Hemlock Ernst Faces the Specter of Aging and Diminished Horizons on Industrial Hip-Hop Single “Remains”

Hemlock Ernst, image courtesy the artist

Hemlock Ernst (aka Sam Herring of Future Islands) and producer Icky Reels have created an all too relatable and poignant piece of beautifully bleak hip-hop with “Remains.” Streaming percussive textures and rattles run throughout the song as an urgent and desperate tone glimmers in the background while a fuzzy pulse sits in the foreground. It’s like if someone took trap production methods but plugged in the sound palette of EBM. The lyrics sketch out vivid portraits of what it feels like to get older and becoming increasingly aware of how your visibility in culture and social value diminishes when you can be dismissed as a has-been even if what you’re doing still has inherent value, even if as a simple human being you have a value of your own whether or not what you “produce” is perceived as cool or contributes to a narrow definition of the economy. This is especially true of creative people who if their work isn’t making as much money or isn’t perceived as moving forward, but too far forward, they’re set to the side. But often enough this is a product of being seen as “old” or “irrelevant” and in a culture that really only values utilitarian functionality and the ability to make money in established ways it isn’t enough to simply exist and not always having to chase the golden ring or certainly not by participating in a system in which all are disposable. The song sounds like a series of revelations that hit you hard as you hurtle toward and well into middle age. Because it’s then that you really start to take stuff of what you have left and what you’ve given and what’s been taken from you and you have to come to term with what, yes, remains of your time on earth and your ability and energy to do with it what you can that doesn’t feel like a waste of time if you can help it and trying not to despair if it’s not what you thought it would be and if you’re not where you imagined yourself when you were young. As if you have any idea or insight into that when you’re young. With contributions from Elucid of experimental hip-hop duo Armand Hammer the song’s words and sonics hit more deeply and with the weight of inescapable and undeniable truth. Listen to “Remains” on Spotify and follow Hemlock Ernst at the links below. The new Hemlock Ernst album Studying Absence LP is out October 16 via Tygr Rawk.

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Now After Nothing’s New Wave Goth Song “Criminal Feature” Exorcises the Legacy of Religious Trauma

Now After Nothing, photo courtesy the artists

Atlanta’s Now After Nothing gives us a fiery story of propaganda and mass manipulation with “Criminal Feature.” The song’s gritty guitar work, brooding bass line, swirling and bright synths and melodic vocals are reminiscent in a way of the pace and mood of “Celebrity Lifestyle” by Swans and how that song unites dark themes of human belief and internalized psychological manipulation with surprisingly catchy songwriting that is a bit of an outlier in the Swans catalog because of that. But Now After Nothing’s sound is steeped in a driving darkwave with great, ascending dynamics and socio-political commentary crafted to make heady themes palatable without sacrificing the essence of the content. The accompanying music video is especially effective in its evocation of the legacy of religious trauma many people know too well. Fans of the more New Wave-inflected end of Killing Joke will definitely find much to like about the song and what Now After Nothing has to offer. The group’s new album Artificial Ambivalence was released on September 13, 2024 is now available for streaming, digital download and as limited edition colored vinyl.

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Korean Boyfriend’s Noisy New Wave Post-Punk Single “Middle Management” Perfectly Captures the Existential Dread and Melancholic Exhilaration of Occupying the Liminal Role on the Corporate Ladder

Korean Boyfriend, photo by Ai Oe

Korean Boyfriend’s “Middle Management” pulses and seethes with a low key desperate energy. With a driving, melodic bass line anchoring the song the layered synths are at once noisy and sounding like a lo-fi recording of melancholic yet upbeat synthpop from another era. The vocals aren’t buried in the mix so much as engulfed by the flow of noises including the minimalist, accented percussion. As the title of the song suggests the song seems to comment on that phenomenon of corporate work life of the figures who are simultaneously expected to enforce company policy and take ownership of dealing with situations that are above the pay grade of lower tier workers while not always empowered to actually enact a solution to challenges presented. Essentially they are the second layer of protection leadership enjoys from the consequences of a company’s mediocre product—whether physical or services. The song captures that feeling of constant tension and stress and existential dread of being in middle management and knowing what’s possible and what’s likely for customers and the people working under them and questioning the efficacy of having so much operational responsibility without adequate compensation. The spectral keyboard work in the background establishes a spirit of unease and faint hope and the tapestry of rhythms that interact throughout the song creates a feeling of having entered into an otherworldly zone outside of regular time and space yet the song never comes off bleak, but, instead, expressing compassion and solidarity toward an experience many of us have had or at least witnessed as we navigate the impersonal, late capitalist landscape of trying to survive. Listen to “Middle Management” on Spotify and follow Korean Boyfriend on Instagram. His new album Simple Face is out October 25, 2024.

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CR&M’s Ambient Downtempo “Coping strategies” is the Soundtrack to a Brisk Walk to Clear and Stimulate the Mind

The hovering, harmonic drone that begins CR&A’s “Coping strategies” is soon joined by what sounds like a swift wind and background melodic abstraction that is soon punctuated by percussion that is impressionistic in it’s deployment of hi-hat, bass drum and other percussive sounds. The cover art for the single is a view of someone looking up between tall buildings into a blue sky with white clouds coming into view. The song’s enigmatic mood reflects that halcyon view and it feels like a moment of contemplation followed by a brisk walk as you follow your strings of thought stimulated by the changing landscape. But the vibe isn’t Thoreau at Walden Pond but rather the existential resonance of an urban setting that can likewise spark ideas beyond your immediate concerns. Listen to “Coping strategies” on Spotify and follow CR&M on Instagram. The group released its album Stems on August 28, 2024.

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Close to Monday’s Techno Dream Pop Single “Different” Encourages Us to Embrace Our Analog Uniqueness

Close to Monday, photo courtesy the arists

The insistent rhythm of Close to Monday’s “Different” establishes a hypnotic pattern reinforced by the colorful visuals of the music video. Like something you’d expect to hear in a dance club that caters to electronic dance music. Except Close to Monday’s melodies and moods have as much in common with experimental synth pop and rock band Ladytron and the inspired moodiness of their music as they do with Underworld’s percussive tones. The song is an encouragement to embrace one’s uniqueness untainted by and separate from the inducement to conform to the limited modes and channels of expression and communication available through social media and its unspoken system of dubious psychological rewards that rope you into a feedback loop of fitting in to the boundaries of the product of a technology company. The song pulses with a bright energy and is imbued with a heady momentum that feels like the pace of an escape velocity from one’s cycle of participation in digital existence. Watch the video for “Different” on YouTube and follow Close to Monday at the links below.

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Nathan-Paul Cuts Loose With the Futuristic Free Jazz Hard Bop of “Outflow”

Nathan-Paul, photo courtesy the artist

“Outflow” sounds like an amalgam of free jazz and IDM with industrial beats. Nathan-Paul’s composition incorporates elements of that late era hard bop saxophone with arrangements that bring to mind an era of music when experimental musicians seemed to have in mind compound time and Middle Eastern tonal palettes. Bursts of raw skronk in futuristic modes and sax lines that both snake fluidly and then strike angular patterns before waxing into looping surges that give way to more wild dynamics. He song packs a lot of ideas into a little over three minutes and its various layers embody the title and it is stylistically diverse even with some nods to fusion and all imaginative and impressive in technique. The energy is strongly reminiscent of that scene in Lost Highway (1997) when Bill Pullman is going off on the sax in the night club—fiery and like something from a hyper real dream. Listen to “Outflow” on Spotify where you can listen to the rest of the Free Trap EP which released on August 23, 2024. Follow Nathan-Paul at the links provided.

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THEE SIMULATION Weaves an Air of Cosmic Dread and Rebirth on Industrial Neofolk Single “TRAIL OF DEAD KINGS”

THEE SIMULATION, photo courtesy the artist

“TRAIL OF DEAD KINGS” by THEE SIMULATION (a project of Colin Dawson’s of Haunted Horses and Stickers) begins with an industrial tribal beat before an urgent and slightly echoing piano line, harmonic synth drone and moodily abstract spectral keyboard emerges. Alongside this haunted vocals seem to tell a dark tale like something out of an Edgar Allan Poe story or a late 60s Hammer horror film. Images of labyrinthine passages and the sounds of rustling leaves stirred by a light breeze underfoot lend the song an air of the seasons trailing from summer deep into the fall. The chorus of “Take your name off me” suggests a spirit of a place beckoning to be free of the monikers of a conquering power and a return to its primal origins. Musically the dark atmospheres, tribal industrial beats and mystical moods are reminiscent Current 93 circa Dogs Blood Rising (1984) but in a production mode more in line with the modern era. And yet it shares that sense of the otherworldly that exists parallel to our everyday of which we can become aware if we’re open to tapping into those psychological spaces. Listen to “TRAIL OF DEAD KINGS” on Spotify. The new THEE SIMULATION album BLEAK LIVING released on August 17, 2024 and can be listened to in full on Spotify as well.

Chihei Hatekayama and Shun Ishikawa Unite Summery Tranquility With Wintry Introspection in the Ambient Soundscapes of “M6”

Chihei Hatekayama, photo by Makoto Ebi

Japanese ambient artist Chihei Hatekeyama and jazz drummer Shun Ishikawa released the album Magnificent Little Dudes Vol. 1 on May 24, 2024 via Gearbox Records to great acclaim. The second volume in the series is due out later in 2024 but for now you can hear the sprawling, meditative single “M6.” The impressionistic, drifting piano work against the backdrop of a harmonic tonal shimmer sounds simultaneously like an expression of droplets of sunlight on the ocean on a bright and calm summer day and of drifts of blowing snow catching the light of a full moon. That dual atmospheric resonance manifests as a sound both tranquil and tactile, soothing and enigmatic. It feels more iterative than simply repeating like a loop and that is what catches your attention without interrupting your thoughts. Listen to “M6” on Spotify.

Shun Ishikawa, photo by Makoto Ebi

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Desert Liminal Brings Into Focus the Limits of Nostalgic Whimsy on Gritty Dream Pop Single “Kid Detroit”

Desert Liminal, photo courtesy the artists

Desert Liminal’s melancholic and trailing tones on “Kid Detroit” convey a sense of an earlier period of one’s life that one looks back on with feelings of nostalgia but through the lens of one’scurrent perspective. It flows with the kind of romance of wish you could go back to that earlier period of your life and re-write parts of it like it was a movie and maybe that would put your later life in a better place. Yet one senses that in the song the knowledge that such playing with time and one’s own life’s narrative while attractive and something to occupy some idle time might take away the person you are today and the lessons and achievements however taken for granted that opened the window to even entertain improving your backstory. When the song waxes uplifting and hopeful it’s like an embrace of one’s whole self including the mistakes, flaws, wrong turns and misfortunes that didn’t sink you maybe, just maybe, improved your life in ways you don’t yet understand and in many that you do. And yet there’s no harm in thinking in ways that you can enact today with one’s current level of self-awareness if you choose to lean into it rather than run from it into fantasy. The dynamic piano work and overdriven guitar help to anchor the introspective vocals and to orchestrate an undeniable push and pull of mood that bring the song’s themes into focus in a way that lends this dream pop song some grit. Listen to “Kid Detroit” on Spotify and follow Desert Liminal at the links below. The band’s new album Black Ocean is out October 18, 2024 via Whited Sepulchre Records on streaming, digital download and limited edition vinyl.

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“Slow Drug” by Lord Buffalo is an Epic and Mysterious Voyage of Desert Kosmische

Lord Buffalo, photo by Alison Narro

Lord Buffalo seems to channel esoteric films of the 70s in the mood of “Slow Drug” right from the beginning. Think Jodorowsky, Herzog and Ken Russell. The pulsing of piano and stretched, processed presumably guitar sound like the sounds of an otherworldly creature speaking hit as more of a sound design choice than mere songwriting. But as the song progresses more recognizable musical elements leak into the soundscape with urgent guitar loops and tribal percussion before the song seems to completely unfold and unfurl mod song and that sound we might have been unsure of before reveals itself as a voice through a distorted filter so that it is more like an occult incantation. Once the song gets into full swing its rich details of sound and deserty-psychedelic vistas reminiscent of the hypnotic and mystical music Boris included on the soundtrack to Jim Jarmusch’s 2009 neglected classic The Limits of Control or the music of Bad Rabbit in the same film. There’s something epic and mysterious about it without the predictable trappings. Listen to “Slow Drug” on Spotify and follow Austin, Texas’ Lord Buffalo at the links below. The group’s new album Holus Bolus released July 12, 2024 on streaming, for digital download and physically on CD and vinyl via Blues Funeral Recordings.

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