Clark Stiles’ Introspective Synth Pop Single “Keep On Trying” is a Song About Affection and Perseverance in Pursuing Life Affirming Inspirations

Clark Stiles, photo courtesy the artist

Perhaps with a title like “Keep On Trying” is may be obvious that Clark Stiles’ song has themes of perseverance and commitment. But with the beautifully saturated synth layers and electronic horns over a subtle, shuffling beat there is a gentle momentum that the song sustains. And the lyrics go further than merely pushing ahead but also to challenging oneself to pursue new inspirations and to be open to new things that spark one’s imagination and curiosity. Without getting out there you only have your immediate experiences and stimuli to draw upon. Stiles also incorporates ideas of how people can enrich their commitment to each other through these adventures into new realms of experience and the tenderness with which he delivers lines like “It’s why I get out of bed/To help each other” and when he sings “I’m pushing back/I’m pushing back/For whatever sparks my interest” we get the sense that he is driving away the psychic forces that keep him in penned in to the familiar and complacent. It’s a gentle song about growing and the bonds that sustain us while doing so. Listen to “Keep On Trying” on Spotify and follow Clark Stiles at the links provided.

Clark Stiles on Facebook

Clark Stiles on Instagram

Queen City Sounds Podcast S5E16: Willie Nile

Willie Nile, photo by Cristina Arrigoni

Willie Nile is a a New York-based singer-songwriter and guitarist who released his twenty-first album The Great Yellow Light on June 20, 2025 on CD, 12” LP, digital download and streaming via River House Records. Nile moved to NYC in the early 80s in time to catch the early and classic days of the city’s punk scene and by the time of the release of his 1980 debut album the musicians on the record included Jay Dee Daugherty (Patti Smith Group) and Fred Smith (Television). Then as now Nile’s uplifting songs struck a chord with his literary turns of phrase and the spirited delivery. That debut record was released on Arista Records after Nile met Clive Davis and that same year Willie Nile foud himself joining The Who on their 1980 summer tour. But following the release of his 1981 album Golden Down Nile’s career was stalled by legal problems and he didn’t return to the music world until later in the decade. Nile became a bit of a songwriter’s songwriter and had a fan in Bruce Springsteen who invited him to share the stage with the E Street Band in 2003 at Giants Stadium and Shea Stadium. Interestingly enough, though, Nile really his his stride as an artist from 2009 onward when he seemed more prolific than his entire earlier career with highly acclaimed albums along the way. The new record is brimming with passion and compassion and striking for Nile’s charismatic delivery.

Listen to our interview with Willie Nile on Bandcamp and follow his exploits at the links below.

willienile.com

Willie Nile on Facebook

Band of Muses’ “Cinnamon” is Infused With Kaleidoscopic Melodies and Transporting Rhythms

Band of Muses, photo courtesy the artists

Band of Muses infuse its psychedelic single “Cinnamon” with a touch of that hazy Laurel Canyon sound from the 70s. The video utilizes kaleidoscopic imagery while its members are show with a crystal ball and otherwise like Southern California esoteric types, New Age vagabond mystics who generate hypnotic melodies and rhythms that keep you swept up in their colorful, ethereal charms. But around the edges the band trades in choice guitar leads that jangle and transport. Fans of the likes of L.A. Witch with find a similar sonic allure here as well fans of Sky Cries Mary’s more cosmic, expansive compositions. Watch the video for “Cinnamon” on YouTube and follow Band of Muses at the links below.

Band of Muses on Twitter

Band of Muses on Facebook

Band of Muses on Instagram

Band of Muses of Bandcamp

Queen City Sounds Podcast S5E15: Robert Scheffler

Robert Scheffler, photo by John Matthews

Robert Scheffler is a New York City-based singer-songwriter who released his third full length studio album Truce on June 26, 2025 for digital download, streaming and limited edition CD. Scheffler was a regular in downtown NYC clubs Mercury Lounge, Arlene’s Grocery and the Bitter End including shows with his band A Million Pieces. But the time came when Scheffler took up a job as a research editor and writer for a national magazine. Eventually the lure of songwriting pulled Scheffler back into the world of music but like many a songwriter he had to figure out what he would have to say in a crowded milieu with thousands of artists vying for attention. Without a band the challenge was even greater. But Scheffler found his inspiration in part when filing through his old CD collection and stumbled upon a promo disc for Warren Zevon’s Life’ll Kill Ya given out at the record release party. He tried Zevon’s workmanlike approach to songwriting but once he abandoned that more methodical approach the songs came together. The new album is about people navigating agreements between each other, socially and in their relationships with the world. The record also explores in poetic fashion loss of friends and of hope and the pain of connections coming apart. The music has a folk and Americana flavor but of the vibrant yet pastoral variety with immediacy and a spirit of intimacy like Scheffler is hooked into universal human experiences.

Listen to our interview with Robert Scheffler on Bandcamp and follow the artist at the links below.

robertschefflermusic.com

Robert Scheffler on Instagram

Queen City Sounds Podcast S5E14: The Whimbrels

The Whimbrels, photo by Mark Richards

The Whimbrels released their eponymous debut album on June 27, 2025 via Dromedary Records. The band has in its membership luminaries of the experimental, avant-garde, post-punk and No Wave scene of New York City with credits including playing with The Glenn Branca Ensemble, The Swans and J. Mascis. Between racks of guitars in alternate tunings and unconventional arrangements the band’s new record is somehow both accessible and challenging, filled with gorgeous, left field melodies, discordant atmospheres and dissonant soundscapes. It’s like noise rock abstract jazz with real attention to songcraft. Arad Evans is the primary songwriter as well as vocalist and one of the group’s guitarists and he’s been in more than a few of the great improvisational and experimental guitar bands in NYC since 1980. Norman Westberg many may know as one of the main guitar wizards in Swans for over 35 years but his fascinating ambient solo albums are worth visiting. Guitarist Luke Schwartz is a composer who also played with Glenn Branca but also with ambient legend John Hassell. Matt Hunter on bass and vocals is a co-founder of New Radiant Storm King but has performed with J. Mascis & the Fog, King Missile, Silver Jews and SAVAK. Steve DiBenedetto is mostly known as a painter but his work as a solo musician and with Airport Seven among other projects are highlights of American experimental music. Drummer Libby Fab is a member of Paranoid Critical Revolution and was the technical director of Glenn Branca’s Symphony 13: Hallucination City. Produced by Jim Santo, the record will resonate deeply with fans of its members various musical endeavors but also the textural tonalities of Mission of Burma, the enigmatic soundscapes of Nicholas Jaar and the exotic tonal exercises of Savage Republic. The album is now available as 12” LP, digital download and on streaming platforms.

Listen to our interview with Arad Evans and Norman Westberg on Bandcamp and follow The Whimbrels at the links below.

thewhimbrels.com

The Whimbrels on Instagram

The Whimbrels on Facebook

Queen City Sounds Podcast S5E13: Meatwound

Meatwound, photo by Wallace Boesch

Florida’s Meatwound came into being circa 2014. Threading together strands of hardcore, noise and sludge rock, Meatwound’s mutant sound is a little like what might be described as psychedelic noise power violence with caustic vocals and seething guitar work driven by almost mechanistic rhythms. The group’s new album Macho (out now on Threat Collection) reveals a band that seems to be tearing in all directions with its sharp-edged sonics and a left field sensibility in fusing heavy and aggressive music. The cover in its bright and dark pink is a send-up of the concept of “macho” and the songs are infused with a sense of humor and the absurd. With titles like “Frank Stallone,” “Obese Variants,” “Pig, Tu” and “Barking Dog As Plot Device” it’s clear that Meatwound while making music that can be taken seriously don’t take themselves too seriously as artists. Think something like Killing Joke doing a collaborative album with Napalm Death.

Listen to our interview with Meatwound vocalist Daniel Wallace on Bandcamp and follow the band at the links below.

meatwound.com

Meatwound on Bandcamp

Meatwound on Instagram

Meatwound on Facebook

threatcollection.com

Threat Collection on Instagram

Threat Collection on Bandcamp

Threat Collection on TikTok

Blue Bayou’s Unconventional Vocals, No Wave Jazz Melodies and Left Field Rhythms Make “Hide & Seek” an Undeniable Eccentric Bop

Blue Bayou, photo courtesy the artists

Imagine early James and Talking Heads infused with Bartees Strange’s more jazz-inflected moments and you’ll arrive at something resembling the charm and sonic detail of Blue Bayou’s “Hide & Seek.” The unconventional vocals are completely eccentric in their appeal as the band switches dynamics from loud to quiet in a moment before building to heady dance rhythms. It sounds like the kind of music that might have come out at another era but felt decades ahead of its time because the songwriting ideas are out of step with trends and that stylistic contrast exists here too but its sonic touchstones feel like something from another era. It’s a fascinating effect and makes the song into a bit of an ear worm. Listen to “Hide & Seek” on Spotify and follow Blue Bayou on Instagram.

Queen City Sounds Podcast S5E12: Knox Chandler

Knox Chandler, photo courtesy the artist

Knox Chandler made a name for himself as a musician with bands and artists like The Psychedelic Furs, Siouxsie and the Banshees and Cyndi Lauper. He also performed with, recorded, arranged and produced for REM, Depeche Mode, Grace Jones, Marianne Faithful, Natalie Merchant, Tricky, The Golden Palominos and others. He spent ten years living in Berlin, Germany where he developed a technique called “Soundribbons” in which iPads are used to process and manipulate guitar signals to produce uniquely evocative soundscapes often incorporating field recordings and interactive visuals for live performance. In Berlin Chandler also earned a post-graduate degree in education and served as the head of the guitar department at BIMM College. On May30, 2025 Chandler released his debut solo album The Sound. Rather than the usual type of musical album, it is a set of deep field ambient and otherwise cinematic mood music paired with a visual memoir in book form depicting his shift from urban to rural living where he currently resides in the New Haven, Connecticut area. The vividly rendered collection of images and paintings are served well by the methods Chandler used to process and craft the music and vice versa.

Listen to our interview with Knox Chandler on Bandcamp and connect with the artist at the links below.

knoxchandlermusic.com

Knox Chandler on Instagram

Knox Chandler on Facebook

Queen City Sounds Podcast S5E11: Jeffery Broussard and The Nighttime Syndicate

Jeffery Broussard, photo from Bandcamp

Jeffery Broussard grew up in a musical family in Lafayette, Louisiana. His father Delton was an accomplished musician and his mother Ethel performed a cappella juré music in the home. The younger Broussard started playing drums in Delton Broussard and the Lawtell Playboys when he was eight years old but went on to play the accordion as his main instrument in his teens. Jeffery formed his own band Zydeco Force very much informed by the music he came up playing and the group while not a touring act released seven albums between 1990 and 2004. Broussard decided to create a more musically traditional band with his next project Jeffery Broussard and the Creole Cowboys in 2005. In 2025 the musician and singer released the debut album of his new outfit Jeffery Broussard and The Nighttime Syndicate. Bayou Moonlight released via Fairgrounds Records May 23 on 12” vinyl, digital download and for streaming. The new record reflects Broussard’s charismatic and vital performance style with vibrant and passionate delivery that has made him a Zydeco-nouveau start with an ear for taking the traditional forms and giving it a spirited form.

Listen to our interview with Jeffery Broussard on Bandcamp and follow him at the links below.

nighttime-syndicate.band

Jeffery Broussard and The Nighttime Syndicate on Instagram

Jeffery Broussard and The Nighttime Syndicate on Bandcamp

Jeffery Broussard and The Nighttime Syndicate on Fairground Records

Jeffery Broussard and The Nighttime Syndicate on Facebook

Queen City Sounds Podcast S5E10: Charming Disaster

Charming Disaster, photo by Shervin Lainez

Charming Disaster is a Brooklyn-based duo who have developed a style that has been described as goth-folk. But Ellia Bisker and Jeff Morris seem to have a knack for crafting deeply imaginative pop songs with an experimental and theatrical flair. Their latest record The Double released on May 16, 2025 on vinyl, CD and of course digital platforms. As with previous efforts the band explores concepts in its songs this time through the vehicle of songs dealing with an alternate reality where magic is a feature of life, time travel, the flora taking over civilization and a re-imagining of Bram Stoker’s Dracula. The album deftly incorporates elements of fantasy and science fiction in telling engaging stories and of left field adventure and of struggling with depression and transforming tragedy into something more productive. Utilizing ukulele, guitar, foot percussion and beautiful vocal harmonies Charming Disaster’s dark cabaret style is the kind that transcends genre and musical era with an immediacy that instantly draws you into its unique creative vision.

Listen to our interview with Charming Disaster on Bandcamp and follow the group at the links below.

charmingdisaster.com

Charming Disaster on Facebook

Charming Disaster on Instagram

Charming Disaster on YouTube

Charming Disaster on Bandcamp (to order vinyl and get a download)