Penkowski has a few delightful tricks up its sleeve on its single “Butterfly.” Not only is the music video a wildly colorful, part animation, part collage art 3D explorer video game style visual presentation but the clipped riffing opening the song is like something out of the New York No Wave era like something you’d hear in a Contortions or Bush Tetras song but then the song shifts abruptly into a more elevated pop post-punk mode like the early 90s solo David Byrne work. But the whole time one is reminded of 80s New Wave with the slinky bass line and Falco-esque near yelping vocal cadence reflecting an age of absurdity and anxiety but in the outro we see our hero riding on a plane out of the phantastical and disorienting landscape on the wing of a plane, making the best of the outrageous state of things, whilst the guitar becomes more ethereal and spidery like the ending section of “Marquee Moon.” The song touches on some familiar places and yet is not like much of anything else going on right now and that’s what makes the song so standout. Watch the video for “Butterfly” on YouTube, connect with Penkowski at the links below and maybe give a listen to the album Final Destination Disneyland out now on Fiasko ltd. and Chinese label Invisible Water.
Richard X. Heyman, photo courtesy richardxheyman.com
Richard X. Heyman recently released his 15th solo album 67,000 Miles An Album. The veteran musician and producer was is a founding member of The Doughboys who in the 1960s were a legendary garage rock band from New Jersey though their oeuvre was comprised mostly of covers of commercially successful bands of the time like The Yardbirds, The Kinks and of course the Rolling Stones. When the group split in 1968 (before re-forming in 2000) Heyman went on the drum for the likes of Brian Wilson, Link Wray, Jonathan Richman, played keys for Ben. E. King, guitar for Mary Weiss of The Shangri-Las. The new album includes new material and older work reworked and assembled as a kind of tour through time and in space. The earth travels through space at 67,000 miles per hour and on its axis at more than 1,000 miles an hour. The length of the album in time is approximately the distance you’ll have traveled as a passenger on spaceship earth. Recorded at both Heyman’s home studio Kick Factory and at Eastside Sound in NYC, the album features Heyman on vocals and a wide array of instrumentation with Nancy Leigh on bass and backing vocals and guest performances from Probyn Gregory on brass, Julia Kent on cello and Chris Jenkins on viola. Musically the album is brimming with infectious and exuberant melodies and exquisitely orchestrated power pop. It’s the kind of record that could have come out fifty years ago or now and seemed very much of the moment.
We had a chance to speak with Heyman about his career and his collaborations as well as the concepts and assemblage of the new record and you can listen below on Bandcamp. The album is now available on CD, digital download and via streaming services having released on Turn-Up Records on October 21, 2022. Please visit www.richardxheyman.com for details on listening and purchasing.
In “Love And Motown” Sweet Tempest tap into an emotional resonance reminiscent of a synth pop disco. Fans of TR/ST, Perfume Genius and Purity Ring will appreciate the way Sweet Tempest uses thoroughly enveloping melodies to fuse nostalgia with immediacy. And for this song the duo gives us a tale of dissociation, isolation and a yearning for connection despite having learned the habits of finding self-entertainment and needing no one. But it’s just a mode of being and like anything that gets to be a groove in our brains we can derail that trajectory by taking chances even if the can disrupt the delicate balance we’ve built in our lives. Sweet Tempest with its swarm of gently uplifting melodies suggests to us as delicately as possible that emotional complacency may be comfortable in its way but it isn’t as satisfying as genuine connection. Listen to “Love And Motown” on Spotify and follow Sweet Tempest at the links provided.
Producer and composer Kurt Uenala noticed over the years one of Depeche Mode frontman David Gahan’s rituals of jotting down words in a notebook. He wondered what Gahan had written down but never really inquired. That is until one day while checking in with the singer during lockdown Uenala asked and Gahan revealed that the notes were thoughts, feelings and observations he had no intention of sharing with anyone. That set in motion a project for which Gahan sent Uenala a recording of him reciting lines from one of those notebooks and in the studio the producer set up a synth to react to input in the timbre of Gahan’s voice whether the actual voice or background noise. The ultimate result of which was a series of recordings that have been assembled as the Manuscript EP. The track “G.O.D.” sounds darkly mysterious with a generative wave of distorted, lingering swells with Gahan sounding desolated and echoing slightly in the mix, ragged and as though he has exhausted any desperation or despair and merely looking for any signs from a caring universe and perhaps finding none. Sweeps of white noise in a haze of tone washes away those existential moments leaving the question unresolved yet not without an acceptance that one may never get the answer. It’s a little like a tone poem but also a melding of ambient music and spare, soul rippling poetry and honestly one of the most fascinating pieces of music with which Gahan and at this point long time collaborator Uenala have produced. Listen to “G.O.D.” on YouTube and follow Kurt Uenala at the links below.
The ghostly drones and ethereal vocals of “love you” by fhae sounds like something out of a future Ari Aster film. The sound of a processed cello drawing out a low end arc as other strings seem to whirl around in slow motion and a voice singing in Elizabeth Fraser-esque otherworldliness about an eternal and possessive love has an undeniable beauty and allure but of a similar quality one might expect in a supernatural horror story in which the things and people you are most drawn turn out to be a lure to your cosmic doom. And yet there is no denying the exquisite composition and craft in bringing together the underlying menace and transcendently gorgeous sounds that make the song so beguiling and effective. Listen to “love you” on YouTube and follow fhae at the links below.
Matthew Schwartz of Pacifico, photo by Mike Dunn for Rust + Rebel
There’s something comforting about the mix of stop motion, paper collage and animation of Pacifico’s video for “Afterglow.” The tendely psychedelic chamber pop song is about someone who is losing their sight but who seems to accept the limitations and memories of how things looked prior. It’s in a way a metaphor for someone who has come to terms with not really being up to date with how the world is and not quite apprehending the changes and puts some trust in the perceptions of those who are more with the times and not falling back on ego and insisting things are the way they once saw and understood them to be. This acceptance of the limitations of one’s life and not ego-pushing is paired well with the beautiful acoustic guitar work and quietly luminous vocals and string arrangements that sound both melancholic and at peace, which can be contradictory emotional states but Pacifico makes it work. Watch the video for “Afterglow” on YouTube and follow Pacifico on Instagram. Look out for the new Pacifico album Self Care out 02/10/2023 on Pacifirecords.
The tranquil flow of ethereal streams of tone that Nebno assembles for “Meradalir” is what you’d imagine would be the ambient music of the passage from The Grey Havens (from The Lord of the Rings) to Valinor. A heavenly iridescent melody and transcendent vocals enshrouded in sounds expansive and bright run through with a touch of distortion where the angles of luminous frequencies intersect as we are carried along in dreamlike reverie seemingly from a tranquil space to one more elevated in spirit. It’s a short song at under two minutes thus suggesting itself as a transitional piece but one that can stand on its own. Listen to “Meradalir” on Soundcloud and follow Swiss ambient and experimental electronic artist Nebno at the links provided.
Zeki’s visualizer for “Astroplaning” delivers more than a little on the title. A blue figure representing the astral body of a sleeping figure astral projects around the world to the Sphinx and to outer space. And dense synth pulses like a day glow bass line marks time with the percussion as the strained vocals outline the ways in which we often feel isolated and in the case of our narrator the manner in which he tries to get the attention he craves by becoming an entertainer. Musically it’s a little like a synthwave Dose One track with a bit more angst and desperation in the vocals fitting regarding a song that seems to be a litany of anxiety that in the end relents just a little as the astral body in the video settles back into the physical body which wakes to the face the morning sun. Its a song that leaves you feeling like something happened to ease out the nerve wracking clutter of the mind through the sheer freedom of being able to use the imagination to undertake a mysterious journey into the cosmos and back. Watch the video for “Astroplaning” on YouTube and follow Zeki at the links below.
SUNN O))) Shoshin Duo performs at The Gothic Theatre on January 31, 2023 Shadows Tranquil in 2022, photo by Tom Murphy
Saturday | 01.07 What:Autumn Creatures w/Cherished, Bloodsports and Shadows Tranquil When: 8 Where: Hi-Dive Why: Autumn Creatures is a band from Colorado Springs whose music bridges the worlds of ambient, post-rock, orchestral post-metal, dream pop and outright shoegaze. So on a solid bill with Denver’s Cherished which has emerged from its early incarnation as more a post-punk and death rock band into the realm of shoegaze but with tweaking the edges of the aesthetic with unconventional vocal tones and rhythms that shift easily from drifty to direct. Bloodsports also from Denver is hitting the sweet spot of slowcore and shoegaze with introspective vocals and flares of noise to give what might be a more amorphous aesthetic some dramatic definition. Shadows Tranquil also doesn’t trade in subgenre adherence by thoroughly fusing chilly shoegaze with a touch of emocore and mathrock but all aimed at expressing direct emotional resonances with a maximalist sonic approach with an impressive level of musical detail and dynamic nuance.
Verhoffst in 2022, photo by Tom Murphy
Saturday | 01.07 What: Noise Brap: Barbie Bloodbath, Muttering, Verhoffst, Kneiffii, Sheet Metal Skingraft, Wontanii, Ghost Thief, Wolf Larva, Avarice and Mumble w/DJs Ursa, B2B and Combat Sport When: 8 Where: Glob Why: The concept of the brap was coined by Skinny Puppy and was even the title of the 1996 edition of its Back and Forth Series (3 & 4 for that iteration) which collected early instrumental demos and live recordings from earlier in the decade of collaborative electronic improvisations. And for this show the various artists in the local noise/electronic industrial/glitch scene will be teamed up with another for sessions throughout the evening and into the night.
Bret Sexton and Farrell Lowe in 2022, photo by Tom Murphy
Saturday | 01.07 What: Summit Quartet & SeFa LoCo When: 7-9 Where: Mercury Café (Jungle Room) Why: This is an evening of live improvised music featuring Right Brains Records artists Summit Quartet which includes Swedish pianist Walter Thompson and long time Denver-based avant-garde saxophonist and educator Mark Harris who has performed with the likes of Bob Hope, Roger Waters and Cab Calloway and locally known for his time in art rock projects Thinking Plague and Hamster Theater. Also on the bill is SeFaLoCo which includes not only Matt Smiley and Ron Coulter from Summit Quartet but long time local masters of improvised music Farrell Lowe and Bret Sexton.
Open Mike Eagle, photo from Bandcamp
Sunday and Monday| 01.08 and 01.09 What: Open Mike Eagle w/Video Dave and DVNEHPPY (w/Azon Classic) (on 01.08) and w/S.iah (on 01.09) When: 7 Where:Larimer Lounge (01.08) and The Coast (01.09) Why: Open Mike Eagle has been created “art rap” for more than two decades and has long been a star in the modern alternative rap world. His new album A Tape Called Component System with the Auto Reverse (2022) is a fine dose of his always creative and imaginative lyricism casting every day situations in surreal terms that reveal insights what might otherwise be mundane and everyday situations. The album includes contributions from Armand Hammer, Aesop Rock and opening artist Video Dave. His beats go beyond mere choice sample processing and have a cinematic and literary quality in their own right creating a layered listening experience.
Skyfloor in 2021, photo by Tom Murphy
Thursday | 01.12 What:Alphabet Soup #56: Funk Hunk, Savage Bass Goat, Yung Lurch, Furbie Cakes, Skyfloor When: 9 Where: The Black Box Why: Alphabet Soup returned in 2022 for every second Thursday of the month at The Black Box to bring you a bevy of local, eclectic and forward thinking dance and techno not getting showcased much at any other event or venue plus there’s no cover.
R A R E B Y R D $ in 2019, photo by Tom Murphy
Friday | 01.13 What:R A R E B Y R D $ When: 6-10 Where: Rainbow Dome Why: Rainbow Dome is a project rooted in visual art and community building and this Capricorn Season-themed event involves roller skating, a dance party and a performance from hip-hop trio R A R E B Y R D $ whose music is brash, tender, emotionally rich and deep and incorporates a diverse sound that is an amalgamation of electro soul, ambient, R&B, alternative hip-hop and techno. If one were to count the top live music acts in Denver at the moment these people would have to be included.
Friday | 01.13 What:Modular Synth Night: Enemy Sender, ALX-106, Love Cosmic Love, Sine Mountain and Kent_ucky When: 8 Where: Hi-Dive Why: As the name of the event suggests this is a showcase for some of the local modular synth artists. Normally a show like this happens at a place like Black Box or maybe Fort Greene or with the artists separately at other spaces open to pure electronic music and the more avant electronic dance and techno music but that it’s happening at a venue like Hi-Dive is a testament to what those in the know already knew and that’s that there has been an blossoming interest in synthesizer music beyond the confines of EDM and electronic dance music for many years and maybe a sign of more events like this to come outside the usual venues.
Church Fire in 2021, photo by Tom Murphy
Saturday | 01.14
What: Coastless Creatives Presents Void: Feat. Closegood, Cole3K, Church Fire and Polly Urethane When: 7 Where: Lost Lake Why: Closegood is an experimental R&B duo originally based out of Los Angeles and may still be. Its 2021 album THOTFORM was a colorful set of music that sounded like a bit like R&B, glitch, hyper pop and something that one might expect on the Orange Milk label. Cole3K is similarly-minded in sound with a more hip-hop infused cadence but with production that sounds like the rapid fire shifting pulse of modern life. Church Fire is a hyper political electronic dance industrial trio from Denver but lately it has been incorporating production ideas from the realms of glitch and hyperpop in finding ways to express the reconciliation of self with a fragmented and fragmenting world in a time of great change and crisis where world governments, especially great powers, focus on pointless conflict and a charade of identity politics while the world burns and no one holding the reigns of economic and political power is taking a leadership position to address our collective challenges with the environment, authoritarian politics, economic inequality connected by the domination of global oligarchy. Church Fire’s music is in opposition to that and creating an oasis of joy and solidarity while performing it. Polly Urethane is an evolving visionary artist who seems comfortably situated in creating works that cross the boundaries of classical music, opera, noise, industrial, performance art, dream pop and post-punk. Her shows are an exercise in fearless confrontational challenge of the artist and audience dynamic.
Polly Urethane in 2022, photo by Tom Murphy
Tuesday | 01.17 What: Alice Does Computer Music, Certain Lives, Polly Urethane and Lanx Borealis When: 8 Where: Glob Why: Alice Does Computer Music is a New York City-based synth pop/hyperpop artist who incorporates cello into her immersive and playful soundscapes. Fans of Mitski may appreciate this artist’s particular brand of pop composition. Lanx Borealis is a Denver-based, dark ambient electronic artist whose work is in the realm of the sort of thing you might expect to hear on the long running Hearts of Space program on public radio. You never really know what kind of set you’re going to get from Polly Urethane and this might be a repeat of her show the previous Saturday or something more improvised or something new but always imaginative and powerful.
Blondshell in 2022, photo by Tom Murphy
Wednesday | 01.18 What:Suki Waterhouse w/Blondshell When: 7 Where: Bluebird Theater Why: Blondshell is the stage name of Sabrina Teitelbaum, a songwriter based out of Los Angeles whose singles have been making the rounds since 2022 when she started touring a bit as well on a national level. Her surprisingly fiery rock songs with lush pop hooks and commanding vocals as heard most recently with the December release of her “Veronica Mars” single are appealing enough but live Teitelbaum is a bit of a mysterious creature whose nearly acrobatic stage poses executed with an unaffected calm adds another dimension of performance style one doesn’t often see at a show like she’s incorporating yoga practice into the performance while keeping it theatrical and emotive. Suki Waterhouse is perhaps best known for her acting and modeling career having appeared in the films The Divergent Series: Insurgent (2015) and Ana Lily Amirpour’s gritty horror thriller The Bad Batch (2016) to name but two. In 2022 Waterhouse released her debut album I Can’t Let Go through Sub Pop as well as an EP called Milk Teeth after periodically releasing a single starting with 2016’s “Brutally.” Waterhouse’s hushed vocals and introspective, spacious, cinematic songs offer some insightful and nuanced perspectives on modern relationships.
The Mañanas in 2022, photo by Tom Murphy
Friday | 01.20 What:The Velveteers w/The Mañanas and Pink Lady Monster When: 7 Where: Bluebird Theater Why: The Velveteers return from a year of playing big out of town shows with their scorching yet joyful brand of blues rock and psychedelia with two performances and this night the Denver show with two of Denver’s finest. The spirited garage rock/power pop group The Mañanas and their breezy rhythms and sound like something that might have happened had indiepop bands taken even more of a cue from tropicalía. Pink Lady Monster seemed to emerge onto the Denver scene fully formed with an aesthetic that perfectly amalgamates dream pop, psychedelic rock and downtempo in a way reminiscent of both Broadcast and Blonde Redhead.
Friday | 01.20 What:Kool Keith w/Stay Tuned and DJ boyhollow When: 7 Where: Mercury Café Why: Kool Keith is the eccentric and influential rapper whose music with Ultramagnetic MCs and Dr. Octagon alone earn him an important place in the history of hip-hop. His surreal wordplay, profane humor and chameleonic style coupled with numerous alter egos have exerted a clear influence on hip-hop since the 1980s as a creative figure with a singular and evolving vision. Opening is the great, Denver-based crew Stay Tuned whose own style of hip-hop with two MCs is not short on imaginative culture and media commentary set to supremely creative beats in the vein of the likes of Dilla and A Tribe Called Quest. DJ-ing the show is legendary track selector boyhollow whose long running alternative music dance night Lipgloss recently went from a weekly to a monthly event.
The Velveteers in 2021, photo by Tom Murphy
Saturday | 01.21 What: The Velveteers w/Shady Oaks and The Nova Kicks When: 8 Where: Fox Theatre Why: This night The Velveteers play a hometown show with Americana inflected blues and garage rock band Shady Oaks and Denver indie rock band The Nova Kicks.
Instant Empire in 2015, photo by Tom Murphy
Saturday | 01.21 What:Instant Empire w/A Mouthful of Thunder and A Place for Owls When: 8 Where: Globe Hall Why: Since 2011 Instant Empire has been threading together classic New Wave sensibilities with introspective and hazy melodies. A Mouthful of Thunder is the latest band from Stephen Till formerly of Hearts of Palm and Black Black Ocean. Who? At any rate, Till’s sensitive lyrics and knack for dynamic melodies and inventive hooks are present here too as evidenced by its 2020 album Careful Now. A Place For Owls released its excellent self-titled debut full length in 2022 and sure it can be lumped under the clumsy umbrella genre designation of indie rock. But there is a level of orchestral composition that brings to the music a full and rich sound that complements well its yearning and existentially explorational lyrics.
Saturday | 01.21 What:Lykotonon w/Ritual Aesthetic, Noctambulist, Morningstar Delirium and DJ Swarth When: 7 Where: Hi-Dive Why: Lykotonon includes members of Wayfarer, Stormkeep and Blood Incantation and its music might be described loosely as experimental black metal in that it’s more in the realm of Wolves in the Throne Room than Darkthrone and underpinned with spooky electronics that give the music an otherworldly feel. The group recently released its new album Promethean Pathology (2022) and this might be seen as something like an album release show since the record dropped on November 25. Also on the bill are like-minded denizens of the more interesting end of local extreme metal.
Grief Ritual in 2021, photo by Tom Murphy
Sunday | 01.22 What: Velnias w/Ghosts of Glaciers and Grief Ritual When: 8 Where: Hi-Dive Why: Velnias is tricky to pin down in clear terms because its music isn’t just doom or progressive psychedelic black metal. But its appealingly forbidding yet melodic and epic songs have found an audience well beyond its unlikely hometown of Nederland, Colorado where it’s not just banjos and jam bands. Ghosts of Glaciers will be a good complement to the bill with its own progressive, doomy post-metal and Grief Ritual’s cutting, hardcore-influenced is a relentless assault on authoritarian nihilism.
Nightshark in 2006, photo by Tom Murphy
Thursday | 01.26 What:Nightshark w/Quits, Tripp Nasty, Sense From Nonsense When: 8 Where: Hi-Dive Why: Free jazz/noise rock avant-garde legends Nightshark is playing its first show in over a decade and its first with saxophonist Becca Mhalek in more than fifteen years. The trio of Mhalek, Mike Buckley and Andrew Lindstrom were staples of the Denver underground scene in the 2000s playing small clubs, drive bars and DIY spaces regularly with its mind-altering musicianship and wild energy. Later incarnations of the group included the likes of Neil Keener of Wovenhand fame and Brittany Gould who some may know for her transcendent ambient folk project Married in Berdichev. But the classic trio was the longest lasting and the lineup for this reunion. Sharing the stage will be some other luminaries of the 2000s and 2010s Denver DIY world with composer and modular synth artist Tripp Nasty who has recently launched a new lathe cut label called From the Desk of the Sick Librarian which released the new Sense From Nonsense record. The latter is the solo micro soundtrack and synth and film project of Tom Nelsen who many may know from his tenure in both mutant garage rock band Vicious Women and industrial post-punk phenoms Echo Beds. Quits will also bring its noise rock madness and eruptive energy to the show with former members of White Dynamite, Sparkles, Hot White and Felt Pilotes. All killer.
Pink Lady Monster in 2022, photo by Tom Murphy
Friday | 01.27 What: Church Fire, Velvet Horns and Pink Lady Monster When: 7 Where: Enigma Bazaar Why: Church Fire will grace the west side with its politically charged industrial dance party and raw emotional power. Velvet Horns is supposedly a pop punk band in the queercore vein and that’s true enough in essence but there’s nothing corny about its intensity and storytelling, like they aimed right for the vulnerable emotions that is part of the best of pop punk. Pink Lady Monster’s art pop psychedelia always seems to have a paradoxical mysterious immediacy with songs that defy easy genre tagging as its songs aren’t readily comparable to any obvious influences.
Circuit des Yeux in 2014, photo by Tom Murphy
Friday | 01.27 What:Circuit des Yeux and Bleak Mystique When: 7 Where: The Coast Why: Experimental indie folk artist Haley Fohr has been releasing fascinating records as Circuit des Yeux since at least 2010. Her spectral, almost classical compositions and otherworldly and dramatic vocals seem like something that one might expect from another era or parallel universe in which Alice Coltrane is a figure in her more New Age period was cited as an influence alongside Magma as much as any classic rock or folk artist. Her 2021 album -io is like a long lost Nico record with shades of Julia Holter and Laurel Halo but of course Fohr’s unique and always boundary pushing style.
Haunt Me in 2022, photo by Tom Murphy
Friday | 01.27 What: Haunt Me w/Hex Cassette and Julian St. Nightmare When: 9 Where: The Crypt Why: Haunt Me is a darkwave post-punk band from Austin, Texas that often performs in a nearly choking cloak of fog so that its echoing melodies seem to indeed come through to you in a disembodied manner grounded by hypnotic beats. This swing through Colorado includes two dates, this one at The Crypt with the confrontational and fun occult darkwave dance style of the inimitable Hex Cassette who always breaks the barrier between audience cajoling performer and manic dancer in the audience. Julian St. Nightmare’s songwriting as a post-punk band is consistently pushing the barriers of the musical style with not only superior musicianship and diverse songwriting but great style and stage presence.
Sunnnner in 2022, photo by Tom Murphy
Saturday | 01.28 What: Haunt Me w/Hex Cassette and Sunnnner When: 8 Where: Trident Booksellers & Cafe Why: This second Haunt Me show this time in Boulder out back of the Trident book store on the west end of Pearl Street Mall not only includes Hex Cassette but Denver trio Sunnnner whose weirdo post-punk and noise rock is so idiosyncratic in its presentation it is psychedelic rock by default. Meaning the group is much more exciting and interesting than any possible hints of roots in garage rock might be there.
Why Bonnie, photo by Grace Pendelton
Saturday | 01.28 What:Why Bonnie, Sun June and Porlolo When: 8 Where: Hi-Dive Why: Why Bonnie began as a songwriting outlet for singer/guitarist Blair Howerton but by the time of its 2018 debut EP In Water the project had developed into a full band. Howerton’s vivid lyrics and command of loud and quiet dynamics and crafting of warm, evocative melodies has yielded a richly diverse body of work that has been described as shoegaze Americana but the band’s music has more in common with the likes of Rilo Kiley, Soccer Mommy and Julien Baker than Mojave 3. The group’s 2022 album 90 in November is a collection of stories of unromanticized nostalgia. That approach lends the songs an unusual and fascinating aspect of being able to appreciate one’s past as it is and not to over or undervalue how you’ve grown as a person and the ongoing process of personal development. Veteran pop Americana legends Porlolo from Denver opens the show with Erin Roberts’ own insightful takes on personal folly and a life lived without fitting neatly under a subcultural umbrella.
Kali Malone, photo by Mauricio Guillen
Tuesday | 01.31 What:SunnO))) w/Kali Malone When: 7 Where: Gothic Theatre Why: In its SHOSHIN (初心) Duo configuration SunnO))) returns to its core, original live form with founders and guitarists Stephen O’Malley and Greg Anderson performing its signature heavy volume ritualistic drones dealing in what they refer to as “profound valve amplification, spectral harmonics, distortion and volume.” From the beginning the duo has crafted primal waves of sound that serve as some of the heaviest ambient music rooted in an abstract rock instrument foundation, warping and mutating both aesthetics in an alchemical synthesis that is transcendent and glacially crushing. Don’t go expecting a doom band, sure it’s not quite the same without long time collaborator, the singular vocalist Attila Csihar, but all configurations of SunnO))) offer a mind-altering live experience unlike any other band in the world of heavy music or really any other. Opening the proceedings is Kali Malone. The composer grew up in Colorado and moved to Stockholm, Sweden in her late teens and has become internationally renowned for her avant-garde works of drone and modern classical music. Anyone that saw Malone performing at house shows and DIY spaces in Colorado got to see an early form of Malone’s gift for meditative, minimalist soundscapes but her 2019 album The Sacrificial Code brought her to wider international audiences. Her new album, the gorgeously layered and transportingly murky Does Spring Hide Its Joy (January 2023) includes contributions from SunnO)))’s Stephen O’Malley and Lucy Railton released on O’Malley’s Ideologic Organ imprint on 3 LPs and 3 CDs.
“Need” begins with a typically melodic earworm riff from Plasma Canvas. And when Adrienne Rae Ash’s vocals come in there’s an earnest soulfulness that pairs well with the emotional urgency of the song’s lyrics and exuberant performances. Plasma Canvas has long been adept at completely fusing strong songcraft rooted in emo, punk and classic rock. But for this song a simple concept is stretched out into an epic about love and yearning, self-forgiveness and being open to learning about one’s deepest needs that can remain hidden from you without the help of others. And never once does it overstay its welcome, instead it pulls you into the eddy of the gravity of its sentiments that are the subject of endless rock and roll and emo songs except here the gloriously indulgent and infectious guitar solos and bombast is given the perfect amount of nuance in a line like “Give me what I need, show me what I need” as an admission that you never have everything figured out, you don’t know everything even when you’re swept up in the fervor of love. Listen to “Need” on Spotify, connect with Fort Collins, Colorado’s Plasma Canvas at the links below and pre-order the new album DUSK on vinyl which releases on February 17, 2023 along with releated merch on SideOneDummy Records.
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