The Power of Dax Compels You to Follow Your Better Instincts on “The Devil’s Calling”

Dax, photo courtesy the artist

Dax is always reliable for a visually fascinating music video and that for “The Devil’s Calling” is like a short existential horror film. In the song Dax outlines how he’s struggled with the forces of evil in his life and sees them threatening the people in his life as embodied by the figure of The Devil. Whether or not you’re a Christian, Dax’s embrace of his better instincts and habits as being with God as a source of strength against the influence of our weaker inclinations. He invokes, Malcolm X, Dr. Martin Luther King Jr. and Rosa Parks as people who leaned on their faith as reinforcing a will to personal liberation and the song with its haunted yet urgent beat and Dax’s forceful verbal flow makes choosing the better path seem more desirable than the opposite even if you stumble along the way through life. Watch the video for “The Devil’s Calling” on YouTube and follow Dax at the links below.

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Night Hikes’ Warmly Dreamlike “Perfect Wonder” is a Soothing Reminder to Exercise Gentle Self-Kindness and Patience for a More Fulfilling Tomorrow

Night Hikes, photo by Becki Thorley

Night Hikes imbue the title track from their recently released Perfect Wonder EP (released March 24, 2023) with a dreamlike haze and an uplifting spirit. Its lightly distorted synths have a soothing effect that mixes nostalgic reflection with a hopeful wistfulness of opening horizons that Neon Indian had on the Era Extraña album. But there is no patina of regret and no “Perfect Wonder.” Its very much about accepting how things are now and how current frustrations, struggle and limitations are so often not permanent and with some effort and patience, with no small amount of self-kindness, you can get through those times to reach a better place. The lines “And when the present washes away/I let tomorrow make it okay/Somehow I know it’s all worth waiting for/And I’m inclined to stay and see.” This is not a sentiment of false hope, it is a very gentle pragmatism that requires only to resist egotistical impulsiveness and not blind faith so much as trusting in natural processes you don’t always know or see to work out. Listen to “Perfect Wonder” on YouTube and follow Night Hikes at the links below.

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Chrome Waves’ “Under the Weight of a Billion Souls” Seethes and Resonates With Hope For a Brighter Future for Humanity

Chrome Waves, photo from Bandcamp

The performance video for Chrome Waves’ “Under the Weight of a Billion Souls” showcases the groups twin and complementary virtues. There is the feral and acidic vocals and driving beat one might associate with black metal as well as the rapid, ascending guitar riffs but paired with a moodiness and melodic touch that gives its more aggressive elements an immediacy and accessibility that allows its songs to reach a little deeper. This song in particular is expansive and its message of cultivating our collective responsibility toward one another as fellow humans and going beyond tribal obsessions and narrowly crafted and conceived social circles for our mutual benefit seems especially poignant and relevant at this moment in our development as a species. The yearning guitar arcs and gritty ambient soundscape both posits a question about if it’s possible to transcend our current social and psychological limitations and offers an emotional resonance suggesting in the affirmative if we want to. Watch the video for “Under the Weight of a Billion Souls” on YouTube and listen to more Chrome Waves on Spotify. The group’s new album Earth Will Shed Its Skin releases April 28, 2023 on M-Theory Audio (link to Bandcamp below).

Trummerkind’s “Revolt” is a Thrilling, Tribal Industrial Post-Punk Chant Against Genocide

Trummerkind, photo courtesy the artists

You don’t need to know that Trummerkind wrote “Revolt” as a protest against the genocide of Ukrainian citizens for it to have the proper impact or context. The song’s distorted opening drone and its menace like an abstracted air raid siren before facts about how the roots of the conflict go back to 2014. But then the song goes directly into a chant-like decrying of genocide with industrial tribal drumming and an urgent guitar line that sounds almost more like the hum of a machine cycling up and down than a standard instrument and sweeps of synths to elevate the mood to one of defiant excitement. The net effect is like a Killing Joke song as done by Pussy Riot and with its well arranged elements in electronics, vocals and agitprop it hits a bit like one of Crass’s more experimental pieces. Listen to “Revolt” on Spotify and follow Trummerkind at the links below.

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Miss Torsion Takes Us From Despair to a Hard Won Hope on Electro-post-punk Song “Lost”

Miss Torsion, photo courtesy the artist

Former Cell Division guitarist Miss Torsion expresses a feeling of self-imposed isolation on “Lost.” The electro-post-punk song is reminiscent of ADULT. in its undercurrent of menace and sustained purge of anxiety. And in the last portion of the song it takes a turn into a more upbeat and melodic dance song yet its lyrics with the refrain of “I’m lost the world does not hold me/I’m lost I’m falling no end” and then ending that set of words with “I’m lost I’m falling apart” and concluding with “I fall so deep, see myself from above.” It’s like in the hypnotic and irresistible rhythm Miss Torsion has given herself to that mood and felt it right through to its natural conclusion rather than get distracted from actually feeling those uncomfortable and enervating states of being, experiencing that wave and coming out the other side with a hard won sense of psychological clarity. The more brooding first part of the song and the more dance-y ending reflect this progression in a creative way rather than being so obvious and offering hope without the usual clichés about how it’s going to magically get better. Miss Torsion shows us one way how. Watch the video for “Lost” on YouTube and connect with Miss Torsion at the links provided.

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Glassmanet’s Micro Album Video For “Glassplanet” is a Blissfully Psychedelic Odyssey Through Our World’s Ecological Horrors and Wonders

Glassmanet, photo courtesy the artist

With the video for “Glassplanet,” Norwegian dream pop artist Glassmanet showcases her intertwined gifts for creative soundscaping and video art. It’s a short film and journey through entrancing streams of melody crafted from luminescent droplets of guitar floating through flares of distorted tone that give the ethereal whole some definition while letting go into free flowing anti-structures as styles and visuals evolve quickly but gently into the next phase of ideas with the artist frequently seen frolicking about and performing in gossamer outfits in colorized, negative image footage and animation collage. It’s mostly a summery and otherworldly experience but the “Waves Cannot Be Crushed” portion introduces a twinge of menace like if Bricks Are Heavy period L7 followed its most psychedelic instincts. It’s a full ten minutes eleven seconds but “micro albums” don’t often come this fully realized and engrossing. And wait until after the credits for some of the most blissed out sections of the album as the synth tones go full on Boards of Canada-esque but with some anchoring grit that makes the come down from this delightfully unusual trip into cosmic musicality land easy. Watch the video for “Glassplanet” on YouTube and follow Glassmanet at the links below.

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May Try Tomorrow’s Industrial Rap Track “All Cats Are Beautiful” is a Playfully Scathing Takedown of Authoritarian Forces

May Try Tomorrow boiled down a lot of anti-establishment spirit into its song “All Cats Are Beautiful” with special ire directed at cops and the fash. After all what was it Rage Against the Machine said about some those that work forces? It’s an industrial rap track that utilizes a creative mashup of internet meme culture, graffiti, footage of humans getting up to nonsense and random images of animals, food and other products. And despite all the fury and scathing rhetoric dismantling the more corrosive element of society the artists take out a few seconds for a smoke break before finishing the song letting us know they’re humans and we all need to take some time out for ourselves and for joy with a healthy sense of humor even while we resist the relentless flood of authoritarian capitalist control in all areas of our lives as we can because rebellion is always called for and fun and any system that tries to dominate all your time is illegitimate. Fans of Ho99o9 and Realicide will appreciate this glitched out mini-masterpiece. Watch the video for “All Cats Are Beautiful,” a subversive song title if ever there was one, on YouTube and follow May Try Tomorrow at the links provided.

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Sjfleish’s Lively Ambient Track “Oceans” Teems With the Life and Grandeur of the World’s Oceans Themselves

Sjfleish, photo by Sera Fleishman

Sjfleish is an environmental engineer working on coastline, streams, wetlands and pond restoration and that knowledge and appreciation of the natural world surely informed her song “Oceans.” Though just over a minute long ambient track incorporates a rich array of sounds from a harp-like melody, to processed, ethereal vocals, bursty swirls of sound and distorted whorls. Accompanied by a music video that brings in a broad range of underwater and coastline footage including a volcano and luminous invertebrates the short song teems with an expansive spirit that feels like a short journey into a mysterious and wondrous world. In its short run time the piece captures a lively sliver of the grandeur of the very bodies of water that are the title of the song. Watch the video for “Oceans” on YouTube and follow Sjfleish at the links below.

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Aggressive Soccer Moms’ Weirdo Post-punk Song “Darling” is a Moody and Surreal Declaration of Self-Respect

Aggressive Soccer Moms, photo courtesy the artists

Swedish post-punk group Aggressive Soccer Moms inject some surreal creativity into the genre with its single “Darling” from its new album QUINT (released March 9, 2023). Fans of Sex Swing and Sleaford Mods will appreciate the arch vocal delivery in poetic couplets and the full embrace of lo-fi electronics and stark minimalism employed to great dramatic effect. The use of percussion and horn-like blasts on what could be a processed saxophone is like the kind of mutant disco and free jazz the Pop Group brought to its classic 1979 debut album Y. Who can say what the lyrics mean in a concrete sense but lines like “You call me an idiot, you don’t get to call me darling, you call me a loser, you don’t get to call me darling, you call me a liar, you don’t get to call me darling” suggest an association gone sour in which or narrator, as it were, calls out the hypocrisy and emotional betrayal in no uncertain terms and while the vocals aren’t angry in the visceral sense the words speak to coming from a place where one discovers one’s inherent dignity, done with shabby treatment tolerated under the cloak of misguided affection. At times the song and others on the album are reminiscent of The Happy Mondays gone bleak and moody. Aggressive Soccer Moms are clearly Swedish and if bands like Refused and Viagra Boys at a minimum are any indication this variety of irreverent art punk is very much a thing there but fans of UK weirdo post-punk especially from Sheffield and Manchester will appreciate what Aggressive Soccer Moms are doing now and seemingly have been for the past half decade and more. Listen to “Darling” on Spotify and follow Aggressive Soccer Moms at the links provided.

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“Like This Forever” by La Vie Sauvage and Pet Snake is Industrial Mood Music for Retro-Futurist Film of a Thomas Disch Novel Yet to Be

La Vie Sauvage and Pet Snake, photo courtesy the artists

“Like This Forever” sounds like La Vie Sauvage and Pet Snake are sending musical transmissions from an underground bunker in a dystopian future as envisioned in the 1990s. There is something retro about its deconstructed industrial aesthetics. Like a synthesis of glitchcore and whatever it was Curve was doing in the mid-90s. Tones bliss out in chaotic fashion in sharp bursts that linger and the vocals haunt the track like a ghost in the machines responsible for processing the sounds. It’s the kind of song that Gregg Araki should include in a dystopian, retro-futurist cyberpunk inspired film he would make based on a reworking of a Thomas M. Disch novel like what would happen if the lead character of Camp Concentration escaped with his abilities intact and created a rebellious underground poised to overthrow a technocratic global oligarchy. It’s a wonderfully dark mood piece that fans of Machine Girl and Nine Inch Nails as well as the aforementioned might fully appreciate. Listen to “Like This Forever” on Spotify and follow Dutch producer and composer La Vie Sauvage at the links below.

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