Elliot James’ “Smooth” Is a Brazen Yet Sardonic and Melancholic Ode to a Shady Ex-Lover

ElliotJames2_crop
Elliot James, photo courtesy the artist

Elliot James’ new album Always Lately dropped on June 12 and the single “Smooth” showcases how the songwriter brings to bear an eclectic aesthetic to what might otherwise be simply energetic indie rock. The descending piano figure seems so elegant in the background of the bright main melody that along with the ethereal synth swells are a reminder that even though the song is a bit sardonic and the bass line urgent to match the swagger of the vocals that this is at heart a reflective and melancholic song. Both add a delicacy to the track that gives it a dimensonality that it might have succeeded as a song without but that expanded emotional depth is one of the key elements that sets James’ songwriting apart from someone attempting just to write a banger pop song for the summer. Listen below and follow James at the links provided.

elliotjames.co
open.spotify.com/artist/4q2ufFI2PXPNBor8C4NLd4
twitter.com/elliotjames
facebook.com/ElliotJamesOfficial
instagram.com/elliotjames

The Raw Emotional Journey of Sreym Hctim’s Split Ends, Split Head Makes it a Dark Psych/Indie Pop Masterpiece

SreymHctim1_crop
Sreym Hctim, photo courtesy the artist

Reversing his name to the project moniker Sreym Mctim, Mitch Myers released his latest album Split Ends, Split Head. Often his vocals are nearly whispered just shy of sotto voce, like he’s needing to keep a secret lost in a toy store of devices that make the various sounds in each song. It’s a record that may remind some in an oblique way of a combination of 2000s Legendary Pink Dots records and late 90s indie pop where, in the latter, the artists thought nothing of including straight ahead sounds and noise on the albums as part of demolishing convention even as they wrote some of the most exquisite pop songs of the last thirty years but on their terms and with the former through purely aiming to express a mood and a psychological space with whatever tools can most closely approximate it. There is a sense of darkness, isolation and disorientation that runs through each track and one envisions a hall of mirrors that challenge Myers’ narrator with aspects of his life that he has chosen thus far to ignore or see as suited his personal life agenda and ego at the time. By the end and the track “Old Flame” the narrator has been shorn of his erroneous notions and the false foundation that was the bedrock of his life, left vulnerable but able to rebuild from a more honest place. The amalgam of dark psychedelia and organic indie pop is fascinating across the album but it’s one for those with a taste for psychologically raw songwriting. Definitely for fans of Orbit Service. Listen below and follow Sreym Hctim on Facebook.

https://open.spotify.com/album/0eQluGEj8ptUF7gAvzafEK https://sreymhctim.bandcamp.com/album/split-ends-split-head
facebook.com/sreymhctim

“Horoscopic (Saturn Returns)” is a Psychedelic Prog Song With Tropical Flavors and a Political Edge

Indianizer4_cropped
Indianizer, photo courtesy the artists

For a few moments “Horoscopic (Saturn Returns)” by Indianizer sounds like it’s going to break into Journey’s “Wheel In the Sky” or “Tough Enough” by The Fabulous Thunderbirds but then it shifts into a brisk Talking Head-esque African/Middle Eastern psych pop in compound time. The Talking Heads impression continues with Bernie Worrell-like synth work, especially in the low end. But on top of this wave of sounds are vocal samples and gang choruses with guitar that guide the momentum along. It’s a tropical flavored psychedelia with a great, driving energy that spirals up into the ether in the end. Expect the band’s new full length in October 2019 but for now watch the video and appreciate how what could be a party song has a political dimension with a critique of oligarchic imperialism. Below are links to follow this group from Turin, Italy.

dexmusicagency.com/en/artiesten/indianizer-2
soundcloud.com/indianizer
open.spotify.com/artist/1zfrSl1G9vwwG0fTBhvpXp
facebook.com/indianizer
instagram.com/weareindianizer

“Undone” is Ryan K. Bishop’s Beautiful But Anguished Cleansing of the Memories of a Relationship Too Intense to Bear or Forget

RyanKBishop_lg
Ryan K. Bishop, photo courtesy the artist

The Fahey-esque opening chords of Ryan K. Bishop’s “Undone” just about sets you up for the leftward turn of the lyrics into a love lost and the ghosts of cherished memories. The world-weary pace is like the reeling emotions of the dissolution of a strong bond that might be a little too intense to bear at times yet too devastating to lose. As folk-y guitar is joined by electronic beats a third of the way through the song the pain in Bishop’s voice, so sincere and powerful throughout, is given a new context of sound as the vivid imagery and sense of being ground under by one’s own clinging to what is no more float in ethereal electronic tones that brighten and fade out washing away just enough of the mired emotions to begin to be free of their anchoring you to the past.

Mirror Trash Transforms Angst Into Triumphant Pop Melodies On “Blank”

MirrorTrash1_lg
Mirror Trash, image courtesy the artist

Mirror Trash’s “Blank” is a regretful and conflicted song about some kind of relationship that has fragmented into the past tense. It brims with anger and betrayal tempered with some self-reflection. Musically, though, it’s upbeat, even energetic, like those hurt feelings have been channeled into something more productive. The recording is lo-fi which may not be for everyone but in the fact of that, it has a rawness that suits the song perfectly and the indie pop/post-punk style of the songwriting is reminiscent of early Beach Fossils in how the riffing borders on jangle-y and surf-y but is just really detailed arpeggiated lines and reverb that work well at getting out nervous energy. The song is from the 2019 Reform EP and you can listen to “Blank” below and delve further into the Mirror Trash catalog and goings on at the links following.

open.spotify.com/artist/52im9jGpJOOPubaHGb6D9u
youtube.com/channel/UCRD7-mexy4Z2MTWKzgs8Uew
mirrortrash.bandcamp.com
twitter.com/MIRRORTRASHBAND
facebook.com/MIRRORTRASH
instagram.com/mirrortrashband

Port Lucian’s Command of Tonal Flow and Mood on “Lucid Dreaming” is Breathtaking

PortLucian1_lg
Port Lucian, photo courtesy the artist

The creamy roil of melody, the drawn out guitar strum shimmer, ghostly harmonic synth drone and warm but distant vocals—all of that sets Port Lucian’s “Lucid Dreaming II” apart from most lo-fi bedroom shoegazers. The way Portia Maidment arranges the layers to mutually enhance while drawing you into the experience evoked by the song is remarkable. It’s tempting to compare her music to that of the likes of Flying Saucer Attack, Grouper, Midwife and Mojave 3 because of the expert use of space and dynamics with an intuitive knack for natural rhythms suggested by the flow of sounds. That and the use of guitar as both a textural and almost purely tonal instrument like another synth. Listen on Spotify and follow Port Lucian at the links below.

youtube.com/channel/UCg5UkmvWYsnj7U9JilYKiww
twitter.com/portlucian
facebook.com/portlucian
instagram.com/portlucian

Equateur Evokes Tranquil Summer Evenings In The Song and Video “Pelican”

Equateur2_sm
Equateur, photo courtesy the artist

The finely accented acoustic guitar at the beginning of “Pelican” by Equateur suggests a tropical flavor to the song already. And the video for the song supports this impression taking place in a jungle of plants and animals cast in origami configurations although an animation short. The protagonist travels through desert and mountains to reach this land of jungle and a waterfall cave reflecting the rainbow hues around it. The song is perfect blend of an especially lush, French style synth pop and elements of flamenco and arriving in time for relaxing summer evenings or whatever passes for summer these days where you live. Watch the video below and follow Equateur’s colorfully luminous synth pop at the links provided.

equateurofficial.com
soundcloud.com/equateur
youtu.be/myzMZ05p80o
facebook.com/EquateurOfficial
instagram.com/equateurofficial

Instupendo’s “Pinch” is the Sound of Endless Possibilities With Ample Leisure Time in a More Nurturing Future Society

Instupendo1_crop
Instupendo, photo courtesy the artist

“Pinch” operates on a wide aural field with atmospheres stretching to the horizon as melodies and percussion emerge and fade or travel away in dopplering resonance, the sounds of strings ping-ponging in rapid succession like a record player stylus bouncing along grooves. Instupendo is no stranger to this style of composition that uses textures, percussion, processed tones and layers of atmosphere and simple melodies to craft a a sophisticated beat that establishes an distinct emotional space. On “Pinch” it’s one where you feel like you’ve traveled ahead to a future where no one works more than a few hours a week but everything gets taken care of and you’ve just put in your time and you have ample time to just ponder what you’d like to do with the days ahead with the sense of freedom you have without the Sword of Damocles of our currently dystopian world system and its demands hanging over you. Listen below and follow Instupendo’s other journeys into chill downtempo at the links provided.

instupendo.com
soundcloud.com/instupendo
open.spotify.com/artist/3ctnkEZGtVBTxS7IMin8nC
youtube.com/instupendo
twitter.com/instupendo
facebook.com/instupendo

The Hazy Psychedelic Drift of Miynt’s “Peaches” Will Coax You Into Daydreamy Reverie

MIYNT_Linn Koch-Emmery_sm
Miynt, photo by Linn Koch-Emmery

The hazy layers of melody on Miynt’s new single “Peaches” suggests the soft lighting of a dream sequence. The breathy vocals swimming in distorted synth washes, arpeggiated bell tones, warp-y/melt-y strings and anchored by soft percussion and bass accents has the hallmarks of a kinship with 70s independent cinema with its own internal logic that draws you in to accepting its unusual dynamics as they are and going along for the ride. It also has the sound of the kind of song that would fit on a Sophia Coppola soundtrack where idiosyncratic, moodily atmospheric music always seems welcome. But this would be for a film Coppola might make about a Drop City-esque art collective in the 1990s. Hypnotic and alluring, “Peaches” will take you out of your everyday mundane zone. Listen on Soundcloud and follow Miynt’s further explorations of inner space at the links below.

https://miynt.lnk.to/StayOnYourMind
facebook.com/miynt
https://instagram.com/itsmiynt

Three Years on From Its Initial Release “Detroit” by Pink Milk Renders the Mysterious and Intimate Into the Massive and Epic

PinkMilk3_sm
Pink Milk, photo courtesy the artists

Originally released in 2016 the “Detroit” single by Swedish rock band Pink Milk has a kind of lo-fi quality but with the sonic architecture of something recorded live in a room capable of offering massive natural reverb like a place used for refitting ships or The TANK Center for Sonic Arts in Rangely, Colorado. At times this quality blurs the tonal lines a bit but that contributes to a sense of the song being difficult to place in a time or context. Its guitar work is sort of surf-psych, it’s atmospherics like 80s dream pop and its mist cloaked melody and echoing vocals like something out of the non-existent post-punk wing of the Siltbreeze roster and that mysterious yet intimate aesthetic that seemed part of all the artists on the imprint. Listen below and follow the band at the links provided.

FYI: For those in the area, you can catch Pink Milk at the Reeperbahn Festival in Hamburg which runs September 18-21, 2019 with exact date(s) and time(s) announced closer to the event.

pinkmilkmusic.com
soundcloud.com/pinkmilktheband
open.spotify.com/artist/6pfkVhn2nBIYUEu9nKHdLV
youtube.com/pinkmilk
twitter.com/pm_theband
facebook.com/pinkmilkmusic
instagram.com/pinkmilkmusic