Aerial2k Reconstructs the Surreal and Soothing Vibe of the Myth of the Middle Class Suburb on “Max Normal”

Aerial2k, image courtesy the artist

“Max Normal” by Aerial2k employs multiple layers of synth and other electronic sounds to craft a song that sounds like the soundtrack to a time lapse construction across years of a suburban neighborhood. Is the title of the song meant to be someone’s name? An opinion/observation offered. Either way one can hear the steady pace of the percussion while tones carry on as if manifesting tiny bits of the buildings and other features of the neighborhood to be while highlighting how strange yet aspirational that sort of project might be while also calling into question how “normal” it is even though such communities are held up as the epitome of “normal” both in the positive sense and in the connotation more pejorative. The track itself, though, feels meditative like taking some time out to build an ideal community one can go back to in order for relaxation away from the hustle of work life, one’s own private haven and sanctuary, which was one of the goals of early suburbs and who can blame anyone for wanting that. These days it all doesn’t mean much with the changing ways people work and drastically increasing income inequality and the complete erosion of a meaningful middle class. So in some sense this song is a sort of sonic cultural archaeology that manifests a type of utopia and the best aspects of these strange social and economic phenomena of the suburb before the world definitely took a turn for the worse thus the source of its curiously soothing aesthetic. Listen to “Max Normal” on YouTube and follow Aerial2k at the links below.

Aerial2k on Instagram

Vessels to Motherland’s “shenandora” is like a One Act Play of Sonic Dialogue Written in the Language of Machine Intelligences

Vessels to Motherland, photo courtesy the artists

Vessels to Motherland tap into a similar creative and sonic space as Art of Noise did in the 80s with a pure blend of archaic, textural sounds and modern electronic and avant-garde aesthetics. With its track “shenandora,” Vessels to Motherland created what sounds like a dialogue, a play written for cybernetic organisms in their natural mode of communication. Percussive sounds establish patterns and electronic tones weave intricate call and response dynamics that by the end of the song sounds a bit like foreboding dance music that dissolves into calm, repeating resonances that pulse with the satiation that intelligences that do not suffer the limitations of analog, organic life and its cycle of processes into which fatigue and sleep are built. Yet machines and digital existences too must update, repair and replenish in the face of the variations of stimulus to their own environment just like us humans. Vessels to Motherland brilliantly gives expression to that very concept without a single word spoken or sung in the song with a title that suggests an individual name whether of a consciousness or a place or a collective, a corporate entity, which adds yet another dimension to the level of creative work going on with the song. Listen to “shenandora” on Soundcloud, follow Vessels to Motherland at the links below and look out for the NYC-based duo’s full length album Machine Lieder set for release in 2022.

vesselstomotherland.com

Vessels to Motherland on Bandcamp

Vessels to Motherland on Facebook

Vessels to Motherland on Instagram

Vessels to Motherland on YouTube

“Like A Daydream” by Trentemøller is a Soothing Shoegaze Passage Into a Nourishing and Healing State of Mind

Trentemøller, photo courtesy the artist

Trentemøller came to prominence as a gifted purveyor of imaginative electronic music but since 2007 he’s been operating with a full band in manifesting his musical vision. The single “Like A Daydream” from the recently released album Memoria (out on the artist’s own label In My Room). The title of the song is exactly the mood and tonal architecture of the song as ethereal guitar both chimes and traces the trajectory of introspective thoughts as they are cast forth from Lisbet Fritze’s sublime vocals. There is a measured dynamic to the song that also allows for the deeply atmospheric guitar and synths to bloom like a rapid sunrise and flooding the soundscape with an uplifting energy that takes one from the melancholic mood that perhaps spawned the song to an emotional space out of the psychological shadows from which personal truths brew before ready to be brought to light and shared despite what some might think of as their imperfection. The image and concept of the daydream works well here because it’s one of the few times in life when you can be conscious and let your imagination and authentic self merge in ways that are nourishing and healing to the mind. Fans of Slowdive and Lush are encouraged to dive deep into the artist’s catalog and Memoria in particular. Watch the gorgeous and evocative music video for “Like A Daydream” on YouTube and follow Trentemøller at the links below.

Trentemøller on Apple Music

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Trentemøller on Bandcamp

Trentemøller on Facebook

Trentemøller on Instagram

Wikka Encourages Society’s Unjustly Persecuted to Come out and Let Their Freak Flag Fly on “Creature Feature”

Wikka, photo courtesy the artist

Wikka subversively plays upon the horror movie trope of the “creature feature” for the song of the same name. Setting the tale to an organic industrial beat and a variety of electronic sounds that bring a feel of the darkly mythological and fairy tale to the song akin to the sorts of moody, dramatic music of Switchblade Symphony in its heyday in the late 90s. But Wikka’s production gives the song an intimate feel like getting a peek into private thoughts that speak well to what it’s like to feel like someone out of step with mainstream society and ostracized as such when the source of this low key ostracizing is based on just being a little different which is too often enough for certain types of people to declare you a freak, a degenerate and whatever other othering language is available. But the subject of Wikka’s song is ready to come out of its place of hiding where it’s taken some time to heal from the hurtful verbiage and treatment ready to join others who are similarly different in a public world whether accepted by cultural conservative types or not because staying out of sight and mind is just not all that fulfilling especially when what you are is not inherently destructive to others. Listen to “Creature Feature” on Spotify and follow Wikka at the links below.

Wikka on Instagram

Wikka on TikTok

Wikka on YouTube

Queen City Sounds Podcast Ep. 17: The Royal Arctic Institute

The Royal Arctic Institute, photo courtesy the artists

The Royal Arctic Institute recently released its first release in its current five-piece edition. From Catnip To Coma was recorded and produced by James McNew of Yo La Tengo fame at the Neumann Leather Factory in Hoboken, New Jersey. The EP was released on February 4, 2022 through Alread Dead Tapes and Records. The band’s members are veterans of underground and alternative rock going back to the 1980s: drummer Lyle Hysen (Das Damen, Arthur Lee), guitarists John Leon (Roky Erickson, Summer Wardrobe, Abra Moore) and Lynn Wright (And The Wiremen, Bee And Flower, Shilpa Ray), bassist David Motamed (Das Damen, Two Dollar Guitar, Arthur Lee, Townes Van Zandt), and keyboardist Carl Baggaley (Headbrain, Gramercy Arms). Hysen and Leon formed the group in 2016 with original bassist Gerard Smith recording two albums before dissolving and reforming as a quintet in 2020 just in time for the SARS-COV-2 global pandemic. But the music was fairly different from the music for which the musicians were more well-known in years past and its mix of surf rock, intricate instrumentation and hypnotic rhythms might be compared to psychedelic rock with a cinematic feel almost like sound design written as organic music that envelops you in layers of gorgeous melodies that suggest a narrative even in its all instrumental passages.

We had the opportunity to speak with Hysen and Leon about the project and their long history in music and what lead them to the path on which they’re currently carrying on making music that’s meaningful but maybe not yet finding the large audience it deserves. Listen on Bandcamp and follow The Royal Arctic Institute at the links below and maybe even buy a cassette of the new EP from Already Dead Tapes linked below as well.

The Royal Arctic Institute on Instagram

The Royal Arctic Institute on Facebook

The Royal Arctic Institute on Twitter

The Royal Arctic Institute on Bandcamp

alreadydeadtapes.com

AJ Lambert’s Psychedelic Video For “When You’ve No Eyes” is an Imaginative Presentation of a Song About Cutting Through Our Collective Illusions

AJ Lambert isn’t exactly leaning on her lineage for her musical career as the daughter of Nancy Sinatra and granddaughter of Frank Sinatra. Not when you’re releasing a song called “When You’ve No Eyes” with a self-directed music video like something straight out of a low budget, psychedelic science fiction movie. Animated lightning strikes in the sky at the beginning and credits for the video roll like it’s the end part of a movie with aesthetics resonant with the 2017 film The Florida Project. Bubbles float through the sky, streaking bolts of fire, purple clusters of clouds, a bouncing red bit of fluid and a turning object like an interdimensional satellite floats as an observer over this human drama with no humans visible unless the remains of human civilization count along with the graffiti on walls. The song itself is a heartfelt pop Americana with Lambert’s impassioned, breathy, slightly husky vocals about the illusions people try to perpetrate on one another when dropping these pretenses are really necessary for life and indeed the world to move forward in a more valid direction that nourishes rather than evades being real and living in the here and now. Watch the video for “When You’ve No Eyes” on YouTube and connect with Lambert on Spotify.

Khazali’s “Dance on the Rain” is a Poetic Portrait of Acceptance of a Break-Up

Khazali, photo courtesy the artist

The lush, pulsing, hazy melody of Khazali’s “Dance on the Rain” immediately takes you back to the early days of chillwave when that music was new and felt fresh and like something borrowed from a dream. But Khazali’s song has obviously learned from production methods and aesthetics that have come along since while embracing the sounds of analog synth in the mix as bright touches of a handful of notes cut through that haze and along with the staccato guitar work provide a framework within which the singer’s ghostly yet soulful vocals can drift along in an easy manner depicted in the evocative music video. It all sounds chill and introspective and it is but Khazali’s words in spare stanzas paint us the portrait of the end of the cycle of a break-up in unmistakable terms and where regret and pain has turned to acceptance but not without a touch of sadness. Watch the video for “Dance on the Rain” on YouTube and connect with Khazali on Instagram linked below.

Khazali on Instagram

First Frontier Strikes a Strong Chord of Romantic Heartache and Psychological Honesty on the Emotionally Raw “Insist”

First Frontier, photo by Helena Paul

First Frontier covers a lot of emotional territory on the single “Insist” from its forthcoming EP Just Matter (out March 18, 2022). Hailing from Birmingham, UK, First Frontier on this song sounds like a bit like an American indiepop band. The yearning tones of the guitar as the song begins may make you think you’re in for an indie rock song like many we’ve heard in recent years but it also has an unvarnished quality that feels more honest and earnest. And the lyrics tracing the contours of a relationship in which two people are intimately aware of their own shortcomings as articulated in poetic detail. The line “There’s a weakness in my head/More an enemy instead/And it takes me from the light/To the dark side/When I’m lonely in this bed/I see why some people let/Jagged whispers lead them straight to the wrong life” contains so much psychological insight, searing honesty and compassion it really makes the song a standout. But even when the song waxes more romantic it’s never, ever corny or hackneyed, it brims over with a heartbreaking poignancy that you don’t hear in nearly enough pop music and the spare instrumentation with the fragile male and female vocals giving the song a tender authenticity is hard to beat. Listen to “Insist” on Bandcamp and follow First Frontier at the links below.

firstfrontiermusic.com

First Frontier on Twitter

First Frontier on Facebook

First Frontier on Instagram

First Frontier on YouTube

Jori Larres’ “Counterpoints” is a Musical Analog to Interstellar Quantum Travel

Jori Larres, photo courtesy the artist

Finnish composer Jori Larres uses rapidly shimmering, distorted synths to introduce us to his song “Counterpoints” as if a tonal transportation system to a higher dimension where the minimal percussion gives shape to passageways in the song once the ethereal effervescence clears away. The song feels like an elevated stroll with elongated notes lighting the path ahead in a world of pure light and benevolent, resonating energies that have a form emerging from the intersection of opposed elements of sound. A call and response dynamic that creates the vibration and interactions from which solidity forms. Later in the song we, the listners, emerge from the that busy yet comforting soundscape into a place of utter peace and silence. And in retrospect it feels like the musical analog of directly experiencing a future form of quantum travel that feels like a slow transcendence as we are converted to energy and then back into solid form not unlike the way the transporters on Star Trek effect their function. Probably not Larres’ inspiration for the track and yet it is a kind of nourishing array of sounds in which you are washed taking in their vibrations. Listen to “Counterpoints” on YouTube, connect with multimedia artist and musician Jori Larres at the links provided and give a listen to the recently released album Intervals from which the single was taken.

Jori Larres on Apple Music

Jori Larres on Facebook

Jori Larres on Instagram

Paperbark Reveals the Secret Wonder of Everyday Spaces on What Was Left Behind

What Was Left Behind finds Paperbark creating a subtle depth of sonic focus with layers of sound conveying a textural sensibility like tape hiss to run through and over the main tonal experiments run across the album. The title track has what sounds like a distant organ echoing from a giant room somewhere deep inside an abandoned building like a ghost of music emerging as a reminder of a history often glossed over and forgotten. “Open Memory” sounds like another song from this setting with the sound of coins or metallic stones dropping in the middle distance, the percussive sound of which cuts through every so slightly through an evolving drone that develops into a more active sonic figure like a constantly resonating sound interweaving with a shining and repeating sound like plugging in a mysterious radio signal into a device to replicate that pattern as a series of noises brimming forth with a calmingly indistinct quality, true ambient without being an identifiable environmental source. Across the album Paperbark seems to have tapped into a forgotten side of neglected places and finding an abstract narrative that reveals the deeper emotional resonance of the place as on “Bring Up The Scars” where a repeating white noise washes over a pulsing sound figure that shifts in activity as if a inanimate object was revealing its history to anyone that will listen and at least have the ears and imagination to translate those tales in a form accessible if not verbal. Paperbark infuses each track with this imaginative interpretation of the essence of what seems like an otherwise neglected place or one not seen as extraordinary to most people but within which the musician has found a multitude of meanings and invites the listener to find these resonances of energy and ambient knowledge and wonder of everyday places for themselves. Listen to What Was Left Behind on the Constellation Tatsu Bandcamp.