fans of punk looking for something with more edge than the typical pop punk of the day. The band split for a couple of years in 2011 and reconvened in 2013. For this tour you may be able to hear some of the quartet’s forthcoming album A.R.S.O.N..
Blood Incantation, photo by Julian Weigand
Friday and Saturday | 12.05 and 12.06 What: Decibel Metal & Beer Festival Day 1 (12.05) Blood Incantation, Chat Pile, The Red Chord, Panopticon and Castrator, Day 2 (12.06) Acid Bath, Eyehategod, Deadguy, Primitive Man, Conan and Necrofier When: 6 (12.05) 5 (12.06) Where: Fillmore Auditorium Why: Decibel Magazine brings to Denver a generous sampling of the best of current extreme metal for a two day festival. Attendees can opt to buy a ticket that includes getting in on the beer varieties being showcased at the event or a mere “Metal Only” pass for just the music. The first night is headlined by Denver-based psychedelic, progressive death metal band Blood Incantation and one might argue also the political noise rock legends Chat Pile. The second night is indisputably headlined by influential and foundational sludge metal group Acid Bath who are reuniting for a handful of shows this year. Also on that night earlier on is Denver’s death grind trio Primitive Man who recently released their latest sprawling epic of an album Observance with its even more pointed and withering commentary on a corrupt and self-destructive society and economic order and even their own part in its continuance.
Primitive Man, photo by Vanessa ValadezWet Leg, photo by Alice Backham
Sunday | 12.07 What:Wet Leg w/Capture This and Bob Moses (club set) When: 5 Where: Mission Ballroom Why: Wet Leg is the scrappy post-punk/pop band from the Isle of Wight that started garnering a bit of a cult following after the release of its debut single “Chaise Longue” in 2021 followed by the full-length including that song in 2022. The song and the band’s general presentation is frank in its depiction of sexuality but with a wit and charm and undeniable hooks that keep you coming back to listen. The full length was brimming with tales of everyday life delivered with the spirited sass that you would hope would inform the rest of the songs. The group released its sophomore record Moisturizer in 2025 and its own eclectic set of songs delivered on the promise of the debut including lead single “Catch These Fists” about not defaulting to being polite when you get harassed in public places.
House of Harm, photo from Bandcamp
Tuesday | 12.09 What: House of Harm w/Past Self and killyouclub DJs When: 8 Where: The Crypt Why: House of Harm is a post-punk band from Boston whose sparkling melodies and melancholic vocals could be like any other band out of recent darkwave. But there seems to be a bit more emotional urgency in the singing and keen attention to the electronic end of the soundscapes that drive the music. Past Self is a darkwave/death rock band from Las Vegas with leanings toward more ethereal dream pop.
Belly, photo from the band’s Facebook
Friday | 12.12 What:Belly 30th Anniversary of King – 2 sets one night When: 7 Where: The Oriental Theater Why: Belly Formed in 1991 shortly after Tanya Donelly left influential post-punk band Throwing Muses. She had spent a brief stint in the early version of The Breeders but after 1992 Belly became the singer/guitarist’s main creative focus and the 1993 release of the group’s debut album Star landed the music on regular rotation on MTV during that first great wave of alternative rock. Founding bassist, and former Throwing Muses member, Fred Abong left the outfit a few months after the release of the record to be replaced by Gail Greenwood (who would go on to play in L7 and recently Gang of Four). The new lineup would record the follow up album, 1995’s King. At the time grunge was, in face, king, and the jangle-y, atmospheric power pop of the record meant it didn’t perform as well commercially as its predecessor but artistically it was a step forward into interesting directions. Belly gets the chance to revisit those songs live with you if you show up and there’s a better than average chance that some material from the first record and 2018 album Dove will end up on one of the two sets.
Flutter, photo by Tom Murphy
Saturday | 12.13 What:Lawsuit Models, Flutter, Black Dots, State Drugs When: 7 Where: Hi-Dive Why: Lawsuit Models is the kind of modern punk band that clearly has roots in 90s and early 2000s pop punk but didn’t get stuck completely in that sound. But preserved is the best of that music and its relatable yearnings and an ability to take topical cultural references and make them into statements of more enduring human experience and struggle. The rest of this bill is also interesting because Flutter is a great power pop band who seem to have translated an older sound and sensibility into a modern context with a charismatic live show. Black Dots are a veteran punk act from Denver that has also made a transition into a more modern mix of sounds from a pop punk adjacent early sensibility to something more seemingly informed by a touch of Americana and more straight ahead rock. State Drugs come from that stand of punk that as into power pop of the late 80s and early 90s like they listened to the cooler end of The Goo Goo Dolls, Gin Blossoms and Soul Asylum and decided the songcraft in those bands and a knack for a melodic hook and earnest emotional expression was perfectly fine a well of inspiration as any other.
Jorma Kaukonen, photo by Vernon Webb
Saturday | 12.13 What: Jorma Kaukonen When: 7 Where: Paramount Theatre Why: Jorma Kaukonen was one of the members of the classic lineup of Jefferson Airplane. The latter helped define the San Francisco Sound of the late 60s and the early psychedelic rock of the era. Kaukonen came into the group as a blues guitarist who had earlier played a gig with Janis Joplin before either came to anything resembling prominence. The Airplane had hits like “Somebody to Love” and “White Rabbit” and its 1967 album Surrealistic Pillow is a classic of the 60s with songwriting that endures because it was unlike much of anything else in its then realm of rock music. Kaukonen’s instrumental “Embryonic Journey” and its elegantly intricate guitar work brought more than a touch of experimental folk to one of the great psychedelic rock albums of all time. Later in the 60s Kaukonen and some of his bandmates in the Airplane formed Hot Tuna, a group that continues to this day. Somewhere between a psychedelic country blues band and free improvisation outfit, Hot Tuna was a little difficult to pigeonhole though today would be considered on the higher end of the jam band spectrum. Kaukonen has also had an acclaimed solo career in which he can no more easily be classified but in which his energetic and free-flowing finger style guitar and seemingly endless ability to find ways for the guitar to express great feeling with nuance remains. For this tour, possibly the musician’s last on a wide scale at age 84 (soon 85 on December 23) Kaukonen will be joined on stage by heavy hitters R. Carlos Nakai & Will Clipman, David Hidalgo, Jack Casady, Justin Guip, and Ross Garren.
Silver West, photo by Tom Murphy
Tuesday | 12.16 What: Silver West (album release and Hali’s birthday) w/Marty Nation and Whitless When: 7:30 Where: The Skylark Lounge Bobcat Room Why: Silver West will release her debut album Ballads of a Heartbroken Hunter at this show. The songwriter/musician is relatively new to performance but has been around music her whole life and as a sound person at various clubs and other live show situations she’s certainly been witness to her fair share of music stories as well as firsthand experience with what works best in a live music format. How much of that shaped her songwriting, hard to say, but surely in the recording there will be an uncommon level of attention to detail and production. But if you’ve seen Silver West there is a compelling vulnerability to her particular style of cosmic Americana that is refreshingly raw and thoughtful.
Takipnik, photo from Bandcamp
Thursday | 12.18 What:Takipnik, Lost Relics, Chew Thru and Sungrave When: 7 Where: Hi-Dive Why: Takipnik is a Denver-based heavy band that formed in 2019 and recently released its third album Awakened. The record reveals the band has a keen ear for ethereal atmospheric elements mixed in with those more distorted and raging. Think something like Agalloch and Russian Circles and you have an idea what to expect. Lost Relics bridges the gap between extreme metal and noise rock. Some of its members came out of the more interesting end of the Denver stoner rock scene of the 2000s and 2010s and found a way to sharpen the sound some without losing the ability to maintain a solid groove and thus hooks. Chew Thru has more roots in post-hardcore but still has the aggression and knack for a touch of melody that one might expect from a band with influences in 1980s thrash. Sungrave is in the metal universe as well but its sound clearly has some origins in psychedelic rock and the kind of post-metal one heard in the various incarnations of Isis and Neurosis. In moments the shoegaze fusion has Sungrave sounding more like the majestic pastoral side of Jesu.
Cop Killer, photo from Bandcamp
Friday | 12.19 What: Cheap Perfume, Arson Charge, Gunk! and Cop Killer When: 8 Where: Hi-Dive Why: Arguably the punk show of the month headlined by feminist/political punk band Cheap Perfume from Colorado Springs. Its latest album Don’t Care. Didn’t Ask. really does pushes its critique of society and capitalism to new heights and connects the dots in many realms of human life in the intersectional way that the current moment requires. Arson Charge includes former members of Native Daughters, Chieftain and Love Me Destroyer and fronted by SPELLS singer Ben Roy. It’s thrashcore and Roy takes on a different vocal style than you’d expect from him and it’s potent stuff tackling issues related to deeply personal experiences with abuse and the legacy of that for one’s own life in ways that the adult mind is beginning to grapple with. Gunk! Is a like-minded hardcore band from the Springs with a raw, caustic sound. Cop Killer recently released its self-titled EP and it is five tracks of the kind of aggressive hardcore you’d hope with the verbal content you’d hope was there including an updated rework of the Body Count classic.
Salads and Sunbeams, photo by Tom Murphy
Saturday | 12.20 What:Salads and Sunbeams and Gadget Cats When: 8 Where: The Skylark Lounge Bobcat Room Why: Salads and Sunbeams are one of the premier Denver-based indiepop bands. Coming out of noteworthy previous bands Fingers of the Sun and The Pseudo Dates (among others), the band’s songs are literary and steeped in 60s and 70s psychedelic pop but informed by modern experiences in the current socio-economic context. Its songs are tonally colorful and heartfelt and filled with creative storytelling. Gadget Cats are a grunge pop group from Fort Collins whose songs released so far seem to reflect some inspiration from 90s underground punk and indiepop.
Pons, photo from Bandcamp
Saturday | 12.20 What:Pons w/Bitchflower and Plastik Mystik When: 8 Where: Hi-Dive Why: Pons is a mutant art punk/neo-No Wave noise rock band from Brooklyn, New York that incorporates classical instruments used in unorthodox ways. Often its songwriting sounds like it’s been influenced by experimental electronic music and left field jazz with splintered, fragmented tempos and imploded structure. Bitch Flower from Fort Collins sounds like it was inspired equally by the most jagged and confrontational punk and dark psychedelic rock like the Stooges and its own blues roots. Plastik Mystic is sort of a strange blend of psychedelic garage rock and something like moody punkers Wipers.
DJ boyhollow aka Michael Trundle of Lipgloss in 2021, photo by Tom Murphy
Wednesday | 12.31 What: A Lipgloss New Years Eve When: 8 Where: Hi-Dive Why: Lipgloss has been held at various venues since starting as the prominent indie DJ/dance night in Denver and one of if not the longest running such nights in the country. Currently helmed by longtime DJ Michael Trundle aka boyollow, the night is being held perhaps for the first time at arguably the best small club in Denver, the Hi-Dive. Expect indie hits from the 90s, 2000s, 2010s and now with some sprinkling in of 80s and maybe even 70s music that inspired the music that launched the event.
Colfax Speed Queen, photo from Bandcamp
Wednesday | 12.31 What:Colfax Speed Queen, Jesus Christ Taxi Driver and Glueman When: 8 Where: Lost Lake Why: If a night of high energy punk is how you want to spend your New Year’s Eve this is the best bet. Colfax Speed Queen is really a psychedelic garage rock band that has made a name for itself in Denver and beyond. But its charismatic and charged performances propel its whole thing into the realm of punk. Jesus Christ Taxi Driver sounds like it came out of the American southeast with its blues-infused rock and roll. But its attitude is definitely adjacent to the irreverent spirit of punk and its live shows are played with a palpable intensity. Glueman these days sounds like its members were inspired by strands of the gloriously frayed and ferocious punk from Memphis, Tennessee from the 80s to now. Just raw and unmindful of a need for clean tonal lines and tapping into some wild energy. If you’re Oblivions you’ll probably be into Glueman.
The simple piano figure and soft programmed drums that open the title track to Lizzy Rose’s new album Faultlines (released October 24, 2025) eases us into a tender song about life starting to come apart. The urgent synth arpeggios later in the song perfectly embody the moment when you can no longer ignore the fissures in one’s relationship and one’s life and are forced to deal with them before you feel you’re ready. But in the song, Rose’s vocals are steady, strong and gentle and while conveying the truths of coming to terms with aspects of one’s life that can be unpleasant also show how we can get through this time with grace through emotional honesty, patience and a willingness to take on life’s challenges as they are without having to over-dramatize or catastrophizing the situation at hand. It is honestly a perfect song for reminding oneself that this approach can be taken to just about everything even when it all feels like nothing can make it better. The new album was written and recorded six years ago by the singer/songwriter who is finally bringing the music to light and as circumstances now make clear it’s emerging at just the right time at a time of crisis for many. Listen to “Faultlines” on Soundcloud and follow Lizzy Rose at the links below.
Philadelphia’s The Noisy released its new album The Secret Ingredient Is Even More Meat on October 24, 2025 via Audio Antihero. Lead singles “Ballerino” demonstrates an aspect of the band’s songwriting that perfectly displays its knack for a solid pop hook in the vein of 90s indie rock bands like Velocity Girl and The Breeders. The perfect blend of guitar grit and irresistibly melodic vocals and a buoyant spirit courses throughout the song along with a touch of wistful melancholia. But really it seems like a sweet and affectionate song recounting heartwarming memories of a romantic relationship. The music video has a playful, fantastical whimsical quality that thoroughly embodies the sentiments and energy of the song. Watch that video on YouTube and follow The Noisy at the links below.
Queen City Sounds and Art 
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