SubmitHub – Page 75 – Queen City Sounds and Art

Tashi Delay’s “Blue” is an Operatic Post-punk Examination of Processing Trauma

The music box sound introduction to Tashi Delay’s “Blue” is a recurring device like a companion to the main rhythm line running through the song and one that introduces a whimsical element in a song about how one processes trauma. Sometimes the event hits you and you spend some moments trying to figure out how it could happen. Those music box tones are like those moments. The rest of the song has some crunch to it and a loping, menacing yet sinuous bass line and in the music video Emily Seabroke looks slightly shell shocked with a blue light partially washing out her image as her vocals follow the melodic line up and down her wide register. The image then fragments into crystalline chunks that fall way as all the sounds converge and a bluesy and noisy guitar solo burns through and fades giving way to an introspective outro that suggests that even if you overcome this immediate trauma response the mind has a way of submerging that pain only to return at a later date when you may or may not be ready to take it on from some emotional distance. Watch the video for “Blue” on YouTube and follow Tashi Delay at the links provided. Tashi Delay’s self-titled debut album became available on November 10, 2023 on Spotify.

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Beige Banquet’s Angular and Urgent Post-punk Single “Animals” is Comment on How We’re All the Same While Distressed

Beige Banquet, photo courtesy the artists

London-based post-punk band Beige Banquet is set to release its debut album in 2024 as a full band and its first recorded in a studio to capture its full live forcefulness and sonics beyond the limitations of the bedroom recordings of its earlier releases. The first single of the album is the frenetic and headlong “Animals.” The song creates a powerful emotional resonance with its propulsive bass line and urgent, noisy, searing guitar shimmer, splayed and finely accented drums with Tom Brierley’s vocal lines as descriptive statements about how at our base all humans are animals that respond to environmental pressures and stimuli in a similar fashion especially under pressure and in a state of stress and discomfort. Fans of the more discordant end of shame and the angular side of JOHN (TIMES TWO) will likely find some musical spiritual kindred here. Listen to “Animals” on Spotify and follow Beige Banquet at the links below.

Beige Banquet on Bandcamp

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Unverkalt Conjures a Haunted Sense of Menace on the Gritty and Darkly Atmospheric “Mr. Monster”

In the writing of its new album A Lump of Death: A Chaos of Dead Lovers, Greek experimental metal band Unverkalt took its cues from events of the 1970s involving cults, criminal acts and serial killers that seemed to be in the news on the regular in that decade. The songs have a darkly haunted quality and its atmospheric parts have a distorted and gritty quality that lends a menacing air of the macabre to every track with vocals that are part epic and melodic and at times reminiscent of Cranes. It’s truly a different kind of record in the world of heavy music and doesn’t fit in the usual subgenres. The single “Mr. Monster” begins with a buzzing, hovering sound that might be a synth or a looped guitar part. But then hanging guitar chords come in with softly pounding drums and vocals delivering a story that seems to be that of a person who feels conflicted and yet eerily accepting of someone who commits unspeakable acts against others and feels compelled against their will to engage in lethal behavior. The pulsing synth sound in the song hits like a flickering light in a dark room illuminating the activities with the starkness of a strobe imposing a visual sense of slow motion. And the song does sit suspended like that for moments before it floods with all the guitars, vocals, drums and electronic sounds in a dramatic denouement. Fans of SubRosa/The Keening/The Otolith, Faetooth and Windhand will greatly appreciate Unverkalt’s unorthodox and creative approach to crafting evocative heavy music. Listen to “Mr. Monster” on Spotify and follow Unverkalt at the links below. A Lump of Death: A Chaos of Dead Lovers was released on October 20, 2023 via Argonautica Records on digtal download, streaming, vinyl and CD.

Unverkalt on Facebook

Unverkalt on Twitter

Unverkalt on YouTube

Unverkalt on Instagram

Mary Middlefield’s Indie Orchestral Single “Sexless” Spells Out a Situation Everyone Gets Into When They Have Standards

Mary Middlefield, photo courtesy the artist

Mary Middlefield articulates in “Sexless” a certain kind of desperation and frustration that many people can relate to at some point in their lives or for entirely too long a stretches of time. The song’s orchestral sounds and upbeat energy are a wonderful contrast to lyrics that in another context might be considered pathetic. But in Middlefield’s words we hear about how she’s not without options just none that seem appealing and she expresses how she finds even self-pleasure unsatisfying. She sings about how when she was a little younger she had that network of friends that meant she could find someone to pair off with for fun and companionship but that maybe her temperament as an artist or as a human being with regular human needs that some might see as a burden has ensured her lonely status. And she wonders how this all happened leaving her thinking, “I’m sexless and I’m not loved.” Maybe a lot of people can’t relate to it and when you watch the music video directed by Imogen Harrison you may think oh right, how is Mary Middlefield suffering from this state of things. But it happens when you have standards and you’re not someone who can feel attracted that way to just anyone for whom you feel like you’re settling. Stranger things have happened and one can only hope this plight in the life of Middleton has resolved itself or will soon and for you as well if you also find yourself “Sexless.” Watch the music video on YouTube and follow indie singer-songwriter Mary Middlefield at the links below.

Mary Middlefield on TikTok

Mary Middlefield on Instagram

L Twills’ Soulful and Menacing “Illusion II” is a Fusion of Dark R&B, Industrial and Art Techno

“Illusion II” is the second single from L Twills’ forthcoming new multimedia album [After her Destruction] (due out February 16, 2024). The album is a cybernetic sci-fi opera in which its protagonist Girl journeys through her own mind to find out whether it has mutated. In ten video chapters of the album Girl meets various characters and creatures and undergoes epiphanies that transform her and opens her to new vistas of creative imagination. “Illusion II” brings us in with a rippling low end sound like a deeply processed piano abstracted and echoing, metallic sounds counting time and creating an evolving texture while L Twills sings soulfully about a figure that seems to hold a strange and irresistible allure while she is under the spell of a mysterious affliction. Even though it’s obvious you’re hearing a portion of a larger narrative the song stands on its own. It sounds like an unlikely pairing of Fiona Apple, Malaria! and Chris & Cosey and hints at a fascinating album ahead. Listen to “Illusion II” on Soundcloud and follow L Twills at the links provided.

Kaeto’s Sultry and Urgent Synth Pop Single “No Body” is an Entrancing Mantra of Personal Liberation

Paula Romy’s video treatment for Kaeto’s sultry and urgent synth pop track “No Body” gives it a feel like if Flashdance took place in some grimy, underground Berlin industrial music venue that took over an abandoned parking structure. That this place likely doesn’t exist in reality gives the video a sense of being futuristic with the aesthetics of cyberpunk without the glitz. The fantastically driving and pulsing yet fluid bass line alongside Kaeto’s introspective and exploratory vocals in a song that seems to have something to say about the nature of personal liberation creates an immediately compelling dynamic and finely paired with the choreographed moves and dancers frolicking amid hazy lights and the shadows of a place that in addition to the aforementioned is reminiscent of a techno club that could be in Germany, London or Detroit. It lends a widely accessible spirit to the song. Fans of The Knife will appreciate the sense of mystery Kaeto establishes with the moods and rhythms that interlock and release throughout. Watch the video for “No Body” on YouTube and follow Kaeto on Instagram.

Dax’s Vulnerable and Reflective “Life” is an Embrace of Living in the Moment and Savoring the Limited Time We All Have on Earth

For his single “Life” Dax brings together a simple guitar melody played over a spare beat and lets his typically fluid and commanding vocal cadence carry the momentum of the song. For this song there’s an accompanying video, Dax’s signature and consistently creative and compelling presentation of his songs, that shows ups, downs and everyday struggles of life. We see Dax serving as a janitor in a music venue symbolizing paying his dues and how it must have felt after he’d established himself somewhat as an artist. We see Dax sitting in a classroom being open to learning and setting aside ego to learn from sources beyond his immediate faculties. In the song he refers to his faith and his battles with that and keeping it even though he finds solace and a source of strength and perseverance in it. But even if you don’t share his particular belief system the song has plenty to say about the impermanence of life and how it’s best to make the most of the time we have in this life because it’s all we know. Even if you believe in an afterlife the only life you know is this one and it’s too easy to waste that time and not make the best of our lives even with the challenges that may be in front of us. It’s a compassionate song about living life and the spirit of vulnerability that Dax expresses throughout is a welcome change from the hollow bravado positivity and toughness of entirely too much popular music in all styles. Watch the video for “Life” on YouTube and follow Dax at the links below.

Dax on TikTok

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Dax on Instagram

Salvana’s “Cielos Rojos” is a Deep Dream Pop Song to Warm Your Winter Months

The drift of melody in Salvana’s “Cielos Rojos” (“Red Skies” in English) is anchored to a weighty sound when the song shifts gentle from ethereal to a gentle boil. The percussion provides a physicality that frames the song with a meditative rhythm as its guitars billow forth and the vocals occupy the center of the song like a spirit of warmth commenting on nostalgic memories. The resonant guitar tones that linger have a crystalline quality like something you’d hear in a Slowdive song from the Pygmalion period. While the atmospheres here are full there is a spaciousness that draws you into its immersive, dreamlike moods. The pairing of heaviness and lightness also brings to mind the more gentle end of Slow Crush and SOM and a more dream pop cousin to Holy Fawn. Comparison’s aside “Cielos Rojos” evokes a time of life one can look back on fondly to warm the colder months. Listen to the song on Spotify and follow Barcelona, Spain’s Salvana at the links below.

Salvana on Facebook

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“Chrysanthemum Rock” is llawgne’s Shoegaze Ballad Against Capitalism’s Culture of Toxic Striving

“Chrysanthemum Rock” engages in a bit of subversive songwriting in opening with a burst of noise before settling into a measured pace with layers of melody and texture on guitar. The song rushes and whirls while glittering with guitar jangle in a wall of noise mode while Matthew Engwall sings about personal decline and how that often comes about from burnout and the depression at so many factors living in a world mostly dominated by the extractive economic system that is capitalism that demands more and more of everyone at all levels while delivering little to anyone but the system itself and its biggest “winners.” Instead you have to do more faster and more efficiently but that isn’t what humans are built for and Engwall’s song takes aim at that culture of striving and grinding yourself to death and making yourself useful to a system on its own terms and not meeting you on yours. The chorus of “Teach yourself to ease the pain of learning how to live again/Prepare your body for the shock of learning to sing chrysanthemum rock”is so poignant if you know that chrysanthemums in many European cultures symbolizes death and the flower is used for funerals and left at graves and in China, Japan and Korea the flower symbolizes adversity and grief. In his own poetic and clever away Engwall has given us a song about how we’re all encouraged to work ourselves to death even if we no longer possess the capacity to operate at 100% at some job all the time. No one has that capability without it costing them long term. But at this point hopefully all of us realize this at some level but in America people largely still suffer from capitalism’s equivalent of the Stockholm Syndrome yet it seems more and more people are becoming aware of the deleterious effects of overwork and having little to show for it. This song is a lively expression of solidarity for that awakening. Listen to “Chrysanthemum Rock” on Spotify and follow llawgne at the links provided.

DSTRY Guides us on a Trip Through the Cosmos in the Video for Psychedelic IDM Track “Cassini Shields”

Pulses of hazy, gritty tone and click-y percussion guide us into DSTRY’s “Cassini Shields.” The song (referencing the space probe that studied Saturn and its system including its rings and satellites) has an animated music video that features a colorful outer space environment that shifts into scenes of the heroine of the song falling through space and roaming around an evolving set of scenery from buildings to ocean and more fantastical realms of existence. All the while almost pointillist rhythms and the sample of a tambourine keeps beat while various strands of bright electronic melody trace the paces of the song and warp off into the distance and vocals that sing and utter phrases that have emotional resonance even as their actual meaning is not discernible. None of it matters on this cosmic journey of music and visuals to the center of the galaxy where by the end of the video you see black holes forming and then transforming into planets as a figure in a space suit like those worn by American astronauts drifts forward. Is there a genre for this music outside of maybe calling it an IDM or more loosely and vaguely an “experimental electronic” song? The arbitrary designations and reference points don’t matter and the song draws you in with its warmly otherworldly energy and constantly evolving melodies and beats and within it an appealing sense of wonder and a spirit of adventure to match that seen in its visual representation. Watch the video for “Cassini Shields” on YouTube and follow DSTRY at the links below.

DSTRY on Bandcamp

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