SubmitHub – Page 26 – Queen City Sounds and Art

“ryder” Finds lilith and V V N Weaving an Irresistible, Neo-Soul-Infused Hip-Hop Spell of Affection and Infatuation

Boston-based producer and DJ lilith teams up with V V N for a left field hip-hop single called “ryder.” The song is about deep affection for and infatuation with a loved one. The vocal delivery is wide-ranging and gentle but passionate and the beats and sound sculpting is like an evolution from classic neo soul with expertly crafted layers of rhythm bringing together ideas from classic hip-hop and strong electronic percussion and the textural feel of the best end of trap. It has that spontaneous and raw quality of a bedroom production but there is nothing lacking in the way the song brings you into the mood, the vibe, the moment. It sounds like the kind of song you’d want to hear from someone you love with all the sincerity and sensuality that would make it irresistible. Watch the video for “ryder” on YouTube and hear more of lilith’s choice cuts on Spotify.

Drew Danburry’s Wintry Indiepop Single “Love” Radiates a Touching Warmth

Drew Danburry infuses a tenderness and subtle poetry to “Love” that elevates a simple song about the way love for someone can help you get through some rough moments. The song is concise but captures that mutual feeling people have for each other in a way that feels complete. Musically it’s like if a Christmas song got an indiepop treatment and was about something deeply personal rather than about something like a season or a holiday yet contains that uplifting, warmly nostalgic energy that turns what might seem sappy into something that hits as poignantly sincere. Listen to “Love” on Spotify and follow all things Drew Danburry and his Telos Tapes label via the link tree on his Instagram profile. “Love” can also be heard on the Bird Songs EP which released on December 19, 2024 for streaming, digital download and cassette.

Oldest Sea Plumbs the Depths of One’s Personal Demons on the Orchestral Folk Single “All Shall Love Me and Despair”

Sam Marandola sounds fragile yet gritty on the new Oldest Sea single “All Shall Love Me And Despair” like Marianne Faithful taking over an abandoned music hall. In that hall assembling a group of musicians to haunt it with gorgeously gloomy sounds: lingering piano chords and pulses of strings, heartbeat percussion and other vocals joining the leads later in the song for a net effect like a quiet epic of impending doom. The title is perhaps borrowed from the line when in The Lord of the Rings Galadriel is offered the One Ring by Frodo and then utters those words in the end when she knows she can reject its dark temptation. The song, though, seems to be about being tempted by despair and self-loathing written in terms of personal mythology and manifested as one’s own demons and struggling with self-oppression mixed with the feedback and interactions outside one’s own head. The moods, textures and the style is a kind of Gothic folk akin to a darker cousin to Dead Can Dance and the song gets into your head with its fascinating, orchestral progressions and emotionally charged atmosphere. Listen to “All Shall Love Me And Despair” on Spotify and follow Oldest Sea on Instagram.

Evo Auxilium’s Techno-Industrial Post-Punk Single “chop it up!” is a Song About the Comforts of Friendship With One’s Creative Peers

Evo Auxilium builds the electronic bass driven “chop it up!” on a foundation of rich low end. The percussive synth tones and the songwriter’s attention to the textural qualities of all the sounds in the track is impressive and easy to get lost within as melodic spirals pulse outward and dissolve in your mind. Stylistically it fuses post-punk moodiness with the techno impulses of Clark and the latter’s use of percussive melodies. It’s a song about reconnecting with a friend one doesn’t get to see often that lives out of town but when you’re together you can fall into welcome familiar patterns of hanging out and talking about the usual concerns perchance work on some creative work time permitting. It’s a nice mix of playfulness and sonic intensity reminiscent of Sextile’s most recent album Crash but in this case the techno mixes with perfectly with industrial sensibilities rather than those more shoegaze adjacent. Listen to “chop it up!” on Spotify and follow the Minneapolis, Minnesota-based artist Evo Auxilium via LinkTree.

Haotian’s Ambient Pop Single “Karst Caves” Blends a Sense of Geologic Time With a Personal Emotional Journey

Haotian brings to “Karst Caves” a sense of a jazz spawned from an underground world where new age ambient soundscapes fused with the quasi mystical art pop of the band Japan. Synths flow in background harmonics as the songwriter’s vocals paints a scene that tells the tale of the formation of the kinds of geographical landscapes and its manifestations throughout the world. It’s a fine chapter of Haotian’s latest album Story of Leaves (released December 6, 2024) that offers a loose story arc beginning with “Day” and ending with “Night” and vignettes of a journey of wonder and discovery in in the seven songs between cast as mellow pop songs imbued with a spirit of introspective poetics. Listen to “Karst Caves” on Spotify and follow Haotian at the links below.

Bad Flamingo’s Dark Americana Pop Single “Frying Pan” is a Cinematic Ballad of Doomed Romance on the Edge

Bad Flamingo, photo courtesy the artists

Bad Flamingo switches up its song structure style a lot more on the single “Frying Pan” leaving ample open space into which the vocals cast a character study worthy of the duo’s previous material. It’s a tale of impending peril, doomed romance, a life lived on the edge but done so without regret. The banjo and slide guitar this time also providing some of the percussion as well as the textured tones that grounds this noir pop song with a tactile immediacy, which the band always seems to accomplish in various ways. The lyrics employ inventive thematic couplets that pair ideas that express similar ideas in divergent applications such as “I don’t feel safe, I don’t feel sound” and “I lose my shit, I lose myself, and I don’t like to lose.” Those couplets also include contrasting thoughts like a more creative way of conveying conflicting feelings the narrator has reconciled. Is this a country song? No, but the outlaw country sensibility is there. It’s like a dark Americana but of Bad Flamingo’s signature style of smoldering, moody, dreamlike pop with enough grit to keep it from ever sounding safe. Listen to “Frying Pan” on Spotify and follow Bad Flamingo at the links provided.

badflamingomusic.com

Bad Flamingo on Facebook

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Bad Flamingo on YouTube

ASA 808’s Ambient Pop Single “Let ur heart breathe” Sounds Like the Real Time Feeling of that Expansion of One’s Capacity For Sensitivity and Empathy

The title track to ASA 808’s EP Let ur heart breathe (released December 13, 2024) has a dreamlike warmth and playful energy in equal measure. It is somehow both introspective and expansive with layers of rhythm and melody that intermingle and intertwine with an airy tonality in a minimalist yet detailed ambient soundscape that resonates like the title suggests and the heart having that freedom grows stronger and more confident and more capable of feeling more freely and with an augmented sensitivity. Rather than this opening of the self to hurt it is a refreshing growth into capacities long forgotten, neglected and or until now unexercised but which now feels good and comfortable and even comforting like getting to where you should always have been. Listen to “Let ur heart breathe” on Spotify and follow ASA 808 on Instagram.

Fotosputnik’s Post-Rock Single “Pictured in Wenceslas Square” is a Colorfully Maximalist Piece of Post-Rock Prog Psychedelia

Fotosputnik meticulously crafted its latest album Incantations for a Tenrec (released December 6, 2024) across more than four years through the depths of the pandemic in studios in rural Illinois and Chicago, in remote collaboration and in person. In that way the double LP is like a cinematic work that requires efforts in a variety of contexts across time in the principal filming, editing, sound design etc.. The single “Pictured in Wenceslas Square” has layers of dynamics that are anchored by a strong, melodic bass line that drives the song with a simplicity and finely articulated accents. Around it guitars resound in screams, whooshes, glittery flourishes, string-like quavers, soaring harmonics, horn-esque blasts and other contributions to a rich tapestry of sound that is allowed to float freely within intertwining dynamics all while metronomic drum work locks down the rhythm further so that all the disparate elements can shine in seeming chaos that somehow gels into a piece of music that feels like a complete experience and a journey through a stimulating landscape with plenty for the mind to sink into and thusly the song can be listened to repeatedly with your ear catching different combinations within the song. Listen to “Pictured in Wenceslas Square” on Spotify and follow Fotosputnik at the links below.

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The Video For raudiver’s “Mary Tombs” is a Technicolor Supernatural Giallo Short Fitting Its Themes of the Perils of a Toxic Relationship

raudiver, photo by Graham W. Bell/Third Eye Land Party

George Tripsas’ visual treatment of the music video for raudiver’s single “Mary Tombs” is part Dario Argento circa Profondo Rosso and a Jane Schoenbrun film. Which suits the music that pairs beautiful Omnichord drones with Lauren Eddy’s soulful vocals. Chilling synths twinkle in the backdrop of the song adding accents to the shifting drone and minimal electronic drums count the hypnotic rhythm but with nuance of pacing and composition so that it isn’t just one drum pattern or sound and programmed so that there is some subtle but well executed diversity in how the song is accented. Fans of Madeline Goldstein will appreciate the single as well as the band’s latest album Leave Before Dark which released September 11, 2024 on streaming, digital download, CD and LP. Watch the video for “Mary Tombs” on YouTube and follow Houston’s raudiver at the links provided.

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Ocoeur’s Ambient Soundscape “Second Chance” is the Sound of a World Disconnected From the Rapacious Demands of Economic Thinking

The harmonic slow swell that subtly ushers in Ocoeur’s “Second Chance” is like the beginning of the day in its progression—a background shift in energy and emotional resonance that evolves seemingly suddenly into a sunlit sky. It’s a sustained harmonic layering that works together as tones make themselves known with an impressionistic coalescence of elements with single notes signing out and echoing with sonic trails like a fading afterimage. Musically it also has a feeling like being able to walk or drive through the streets in the days leading up to Christmas in the USA when people, businesses and the city leave their lighting decorations on throughout the night. There is bright tranquility to that feeling that even if the world is in peril at all times you can take in a moment or a dozen to take in something quaint and beautiful and simple that doesn’t have an immediate commercial utility. It’s in that moment that maybe you can entertain the idea that our conflicted species might have another chance if we can not obey our role in a global system of commodifying capitalism baked into every interaction, increasingly demanding our time and our energy in lives in which any idle moment is treated as theft from the economy. This song sounds like that mindset is irrelevant in the grand scheme of actually living. Listen to “Second Chance” on Spotify and follow Ocoeur at the links below.