SubmitHub – Page 52 – Queen City Sounds and Art

Joh Chase Leans Into Life’s Shifting Circumstances in the Introspective and Spirited Indie Pop Song “Gone”

Joh Chase’s songs from the forthcoming album SOLO (due April 26, 2024 via Kill Rock Stars) each seem to have their own personality and style but all informed by a poetic outlook and personal insight into life’s transitional moments. The single “Gone” finds the melody centered around Chase’s expressive vocals and words that seem to come from a moment when maybe you feel like you’ve run out of luck (“Gone, my four-leaf clover”) and left to your own devices by former partners and even your dog, for now. Chase seems to accept the latter in stride because the dog will find her way home and our narrator in the words “And I’m gone with the wind, now,” leaning into circumstance rather than bemoaning it because so much is transitory and sometimes these changes are the best course for your life whether you are completely aware of it or not. The note struck by the end of the song is one of triumph and exulting in the moment. The minimal, rhythmic guitar work and drums flow where Chase guides them with their introspective and spirited moments lending the song an organic feel like you’re with Chase in accepting an intuitive approach to what might otherwise be more challenging times in one’s life. Watch the video for “Gone” on YouTube and follow Chase at the links provided.

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Syndel’s Dream Pop Song “Hear Me Bleed” Evokes Deep Feelings of Conflicted Affection

Syndel imbues her single “Hear Me Bleed” with a vulnerability and dream like melancholy that serves as a fascinating contrast with the sentiments in the song. Employing both introspective singing and spoken word Syndel presents us with the story of someone who has opened herself up to someone who has proven himself not worth being show a side of herself she shares with very few people. We hear her anger at herself for making herself vulnerable to someone who seems to take such a casual approach to her affection. Yet she can’t help but still feel the impulse to be generous with her emotions and regard. The conflicted feelings expressed in the song will surely resonate with anyone who feels strongly and has the capacity to be sensitive and open even if it’s not always something most people experience. The music embraces Syndel’s soulful vocals with lush pulses of synth and a soaring and lonely piano melodies that echoes so slightly reflecting lingering feelings that aren’t so easy to shake. Listen to “Hear Me Bleed” on Spotify and follow Syndel at the links below.

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Orange Peel Moses Celebrates the Possibilities of the Upcoming Cosmic Event With the Indie Pop Psychedelia of “Under the Eclipse”

With the path of totality landing next week across a swath of the United States, Orange Peel Moses released the video for his latest single “Under the Eclipse.” The video is edited together from various live performances in which the songwriter tested out the song in front of audiences as well as scenes of other events but it all fits well with clips that serve the plot of the song in which the narrator is seeking out a lady eclipse chaser with whom to make a magical eclipse baby during the great event. Produced by El Javi at Wolf Howl Records in Denver, mixed by Andy McEwen of Crucilble Recording and mastered by David Glasser at Airshow Mastering in Boulder with contributions from pianist Erik Deutsch, percussionist Zay Alejandro Rios and vocalist Lex Alvis, the song is a lighthearted tribute to hedonism and cosmic events. The video edited by Rocco Mountain Productions features footage captured by BinghamX, Eric Heiland, Thor Wixom and Rocco Mountain in locations including Invisible City, the defunct Everland, Danny Fantastic HQ and at California’s Lighting in a Bottle Festival captures but the laid back spirit of the song, its sense of fun and colorful tones. The music is like an indie rock/modern indie pop with touches of psychedelia and vocals reminiscent of early 70s Cat Stevens with inviting tonal resonances and a leaning into possibilities. Orange Peel Moses will be performing during the Texas Eclipse event at Reveille Park Range Friday April 5, 2024 through Tuesday, April, 9, 2024 and there’s a good chance if you’re there during the festivities you can catch the song live. Watch the video for “Under the Eclipse” on YouTube and follow Orange Peel Moses at the links below.

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How To Dress Well Returns With the Art Pop Single “New Confusion” and Its Themes of the Rebirth of the Capacity to Love Authentically

How To Dress Well, photo courtesy the artist

It’s been five years since How To Dress Well has released new music when then his new record was The Anteroom. But ahead of the May 10, 2024 release of the new album I Am Toward on Sargent House, Tom Krell aka How To Dress Well offers the single “New Confusion.” It has the hallmarks of what has made the project so fascinating and compelling with highly detailed, almost maximalist synth compositions in a pop format, otherworldly yet expressive and intimate vocals and lyrics that take pop song conceits and takes them in a thoughtful directions. The song unfolds in mini-chapters with shifting dynamics that build organically with tonal shimmers and ethereal melodies as Krell tells the story of someone who has been so hurt in love that he feels like it’s time to disconnect from the feeling entirely and burying the impulse to love where it manifests as realizations that “Hell is where no one has anything in common with anyone else” and as the song of “A small wet bird from deep inside my shoe.” As the song progresses our narrator recognizes this bird as the dormant capacity to love to which he never had to say goodbye. But Krell doesn’t offer an easy and sunny return to normal human functioning and by the end of the song the pain needs to be acknowledged and processed before the bird as the symbol of love can fully take flight. Listen to “New Confusion” on Spotify and follow How To Dress Well at the links provided.

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Walter The Producer’s “PAMPLEMOUSSE” is a Soulful Power Pop Ballad About Un-Recipricated Infatuation and Moving On

Walter The Producer, photo courtesy the artist

Walter The Producer’s “PAMPLEMOUSSE” sounds like an a fusion of soul and fuzzy power pop and in the highly entertaining music video (directed by Dylan Budnieski) the melodrama of its lyrics manifest in humorously self-aware fashion. The song is about a crush that doesn’t pan out the way our narrator would like, as is usually the case, but the song gives those fragile and tender feelings the share of dignity they deserve because most people have felt a wave of attraction to someone who may not share those sentiments to the same degree or not at all and it doesn’t have to be in a creepy way or head in a negative direction. You get disappointed and you move on and the song with its almost orchestral arrangements succinctly captures that moment as well. Walter has honed in on something in this short song that a lot of people could learn from and that’s that disappointment doesn’t have to be catastrophized and you can still feel the feels and be comfortable in knowing that genuinely having them doesn’t mean they were worthless even if they’re reciprocated. Watch the video for “PAMPLEMOUSSE” on YouTube and follow Walter The Producer at the links below. Look for the album PLEASE HELP ME I’M SCARED due out later in 2024.

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Razor Braids Honor and Calm the Parade of Thoughts That Course Through Your Head When You’re Trying to Be Present on “It Goes Quiet”

Razor Braids, photo courtesy the artists

There is a deep sense of nearly paralyzing self-awareness in Razor Braids’ single “It Goes Quiet.” But the song with its themes of learning to be present in relationships rides that fine line between overthinking and trying to be sensitive to the boundaries and concerns of one’s partner and not letting those thoughts overwhelm you. The distorted guitar lines interweave with those more moody, introspective and atmospheric in moments reflecting the various impulses of mind that one navigates in moments of peak vulnerability that borders on insecurity and veering off letting that state guide one’s feelings away from dissociating in reaction to the flood of thoughts and emotional colorings that can come into your heart and head when you’re trying to be mindful and not mess up something special. The line “I feel like I am somebody else” and the bit about “the weight of words unsaid” speak to that tension eloquently. And the final line of the song “I wanna be your ocean, swim in me, stay the night” articulates a desire for intimacy and deep connection that can seem intense though real. It’s a short song imbued with great psychological nuance that gives comfort in the acknowledgment of the multiplicity of thoughts that can pull one away from being in the moment. Listen to “It Goes Quiet” on Spotify and follow Razor Braids at the links below.

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Ringo Deathstarr’s Remix of Lauren Lakis’ “Terror Tears” Transforms the Introspective Dream Pop Original Into a Beautiful, Industrial Darkwave Nightmare

Lauren Lakis, photo courtesy the artists

Ringo Deathstarr took Lauren Lakis’ “Terror Tears” and transformed the spacious, dream pop gorgeousness into a distorted and urgent borderline industrial song. Where previously the music felt introspective and tranquil, this version sounds like it was inspired by the title to engage in some deconstuction and in the last third of the song it is almost pure rhythm and rapidly echoing guitar stripped of all but the barest of melodies and the vocals like a ghost haunting an old television that bursts forth into vivid focus in the last moments of the song. It is nearly unrecognizable from the original and a remix that truly explores the possibilities of the songwriting. Listen to Lauren Lakis’ “Terror Tears (Ringo Deathstarr Mix)” on Spotify and follow Lauren Lakis at the links provided.

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Mikahl Anthony’s “Space Blue/Deep Ain’t It” is a Poignantly Poetic Meditation on World Weariness and Resilience Set to Cosmic Jazz, Blues and Psychedelic Soul

Mikahl Anthony, photo courtesy the artist

The applause the open Mikahl Anthony’s “Space Blue” give the song the air of an early 70s psychedelic soul/late night jazz lounge feel. Runs of keyboards burst and drift off into the cosmos and the vocals opine about the state of the world and the state of a relationship and the way those developments intersect. The track is two minutes seven seconds but Anthony seems to layer so many musical and thematic ideas into that small space with deft nods simultaneously to Stevie Wonder, Herbie Hancock and Dilla. It has a deeply introspective mood yet one that seems yearning for meaning and connection and a weariness with the way the world and life often are but aware that often one can’t make changes as quickly and as thoroughly as one would prefer. And thus the final line of the song “I sing the same old blues song” has a playfulness and resonance that hits like a complex truth expressed with a poetic poignant succinctness. Listen to “Space Blue” on Spotify.

M Wagner’s “Release Yrself” is a Joyous Catharsis Swimming in Urgent Grainy Melodies and Tranquil Tones

The distorted stream of sounds in M Wagner’s “Release Yrself” sounds like you’re hearing a joyous outburst of melodic tones through the filter of a blizzard. One imagines someone walking from a secluded manor up a path to the site where all the fun is happening having come late to the proceedings and missing the shuttle or the procession through a fog and snow shower but knowing you want to be there. And in the last just over a minute of the song the haze clears and crystalline bell tones ring out in the near distance signaling your arrival and freedom from the challenges and resistance encountered to and of the urgency of the effort. And in the end of the song the grainy effect on the tones returns like a reminder of how the journey had its own sense of significance and catharsis. The song as a whole is like a futuristic techno club hit. Listen to “Release Yrself” on Spotify and follow M Wagner at the links below. The artist’s new album We Could Stay releases on May 17, 2024.

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Daniel Ellsworth & The Great Lakes Burn Through a Sense of Social Stagnation in the Urgency of Indie Pop Single “EVERYTHING IS EVERYTHING”

Daniel Ellsworth, photo courtesy the artist

“EVERYTHING IS EVERYTHING” by Daniel Ellsworth & The Great Lakes surges forth from the beginning of the song with a sustained sense of joyful urgency. Ellsworth’s rich falsetto soars over and through the song and seems to both guide and carried on by the steady beat and ethereal synths like something out of a daydream, guitar providing both textured melody and arcs of bright tonality. It seems to be a song about a sense of how things and places can be essentially the same or feel familiar but always changing in ways that can seem overwhelming but also not fast enough in many ways. It’s about a sense of comfort with the familiar but also a desire for the world around you to progress at a pace that that matches an expectation that nothing can fully stay stagnant because the nature of existence is change. The song bridges synth pop, electro soul and indie rock in a way that feels fortifying and transporting at once. The group’s new album HIGH LIFE released February 16, 2024. Listen to “EVERYTHING IS EVERYTHING” on Spotify and follow Daniel Ellsworth & The Great Lakes and the songwriter’s other projects at the links provided.

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